History of Costume
Ages – Restoration Period
{ Dark
500 A.D. - 1715
The Dark Ages
Saxon and Frankish Era 500-599 A.D.
A continuation of the tunic
Belted at the waist or hip
Men begin to wear trouser like garments
Leggings
Cloaks – fur lined & some wool
Fastened with brooches
Thomas, P.W. (2008) Early Clothing Costume History 5001066AD: Saxon, Frankish & Anglo-Saxon Clothing retrieved
from: http://www.fashion-era.com/ancient_costume/clothingsaxon-frankish-anglo.htm
The Dark Ages
The Anglo – Saxon Era 700 – 999
Similar to the Saxon & Frankish Era
Hoods were added to cloaks in the 9th century
The wrap over coat and waist coat appeared
Began to see class distinction through dress
Nobility had embellishments on the collar, waist or
border of their tunics
Nobility wore longer tunics
Working class & Peasants wore plain shorter tunics
THINK MOVIE: King Arthur
The Dark Ages
Anglo-Saxon Lady & Women
Anglo-Saxon King & Queen
Anglo-Saxon Warrior & Man
Thomas, P.W. (2008) Early Clothing Costume History 5001066AD: Saxon, Frankish & Anglo-Saxon Clothing retrieved
from: http://www.fashion-era.com/ancient_costume/clothingsaxon-frankish-anglo.htm
The Dark Ages
The Anglo – Saxon Era 1000-1099
Men
Continued to wear tunics but shorter
Piercings became popular
Coifs – flat, round caps
Long stockings with feet & short boots
Women
Long woolen gown – sometimes 2 layers
Inner gown tight sleeves; outer gown loose sleeves
Wore cloak or mantle over outer gown
Began to wear head covering unless very young
Medieval/Middle Ages
Early Period: 1100-1199
simple shaped fitted tunic for men
Long, wide gown with decorative embroidery
for women
The Bliaut was a dress worn by woman or men
in this time period.
Hose took the place of trousers
THINK MOVIE: Robin Hood
Medieval/Middle Ages
After 1200
Men
Tight short clothes with long pointed
shoes
The longer the point the higher the status
Medieval/Middle Ages
After 1200
Women
Began to use tight lacing on women's
to create a form fitting shape
girdled at the hips
created a long - waisted appearance
Long, trailing gowns
Hennin, worn 1300- 1400,was a cone-like hat
resembling the spires of the cathedral spire.
THINK MOVIE: BraveHeart
Late Medieval Ages
1400-1500
Fashion in this era was greatly
influenced by the high class
society and the European
Kings and Queens.
The Surcoat was a popular
fashion accessory for the men
of this era.
Peasants had a lot of different
clothing styles because each
particular style identified the
woman with her hometown.
Renaissance: 1400-1500
Shapes becoming rounder
Accentuate Physique
Drawers & Padding for men
Codpiece for men
a decorative triangular piece of fabric
attached at the groin.
Men wore blouses with exposed chest
Pregnancy Pillows for Women
the maternal look was fashionable.
Looser, sexier clothing
THINK: Romeo & Juliet
Renaissance: 1400-1500
Renaissance: 1500 - 1600
Elizabethan Era
Tighter, stiff, more rigid clothing
Heavy and Luxurious Fabrics
Slashing - cut in the outer surfaces of
garments
doublets, sleeves and gowns
exposed the contrasting color of the linings
beneath
Ruff worn by both men & women
large stiff collar worn at this time.
Renaissance: 1500 - 1600
Elizabethan Era
Farthingale for Women
stiff metal cone-shaped article worn
under skirts
Corset
V-Waist
Accessories
Pearls, heeled shoes
Tights for men
THINK: Shakespeare in Love
Elizabethan Era 1500-1600
Cavalier 1620-1660
France Begins to influence Fashion
Fashion which said “I don’t have to work for a living.”
Sensual & Soft look, less stiffness
Waistlines began to rise
Ruffs were replaced by lace or linen collars
Sleeves began to become fuller
Men began wearing breeches instead of hose
Accessories
Turned down boots
Tall broad hats
Ribbons & bows
Doublets were pointed and fitted
close to the body, with tight
sleeves
Sleeveless leather jerkins were
worn by soldiers
Think “Three Musketeers”
Restoration 1660 - 1715
Women’s Fashion
Full, loose sleeves that end at elbow
Tightly corseted
Mantua
Hung from the shoulders to the floor
worn for 'undress' wear
The overskirt was looped back
and held by ribbon bows.
