Te Tuhi Pre-visit lesson 1 Wish you were here.

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Welcome
Thank you for using this pre-visit resource. We believe this will
help strengthen student learning leading up to and during your
gallery visit.
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If you have any questions please don’t hesitate to contact me.
Learning Experiences Outside the Classrom
Te Tuhi Centre for the Arts
Phone: (09) 577 0138 ext 7703
jeremy@tetuhi.org.nz
Jeremy Leatinu’u
Education Coordinator
Image: Blackley, Roger. Two Centuries of New Zealand Landscape Art. Auckland: Auckland Art Gallery, 1990.
Image:
Blackley, Roger. Two Centuries of New Zealand Landscape Art. Auckland: Auckland Art Gallery, 1990.
http://stamp-collector.co.uk/index.php?main_page=index&cPath=2_99_305_497
Image: Blackley, Roger. Two Centuries of New Zealand Landscape Art. Auckland: Auckland Art Gallery, 1990.
For
Let’s
more
Each
seethan
painting
whattwo
places
tells
centuries
have
a story
been
artists
about
captured
from
the landscape,
here
andand
what
around
its
thehistory
inspiration
the world
and the
have
was
crafted paintings
connection
behind
thatthese
the
capture
artist
landscape
the
shares
landscape
paintings.
with this
of place.
Aotearoa NZ.
Eugene von Guerard
1811 – 1901
Between
The Southern
1877-79
sounds
he painted
continue
thetobeauty
attract
of
many
Lake
artists
Wakatipu,
today
Mount
especially
those
who
Permbroke
are inspired
Many
artists
from
Australia
regularly
visited
Aotearoa
NZ
during
theEarnslaw,
19th
century.
One
in
Peak
to capture
and was
Bowen
through
falls.
theirThis
art,
landscape
such
a rarewas
andGuerard
famous
beautiful
throughout
natural
landscape.
Australasia
and attracted
particular
Australian
artist
Eugene
von
who
travelled
by steamship
to the
many
andZealand
abroad in
to 1876.
experience and capture the spectacular mountain scenery
South artists
Island here
of New
in front of them.
Image/text:
Blackley, Roger. Two Centuries of New Zealand Landscape Art. Auckland: Auckland Art Gallery, 1990.
http://www.radfordsmotel.co.nz/Activities/Milford-Sound-Experiences/Default.asp
Alfred Sharpe
1936 – 1908
Alfred
In
After
1859
years
knew
water
travelling
the
colour
landscape
artist
to different
Alfred
wouldplaces
Sharpe
be filled
around
emigrated
with browns
Auckland,
to Aotearoa
andAlfred
grey-greens
NZ
became
fromduring
England.
familiar
the
with
He
daythe
painted
but at
many landscapes
landscape
sunset
would
andlight
learnt
in
upthe
of
with
moments
north
beautiful
island,
where
oranges,
but the
mostly
landscape
yellows,
near Auckland
violets
wouldand
do
where
purples.
something
he lived.
With
special.
moments
In 1876
In Alfred
1876
like
painted
Alfred
this
you
travelled
Pohutukawa
begin totoconnect
Taupiri
treesmountain
with
in Takapuna
the landscape
in the
and
Waikato
Hay’s
and see
Creek
andapainted
side
in Papakura
of the
it that
view
not
in from
1878.
many
thepeople
top. have
seen.
Image/text:
Blackley, Roger. Two Centuries of New Zealand Landscape Art. Auckland: Auckland Art Gallery, 1990.
http://homepages.slingshot.co.nz/~scottbarker/tid/tramping/taupiri/w-002.htm
http://www.teara.govt.nz/en/biographies/2s18/sharpe-alfred
Over
As the
theyears
years
Artists
went
artists
were
bywere
painting
morecreating
and
landscapes
more
paintings
artists
around
were
that them
were
beingvery
as
inspired
they
different
by the
and
capturing
landscape
began
landscapes
and
to change
wanting
that
over
to
were
capture
time.
also
Let’s
itdifferent
through
take a than
look.
painting.
before.
John Holmwood
Rita Angus
1910 - 1987
1908 - 1970
In
Holmwood
in a comic
or cartoon
way,
thelines
hustle
and
bustle
of
In 1944
1940 John
Rita Angus
usedpainted
the shapes
and curves
of thestyle
earth,
sharp
and
colour
shading
on shipping
boats,
tug landscape.
boats, wooden
crates
of imported
goods and
soaring
cranes
toworkers
create paintings
of the
Otago
In this
painting
she combines
different
landscapes
taking over the harbour
wharves
in Wellington.
in Otago,
giving
us an range of beautiful landscapes in the South Island.
