IB Music SL Romantic Era Unit 19 The Romantic Symphony Increased orchestra size Lyrical themes, colorful harmonies, expanded proportions The Romantic Symphony Form Overall structure similar to 18th century Some symphonies have 5+ movements Tempo structure is altered Larger proportions Brahms and the Late Romantic Symphony Johannes Brahms (1833–1897) German composer Musical family Early music studies, dance hall experience Talent recognized by Robert Schumann Lifelong friend of Robert and Clara Schumann Settled in Vienna Died at 64 Brahms’s Music Traditionalist Romantic tendencies in chamber music and lieder Four symphonies Third Symphony exhibits Classical & Romantic traits Brahms: Symphony No. 3 in F Major Written at age 50 Classical in form, Romantic in tone Cyclical structure I: Conventional sonata-allegro Three-note motive (F-Ab-F) “Frei aber froh” (Free but happy) Motive permeates the entire symphony II: Andante, sonata-allegro form III: Waltz, ternary form IV: Sonata-allegro Dvořák as a Symphonist Nationalist themes Czech national school Antonín Dvořák (1841–1904) Bohemian composer Studied in Prague Befriended Brahms 1891, Jeannette Thurber invites to U.S. National Conservatory of Music, in New York City 3 years in the U.S. A symphony, several chamber pieces, and a cello concerto Spillville, Iowa Returned to Prague Died at 64 as a revered national artist Antonin Dvorak Dvořák’s Music German Classicism with national styles All genres Native musical heritage American student Henry T. Burleigh African American and Native American traditional music Dvořák: Symphony No. 9 in E minor, From the New World Classical and Romantic traits Cyclical form Evokes the openness of the American prairie Loosely programmatic Longfellow’s Song of Hiawatha Folklike melodies, syncopated rhythms, rich orchestration Dvořák: Symphony No. 9 in E minor, From the New World I: Sonata-allegro form Three themes Third theme reminiscent of Swing Low, Sweet Chariot II: Largo, ternary form Hiawatha and Minnehaha English horn solo, later became “Goin’ home” III: Scherzo Hiawatha’s wedding feast IV: Sonata-allegro form Themes return The Romantic Concerto New resources add size and depth Vehicle for virtuosic display Many composed for specific soloist The Romantic Concerto Form Classical three-movement form retained Enhanced drama Lyrical slow movement Brilliant finale Felix Mendelssohn and the Concerto Felix Mendelssohn (1809–1847) Overtly classical traits German composer, pianist, conductor, music festival organizer, educator Cultured family Fine education Revival of J. S. Bach’s choral music Leipzig Conservatory Died at an early age (38) from a stroke Felix Mendelssohn Mendelssohn’s Music Classical forms, Romantic traits Large scale and small scale music Mendelssohn: Violin Concerto in E Minor Last orchestral work Composed for Ferdinand David No pauses between movements Mendelssohn: Violin Concerto in E Minor I: Allegro molto appassionato No orchestral introduction Cadenza precedes the recapitulation II: Andante III: Allegro molto vivace, sonata-allegro form Dazzling virtuosity of the coda Amy Beach and Classical Composition in America New England School Sought originality beyond European musical tradition Promoting classical music in schools and public concerts Second New England School Continued the tradition Amy Cheney Beach (1867– 1944) American composer, educator Child prodigy Henry Harris Aubrey Beach 1885 on: used name Mrs. H. H. A. Beach European tour Yearly U.S. tours Music Educators National Conference Music Teachers National Association Society of American Women Composers Brahms and Wagner French Impressionism Folk music (Irish, Scottish, English) Wrote large-scale and small-scale works Leadership positions: Influenced by: Amy Cheney Beech Beach: Violin Sonata in A minor Composed for Franz Kneisel Impressive in scale I: Allegro moderato, sonata-allegro form Extensive use of variation II: Scherzo and trio set in duple meter III: Largo con dolore