Train length determined by social status
Hair worn in tight curls
Got bigger and higher as the period went on
http://www.cwu.edu/~robinsos/ppages/resources/Costume_History/rest
oration.htm
Restoration 1660 - 1715
Men’s Fashion
Breeches became very baggy
Coat and Waist coat
Ruffled long sleeved shirt
Cravats worn over the neck
Periwig
Wig worn by men throughout
the period
http://www.cwu.edu/~robinsos/ppages/res
ources/Costume_History/restoration.htm
Restoration 1660 - 1715
http://www.cwu.edu/~robinsos/ppages/res
ources/Costume_History/restoration.htm
Historical Costume and the Movies
Assignment
Directions:
1.
Go to email and open the document I sent
you.
2.
Find 12 pictures from 12 different movies
that represents 12 different time periods.
3.
Paste the picture in the box provided, then
fill in the information in the corresponding
box.
4.
Save your document, then email it to me
when you are complete.
5.
You will be getting more notes Friday and
will have time to finish.
Movie Title: 300
Time Period: Greek B.C.
Evidence of Time Period:
Greek Chiton dress with belts
holding in place
Historically Accurate: No,
Chiton would cover whole
torso front and back. You can
tell double sided tape was used
to hold dress in place.
Website:
http://photos.lucywho.com/que
en-gorgo-photo-galleryc16025998.html
Georgian 1700-1775
Men’s Fashion
Flat Front Breeches—breeches with a
buttoned front flap.
The Justaucorps for men was the
forerunner of today’s suit coat.
The Spencer was a short jacket without
tails.
Queue—A long pigtail or ponytail that
men would wear on the back of the neck
with their own hair or with their wig.
Robinson,, S.R. (2010). Georgian Costume History. Retrieved
from:http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/georgian.htm
Georgian 1700-1775
Thomas, P.W. (2008) King George III - 1760-1820 - Daily &
Occupational Dress of Men. Retrieved from :
http://www.fashion-era.com/english-costume/1760-1820-georgeiii-mens-clothes.htm
Georgian 1700-1775
Women’s Fashion
Panniers—baskets made of
reed or whale bone held
together with ribbon used to
hold out the skirt
The hoop was first funnelshaped, but from 1730s to 1740s
grew very broad at the sides and
flat front and back.
Robinson,, S.R. (2010). Georgian Costume History. Retrieved
from:http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/georgian.htm
Georgian 1700-1775
Women’s Fashion
Watteau Gown— a loose sack or dress,
worn over a tight bodice and very full
underskirt.
The loose folds falling from the shoulders in
back became part of the skirt.
The front of the gown varied in design, either
hanging loose or fitted at the waist, worn closed
or open, and, if open, revealing a bodice and
underskirt.
The elbow-length sleeves had vertical pleats and
soft, wide cuffs.
Robinson,, S.R. (2010). Georgian Costume History. Retrieved
from:http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/georgian.htm
Georgian 1700-1775
Women’s Fashion
Pompadour—large hair-do associated with the
French court and often had birds or toys placed in
it.
Shepherdess Hat—A hat worn by fashionable
women that resembled a shepardess hat. It was
referring to the romantic life of the country.
Mob Cap—Large cap with soft, full crown and
wide brim which almost hid the face; usually
trimmed with ribbon bands and loops
Robinson,, S.R. (2010). Georgian Costume History. Retrieved
from:http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/georgian.htm
THINK MOVIE: Marie Antoinette
Empire 1790-1815
Men's Fashion
Breeches became longer and more tightly
fitted
Trousers or Pantaloons for the street
Coats were cutaway with long tails and
standing collars
Waist coats were high waisted and squared
off at the bottom
Hair wax and mutton chops were the new
hair fad
Wellington style boot
Empire 1790-1815
Women's Fashion
The triumph of the “undressed” look
Followed the simple flowing lines of
the Greek silhouette
Empire Waist
High waisted, natural look
No corsets
Accessories
Gloves
Vinaigrette: small drawstring handbag
THINK MOVIE: Emma
Romantic Era 1815-1840
Men's Fashion
Peg-Top Trousers–Trousers that
were wide and pleated at the top
and very narrow at the ankles.
