Seminar: TV commercial production COMM-350-M10 COMM-663-M12 Instructor’s information Name: Dr. Youjeong Kim Office location: Room 1019 Telephone: 212-261-1633 E-mail: ykim71@nyit.edu Office hours: After class or upon request. Course Overview Course information Term and date: Spring ’15; Jan. 20 – May. 16, 2015 Course number and section: COMM-350-M10/COMM-663-M12 Meeting times: Wednesdays 2:00pm-4:50pm Building and room number: MC61 – Room 1021 Prerequisites and co-requisites: None. Credits: 3 Course description from catalog This course centers on the production of the television commercial: its planning, writing, and production. Major emphasis is on studio/field production and non-dramatic programming forms, which are produced live to tape Prerequisite: TEVE 101. Course goals and introduction This is a higher level production course in the art of television studio production. Students will learn to become proficient in all the various production roles of a television studio and or EFP environment of commercial production. Further emphasis will be placed on the developing, Revised 1/14 © Youjeong Kim p. 1 planning and executing the student’s project ideas while working in a team environment. Learning outcomes and instruments of assessment 1. Produce and implement on an original idea that is individually or group designed and produced, incorporating the studio technologies and within accepted industry practices 2. Proficiency in the technical and aesthetic art of producing and directing television programming as well advanced understanding and use of industry terminology 3. Operate the studio video, lighting, graphic and audio equipment proficiently 4. Create treatments, scripts, budgets and production schedules 5. Operate and communicate effectively within a studio production “team” environment while performing the various roles of the television studio crew NYIT Global Competence: Students can identify interdependencies among cultures and are able to collaborate effectively, participating in social and business settings globally. Upon graduation, students will be able to: 1. Recognize the impact of the global interconnectedness of issues, processes, trends, and systems on their academic specializations and worldviews. 2. Practice well-researched oral, written, visual, and digital communication in its diverse cross-cultural forms. 3. Describe a complex global issue from multiple cultural perspectives and explain how those perspectives affect the treatment of the issue. 4. Employ effective and appropriate interaction and teamwork with people of different nationalities and cultures, demonstrating respect for social, cultural, and linguistic diversity Required Textbook & Course Readings Required Textbook Advertising: Principles and Practices by William Wells, John Burnett and Sandra Moriarty, Prentice Hall, 8 th ed., 2009 ISBN – 13: 978-0-13-222415-4 Television Production Handbook 10th edition by Herbert Zettl Wadsworth Publishing; 10th edition (February 14, 2008) ISBN-13:978-0-495-50188-6 ISBN-10: 0-495-50188-3 Television Production CyberText by Ron Whittaker; accessible at http://www.cybercollege.com/tvp_ind.htm The textbook is a resource and road map for the course. It provides background information for class discussion and exercises. You are expected to keep up with the readings according to the Revised 1/14 © Youjeong Kim p. 2 schedule in this syllabus. All exams are directly from the text. Material in the book provides the foundation for the skills developed in the course – but it is not the course. COURSE EVALUATION Grading Formula Final grade is broken down as follows: Deadline Attendance: 10% Class participation: 5% Discussion & In-class exercises: 5% (30pt) In-class Assignments: 12% [Assignment #2] Coffee commercial storyboard: 3% 1/28 [Assignment #3] Reaction paper on Super Bowl ads: 3% 2/4 [Assignment #4] Reaction paper on “Art & Copy”: 3% 3/11 [Assignment #5] PSA treatment and Script: 3% 3/25 In-class exam: 10% 5/11~17 (TBA) Exam (1): 10% Project 1 “Coffee” Commercial: 10% Project 1-1 video: 5% 2/19 Project 1-2 video: 5% 2/26 Project 2: 13% Project 2-1 video: 5% 3/5 Project 2-2 video: 5% 3/5 Proposal package: 4% 4/2 Project 3 production: 6% 4/9 Project 3 video: 6% 4/16 Proposal package: 4% 4/23 Project 4-1 video: 6% 4/30 Project 4-2 video: 6% 5/11~17 (TBA) Project 3 PSA: 16% Projects (4): 60% Project 4: 16% Overall project participation: 8% Team members’ evaluation: 5% Instructor’s evaluation: 3% Total: 100% (600pt) Grading Scale A: 93~100% B+: 86~92.9999% B: 82~85.9999% C+: 78~81.9999% C: 74~77.9999% F: ~73.9999% Revised 1/14 © Youjeong Kim p. 3 COURSE REQUIREMENTS AND POLICY Readings and Exams There are a lot of assigned readings. Some will be discussed in class while other won’t be. Keep up with the readings since they are relevant to what we are doing in the class at the time. Exams. One (1) exam is planned for the semester. They must be taken during class. The quizzes will be based on the readings and/or materials presented in class. Lecture slides will be uploaded on Blackboard. Policy for make-up quizzes and missed or late assignments 1. Makeup exams and presentations are given at the instructor’s discretion, as is the format of the makeup exam. Be prepared to provide official documentation of the legitimate reason that caused you to miss an exam, class activity, or not deliver a presentation on the day assigned. Dire illness, death in the family etc. can all be documented with obituaries, funeral cards, official notes from healthcare providers. 