The Utility of Shakespeare in Business Courses Wayne Smith (COBAE): wayne.smith@csun.edu I occasionally teach a 400-level, elective course for business management seniors titled "Decision-making and Creativity". It's taught from a multi-disciplinary perspective where the students learn and apply various quantitative and qualitative techniques. One part of the course employs the reading of a Shakespearean play, one play per team (about six teams of about five students each). This assignment helps students achieve a number of valuable outcomes, but I'll just focus on the reading aspects here. I call this assignment "From First Folio to First Principles". As an aside note that many academics are also consultants "on the outside". We usually save this kind of applied learning for "executive education"; I am simply adapting such "consulting" work for "clients" in a "business" to teaching and learning for students in a class. Essentially, each student team is assigned a play, and will give a final, oral presentation to the entire class incorporating not just a distillation of the play but also drawing analogies to current examples from the world of business leadership and management (I intend to show examples of students' presentations from this course at the 2015 CSUN faculty retreat). Interested readers can read more about this assignment at: http://ocw.smithw.org/2013fall/mgt458-12919/assign-shakespeare.pdf There are several reading challenges. The first challenge is becoming accustomed to "a different language": Middle English. A side-by-side (Middle-English/English) translation can help here, and such texts are readily available. As a start I also have the students watch at least one video, often from the complete collection of BBC 'first folio' plays held by the University Library, or a modern movie; this helps with the absorption and assimilation process (both linguistically and culturally). Graduating seniors will soon be immersed in the argot and "house styles" of their idiosyncratic firms and industries: they need to adapt...and quickly. Actually the bulk of the students are already poly-lingual; it's often the faculty members that are mono-lingual (me). The second, and more difficult, challenge is to "map" key concepts from the play to organizational and societal modernity. To this end I help students understand the different "levels" of reading ("macro", "meso", and "micro", for example) and how they need to think about professional, managerial, and executive life at those levels too. For example, "war" might be likened to "competition", "suicide" to "self-destruction", "fortune" to "randomness", "freedom" to "agency theory", etc. "Antony and Cleopatra" concerns "mixing personal with professional", "Hamlet" concerns "leadership, writ large", "Othello" touches upon "racial discrimination", "MacBeth" concerns how "vice-presidents" (doppelgangers) provide "advice", "King Lear" describes the hazards of "succession planning", and "The Merchant of Venice" concerns (among many things) "matters of finance, diversification, and probability"), etc. 1 Finally, I provide specific examples of a few soliloquies (akin to "memos", "speeches", or "motivational memes") to prime the students' application of their various readings to help bring to bear the theories and practice of decision-making and creativity to address issues of importance in contemporary organizations. Two accessible and useful examples are in King Henry V. See, for example: http://ocw.smithw.org/2013fall/mgt458-12919/exercise-shakespeare.pdf To be successful with the project, the students *must* do close readings, take extensive notes in their own style, participate in active, in-group discourse over several weeks, and make unique contributions in class. I help the students by giving them samples of use and application; each semester the students always find new themes and new analogies that, frankly, I didn't see in my own reading and understanding of the plays. That's *just the kind of intellectual contribution* we would expect CSUN seniors to make subsequent to a difficult, assigned reading. Postgraduation I receive more positive feedback from students on this specific assignment than on any other assignment I've given in any class in the past thirty years. 2