The name peg-top originally
applied to a boy’s cone-shaped
spinning top.
Robinson,, S.R. (2010). Romantic Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume_His
tory/romantic.htm
Romantic Era 1815-1840
Men's Fashion
Sack Coat–A loose-fitting coat
ending at the finger tips and
having high short lapels. It was
used in sports and in commerce.
Great Coat–An overcoat usually
made out of wool and not as fitted
as a regular coat.
Frock Coat–A double-breasted
coat having long skirts of equal
length in front and back.
Robinson,, S.R. (2010). Romantic Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume_His
tory/romantic.htm
Romantic Era 1815-1840
Men's Fashion Accessories
Ascot–A scarf tied in a knot with
horizontal ends, then crossed
diagonally. The whole usually held in
place with a jeweled stickpin.
Bowler–A stiff felt hat with a low,
round crown and narrow brim; the
bowler, similar to a derby, has a
slightly wider brim and roll at the
sides.
Robinson,, S.R. (2010). Romantic Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume_His
tory/romantic.htm
Romantic Era 1815-1840
Women's Fashion
Beret Sleeves - cut from a circle with
an opening in the center for the arm
and this was gathered and bound
into a band. The outer circle was
gathered and set into the armhole
Gigot Sleeves–A full sleeve with
more fullness at the elbow than at
the shoulder or wrist.
Robinson,, S.R. (2010). Romantic Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume_His
tory/romantic.htm
Romantic Era 1815-1840
Women's Fashion
Wider Skirt Hemlines:
Gored into panels from 1820-1828 to
added width at hemline, but keep tight
waist
Decoration of stuffed rouleau tubes,
Italian quilting and flounces and frills
were added to push out the skirt hem
width in an architectural way.
Thomas, P.W. (2008). Romantic Era – Fashion History. Retreived
from: http://www.fashion-era.com/romantic_era.htm#Romantic
Era 1825-1835
Romantic Era 1815-1840
Women's Fashion
Pelerine Collars (1836):
covered wide shoulders and
added modesty.
The width of the lace pelerine
reached about 31 inches when at
its widest fashion.
Thomas, P.W. (2008). Romantic Era – Fashion History. Retreived
from: http://www.fashion-era.com/romantic_era.htm#Romantic
Era 1825-1835
Romantic Era 1815-1840
Women's Fashion
Hats: Large romantic wide hats,
ornately trimmed with feathers,
loops of ribbons and bows
complemented the wide shoulder
lines of the 1830s
Bonnets were virtually
interchangeable with hats
Coal scuttle bonnet styles with deep
crowns accommodated the high
Apollo knot: hair style of a high twist on
top of the head.
Thomas, P.W. (2008). Romantic Era – Fashion History. Retreived
from: http://www.fashion-era.com/romantic_era.htm#Romantic
Era 1825-1835
Victorian Era – Crinoline
1837 - 1860
Men’s Fashion
Prince Albert Coat Another name
for the double-breasted frock coat
with satin lapels, named after the
consort of Queen Victoria who
favored the style.
String Tie Basic ribbon, often black,
tied in a bow with the ends hanging
down.
Gaiters Covers that covered the shoe
so they wouldn't get muddy.
Robinson,, S.R. (2010). Crinoline Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume
_History/crinoline.htm
Victorian Era – Crinoline
1837 - 1860
Men’s Fashion
Dundrearies Long side burnes,
Lamb Chops, worn my Lord
Dundreary on Our American
Cousin, by Tom Taylor.
Stove-Pipe Hat A tall, cylindrical hat
with very little brim; worn by men.
Pince Niz A style of eye glasses that
pinched the nose.
Robinson,, S.R. (2010). Crinoline Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume
_History/crinoline.htm
Victorian Era – Crinoline
Women's Fashion 1837 - 1860
Return to the look of demure prim
gentility
Big hats leave and bonnets return
The Gigot sleeve collapses in for a
much narrower sleeve and dropped
shoulder line.
