File - Lordswood Boys` Art & Design Website

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AQA GCSE Art & Design Set Task
(Exam)
Development Work Planning PowerPoint
Starting Point 3: Effects of Light
How to use this PowerPoint
• Use this PP to plan and produce development
work for your exam project.
• You can always access it via the art website:
www.lbsart.weebly.com
• Green slides signal the start of a new stage in
your planning or sketchbook
Planning stages (green slides)
(Tip: Use these stages as titles in your sketchbook to help planning)
( You may decide to do some stages in a different order)
(Think about how long each stage will take and plan your time carefully)
1.
2.
3.
4.
5.
6.
7.
8.
AO3 - Brainstorm the starting point
AO1 – Artist and cultural investigations
AO3 - Early intentions and ideas
AO3 - Primary & Secondary recording
AO1 – Investigations from other sources
AO2 – Using materials to refine ideas
AO4 – Final design
AO4 – Final outcome (in 10 hour exam)
Useful links
• http://www.bbc.co.uk/schools/gcsebitesize/ar
t/
• http://collectives.tate.org.uk/
• http://www.tate.org.uk/art
1. AO3 - Brainstorm the starting point
EFFECTS OF LIGHT
Impressionist painters were inspired by how the effects of light changed the
appearance of their subjects. More recently, artists Susan Derges and Garry Fabian
Miller have exploited the effects of light to create camera-less photographs, and
filmmaker Tacita Dean has explored the unique effects of projected light.
Research appropriate sources and create your own work in response to Effects of Light
Produce a brainstorm for the theme that uses word association to generate ideas.
Use the images on the next slide to inspire you...
(GRADE A / A*)
A highly developed ability to fluently and skilfully record ideas and insights relevant to
intentions
(GRADE B)
A consistent ability to skilfully record ideas and insights relevant to intentions
(GRADE C)
A generally consistent ability to effectively record ideas and insights relevant to
intentions
Examples of
brainstorms..
.
2. AO1 - Artist investigations
•
•
•
Investigate and analyse at least 2 of the artists given in the exam starting points.
Use reliable internet sources and if possible books and other sources
Use quality images, drawings and annotations using the 4 headings
(GRADE A / A*)
A confident and highly developed ability to
demonstrate analytical and cultural
understanding
(GRADE B)
A consistent ability to demonstrate analytical
and cultural understanding
(GRADE C)
A generally consistent ability to demonstrate
analytical and cultural understanding
TOP TIP:
Take care with presentation and the
spelling, punctuation and grammar
of written work.
Use the annotation help sheets to
extend your vocabulary
Lisa Milroy
• www.lisamilroy.net
Lisa Milroy is a Anglo-Canadian
painter who lives and works in
the UK. Lisa Milroy was born in
1959 and raised in Vancouver,
Canada. She moved to London in
1979 to study at Goldsmiths
College
Lisa Milroy Shoes 1985
Impressionism
Taking their name from Claude
Monet's 'Impression, Sunrise', the
Impressionists were established in
Paris during the 1870's.
A diverse group of painters, rejected
by the art establishment, defiantly set
up their own exhibition. They
included Monet, Renoir,
Pissarro and Degas.
Landscapes, and scenes from modern
urban and suburban life painted in
bright, pure colours are typical.
Impressionists often began (and
sometimes completed) their paintings
outdoors rather in a studio. Their
rapidly applied brushstrokes are often
visible.
Claude Monet, The Water-Lily Pond, 1899
click here for a useful link!
Impressionsim
Renoir, The Skiff (La Yole), 1875
Renoir, At the Theatre (La Première Sortie),
1876-7
Susan Derges
• http://www.susanderges.com/
Camera-less photography
click here for a useful video!
Tacita Dean
• http://www.bbc.co.uk
/news/entertainmentarts-15243030
• http://www.frithstreet
gallery.com/artists/bio
/tacita_dean/?/dean.h
tml
3. AO3 - Early intentions and ideas
-Choose an area of your brainstorm to focus on
- Make written notes about your early intentions for the project and what
you hope to achieve by the end. (This plan may change!)
- Use the 4 headings and also include:
-Objects you want to record visually
-Artists and other sources you want to investigate
CLOSE -UP
TOP TIP:
You could include some small
thumbnail drawings to show your
idea visually
Content
Process
Meaning
Purpose
4. AO3 - Primary and Secondary Recording
You must now find appropriate objects and items to record from. The main
ways you will do this will be through observational drawing and photography.
Record from primary sources first and move onto secondary sources if
necessary…
(GRADE A / A*)
A highly developed ability to fluently and skilfully record observations relevant to
intentions
(GRADE B)
A consistent ability to skilfully record observations relevant to intentions
(GRADE C)
A generally consistent ability to effectively record observations relevant to intentions
Observational drawing
Success Criteria:
-Quality tonal shading
-High contrast
- Interesting and unusual compositions
- Zooming in and cropping
-Dramatic lighting
Photography
Success Criteria:
-Interesting and unusual
compositions
-Appropriate themes
- Zooming in and cropping
- dramatic lighting
5. AO1 - Investigations from other sources
• You must extend your investigations by using other sources of
information
• This could include other artists, a visit to a gallery or a local place of
interest related to your theme
• Record your investigations using photography, drawings, collected items
and written notes.
TOP TIP:
Always refer to your intentions,
state why you have investigated a
source, how will it help with your
final piece?
6. AO2 - Using materials to refine ideas
(GRADE A / A*)
A highly developed ability to thoughtfully
refine ideas through purposeful and
discriminating selection of appropriate
materials and techniques
(GRADE B)
A consistent ability to thoughtfully refine
ideas through purposeful selection of
appropriate materials and techniques
(GRADE C)
A generally consistent ability to effectively
refine ideas through experimenting and
selecting appropriate materials and
techniques
•
•
•
Choose appropriate materials to
develop your ideas
See the next slide for ideas about
materials
Re-visit and refine your
experimental pieces up to the
highest standard possible.
TOP TIP:
Use materials that you have used
before and are confident with!
Never spend more time writing
about your practical work than
doing it!
Using materials
The list below shows what you should have covered in your GCSE Art
Remember to use materials that you are confident with already...
2D
Pencil
Fineliner / Pen
Watercolours
Acrylic Paints
Collage
Polystyrene Printing
Lino Printing
http://www.bbc.co.uk/schools/gcsebitesize/art
/video/
3D
Card Relief
Wire / card sculpture
Clay slab
Clay coil / pinch pot
Glazing techniques
TOP TIP:
The link below takes you to GCSE
Bitesize and useful practical videos
for 2D and 3D techniques
7. AO4 – Final Design
• Produce a quality final design for your final piece
• This should be a refined drawing of how your 2D / 3D piece will look
• Make notes using the 4 headings
TOP TIPS:
Highlight how your final piece will realise your
intentions
(GRADE A / A*)
A highly developed ability to present an
imaginative, personal, informed and
meaningful response when realising
intentions.
(GRADE B)
A consistent ability to present an personal,
informed and meaningful response when
realising intentions.
(GRADE C)
A generally consistent ability to effectively
present an personal, informed and
meaningful response when realising
intentions.
Highlight links and connections to artist work
that you have looked at..
Final Design
CONTENT
PROCESS
MEANING
PURPOSE
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