“GIRL” BY JAMAICA KINCAID Class Notes Jamaica Kincaid Jamaica Kincaid Jamaica Kincaid was born in 1949 as Elaine Potter Richardson on the island of Antigua. Jamaica Kincaid Mother: Annie Richardson Drew …believer in obeah, a West Indian religion incorporating magic and ritual Jamaica Kincaid - life Kincaid was an only child until she was 9, and felt happy and loved. Jamaica Kincaid - life When Kincaid’s three brothers were born, she felt that her mother rejected her. This betrayal and longing for a distant mother’s love is a recurring theme in Kincaid's work. Story Overview Kincaid on her mother’s influence: ‘‘the fertile soil of my creative life is my mother. When I write, in some things I use my mother's voice, because I like my mother's voice ... I feel I would have no creative life or no real interest in art without my mother. It's really my ‘fertile soil’.’’ Kincaid lived with her mother and stepfather until 1965 when she was sent to Westchester, New York to work as an au pair. Her first writing experience involved a series of articles for Ingenue magazine. In 1973, she changed her name to Jamaica Kincaid because her family disapproved of her writing. She worked for New Yorker magazine for 20 years. She now resides in Bennington Vermont. “I think in many ways the problem that my writing would have with an American reviewer is that Americans find difficulty very hard to take. They are inevitably looking for a happy ending. Perversely, I will not give the happy ending. I think life is difficult and that's that.” - Jamaica Kincaid “Girl” - Publication Info. First published in the June 26, 1978, issue of The New Yorker, “Girl” was the first of what would become more than a dozen short stories Jamaica Kincaid published in that magazine. “Girl” - Publication Info. Five years later, “Girl” appeared as the opening story in Kincaid's collection of stories, At the Bottom of the River (1983), her first book. Story Overview “Girl” by Jamaica Kincaid Story overview The story begins abruptly with words spoken by an unidentified voice Story overview The voice continues, offering instructions about how a woman should do her chores, and then about how she should behave Story overview At the end of the first third of the story, another voice responds, signaled by italics. Story overview It becomes clear that the speaker is an adult female, one in authority, probably a family member, and she is speaking to a younger female Story overview “Girl” is a one- sentence, 650word dialogue between a mother and daughter. Story overview The story is told in the 2nd person POV. The mother does most of the talking; she delivers a long series of instructions and warnings to the daughter. Story overview The daughter responds only twice, but her responses go unnoticed by the mother. Story overview There is no introduction of the characters, no action, and no traditional plotline. Story overview As the story progresses, the mother's tone becomes more insistent and more critical. Story overview The chores and behaviors are more directly related to a woman's duties to men, such as ironing a man's clothes. Story overview The mother warns the girl/daughter about being promiscuous—she seems to believe the girl is on her way to becoming a “slut” Story overview The story ends abruptly with the line: “you mean to say that after all you are really going to be the kind of woman who the baker won't let near the bread?” Story overview There is no action, no exposition of any kind, and no resolution or hint of what happens to the characters after this conversation. Story overview Setting: Although no specific setting is named, Kincaid has revealed in interviews that it takes place in Antigua, her island birthplace. “Girl” by Jamaica Kincaid Characters Mother : The mother is a woman in Antigua who understands a woman's “place.” Mother : She lives in a culture that looks to both Christianity and obeah, an African-based religion. Mother : Her culture holds women in a position of subservience to men. Mother : She recites a catalog of advice and warnings to help her daughter learn all a woman should know. Mother : Many of her lines are practical pieces of advice about laundry, sewing, ironing, sweeping, and setting a table for different occasions. Mother : Other harsher admonitions warn the daughter against being careless with her sexuality, “so to prevent yourself from looking like the slut I know you are so bent on becoming.” Mother “Girl” is based on Kincaid's own life and her relationship with her mother. Daughter: The daughter is an adolescent or preadolescent girl in Antigua, learning from her mother how to be a proper woman. Daughter: The girl speaks only twice in the story, voicing impulsive objections to her mother's accusations and warnings. Writing Style “Girl” by Jamaica Kincaid Writing Style – “Girl” “Girl” is more like a dramatic monologue than short prose fiction. Writing Style – “Girl” The story could be the girl's own internal monologue. The advice could be from a melding of many voices in the girl’s memory. Writing Style – “Girl” Jamaica Kincaid’s fiction focuses on the continuity and community preserved and kept alive by mothers, through their stories and connection with their daughters. Writing Style – “Girl” The mother is maintaining an oral tradition whereby cultural traditions and survival skills are passed down from mother to daughter. Writing Style – “Girl” Throughout the story, Kincaid manipulates the reader by juxtaposing: positive/negative benign/ominous virtue/sin Writing Style – “Girl” As the contradictions draw closer --as nurture and condemnation become increasingly intertwined— the language seems to become more rhythmic. Writing Style – “Girl” The story begins with manipulative rhythm and repetition Writing Style – “Girl” It begins with the mother's voice giving simple, benevolent, and appropriately maternal advice. Writing Style – “Girl” Like the girl to whom the mother speaks, the reader is drawn in by the chant of motherly admonitions. Writing Style – “Girl” Readers are caught unaware by an admonition that suddenly veers the story in a new direction. Writing Style – “Girl” Inviting with nurturing advice Repelling with condemnation vs. Writing Style – “Girl” The mother's speech, not only manipulates but also teaches the art of manipulation Writing Style – “Girl” Manipulation… Mother scolds the girl's impending sluttishness Mother tells the girl how condition to hide that “this is how to hem a dress…to prevent yourself from looking like the slut I know you are so bent on becoming.” Writing Style – “Girl” Being a “slut” is taken for granted; the advice is aimed at preventing others from realizing it. Writing Style – “Girl” Toward the end, the mother's voice continues with domestic instruction + comment on a world in which nothing is ever what it seems to be. Writing Style – “Girl” The tone of motherly advice lightens the sinister nature of the information and then makes the disclosures even more frightening. Writing Style – “Girl” Eventually we see that, in a world in which a recipe for stew moves on to a recipe for the death of a child, nothing is safe. Antigua “Girl” by Jamaica Kincaid Antigua Kincaid grew up with a mix of European and African cultural influences, and these cultures are both present in “Girl.” Antigua Colonized by the British and Portuguese port for British commerce producer of sugarcane Antigua Sugarcane plantations were established and African slaves were brought to the island. Antigua Most Antiguans are of African lineage, descendants of slaves brought to the island centuries ago to labor in the sugarcane fields. Antigua Slavery left a bitter legacy on Antigua: Freedom came on August 1, 1834, but the lack of transition period left former slaves instantly impoverished. Antigua They had no choice but to continue working on the sugar plantations, where conditions and wages kept them dependent on their former masters. “Girl” - Setting “Girl” by Jamaica Kincaid Cultural Setting "Girl” clearly has a Caribbean setting. Cultural Setting Kincaid grew up in a home without electricity or running water. These conditions were fairly common among the poor and working class people. Cultural Setting Laundry ‘‘on the stone heap’’ and ‘‘on the clothesline to dry” indicate a way of life without electrical appliances. Cultural Setting saltfish pumpkin fritters pepper pot Foods she mentions help place the story in the Caribbean: pumpkin fritters saltfish okra dasheen (also called taro, a tropical starchy root) pepper pot Cultural Setting Most families, like the mother and daughter in "Girl," grew most of their own fruits and vegetables and ate little meat beyond the fish they caught themselves. Cultural Setting The lessons reflect Western behaviors, traditional island culture, and African influence. Cultural Setting To be a good Antiguan woman means then to know how to maneuver appropriately within a Eurocentric culture. Cultural Setting The mother’s speech is a conscious initiation into the expected behaviors of a woman in this culture. Cultural Setting Public appearances are very important and subtle differences among those appearances are also significant. Afro-Caribbean Heritage “Girl” Afro-Caribbean Heritage The family lives simultaneously in two cultures: Traditional African Western/Christian Singing benna, calypso music (but not in the European church. ) Practicing obeah (but also attending Christian Sunday school.) Cultural Setting "Girl" also contains confusing and contradictory messages about the daughter's relationship to her African heritage and culture. Cultural Setting ‘‘Is it true you sing benna in Church?’’ the mother asks. Benna songs are African folk songs African cultural practices are not compatible with traditional Christianity. obeah Many Antiguans practice a womancentered, African-based religion called obeah, similar to voodoo. obeah Caribbean Christians will often also practice obeah, using spells and secret medicines when the situation calls for them. obeah Because objects may conceal spirits, the mother warns about the blackbird being something other than it appears obeah The blackbird might be a “jablesse” (La diablesse, “she devil”). a shape-changing spirit that often takes the form of a beautiful, deceptive, and deadly woman. obeah The jablesse lures men with her beauty but then isolates and devours them. (Note how the folklore reflects attitudes about female gender roles) obeah Kincaid on obeah: ‘‘…it was such an everyday part of my life, you see. I wore things, a little black sachet filled with things, in my undershirt. I was always having special baths. It was a complete part of my life for a very long time.'' --Jamaica Kincaid Cultural Setting Fish appear in many Caribbean myths. Cultural Setting Fish are caught with various foreign objects inside them, revealing a truth, foretelling an event, or invoking a curse. Cultural Setting The toxic venom of the puffer fish has been used in Caribbean voodoo to create a zombie-like state. Cultural Setting According to Caribbean folklore, when a pretty woman spits on the lure, the fish will surely bite. Cultural Setting The “good medicine” is most likely folk medicine, much of which is based upon natural cures and/or spiritual combined with physical remedies. Cultural Setting The medicine to prevent pregnancy and/or induce abortion would have been kept by the women and passed by word of mouth generationally. Cultural Setting In much folk medicine, the power of nature to do harm is taken for granted, thereby requiring various remedies to counteract malevolence. European traditions: help the daughter be successful turn her against her true self. Resentment about this dichotomy may account for the mother's growing coldness throughout “Girl.” Cultural Setting The mother becomes angry because, however dutifully she passes along her knowledge, her heart may not believe in its usefulness. What is NOT Said “Girl” by Jamaica Kincaid What is NOT Said Sometimes what is NOT said (but reasonably expected ) …is as important as what IS said. What is NOT Said There are no instructions for how to make beautiful things, or how to make oneself happy. No mention of Caribbean… colorful rich folk art textiles local crafts exuberant music What is NOT Said No mention is made of Antigua’s beautiful flowers and birds. The mother refers to flowers only once: ‘‘don't pick people's flowers…you might catch something.’’ What is NOT Said She gives no advice about how to be a friend, or how to sense which women to confide in. Women are suspect – no mention of positive female relationships. What is NOT Said No tips about nurturing a child in any way The mother mentions children only when she shows "how to make a good medicine to throw away a child before it even becomes a child.’’ What is NOT Said No self improvement; no dreams. Nothing about possibilities beyond home and domestic duties. What is NOT Said She does not speak of school or books, nor of travel or a career. What the girl may want is not important. Kincaid wanted more than what she was offered on Antigua: "I did not know what would happen to me. I was just leaving, with great bitterness in my heart towards everyone I've ever known, but I could not have articulated why. I knew that I wanted something, but I did not know what. I knew I did not want convention. I wanted to risk something.’’ –Jamiaca Kincaid, on leaving Antigua Women’s Roles & Sexuality “Girl” by Jamaica Kincaid Women’s Roles & Sexuality The warnings and the assumptions behind them indicate the importance of the suppression of female sexuality, at least in any form not authorized by the society. Women’s Roles & Sexuality The mother's function is to condition a new generation of young women to experience themselves as guilty because of their gender rather than their behavior. Women’s Roles & Sexuality If the mother feels that the tasks allotted to a woman are demeaning or subservient, she also does not say so. But she describes NO satisfaction with her life. Women’s Roles & Sexuality When she thinks of sex, and of her daughter's supposed or real flirtation with it, her tone becomes colder, even angry. Women’s Roles & Sexuality The instructions in "Girl'' are a far cry from the advice given to American women today, which may include: “creative outlets” ‘‘making time for yourself ” “balancing family with career aspirations” “smart financial planning for your future” Discussion Questions “Girl” by Jamaica Kincaid Discussion Questions How do you classify the mother’s advice? IS it nurturing and supporting? Is it condemning and admonishing? Is it both? What does the nature of the mother’s advice tell you about growing up as a woman in Antigua? Why do you think the author titled this story “Girl” and not a specific name? “Girl” is written in only one paragraph, made up of a run-on sentence. What is the effect of this style? What effect does it have on the reader? What impression does it make? Is there a particular moral code implied in this story? Discussion Questions A. Choose a line that stands out to you, underline it, and write it on your paper. B. Why did you choose this line? C. What does this line say about the Girl’s life/childhood?