Photo ©David French. Used with permission.
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FROM WHICH BUDGET?
• IMPROVED LIGHT OUTPUT
• RGBAW AND MORE
• HOMOGENIZED BEAM
• REDUCED MATERIAL COST
• FOCUS ON LUMINAIRE DESIGN
• FINDING THE HOLY GRAIL
REDUCING POWER DENSITY IS NOT THE DRIVING
FORCE AS IN ARCHITECTURAL LIGHTING; DUTY
CYCLE IS GENERALLY NOT THERE - STAGE
LIGHTING IS NORMALLY EXEMPTED BY ENERGY
CODES
OPERATIONAL ADVANTAGES OF LED ARE THE
DRIVING FORCE FOR ADOPTION IN
ENTERTAINMENT LIGHTING AS MUCH AS
PAYBACK ISSUES, MAYBE MORE SO
No re-lamping means greater reliability, key halogen lamps in a theatre are still 300 hours life!!
No expendable color media hassle, gels burn out
Unlimited color selection, cue by cue
Fewer lighting sources required
Can use home made gobos
Cooler, therefore safer fixtures
Much more flexibility from a fixed repertory light plot than a similar plot using conventional instruments
Fixture by fixture control, regardless of circuiting
USED FOR COLOR WASHES
TRADITIONALLY PARS OR FRESNELS
ONE OF THE FIRST TYPES TO HAVE A VIABLE LED
EQUAL
RGB IS ACCEPTABLE HERE
STILL USED FOR COLOR TONING AND
SOMETIMES FOR LIGHTING BACK DROPS
TRADITIONAL SOURCES ARE HUGE WATTAGE
HOGS
TRADITIONAL FIXTURES HAVE “PAR-LIKE”
DISTRIBUTION - EASY FOR LED
SATURATED COLORS PREFERRED - EASY FOR LED
TRADITIONAL EVOLUTION FROM BORDER
LIGHTS, THINK WALL WASH FIXTURE,
ASYMETRICAL REFLECTOR
TRADITIONAL SOURCES ARE HUGE WATTAGE
HOGS AND REQUIRE MANY CIRCUITS
SATURATED COLORS PREFERRED - EASY FOR LED
MANY TYPES EXIST, BUT THE WASH
LUMINAIRES NOW HAVE VIABLE LED
EQUALS
TRADITIONAL SOURCES ARE HID - VERY
HIGH LAMP COSTS, MAINTENANCE ISSUES
SATURATED COLORS PREFERRED - EASY
FOR LED
THE HOLY GRAIL, JUST NOW COMING ON THE MARKET FROM MANY
MANUFACTURERS
HARD EDGE SOURCE WITH INTERNAL FOCAL POINT, TRADITIONALLY
ACHIEVED WITH ELLIPSOIDAL REFLECTOR
USED FOR FRONT LIGHTING, LONGER THROWS AND PATTERN PROJECTION
THE WORK HORSE IN EVERY THEATRE
ACHIEVING THE REQUIRED BEAM CHARACTERISTICS HAS BEEN A
CHALLENGE
USED TO LIGHT ACTING AREAS - PASTELS AND FLESH TONES ARE MORE
IMPORTANT THAN SATURATED COLORS - THIS REQUIRES RGBA OR RGBAW
FULL RANGE DIMMING REQUIREMENTS HAVE DICTATED HALOGEN SOURCES
HOUSE LIGHTS ARE TYPICALLY VERY DIFFICULT TO SERVICE
HALOGEN SOURCES DRIVE THE NEED FOR DIMMER CABINETS THAT OTHER-WISE MIGHT NOT BE
NECESSARY
THERE ARE NOW LED SOURCES AVAILABLE FOR HIGH CEILING APPLICATIONS THAT ALSO
INCORPORATE FULL RANGE DMX DIMMING
0-10 VOLT OR ELV DIMMING MAY BE ACCEPTABLE IN CAFETORIUMS OR OTHER VENUES WHERE
FULL DIMMING IS NOT AN EXPECTATION
SOME FIXTURES TAKE ADVANGE OF RGBW TECHNOLOGY TO ALLOW HOUSE LIGHT COLOR-
MIXING
DMX CONTROL ALLOWS FLEXIBILITY IN CONTROL ZONES MUCH THE SAME WAY DALI AND
ADDRESSABLE BALLASTS ALLOW IT IN ARCHITECTURAL LIGHTING
THIS IS NOT YOUR DADDY’S
STAGE LIGHTING SYSTEM
WE ARE ON THE EDGE, OR
MAYBE PAST, A SEISMIC SHIFT
IN SYSTEM DESIGN
IS YOUR PROJECT A
CANDIDATE TO MAKE THE
LEAP?
