Acoustics/Psychoacoustics Huber Ch. 2 Sound and Hearing Sound • Sound-pressure waves • Compressions and rarefactions • Wave propagation Waveform Characteristics • Amplitude • Peak • RMS (root mean squared): Peak * .707 • Frequency • Velocity • 1138 ft/sec; 344 m/s at 68° F (20° C) • 1.1 ft/s increase for every ° F (2 ft/s ° C) Waveform Characteristics (2) • Wavelength • = V/f • T = 1/f • Phase • Offset, or delay between two waveforms • Degrees • Shift/distortion/cancellation • Harmonic/spectral content • (Envelope) Reflection/Diffraction • Reflection • Equal to, and opposite of, initial angle of incidence (=) • Diffraction • Reconstruction around obstacle • Through small opening, reconstruction but new sound source Frequency Response • Frequency response of a system measured as the output amplitude at each frequency from 20 Hz to 20,000 Hz. • Usually done in chart form. Loudness Levels • Decibel (dB): tenth of a Bell • dB: Logarithmic value that expresses differences in intensities between two levels (SPL, IL, Power) • Hearing range 1013:1 (note book typo) • Logarithmic scale maps wide value range to our perception Logarithmic Basics • Log of 2 is 0.3 • Log of any number that can be expressed as an integral exponent of 10 is the exponent. (Count the zeros) • Numbers greater than one have positive logs; less than 1 will have negative logs. Sound Pressure Level • • • • Reference SPL is threshold of hearing SPL refers to pressure vibrations in air. dBspl = 20 log SPL/SPLref SPL levels change with square of the distance (the “20” in the equation) • Weighting: compensates for nonlinearity in hearing. Voltage (Intensity) • Refers to electrical charge • dBv = 20 log V/Vref Power • Measures current, or flow of electricity over time. • dBm = 10 log P/Pref • 3 dB change represents a doubling or halving of power (the “10” in the equation). dB: Practical Considerations • Power level is greatest concern during recording engineering • 1 dB change is barely noticeable • +/- 3 dB change doubles or halves the signal level (!= doubling loudness) • A 10 dB increase is 10 x original signal level; 20 dB is 100 x, etc. • Developing a listener’s feel for dB. Ear • Threshold of Hearing is the reference SPL. ( 0 dB) • Threshold of Feeling is the SPL that causes discomfort 50% in listener (118 dB SPL between 200 Hz and 10 kHz) • Threshold of Pain, same 50%, but now pain (140 dB SPL) Auditory Perception • Non-linear, and varies according to frequency • Fletcher-Munson equal loudness curves (p. 59) • Beats (slight freq differences) • Combination tones • Masking Perception of Direction • • • • Interaural intensity differences (higher f) Interaural time differences (low f) Effect of pinnae (outer ear) In mixing, panning refers to placement of sounds between speakers. Perception of Space • • • • Direct sound (no reflections) Early sound/reflections (within 30 ms) Reverberation (after 50 ms) Doubling (actual and perception, 4 to 20 ms) • Echo (discrete, limited delays after 35 ms)