Angela Williams
Center for South Asian and Middle Eastern Studies
Language use
Fusion of musical style, language, message,
images
Music as social action/social commentary
Comparative look at revolution/freedom
songs
Flows of protest/socially conscious music
Connections from “home” countries/cultures
and how they show up abroad
In what ways are artists and listeners using
music to shape/create social, cultural,
identity?
How is this extending or redefining local
norms?
Worldatlas.com
Wikimedia Commons
Geographicguide.com
BALKAN PENINSULA
MEDITERRANEAN SEA
Balkan Beat Box – new Europeans? Israeli?
American?
Egyptian revolution songs
Syrian
Lyrics
Language, language style
Meaning, voice
Images
Videos
Professional/semi?
Fan-created
Online profiles
What is the context – real or imagined?
Who is participating or being represented?
(gender, ethnic, linguistic backgrounds)
What is the purpose of the song and its
dissemination?
What does the music teach us about:
citizenship, belonging, civil rights?
Founded in 2004, New
York
Israeli immigrants:
Tamir Muscat (via
Romania); Ori Kaplan
(klezmer clarinet);
TomerYousef
A “global peacekeeping mission you can dance to.” SPIN magazine
Mix of Balkan,
Middle Eastern,
hip hop,
electronica,
punk, and other
styles
“War Again”
Ramy Essam
“Laugh, Oh Revolution”
“Leave”
Traditional
“I’m sitting in the square”
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Music videos
You Tube
“Long Live Egypt” (Tahya Masr)
“Voice of Freedom” (Sout al-horeya)
“How?” (Izzay?)
Aida El- Ayoubi –Ya, Midan
“I Love You, My
Country”
“Yalla irhal ya Bashar”
("Get Out Bashar") quickly
became the most famous
protest song.
The singer, Hamwee
Ibrahim Qashoosh, was
captured and killed in July,
2011.
Omar Offendum
(Syrian-American
artists)
Ali al-Deek (Alawite
singer) “Good
morning, Syria”
Al-Monitor article
“Map” out the lives of the members of one of
the groups in Google Earth.
Crossing the Bridge (Turkey)
Slingshot Hip Hop (Palestine)
I Love Hip Hop in Morocco
No One Knows about Persian Cats (Iran)
Channels of Rage (Israel)
aswillms@illinois.edu