CENTRALIZED DIMMER RACK
FEEDING DISCREET CIRCUITS
CIRCUITS ARE DISTRIBUTED
BASED ON THE NEED FOR
CONTROL FLEXIBILITY AS MUCH
AS LOAD REQUIREMENTS
QUANTITY OF CIRCUITS OFTEN
DROVE FEEDERS TO LARGER
SIZES OUT OF LINE WITH
ACTUAL LOADS
SMALLER FEEDS
REDUCED NEED FOR
CONVENTIONAL DIMMING
NEED TO TURN POWER SUPPLIES
OFF - PHANTOM POWER ISSUES
WHERE DIMMING IS REQUIRED IT
CAN BE ACCOMPLISHED USING
DISTRIBUTED DIMMING DEVICES
NO NEED FOR K-RATED
TRANSFORMERS
REDUCES LOAD ON AIR-
CONDITIONING SYSTEMS
EACH FIXTURE AND ITS ATTRIBUTES ARE
CONTROLLED DISCREETLY VIA DIGITAL
SIGNALS, TYPICALLY DMX
DMX DATA NEEDS TO BE DISTRIBUTED
THROUGHOUT THE SPACE THROUGH
THE USE OF SPLITTERS OR ETHERNET
EACH FIXTURE CAN TAKE MORE THAN A
DOZEN CHANNELS OF CONTROL
CONTROL CONSOLES EXIST TO MAKE
CONTROLLING ALL OF THIS EASIER
SEVERAL FACTORS TO CONSIDER
LUMINAIRE COST
REDUCTION OF DIMMING EQUIPMENT
INSTALLATION SAVINGS
OPERATIONAL COST SAVINGS
20 – 30 % FEWER LUMINAIRES REQUIRED
WASH FIXTURES:
CONVENTIONAL: $100 - $300
LED $500 - $1,500
BORDER LIGHTS (not specified much now)
6’ R40 - $600.00
LED - $2,500 - $4,500
Yes, really
CYC LIGHTS
CONVENTIONAL 1000w FOUR CELL UNIT- $1,400
LED - SINGLE CELL - $1,200 - $1,800
AUTOMATED LIGHTING WASH FIXTURES
CONVENTIONAL $1,500 - $10,000
LED $2,000 - $10,000
PROFILE
CONVENTIONAL - 575 watt 19-50 degree - $350
LED $1,000 - $3,500
Yes, really
HOUSE LIGHTS
CONVENTIONAL 500W T4 $300 - $500.00
LED $1,000 – 1,500.00
• 96 CIRCUIT DIMMER RACK - $20,000
• K-RATED TRANSFORMERS NOT REQUIRED
• ELIMINATION OF DIMMER ROOM
• DISTRIBUTED DIMMING AND RELAYS
• SMALLER FOOTPRINT
• LESS LOAD ON AIR-CONDITIONING EQUIPMENT
• REDUCED LOADS MEAN SMALLER FEEDERS
• FEWER CIRCUITS REQUIRED
• CAN USE COMMON NEUTRALS IN SOME
CASES
• NEED TO DISTRIBUTE DATA, BUT WE ARE
ALREADY DOING THAT
• MAY REDUCE THE NEED FOR ACCESS TO
EQUIPMENT
Used 200 days per year, 6 hours per day, 60% diversity,
.15/kW hour
Consumables such as lamps based on published hours
TYPICAL HIGH SCHOOL - CONVENTIONAL
EQUIPMENT COST - $139,000.00
INSTALLATION AND YEAR ONE COST - $88,116
TOTAL - $227,116
ANNUAL OPERATING COSTS - $15,516
Used 200 days per year, 6 hours per day, 60% diversity,
.15/kW hour
Replacement lamps are not an issue
TYPICAL HIGH SCHOOL - LED
EQUIPMENT COST - $197,482
INSTALLATION AND YEAR ONE COST - $37,954
TOTAL - $235,436
ANNUAL OPERATING COSTS - $2,104
Assume an L70 of 50,000 hours
Assume usage at 6 hours per day, 200 days per year
Life expectancy would be over 40 years!!
Things break before that - LED equipment is more expensive to replace which must be considered
Annual Operating Savings pays for brand new equipment in about 15 years at today’s dollars
Very significant operational advantages to an LED theatre lighting system
If you have the budget you can do an all LED theatre
Even if you have a “conventional” budget you can incorporate LED to an extent that is significant enough to drive your system design
Provide for the future use of LED in your system design
Distribute Data
Provide Capacity in the Control System
Provide the ability to turn power supplies off
QUESTIONS
DISCUSSION
THANK YOU