Creating an Earned Media event

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Minnesota Arms Spending
Alternatives Project
(MN ASAP)
[Presenter]
[Date]
Overview
 Earned media overview
 Telling stories
 Messages
 Crafting them
 Getting them across
 Staying on them
 What is news
 The newsroom
 Working with reporters
effectively
 Building a press list
 Tools
 Press releases, pitch
letters, radio fees, etc.
 Opinion pieces
 Working with broadcast
media
 What to do if a reporter
calls you
 Dealing with
unfavorable coverage
What is Earned Media
and Why Use It?
 Earned media = Media that doesn’t cost you
money, but have to earn (not free)
 News articles, TV interviews, etc.
 Contrast with paid media and owned media
 Earned media can help you:
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Educate the public
Sway elected officials
Recruit new members
Win your campaigns!
The Importance of Telling Stories
 People love stories
 Natural way we process information
 More likely to notice, remember, share information if it is
presented as a story
 To tell a story, use the elements of narrative
 Protagonist, antagonist, conflict, resolution
 Emotional impact is key
 Emotion tells us what’s important in the world
 How to get emotional impact
 Help audience identify with “protagonist” (e.g. through personal
stories)
 Appeal to moral values
Big-Picture Stories & Messages
 Big-picture story
 Broad, all-encompassing story about your
effort & why it’s important
 Message
 What you’re communicating in a particular
interview, etc.
 Part of your big-picture story
Getting Your Message Across
 Develop concise messages
 Average quote is 30 words, TV clip is 10 seconds
 Use the 27/9/3 formula (“sound bites”)
 Repeat, repeat, repeat!
 Keep your message consistent
 Select spokespeople
 Coordinate between them
 Discuss big-picture story
 Develop talking pts & answers to likely questions
 Train people how to stay on message during an interview
Staying on Message During
an Interview
 Don’t allow the reporter to lead you off topic
 Say “I’d be happy to talk about that, but first I’d like
to explain how…”
 You don’t need to wait for a question to be
asked to answer it
 Never repeat a negative
 Reinforces it in audience’s mind
 Instead, neutralize it with a positive statement
Staying on Message During
an Interview
 You don’t have to answer every question!
 Instead, respond using a pivot
 Pivot = Pivot phrase + talking point
 Example pivot phrases
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“The thing is…”
“What’s important is…”
“What it sounds like you’re really getting at is…”
“That’s an interesting question, but first I’d like to
address…”
Staying on Message During
an Interview
 Pivot examples:
 Reporter: “Do you really think the MN Congressional
delegation will take this seriously?”
 You: “What it sounds like you’re really getting at is whether
military spending is a problem in our country. I think we can
all agree that Minnesota cannot afford to spend $8.6 billion
dollars funding the wars in Iraq and Afghanistan, when we
have a $5 billion budget shortfall here in MN.”
 Reporter: “What are the chances your group will be
successful?”
 You: “The reality is that Minnesotans are coming together
with a unified voice on military spending. We want to bring
our tax dollars home for local control.”
What is News?
 Just because it interests you doesn’t mean it’s news
 News value (“newsworthiness”)
1. Conflict
2. Novelty
3. Timeliness
4. Proximity
5. Prominence
6. Impact
7. Human interest
 Rank your story in each category, try to increase its
rankings
What is News?
 Angle
 How the story is told, what is emphasized
 Focus on news value categories with highest rankings
 Peg
 Current news item to which you tie your story
 Makes your story timely
 Hook
 Grabs the audience’s attention
 Encapsulates the story
 Like a jingle in a commercial
How are News Stories Created?
 Assignment
 Top-down method
 Assignment editor => reporter
 Enterprise
 Bottom-up method
 Beat reporter => editor
 Generally the better stories, & more copy
What Reporters Want
 They want good stories presented in a
way that makes their jobs easier
 Give them that, and you both win
 Compete hard for space in paper
 Increasingly harried due to downsizing
 They want a resource
 Not your enemy
 But also not your friend
Building Relationships
with Reporters
 Beat reporters at newspapers most important
 Also consider bloggers, editors, etc.
