Speakers at ACRA III. 15 – 18 September 2015
Arsenault, Daniel
Qajartalik, the high heritage potential of a unique rock
engraving site in the Canadian Arctic. Or:
The bizarre, the buzzards, and the hazards at the Rocher
à l'Oiseau, a major rock art site of the Canadian Shield:
the rise and fall of a unique sacred Algonquian site
through time
Blundell, Geoffrey
Image and Identity: modelling the emergence of a
‘different’ rock art tradition in southern Africa
Challis, Sam
Ups and downs of survey and management at the new
UNESCO World Heritage Site at Sehlabathebe, Lesotho
Conkey, Meg
Location is Everything: Rock Art Differences Across the
Sacred Landscape of the Klamath Basin
(Oregon/California, USA)
Cornell, Per
Rock art regional variations, warped realities and social
worlds
Damm, Charlotte
The organisation of early spirituality: Variations in
locations and ritual practices in Stone Age Fennoscandia
David, Robert A.
Location is Everything: Rock Art Differences Across the
Sacred Landscape of the Klamath Basin
(Oregon/California, USA)
Devlet, Ekaterina
Sikachi-Alyan Rock Art Site from the Russian Far East
Diaz-Andreu, Margarita
The sound of images: transformations in the acoustics of
post-palaeolithic rock art in the Western Mediterranean
Díaz-Guardamino, Marta
On rock art and artifacts in Britain and Ireland
Fossati, Angelo Eugenio
The Rock Art Tradition of Valcamonica, Italy (World
Heritage site): current researches, conservation and
management issues
Franklin, Natalie
The Panaramitee Tradition and Simple Figurative Styles:
Perspectives on differences in Australian rock art
Fuglestvedt, Ingrid
The Rock Art of Late Mesolithic Scandinavia: Uncovering
Meaning through ‘Motemic Variation
Gjerde, Jan Magne
Snowscapes of rock art – seasons and landscapes in
Stone Age rock art
Goldhahn, Joakim
Perspectives on Differences in North European Rock Art
Traditions
Hampson, Jamie
Rock art regions
Hykkerud, Martin
Managing the Kåfjord rock art site. From “quick fixes” to
hurrying slowly
Jacobson-Tepfer, Esther
From Naturalism and Narrative to Convention and
Emblem:the impact on Altai Mountain rock art resulting
from the rise of horse dependent nomadism and the
emergence of the proto-state
Janik, Liliana
Being guided: creating and revealing the visual the visual
narrative
Jones, Andrew Meirion
On rock art and artifacts in Britain and Ireland
Kolpakov, Eugene
Hunting land in rock art of Northern Fennoscandia
Lahelma, Antti
Drummers at the ’Colour Rock’: acoustic research and
digital image processing at the rock painting Värikallio,
Northern Finland
Laskin, Artur
Sikachi-Alyan Rock Art Site from the Russian Far East
Laue, Ghilraen
Of Birds and Boundries: Examining interaction through
motif, composition and style in the rock art of the
Southern Cape, South Africa. Or:
Exploring regionality: a chaîne opératoire approach to
‘style’ in the rock art of the Eastern Cape Province,
South Africa
Ling, Johan
Rock art regional variations, warped realities and social
worlds
Linge, Trond Eilev
Seasons and landscape in the Rock Art at Honnhammar
Lobanova, Nadezhda Valentinovna On the question of chronology of Karelian Rock Carvings
Lødøen, Trond
Regeneration, soul cycle and mortuary practice in the
hunters’ rock art of Norway
Mattioli, Tommaso
The sound of images: transformations in the acoustics of
post-palaeolithic rock art in the Western
Mediterranean.
McDonald, Jo
Discontinuous Desert Rock Art: style as an indicator for
social complexity through time and space
Morris, David
Rethinking variability in the rock art of the Northern
Cape, South Africa: empirical and theoretical
considerations
Nash, George
Who sees what, when and how: Rock art as a political
device
Ouzman, Sven
Colonial Copies and Indigenous Insights. Technologies of
Vision in the Understanding of Rock Art
Shumkin, Vladimir
Ancient rock art of Eastern Lapland
Smiseth, May-Tove
device
Who sees what, when and how: Rock art as a political
Smith, Benjamin
metaphor
In Search of Authentic Africa: rock art as originary
Tacon, Paul
21st Century innovation in conserving the rock art of
northern Australia and Southeast Asia.
Tomaskova, Silvia
Skills and traces: Imagining differences in engravings,
Northern Cape, South Africa
Veth, Peter
The Theoretical Case for a Long Chronology in Kimberley
Rock Art: a reconsideration of style and group boundary
formation
Vogt, David
The anonymous Cup marks – worldwide distribution,
but uncertain meaning. A comparable look at cup marks
in Northern Europe
Zawadzka, Dagmara
Northeastern Ontario rock art and boundaries
Äikäs, Riitta Rainio Tiina
Drummers at the ’Colour Rock’: acoustic research and
digital image processing at the rock painting Värikallio,
Northern Finland
Posters at ACRA III. 15 – 18 September 2015
Berry, Meg
Changing and growing, while staying the
same? Changing perspectives on the rock
art of Rosemary Island, Dampier
Archipelago, Australia.
Grzelzuk, Maciej
Recent observations of the state of
preservation of the rock art in Kondoa,
Tanzania
Harper, Samantha
Where do the Minjiburu fit?
Mulvany, Ken
Title to be announced later
Rozwadowsky, Andrzej
Historic shamanic rock art in Siberia
Travers, Meg Elizabeth
Changing Lives, Changing Pictures
World Heritage of Rock Art – Alta Museum
Title to be announced later