An All LED Theatre - Vincent Lighting Systems

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Photo ©David French. Used with permission.

AND THE ANSWER IS…

IT CAN BE DONE!

HOW MUCH MONEY YA GOT

?

 FROM WHICH BUDGET?

THE PROGRESS OF LED TECHNOLOGY

HAS MADE THIS A VALID QUESTION

• IMPROVED LIGHT OUTPUT

• RGBAW AND MORE

• HOMOGENIZED BEAM

• REDUCED MATERIAL COST

• FOCUS ON LUMINAIRE DESIGN

• FINDING THE HOLY GRAIL

WHY LED IN THEATRE?

 REDUCING POWER DENSITY IS NOT THE DRIVING

FORCE AS IN ARCHITECTURAL LIGHTING; DUTY

CYCLE IS GENERALLY NOT THERE - STAGE

LIGHTING IS NORMALLY EXEMPTED BY ENERGY

CODES

OPERATIONAL ADVANTAGES OF LED ARE THE

DRIVING FORCE FOR ADOPTION IN

ENTERTAINMENT LIGHTING AS MUCH AS

PAYBACK ISSUES, MAYBE MORE SO

OPERATIONAL ADVANTAGES

 No re-lamping means greater reliability, key halogen lamps in a theatre are still 300 hours life!!

 No expendable color media hassle, gels burn out

 Unlimited color selection, cue by cue

 Fewer lighting sources required

 Can use home made gobos

 Cooler, therefore safer fixtures

 Much more flexibility from a fixed repertory light plot than a similar plot using conventional instruments

 Fixture by fixture control, regardless of circuiting

The major traditional theatrical lighting instrument types now have

LED counterparts

WASH LUMINAIRES

 USED FOR COLOR WASHES

 TRADITIONALLY PARS OR FRESNELS

 ONE OF THE FIRST TYPES TO HAVE A VIABLE LED

EQUAL

 RGB IS ACCEPTABLE HERE

Border Lights

 STILL USED FOR COLOR TONING AND

SOMETIMES FOR LIGHTING BACK DROPS

 TRADITIONAL SOURCES ARE HUGE WATTAGE

HOGS

 TRADITIONAL FIXTURES HAVE “PAR-LIKE”

DISTRIBUTION - EASY FOR LED

 SATURATED COLORS PREFERRED - EASY FOR LED

CYC LIGHTS

 TRADITIONAL EVOLUTION FROM BORDER

LIGHTS, THINK WALL WASH FIXTURE,

ASYMETRICAL REFLECTOR

 TRADITIONAL SOURCES ARE HUGE WATTAGE

HOGS AND REQUIRE MANY CIRCUITS

 SATURATED COLORS PREFERRED - EASY FOR LED

AUTOMATED LIGHTING

 MANY TYPES EXIST, BUT THE WASH

LUMINAIRES NOW HAVE VIABLE LED

EQUALS

 TRADITIONAL SOURCES ARE HID - VERY

HIGH LAMP COSTS, MAINTENANCE ISSUES

 SATURATED COLORS PREFERRED - EASY

FOR LED

“PROFILE” SPOTS (ERS)

 THE HOLY GRAIL, JUST NOW COMING ON THE MARKET FROM MANY

MANUFACTURERS

 HARD EDGE SOURCE WITH INTERNAL FOCAL POINT, TRADITIONALLY

ACHIEVED WITH ELLIPSOIDAL REFLECTOR

 USED FOR FRONT LIGHTING, LONGER THROWS AND PATTERN PROJECTION

THE WORK HORSE IN EVERY THEATRE

 ACHIEVING THE REQUIRED BEAM CHARACTERISTICS HAS BEEN A

CHALLENGE

 USED TO LIGHT ACTING AREAS - PASTELS AND FLESH TONES ARE MORE

IMPORTANT THAN SATURATED COLORS - THIS REQUIRES RGBA OR RGBAW

HOUSE LIGHTS

 FULL RANGE DIMMING REQUIREMENTS HAVE DICTATED HALOGEN SOURCES

 HOUSE LIGHTS ARE TYPICALLY VERY DIFFICULT TO SERVICE

 HALOGEN SOURCES DRIVE THE NEED FOR DIMMER CABINETS THAT OTHER-WISE MIGHT NOT BE

NECESSARY

 THERE ARE NOW LED SOURCES AVAILABLE FOR HIGH CEILING APPLICATIONS THAT ALSO

INCORPORATE FULL RANGE DMX DIMMING

 0-10 VOLT OR ELV DIMMING MAY BE ACCEPTABLE IN CAFETORIUMS OR OTHER VENUES WHERE

FULL DIMMING IS NOT AN EXPECTATION

 SOME FIXTURES TAKE ADVANGE OF RGBW TECHNOLOGY TO ALLOW HOUSE LIGHT COLOR-

MIXING

 DMX CONTROL ALLOWS FLEXIBILITY IN CONTROL ZONES MUCH THE SAME WAY DALI AND

ADDRESSABLE BALLASTS ALLOW IT IN ARCHITECTURAL LIGHTING

HOW DOES LED AFFECT

SYSTEM DESIGN?

 THIS IS NOT YOUR DADDY’S

STAGE LIGHTING SYSTEM

 WE ARE ON THE EDGE, OR

MAYBE PAST, A SEISMIC SHIFT

IN SYSTEM DESIGN

 IS YOUR PROJECT A

CANDIDATE TO MAKE THE

LEAP?