Image/text:
Blackley, Roger. Two Centuries of New Zealand Landscape Art. Auckland: Auckland Art Gallery, 1990.
Don Binney
1940 - 2012
In
this
painting
paints
a large fantail
or Piwakawaka
in the
with a small
chapel
below in
Don
Binney
wasDon
a well
recognised
artist and
a person who
wassky
passionate
about
preserving
the
Oruaiti
landscape.
The bird is
a spiritual
symbol
for Don in
while
chapel
in the country
natural
landscapes
in Aotearoa
NZ.
This is often
expressed
his the
bold,
flat, graphic
style
reflects
hiswhich
memories
ofgreen
drivinghills,
pastblue
suchcoast,
buildings
as a child
with his father, but not
paintings
include
lush frequently
trees and native
birds.
so much now as country chapels slowly disappear.
Image/text:
Blackley, Roger. Two Centuries of New Zealand Landscape Art. Auckland: Auckland Art Gallery, 1990.
http://conzervative.wordpress.com/2012/09/17/don-binney-tribute-17-a-b52-on-the-exclusive-brethren/
http://www.nzmuseums.co.nz/account/3332/object/1781/Tabernacle
George Baloghy
1950 -
George Baloghy is an artist from Hungary who emigrated to Aotearoa NZ in 1956 . He is known
for painting landscapes of streets, shops, buildings and cars particularly during the 1980s. In these paintings
George records his surroundings showing that these buildings have a character of their own and tell their own
stories. Many of the buildings George has painted have since changed or sadly been demolished.
Image/text:
Brown, Warwick. 100 New Zealand Paintings. Birkenhead, Auckland: Godwit Publishing Ltd, 1995.
http://www.aasd.com.au/subscribers/list_all_works.cfm?concat=BaloghyGeorg
Robert Ellis
1929 -
Robert Ellis arrived in Auckland in 1957 from England. Robert bought his first car and became fascinated by the
roads in Auckland. He decided to paint the way roads curve, bend and snake across the landscape from above.
The colours he chose to paint with come from the roads, lights, signs and cars travelling. Many of his paintings
appear at night, almost giving the impression that the city is alive and active, almost like a beating heart.
Image/text:
Eldredge, Charles C. Pacific Parallels: Artists and the landscape in New Zealand. U.S.A: The New Zealand – United States Arts Foundation San Diego Museum of Art, 1991.
Robin White
1946 -
In other
Artist
Robin
artworks
Whiteshe
waspaints
born and
in Teprints
Pukepeople
in 1946who
andshe
overhas
themeet
yearsand
hasislived
goodinfriends
different
with.
places
She across
often shows the
Aotearoa
person
standing
NZ. Weincan
front
see
of many
their house
placesorRobin
in thehas
town
had
centre
a connection
showing with,
the place
suchthey
as these
call home.
buildings
Robin’s
in Maketu
paintings
and Mangaweka
help
show the character
in the North
of a person
Island, and
painted
the home
and printed
or town
in they
a bold,
liveflat
in.and graphic style.
Image/text:
Brownson, Ron. Art Toi: New Zealand Art at Auckland Art Gallery Toi o Tamaki. Auckland: Auckland Art Gallery Toi o Tamaki, 2011.
http://www.otago.ac.nz/library/hocken/exhibitions/otago039040.html / http://www.nzmuseums.co.nz/account/3236/object/1432 / http://www.stuff.co.nz/dominion-post/culture/visual-arts/8532476/Delights-at-Te-Papa-makeover
http://www.aasd.com.au/subscribers/number_by_medium.cfm?concat=WhiteRobin&class=3&year=2012&deforder=price%20desc&strt=21&show=10 / http://www.teara.govt.nz/en/artwork/18983/mangaweka
As we have seen, the landscape can inspire
Let’s recap on what we have learnt so far…
many artists in different ways…
What have we learnt so far?
Landscape painting can...
Help connect us with the past and the
history of a place
Show how unique a place is and how
different it can be compared with other
landscapes or places
Reflect our memories growing up or things
we find interesting living in a particular place
Tell a story about the character of a
place and the people that live there
Image: http://youshotmedown.wordpress.com/2012/03/27/282/
In the next lesson we will explore
‘Around the world and back’.
End of lesson.
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