Ñewpressionism in Milan: 1,11,111 From screen to nature and back again Introduced by Miltos Manetas With the contributions of Swiss and international artists, architects, designers, writers, composers and authors: Giona Bernardi, Sebastian Frank Bietenhader, Domenico Billari, Brenna Murphy, Mike Calvert, Thomas Chenesau, Petra Cortright, Francesco Urbano Ragazzi, Olivier Fairhurst, Cédric Fargues, Sylvie Fleury, Gina Folly, Ronnie Fueglister, Alessandro Giannì, Valery Grancher, Loic Gouzer, Dunja Herzog, Bruno Jakob, Matthew Landry, Oliver Laric, Miriam Laura Leonardi, Corrado Luminati, Miltos Manetas, Jed Martin, Lorna Mills, Lorenzo Micheli Gigotti, Robert Montgomery, Valentina Nascimben, Angelo Plessas, Luca Pozzi, Jon Rafman, Nora Renaud, Florian Schmidt Gabain, Travess Smalley, Priscilla Tea, Mai Ueda, Amalia Ulman, Harm van den Dorpel, Christian Wassmann, Seyoung Yoon, Ché Zara Blomfield. 11 June – 19 July 2014 Opening Tuesday 10 June 2014, 18.30 Exhibition hours: Monday-Friday 11.00-18.00; Saturday 14.00-18.00 Closed Sundays and holidays Free entrance Istituto Svizzero di Roma, Milan office Via del Vecchio Politecnico 3 20121 Milan T. +39 02 76 01 61 18 milano@istitutosvizzero.it Ñewpressionism in Milan: 1,11,111 is the first public demonstration of a concept and an artistic trend whose essential aspects are still taking on form and comprehension. This public event arises from the hypotheses produced during the workshop conducted by the artist Miltos Manetas in March 2014 for Studio Roma, the transdisciplinary program on the contemporary. Swiss and international artists, architects, designers, writers, composers and author are responding to Ñewpressionism with creative input ranging from concrete works of art to the immaterial character of ideas expressed through references or words. The exhibition functions like a true computer: the exhibition space of the Swiss Institute in Milan, transformed for the occasion by the architect Sebastian Bietenhader, becomes the desktop on which some of the artworks from those gathered to date in the dynamic memory of Ñewpressionism will be displayed. Ñewpressionism manifests itself, as happens in luminous projections, by intersecting with the solid surface of matter, but it is also defined through the immaterial encounter between a name and a thought. It proposes a ñew approach to reality, where the ~ indicates a novelty that is not awaited, but is already present and can be shown. Ñewpressionism is a projection of the spirit on Nature that combines the digital principle – that process of numerical and repeatable binary representation – with approximated associative formulae, shaded and dense like those generated by analogy. Ñewpressionism sets out to cross the screen that today is part of nature itself. The screen projects, transmits, translates but also protects, conceals and borders. Screens protect us from a wider view, isolate us from the “entirety” showing only a part, one fragment at a time, not allowing us to grasp the “impression,” the sensation of the “overall landscape.” In the digital world there is still a whole nature to be unveiled that effectively is not code and belongs to the realm of the senses. To fully express the digital we therefore need to return to Painting, Printing and Sculpture, and all the analogical techniques that produce elaborated computations and examples of cerebral calculation that change over time. They results they produce are more like enigmas than explanations, and when all this becomes a work of art, these works can also be seen as computers: canvases, bronzes, books that “calculate” in multiple universes and do not merely simulate what we call “past,” but also produce what we call “future.” The attempt of Ñewpressionism is to capture the entire essence: technological and natural. It means trying, once again, to reach and make use of a “deeper realism,” something new that may seem light, facile and not very conceptual, at first glance. Something “impressionistic.” Press office: Alessandra Santerini, +39 335 6853767 alessandrasanterini@gmail.com Carola Serminato, +39 349 1299250 carola.serminato@gmail.com Istituto Svizzero di Roma, Milan office Via del Vecchio Politecnico 3 20121 Milano T. +39 02 76 01 61 18 milano@istitutosvizzero.it www.istitutosvizzero.it