TRADITIONAL

SYSTEMS

CENTRALIZED DIMMER RACK

FEEDING DISCREET CIRCUITS

CIRCUITS ARE DISTRIBUTED

BASED ON THE NEED FOR

CONTROL FLEXIBILITY AS MUCH

AS LOAD REQUIREMENTS

QUANTITY OF CIRCUITS OFTEN

DROVE FEEDERS TO LARGER

SIZES OUT OF LINE WITH

ACTUAL LOADS

WHAT IS DIFFERENT

WITH LED?

SMALLER FEEDS

REDUCED NEED FOR

CONVENTIONAL DIMMING

NEED TO TURN POWER SUPPLIES

OFF - PHANTOM POWER ISSUES

WHERE DIMMING IS REQUIRED IT

CAN BE ACCOMPLISHED USING

DISTRIBUTED DIMMING DEVICES

NO NEED FOR K-RATED

TRANSFORMERS

REDUCES LOAD ON AIR-

CONDITIONING SYSTEMS

CONTROL IS KEY

 EACH FIXTURE AND ITS ATTRIBUTES ARE

CONTROLLED DISCREETLY VIA DIGITAL

SIGNALS, TYPICALLY DMX

 DMX DATA NEEDS TO BE DISTRIBUTED

THROUGHOUT THE SPACE THROUGH

THE USE OF SPLITTERS OR ETHERNET

 EACH FIXTURE CAN TAKE MORE THAN A

DOZEN CHANNELS OF CONTROL

 CONTROL CONSOLES EXIST TO MAKE

CONTROLLING ALL OF THIS EASIER

WHAT ABOUT THE DOLLARS?

 SEVERAL FACTORS TO CONSIDER

 LUMINAIRE COST

 REDUCTION OF DIMMING EQUIPMENT

 INSTALLATION SAVINGS

 OPERATIONAL COST SAVINGS

LUMINAIRE COST

20 – 30 % FEWER LUMINAIRES REQUIRED

WASH FIXTURES:

CONVENTIONAL: $100 - $300

LED $500 - $1,500

BORDER LIGHTS (not specified much now)

 6’ R40 - $600.00

 LED - $2,500 - $4,500

Yes, really

CYC LIGHTS

CONVENTIONAL 1000w FOUR CELL UNIT- $1,400

LED - SINGLE CELL - $1,200 - $1,800

LUMINAIRE COST

 AUTOMATED LIGHTING WASH FIXTURES

 CONVENTIONAL $1,500 - $10,000

 LED $2,000 - $10,000

 PROFILE

CONVENTIONAL - 575 watt 19-50 degree - $350

LED $1,000 - $3,500

 Yes, really

 HOUSE LIGHTS

CONVENTIONAL 500W T4 $300 - $500.00

LED $1,000 – 1,500.00

REDUCTION OF DIMMING AND RELATED

EQUIPMENT

• 96 CIRCUIT DIMMER RACK - $20,000

• K-RATED TRANSFORMERS NOT REQUIRED

• ELIMINATION OF DIMMER ROOM

• DISTRIBUTED DIMMING AND RELAYS

• SMALLER FOOTPRINT

• LESS LOAD ON AIR-CONDITIONING EQUIPMENT

INSTALLATION SAVINGS

• REDUCED LOADS MEAN SMALLER FEEDERS

• FEWER CIRCUITS REQUIRED

• CAN USE COMMON NEUTRALS IN SOME

CASES

• NEED TO DISTRIBUTE DATA, BUT WE ARE

ALREADY DOING THAT

• MAY REDUCE THE NEED FOR ACCESS TO

EQUIPMENT

COMPARISONS

 Used 200 days per year, 6 hours per day, 60% diversity,

.15/kW hour

 Consumables such as lamps based on published hours

 TYPICAL HIGH SCHOOL - CONVENTIONAL

 EQUIPMENT COST - $139,000.00

 INSTALLATION AND YEAR ONE COST - $88,116

 TOTAL - $227,116

 ANNUAL OPERATING COSTS - $15,516

COMPARISONS

 Used 200 days per year, 6 hours per day, 60% diversity,

.15/kW hour

 Replacement lamps are not an issue

 TYPICAL HIGH SCHOOL - LED

 EQUIPMENT COST - $197,482

 INSTALLATION AND YEAR ONE COST - $37,954

 TOTAL - $235,436

 ANNUAL OPERATING COSTS - $2,104

SERVICE LIFE - LED

 Assume an L70 of 50,000 hours

 Assume usage at 6 hours per day, 200 days per year

 Life expectancy would be over 40 years!!

 Things break before that - LED equipment is more expensive to replace which must be considered

 Annual Operating Savings pays for brand new equipment in about 15 years at today’s dollars

CONCLUSIONS

 Very significant operational advantages to an LED theatre lighting system

 If you have the budget you can do an all LED theatre

 Even if you have a “conventional” budget you can incorporate LED to an extent that is significant enough to drive your system design

 Provide for the future use of LED in your system design

Distribute Data

Provide Capacity in the Control System

 Provide the ability to turn power supplies off

AN ALL LED THEATRE

 QUESTIONS

 DISCUSSION

 THANK YOU

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