Music Collection Policy Collection location: Penn State University Libraries Arts and Humanities Library, University Park campus Administrator of collection funds: music librarian Funds: MUSIC, MUREC, MUSCO Primary Users and Collection Emphases Primary users groups of the collection are faculty and students in the School of Music and School of Theatre at University Park campus; faculty and students in music courses at other Penn State campuses; faculty and students in other colleges who incorporate music into their teaching and learning (e.g., American Studies, history, integrative arts, physics). The collection therefore emphasizes the curricula of these departments and research needs of these faculty and students, with these priorities: music education; Western art music and its history; jazz; world musics; and the history of popular musics in America. Relevant degree programs are Bachelor of Music in performance or composition, Bachelor of Science in music education, Bachelor of Fine Arts in musical theatre, Master of Arts in musicology or music theory, Master of Music Education, Master of Music in theory and composition, conducting, performance, piano pedagogy and performance, voice pedagogy and performance, Master of Fine Arts in theatre, Ph.D. in music education. The Penn State University Libraries also serve the local community, residents of the state of Pennsylvania, and other users who travel to use the library facilities or use remote services from a distance. The music librarian communicates frequently with other selectors, including education librarians in the Education and Behavioral Sciences Library regarding music curriculum materials, the Paterno Librarian for Literature regarding musical theatre, and librarians in several subject libraries regarding video materials in their disciplines requested for course reserve. Collection Description The music collection includes printed music (study scores, critical editions, performance parts); print and licensed electronic reference resources, including encyclopedias and indexes; books (including dissertations); print and licensed electronic periodicals; computer files; sound and video recordings; and licensed streaming audio databases. No languages, geographical areas, or historical eras are excluded; English and European languages are emphasized. Contemporary popular music is not emphasized. The music librarian collaborates with the Serials and Acquisitions Department to acquire materials through a combination of approval plans (YBP for books, Theodore Front for scores/parts) and firm ordering from a variety of music and AV vendors. Levels of Collecting Music education: research level Research level: includes the major published source materials required for dissertations and independent research, including materials containing research reporting, new findings, scientific experimental results, and other information useful to researchers. Study level: supports undergraduate or graduate course work, or sustained independent study; that is, which is adequate to maintain knowledge of a subject required for limited or generalized purposes, of less than research intensity. Basic level: serves to introduce and define the subject and to indicate the varieties of information available elsewhere. revised 2005, A. Maple Music Collection Policy Penn State University Libraries Western art music: study level Jazz: study level World music: study level American popular music: basic level Related Collections Music in the Special Collections Department, including Fred Waring’s America; sheet music in the Alice Marshall Women’s History Collection at Penn State Harrisburg; music in the libraries at other Penn State campuses. History of the music collection in the University Libraries, University Park campus The first Arts Librarian was appointed by the University Libraries in 1964. As the University Libraries’ first dedicated subject liaison to the College of Arts and Architecture, the Arts Librarian developed collections and services related to all the fine and performing arts as well as architecture and landscape architecture. Penn State’s Department of Music maintained its own departmental collection of sound recordings and scores at that time, while the University Libraries collected journals and books related to music. A distinct Arts Library was created in the University Libraries and allocated its own physical space inside the general library building at the University Park campus, to bring together in one place the fine arts and music books and journals that had previously been located throughout the general collection. The Arts Librarian began to develop a small collection of sound recordings and study scores in the Arts Library, including critical editions of scores, and advocated for the creation of a music librarian position. Penn State’s first music librarian was appointed in 1969. Over time, the music librarian collaborated with the head of the Department of Music to transfer the department’s collection of sound recordings and scores to the Arts Library in 1982. A Music Listening Room within the Arts Library was created to house and provide playback equipment for the sound recordings. Since 1982, the University Libraries’ music librarian has developed and maintained music collections in all music-related formats: audio (and later, video) recordings, scores and performance parts, journals, books, and computer files. Printed performance parts for large ensembles such as orchestras and bands have not been collected by the University Libraries; the Department (later, School) of Music has maintained its own collection of orchestra, band, and choral parts for the use of its large performing ensembles. In 2000, the Arts Library was reorganized and expanded into an Arts and Humanities Library, still in the general library building (a short walk from the School of Music buildings) and now including all the fine and performing arts, languages and literatures, history, area studies, and religious studies. The Music Listening Room was expanded into a Music and Media Center within the Arts and Humanities Library, to house and maintain the unit’s collection of sound and video recordings adjacent to the collection of scores and performance parts, provide playback equipment, and provide circulation and course reserves services. revised 2005, A. Maple