POST-MODERNISM POSTMODERNISM Postmodernism is a concept that encompasses a wide range of ideals, methods and practices. It is more importantly not a philosophical movement in itself, but rather, incorporates a number of philosophical and critical methods that can be considered 'postmodern', the most familiar methods include feminism and post-structuralism. Postmodernism is not a method of doing philosophy, but rather a way of approaching traditional ideas and practices in nontraditional ways that deviate from preestablished super structural modes. Postmodernism attacks the use of sharp binary classifications such as male versus female, white versus black, and imperial versus colonial; it holds realities to be plural and relative, and to be dependent on who the interested parties are and the nature of these interests. Postmodernism claims that there is no absolute truth and that the way people perceive the world is subjective Postmodernism, particularly as an academic movement, can be understood as a reaction to modernism in the Humanities. Whereas modernism was primarily concerned with principles such as identity, unity, authority, and certainty, postmodernism is often associated with difference, plurality, textuality, and skepticism. Literary critic Fredric Jameson describes postmodernism as the "dominant cultural logic of late capitalism." "Late capitalism" refers to the phase of capitalism after World War II. HISTORY AND EMERGENCE The term "Postmodern" was first used around the 1870s. In 1917, Rudolf Pannwitz used the term to describe a philosophically-oriented culture. His idea of post-modernism drew from Friedrich Nietzsche's analysis of modernity and its end results of decadence and nihilism. In 1949 the term was used to describe a dissatisfaction with modern architecture, and led to the postmodern architecture movement, it was also a response to the modernist architectural movement known as the International Style. After that, Postmodernism was applied to a whole host of movements, many in art, music, and literature, that reacted against tendencies in the imperialist phase of capitalism called "modernism". Walter Truett Anderson identifies Postmodernism as one of four typological world views. Postmodernironist scientificrational socialtraditional, neoromantic These four world views are the Postmodern-ironist, which sees truth as socially constructed; the scientific- rational, in which truth is found through methodical, disciplined inquiry; the social-traditional, in which truth is found in the heritage of American and Western civilization; and the neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self. The movement of Postmodernism began with architecture, as a response to the perceived mildness, hostility, and Utopianism of the Modern movement. It is this atmosphere of criticism, skepticism, and emphasis on difference over and against unity that distinguishes the postmodernism aesthetic. Among writers defining the terms of this discourse is Charles Jencks, described by Architectural Design Magazine as "the definer of Post-Modernism for thirty years" and the "internationally acclaimed critic..., whose name became synonymous with Post-modernism in the 80s".. POST- MODERN MUSIC Postmodern Classical music as well is not a musical style, but rather refers to music of the postmodern era. It bears the same relationship to postmodernist music that postmodernity bears to postmodernism. Postmodern music, on the other hand, shares characteristics with postmodernist art—that is, art that comes after and reacts against modernism. DIFFERENCES BETWEEN MODERNISM MODERNISM & POST Modern Postmodern Reasoning From foundation upwards Multiple factors of multiple levels of reasoning. Weboriented. Science Universal Optimism Realism of Limitations Part/Whole Parts comprise the whole The whole is more than the parts God Acts by violating "natural" laws" Top-Down causation Language Referential Meaning in social context through usage CONCLUSION Ghasemi- Pourshahbaz