 Identify key individuals, do background research
 Ask to meet at her office or over coffee
 At the meeting
 Explain issue & give her background materials
 Offer yourself as a resource
 Build the relationship
 Deliver consistent quality
 Don’t waste her time
 Offer exclusives, & suggest other stories on her beat
Building Your Press List
 Press list = List of media contacts likely to be
interested in your stories
 Detailed information & a record of past contacts/stories
 Be selective
 Sending materials to those unlikely to be interested is
spamming
 Build your list using internet & phone calls
 Can use another organization’s list as starting point - but
check over everything
 Keep the list updated
Press Releases & Advisories
 Press release
 Alerts a reporter to a story
 Enough to write an article, but also gives contact info
 Written like a news article
 Headline, inverted pyramid style, quotes
 Press advisory
 Alerts a reporter to an event
 Answers who, what, where, when, why
 Formatting & sending
 See guide for advice
 Important: Follow with a pitch call!
The Pitch Call
 Purpose: Get a reporter’s attention & convince her to
cover your story or event
 When you call
 Introduce yourself & your organization
 If you know the reporter, connect briefly on a personal note
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Ask if she has a moment to talk
Give a brief summary of story or event
Ask if she got your release or advisory
Be prepared to do an interview on the spot
If get answering machine, call back later
Radio Feeds & Actualities
 Audio versions of the press release
 Used by radio stations in newscasts
 Lead-in, clip, closing, contact info
 Feed vs. actuality
 Feed = Clip prerecorded
 Actuality = Clip recorded at a live event
 Make pitch call before sending
 Not all stations accept these
Pitch Letters
 Used to convince news outlet to
interview someone or book them as a
guest
 Format flexible, but keep it short
 Follow up with a pitch call
Press Conferences
 Staged event where one or more
speakers present a story to reporters
 Opportunity for reporters to ask
questions & take photos
 Difficult for small organizations to use
effectively
Opinion Pieces in Newspapers
 Letter to the editor
 Short letter responding to a current topic
 Anyone can submit
 Many people submitting increases chances
 Can have a few writers & larger number of senders
 Op-ed
 Longer opinion piece
 Most often signed by an expert or public figure
 Editorial
 Statement by a paper’s editorial board
 Meet with editorial board to make your case
Radio Interviews
 Prepare!
 Learn talking points, practice answers to likely questions
 Bring documents along to the interview
 Studio vs. telephone
 During the interview
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Treat mic like ear of someone close to you (don’t shout)
Speak slowly & clearly
Repeat your main messages often
Smile!
 If talk radio, line up people to call in
 Listen to your interview afterwards & learn from it
Television Interviews
 Prepare!
 Like radio - but television short-form medium, & visual
 Pay special attention to:
 Sound bites
 Clothing & appearance
 During the interview
 Ask that the camera be brought to your eye level
 Be still (everything looks bigger on camera)
 Smile!
 Watch your interview afterwards & learn from it
Radio Call-Ins
 Familiarize yourself with the show
 Make the call
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Be prepared to wait
Have your points ready & in front of you
Tell screener why you’re calling in one short sentence
Greet host by name, then immediately make your point
Remain calm
 Can assemble a team of callers for maximum impact
Public Service Announcements
 Short noncommercial messages on TV and radio
 Used to meet the FCC’s requirement that stations serve “in
the public interest”
 Can use to send a message or announce an event
 Free airtime, but stiff competition
 Usually delivered as ready-to-use files, though some
stations prefer a script
 Requirements vary by station
 Call & ask for individual responsible for PSAs
 Try to set up a meeting
If a Reporter Calls You
 Most likely to happen in the afternoon or early evening
 But not always!
 When get the call, pick up
 Ask what the story is about
 If you are willing to talk, say you’re in the middle of something &
will call back in 5-10 minutes
 Compose your thoughts, & then call back
 If get a voicemail, return the call promptly
 Remember the reporter is probably working under deadline
Dealing with Unfavorable
Media Coverage
 This will happen sooner or later. Don’t panic, and don’t
become defensive!
 If a mistake
 If small, ignore
 If moderate, alert the reporter so she doesn’t repeat it
 If severe, ask for a formal correction
 If reporter refuses, consider going to her editor
 If critical or hostile coverage
 Consider carefully whether to respond
 If choose to respond
 Return to the issue and stress why it is what’s important
 Remain calm & always behave like an adult
Questions?
Acknowledgements
 This presentation was donated to MN ASAP by Kaja
Rebane of www.movetoamend.org. She gave an
excellent media training at the 2011 Democracy
Convention in Madison, WI. She was gracious in
sharing her expertise with us.
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