Tight, pointed longer boned bodice
to emphasize a small waistline
Pantalettes: Leg coverings of lace and
ruffles that extended below the
knees
Thomas, P.W. (2008). Early Victorian Costume and Fashion
History 1837-1860. Retrieved from: http://www.fashionera.com/early_victorian_fashion.htm
Victorian Era – Crinoline
Women's Fashion 1837-1860
Dolman: A three-quarter-length
outer wrap made of brocade, silk, or
woolen fabric with sleeves cut in one
with the body. .
Pagoda Sleeves A sleeve shaped like
a funnel, tight above and gradually
widening at the bottom, often
finishing in several ruffles over a soft
lawn under-sleeve.
Sleeves were off the shoulders for
evening wear for upper class.
Thomas, P.W. (2008). Early Victorian Costume and
Fashion History 1837-1860. Retrieved from:
http://www.fashion-era.com/early_victorian_fashion.htm
Victorian Era – Crinoline
Women's Fashion 1837-1860
Bell shaped skirts become so large
they are more dome shaped.
Held up by 6 layers of petticoats
Supported by stiffer fabrics with
“Crin” woven in horsehair to make
fabrics stiffer.
Crinoline: any garment that used this
type of lining to make it stiff
Crinoline cage: metal steel frame
cage that freed women of petticoats
Thomas, P.W. (2008). Early Victorian Costume and Fashion
History 1837-1860. Retrieved from: http://www.fashionera.com/early_victorian_fashion.htm
Victorian Era – Crinoline
Think Movies:
Gangs of New York
Gone With the Wind
Little Women
Victorian 1865-1890
Four factors that begin to influence fashion
1.
2.
3.
4.
The invention of the sewing machine
Fashion becomes couture design led
Synthetic dyes allow for intense colors
Dome skirt started to have a flat front and a
dramatic leaning back.
Thomas, P.W. (2008). Mid-Late Victorian Era Fashion.
Retrieved from: http://www.fashion-era.com/midlate_victorian_fashion.htm
Victorian 1865-1890
Men's Fashion
Blazer—A lightweight sport jacket.
Norfolk Jacket—A jacket with box
pleats or straps of the same material
passing over the belt and extending
from shoulder to hem in front and
back; usually worn for sport occasions.
Inverness—A full, sleeveless cape
which fitted closely around the neck;
from Inverness in Scotland.
Robinson,, S.R. (2010). Bustle Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume
_History/bustle.htm
Victorian 1865-1890
Men's Fashion
Knickerbockers—Full, knee-length
breeches gathered in at the knee
Four-in-hand Tie—A type of necktie
originally used by coachmen that is
tied in a slip knot.
Straw Boater—A man's hard straw hat
coated with shellac from India that
became popular for summer outings
and sporting events in the 1870s
Robinson,, S.R. (2010). Bustle Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume
_History/bustle.htm
Victorian - Bustle
Women’s Fashion
Bustle—Whalebone or steel strips
placed in the top back of the
petticoat or in a separate panier puff
in order to hold out the elaborate
draping at the back of the over skirt.
Bloomers—Loose underdrawers
usually gathered at the knee.
Basque—A short, skirt-like
termination of an upper garment
(originally on the male doublet)
Robinson,, S.R. (2010). Bustle Costume. Retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costume
_History/bustle.htm
Victorian - Bustle
Women’s Fashion
The Soft Bustle Fashion Silhouette
1867-1875
Apron style tablier top layer half
skirt
contrasting underskirts and gown
linings were all revealed as the
over top skirt was divided or
turned back.
Thomas, P.W. (2008). Mid-Late Victorian Era Fashion.
Retrieved from: http://www.fashion-era.com/midlate_victorian_fashion.htm
Victorian - Bustle
Women’s Fashion
From 1870, ball gowns always had a
train.
by 1873 the train was seen in day dress.
By 1875 soft polonaise bustle styles
were becoming so extreme that the
soft fullness began to drop down the
back of the garment and form itself
into a tiered, draped and frilled train
Victorian - Bustle
Women’s Fashion
Victorian Silhouette 1878-1901
Princess Line and the Cuirasse
Bodice
soft polonaise style bustle styles were
replaced by Princess sheath garments
without a waist seam with bodice and
skirt cut in one.