2. Since the class is participatory, no guarantee can be made for acceptance of late assignments and grade penalties are applied to late assignments at the instructor’s discretion. 3. Late assignments Same day late submission: -5pt -5 point per day (e.g., one-day late -10, two-day late -15) Attendance & lateness policy 1. Attendance is mandatory, and taken by the professor at each session. 2. Students will be marked late when they arrive up to 30 minutes after class begins. After 30 minutes, the student may be marked absent. 1 absence (normal) = -10 1 absence (production or shooting day) = -20 3 tardiness = -1 absence Description of Assignments 1. Weekly readings from the textbook and assigned articles (see attached schedule) 2. In-class exercises, storyboard, and reaction papers (will explain later) 3. 4 Projects (see attached description) Revised 1/14 © Youjeong Kim p. 4 TV COMMERCIAL PROJECTS (Group project); 61% of final grade *Throughout this semester, you will be involved in 4 projects and produce 8 videos! PROJECT 1: Topic-limited Topic: Coffee TV commercial Project 1-1: “Coffee” TV commercial (60”) Project 1-2: A brand new “Coffee” TV commercial (45”) PROJECT 2: Format-limited Topic: Free topic Project 2-1: Picture/video + *music (+VO) (30”) (*use non-diegetic sound); editing is more important Project 2-2: Same topic, but different version (dramatic action required; *use diegetic sound); production is more important PROJECT 3: PSA (Studio production): 3 groups Topic: Free topic (but PSA) Project 3: PSA studio production Project 3: final video (30”, 45” or 60”) [Submit proposal package; topic description, storyboard, and script] PROJECT 4: TV commercial (free topic + free format) Topic: Free topic (brand) Project 4-1: TV commercial Project 4-2: A brand new commercial (could be either same topic or different one) [Submit proposal package; topic description, market analysis report, storyboard, and script] *****Submissions must be typed, proofed for spelling and grammar, and submitted on time ***** GOOD LUCK! Revised 1/14 © Youjeong Kim p. 5 Project Summary Table Project # Project 1 Project 2 Project 1-1 Project 1-2 Project 2-1 Coffee Coffee Free Project 2-2 Same topic with Project 2-1 Free (PSA) Free Free Project 3 Project 4 Topic Project 4-1 Project 4-2 Revised 1/14 Free Free Picture/video + Music (+ VO) *Non-diegetic sound Dramatic action required *Diegetic sound (brand-new) 60” 45” 30” N/A N/A N/A Final Video Due date 2/18 2/25 3/25 30~60” N/A 3/25 Free (Studio production) Free Free 30~60” 4/2 4/15 16% 30~60” 30~60” 4/23 N/A 4/29 5/11~16 16% Format Length Proposal due date © Youjeong Kim p. 6 Grading 10% 13% Withdrawal policy A student may withdraw from a course without penalty through the end of the 8th week of class during a 14- or 15-week semester and through the 8th meeting during an 8week course cycle. After this, the student must be doing passing work in order to receive a W grade. Students who are not passing after the 8th week or equivalent will be assigned the grade of WF. It is the student’s responsibility to inform the instructor of his/her intention to withdraw from a course. If a student has stopped attending class without completing all assignments and/or examinations, failing grades for the missing work may be factored into the final grade calculation and the instructor for the course may assign the grade of WF. The grade of F is used for students who have completed the course but whose quality of work is below the standard for passing. Withdrawal forms are available in departmental offices and once completed must be filed with the registrar. Students should be reminded that a W notation could negatively impact their eligibility for financial aid and/or V.A. benefits, as it may change the student’s enrollment status (full-time, part-time, less than part-time). International students may also jeopardize their visa status if they fail to maintain full-time status. Academic integrity and plagiarism policies Each student enrolled in a course at NYIT agrees that, by taking such course, he or she consents to the submission of all required papers for textual similarity review to any commercial service engaged by NYIT to detect plagiarism. Each student also agrees that all papers submitted to any such service may be included as source documents in the service’s database, solely for the purpose of detecting plagiarism of such papers. Plagiarism is the appropriation of all or part of someone else’s works (such as but not limited to writing, coding, programs, images, etc.) and offering it as one’s own. Cheating is using false pretenses, tricks, devices, artifices or deception