COLOUR CORRECTION BASICS Pjw 2012 pjw jan12 This can result from e.g.; •The client not informing you of previous colour •Errors mixing colours •Inexperience pjw jan12 You need to know about the colour star You need to understand the ICC numbers of the tint manufacturer You need to understand what happens when two colours are mixed together pjw jan12 This is a guide to understanding the basics of colour correction Understanding what possibly went wrong in the first place Understanding the basics of what to do to correct it pjw jan12 In hairdressing we work on the principal that all colour is obtained from THREE primary colours. Can you list these colours before you move on? 1 2 3 pjw jan12 If you didn’t already know the three primary colours used are; RED YELLOW BLUE And all other colours are obtained by mixing these colours together in certain ways pjw jan12 Thinking back to art in school can you remember; 1. What happens if you mix red paint and yellow paint together? 2. What happens when you mix red and blue together? 3. What happens if you mix yellow and blue together? pjw jan12 1. 2. 3. ORANGE PURPLE GREEN Then, depending how much red is mixed with yellow would give is varying degrees of Orange e.g. If you mix a small amount of red with a larger amount of yellow, the result would be along the lines of a very light orange The colour star below demonstrates this principal. pjw jan12 The Colour Star Red / Blue ,5 & ,6 Red / Yellow ,4 ,3 ,7 Blue / Yellow pjw jan12 Of course in Hairdressing we wouldn’t normally call our colours Orange, or Purple, or Green. Can you guess what we would say; Orange = Gold, Red = Warm, Green/Blue = Cool tones or Ash or Matt pjw jan12 Mahogany & Violet Red (warm) Copper Yellow (gold) Green (Matt ash) Blue (ash) pjw jan12 Looking at the colour star, the colour on the opposite side cancels out e.g. Red cancels out Green Blue cancels out Orange Mauve cancels out yellow And Visa-Versa pjw jan12 So; Now that you know this principal and studying colour star; If you have a client who has a slight green tinge to her hair, what colour would you use to cancel out the green? If you have a client whose hair is slightly too warm, what would you do? Always consider how much green or red etc. is present before deciding how much of the colour you would introduce to cancel it out. pjw jan12 Cool Tones .0 Deep Basic 10 9 Lightest Blonde 8 Light Blonde 7 6 5 4 Blonde 3 2 1 Dark Brown .7 Green Ash .1 Blue Ash Warm Tones .2 Mauve .3 Golden .4 Copper .5 Mahogany Very Light Blonde 8.3 Light Golden Blonde Dark Blonde Light Brown Brown 4.45 Copper Mahogany Brown Darkest Brown Black pjw jan12 .6 Red Now you have got the principals of colour cancellation, look at the numbering system on the ICC colour numbering workbook and assume your client has a depth of 7. In the previous exercise put numbers to the tones you would possibly introduce to cancel the green. Put numbers to the tones you would possibly introduce to cancel out too much warmth pjw jan12 All the above are basic principals, from here it is experience building, asking stylists and watching what happens. Once you have grasped this, even if you don’t have a colour chart to hand you can, faced with any problem with a clients hair colour, simply ask yourself; What colour do I want to eliminate? pjw jan12 With the colour I want to eliminate, which colour is missing from the primary colour range That’s the colour I need to introduce e.g. you want to get rid of green, BLUE & YELLOW make green, out of the PRIMARY colours, RED is missing – THAT’S THE COLOUR TO INTRODUCE! HOW MUCH ? YOU DECIDE ! pjw jan12