Cuirasse bodice: corset like and
dipped even deeper both front and
back extending well down the hips
creating the look of a body encased
in armour.
Thomas, P.W. (2008). Mid-Late Victorian Era Fashion.
Retrieved from: http://www.fashion-era.com/midlate_victorian_fashion.htm
Victorian - Bustle
Women’s Fashion
The New Hard Bustle of 1883
jutting out shelf like style of bustle
larger than ever as a hard shape that
gave women a silhouette like the
hind legs of a horse
Minimal drapery in comparison to
earlier bustles
Slimmer more fitted severely tailored
princess bodice, with a much flatter
front.
Thomas, P.W. (2008). Mid-Late Victorian Era Fashion.
Retrieved from: http://www.fashion-era.com/midlate_victorian_fashion.htm
Victorian - Bustle
Think Movies:
Far and Away
Tombstone
The Phantom of the Opera
Edwardian Era 1890 -1914
Men’s Fashion
Chesterfield—A fitted dress
overcoat with hidden buttons
and a velvet collar
Kickers—Full breeches
gathered or pleated into knee
bands and buckled at the
knee
Robinson,, S.R. (2010). Fin de Siecle Costume - The Gay
90's. retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/findesiecle.htm
Edwardian Era 1890 -1914
Men’s Hats
Panama Hat—A hand-woven hat of fine
straw from Ecuador and Colombia, South
America.
For-and-Aft Cap—A cap having a visor
front and back, often worn with an
Inverness cape.
Derby—A stiff felt hat with a low, round
crown and narrow brim; the bowler has a
slightly wider brim and a roll at the sides.
Homberg—A carefully blocked, stiff felt
hat with a medium tapering crown creased
in the middle and a brim that was rolled
up on the sides and finished in grosgrain
ribbon
Robinson,, S.R. (2010). Fin de Siecle Costume - The Gay
90's. retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/findesiecle.htm
Edwardian Era 1890 -1914
Women’s Fashion 1890-1910
Tailor Made—Mass-produced, ready-towear clothing that had a tailored fit often
wool or serge because of the tailoring
quality.
Leg-o’-Mutton—A sleeve that was
extremely wide at the top and tapered at the
wrist.
Shirtwaist—A woman’s top detached from
the skirt. At first the focal point was the
shoulders then it moved to the front.
Robinson,, S.R. (2010). Fin de Siecle Costume - The Gay
90's. retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/findesiecle.htm
Edwardian Era 1890 -1914
Women’s Fashion 1890-1910
Gibson Girl—More often associated
with the topknot hair style. Also a
blouse with a single pleat which
extended over each shoulder front
and back, hiding the armseye of the
shirtwaist.
Image of 'The New Woman' who was
competitive, sporty and emancipated
as well as beautiful.
Robinson,, S.R. (2010). Fin de Siecle Costume - The Gay
90's. retrieved from:
http://www.cwu.edu/~robinsos/ppages/resources/Costum
e_History/findesiecle.htm
Edwardian Era 1890 -1914
Women’s Fashion 1900 -1907
The S-Bend corset and pouter pigeon
effect
The high collar, S bend corset, trained
skirt and lavish hat all had an effect on
the posture of an Edwardian lady and it
gave her a certain swaying grandeur.
Evening wear
exceptionally low sweetheart, square and
round décolleté necklines allowed
women to wear quantities of fine jewelry.
No cleavage was visible as the bust was
suppressed into a monobosom. Thomas, P.W. (2008). La Belle Époque Edwardian Fashion
History. Retrieved from: http://www.fashionera.com/la_belle_epoque_1890-1914_fashion.htm
Edwardian Era 1890 -1914
Women’s Accessories
Gainsborough Hat— velvet, beaver, or
straw hat having a low crown and a broad
brim, trimmed with feathers.
Feathers
Gloves
Parasols
Bags
Thomas, P.W. (2008). La Belle Époque Edwardian Fashion
History. Retrieved from: http://www.fashionera.com/la_belle_epoque_1890-1914_fashion.htm
Edwardian Era 1890 -1914
Think Movies:
Anne of Green Gables
Sherlock Holmes