Angela Williams Center for South Asian and Middle Eastern Studies Language use Fusion of musical style, language, message, images Music as social action/social commentary Comparative look at revolution/freedom songs Flows of protest/socially conscious music Connections from “home” countries/cultures and how they show up abroad In what ways are artists and listeners using music to shape/create social, cultural, identity? How is this extending or redefining local norms? Worldatlas.com Wikimedia Commons Geographicguide.com BALKAN PENINSULA MEDITERRANEAN SEA Balkan Beat Box – new Europeans? Israeli? American? Egyptian revolution songs Syrian Lyrics Language, language style Meaning, voice Images Videos Professional/semi? Fan-created Online profiles What is the context – real or imagined? Who is participating or being represented? (gender, ethnic, linguistic backgrounds) What is the purpose of the song and its dissemination? What does the music teach us about: citizenship, belonging, civil rights? Founded in 2004, New York Israeli immigrants: Tamir Muscat (via Romania); Ori Kaplan (klezmer clarinet); TomerYousef A “global peacekeeping mission you can dance to.” SPIN magazine Mix of Balkan, Middle Eastern, hip hop, electronica, punk, and other styles “War Again” Ramy Essam “Laugh, Oh Revolution” “Leave” Traditional “I’m sitting in the square” • • • • • • Music videos You Tube “Long Live Egypt” (Tahya Masr) “Voice of Freedom” (Sout al-horeya) “How?” (Izzay?) Aida El- Ayoubi –Ya, Midan “I Love You, My Country” “Yalla irhal ya Bashar” ("Get Out Bashar") quickly became the most famous protest song. The singer, Hamwee Ibrahim Qashoosh, was captured and killed in July, 2011. Omar Offendum (Syrian-American artists) Ali al-Deek (Alawite singer) “Good morning, Syria” Al-Monitor article “Map” out the lives of the members of one of the groups in Google Earth. Crossing the Bridge (Turkey) Slingshot Hip Hop (Palestine) I Love Hip Hop in Morocco No One Knows about Persian Cats (Iran) Channels of Rage (Israel) aswillms@illinois.edu