to obtain credit on an examination or in a college course. If a faculty member determines that a student has committed academic dishonesty by plagiarism, cheating or in any other manner, the faculty has the academic right to 1) fail the student for the paper, assignment, project and/or exam, and/or 2) fail the student for the course and/or 3) bring the student up on disciplinary charges, pursuant to Article VI, Academic Conduct Proceedings, of the Student Code of Conduct. Library Resources All students can access the NYIT virtual library from both on and off campus at www.nyit.edu/library. The same login you use to access NYIT e-mail and NYITConnect will also give you access to the library’s resources from off campus. Revised 1/14 © Youjeong Kim p. 7 On the left side of the library’s home page, you will find the “Library Catalog” and the “Find Journals” sections. In the middle of the home page you will find “Research Guides;” select “Video Tutorials” to find information on using the library’s resources and doing research. Should you have any questions, please look under “Library Services” to submit a web-based “Ask-A-Librarian” form. Additional resources for further learning All class materials (excluding the textbook) are posted on the Blackboard site created for the class. The class syllabus, assignments, additional readings are posted on the site. Refer to it regularly for updates, which will occur throughout the semester. All homework assignments are posted on the Blackboard site, and students are expected to check the site if they are absent from class, and complete all homework assignments on schedule. Articles related to class discussion, along with the PowerPoint’s from class lectures are posted on the class Blackboard site. Support for students with disabilities NYIT adheres to the requirements of the Americans with Disabilities Act of 1990 and the rehabilitation Act of 1973, Section 504. The Office of Disability Services actively supports students in the pursuit of their academic and career goals. Identification of oneself as an individual with disability is voluntary and confidential. Students wishing to receive accommodations, referrals and other services are encouraged to contact the Office of Disability Services as early in the semester as possible although requests can be made throughout the academic year. Revised 1/14 © Youjeong Kim p. 8 TENTATIVE CLASS SCHEDULE Note: Assigned readings and due dates may vary from this schedule. Changes will be announced in class. Date 1/21 1/28 2/4 2/11 2/18 2/25 Class Topics Assignments/ Quizzes Week 1: Introduction/ No reading Introduction, course overview. An introduction to TV commercial In-class exercise #1: advertise yourself - What is TV commercial? (AD vs. In-class exercise #2: What is advertising? promotion) - Communication model - Techniques of TV commercials Week 2 Basic elements of TV commercial Group formation for projects production - Field & Studio production In-class demonstration: Studio/ field cameras In-class exercise: Camera (hands-on) Individual homework #1: upload “Coffee” TV commercial storyboard (60”) on blackboard by 5:30pm WEEK 3 Project I shooting: “Coffee” TV commercial Individual homework #2: Reaction paper on Super Bowl 2015 Ads; Pick your best 3 and worst 3 ads and provide your reactions/reasons (*upload your reaction paper on blackboard by 5:30pm) WEEK 4 Lighting, Editing, VO recording In-class exercise: Editing your project I video WEEK 5 Screen Project 1-1 final video Project 1-1 final video due (60”) Additional shooting and editing based on In-class exercise: project 1-1 video comments evaluation WEEK 6 Screen Project 1-2 final video Project 1-2 final video due (45”) Explain Project 2 and group discussion Project 2 shooting Revised 1/14 © Youjeong Kim p. 9 3/4 3/11 3/25 4/1 4/8 4/15 4/22 4/29 Screen Project 2-1 & 2-2 final video Screen “Art & Copy” WEEK 8 Market Research Individual homework #3: Reaction Target Audience paper on Art & Copy (*upload your PSA (Public Service Announcement) reaction paper on blackboard by Explain Project 3: PSA 5:30pm) WEEK 9 Project 3 PSA shooting Individual homework #4: PSA script & treatment WEEK 10: Reading Chapter 13 & 14 Project 3 PSA shooting Team homework #1: Project 3 proposal (storyboard, script, & topic description) (*upload your group’s proposal on blackboard by 5:30pm; 1 proposal per group) WEEK 11: Reading Chapter 18 & 19 Screen Project 3-1 final video Project 3-1 final video Additional shooting and editing WEEK 12 Screen Project 3-2 final video Project 3-2 final video Project 4 group discussion and shooting WEEK 13 Project 4 shooting Team homework #2: Project 4 proposal (storyboard, script, & topic description) (*upload your group’s proposal on blackboard by 5:30pm; 1 proposal per group) WEEK 14 Screen Project 4-1 final video Project 4-1 final video Additional shooting and editing MAKE-UP WEEK 5/6 5/11-16 (Final Exam week) TBA WEEK 7 Project 2-1 & 2-2 final video Make-up week Final exam Screen Project 4-2 final video Revised 1/14 WEEK 15: FINAL WEEK Project 4-2 final video © Youjeong Kim p. 10