1
TECHNOLOGY AND LIVELIHOOD EDUCATION (ICT Illustration GRADE 9)
Name of Learner:
Section:
Q3: W5-6
Date:
LEARNING ACTIVITY SHEET
ENHANCEMENT OF DRAWING
Background Information for Learners:
In the past lessons about the tools and materials, you have learned that a pencil
plays a vital role in creating tone values. Pencils are labeled with letters and numbers to
indicate their specific grades of lead and softness or hardness, which account for their tone
values.
A pencil marked as B means that it is soft can create a remarkable degree tone while
that marked as H is a hard pencil used for creating lighter tones. An HB pencil is for easy
shading, hatching, controllable shaping, and creating tonal values. Remember the varieties
of pencil types for in the process you get to familiarize yourself with the densities of graphite
or charcoal pencils.
Pen and ink are an ideal example for fine-tuning and redefining subtle and
complicated lines. However, brush and ink combinations can range from fine line to
comprehensive strokes of tone.
ENHANCEMENT USING TONAL RANGE
Tonal range explains the amount or degree of lightness or darkness of a space or a
region. This is something which varies in proportion to the brightness of light source (natural
sunlight or studio lightning system) over shades of grey to the deepest black shadows. An
Artist should be able to perceive and recognize actual surface, lightness, darkness, color
and texture.
HB Pencil Tonal Range
(Source: http://quora.com)
2
(Source: http://thevirtualinstructor.com)
In painting, the concern is more about how light or dark a color is rather than identifying the
color itself. Every color can produce a variety of tones relative to how dark or light the objects
in the surrounding area. The range of tones can also be varied.
(Source: http://felmagnet.com)
When white and black hues are mixed with any color on the color wheel, varieties of
tint tone, and shade combination in drawings can be constructed and/ or created. By
observing the effects of light and shadows on a particular object hit by a light source, we can
fully understand the tonal values-degrees of darkness and lightness.
Tonal drawing must start with the appropriate use of tones to project images and
express temperament, which can be done by drawing the starting and minimal lines, focus
and emphasizing shapes and forms. The illustrations below are examples of tonal drawing.
The artist gave emphasis to the sphere, and the tone or color shadings gave different moods
to each drawing.
(Source: http://pinterest.com.)
3
(Source: http://robinurton.com.)
3-D look can be achieved form a 2-D drawing by using pencil as the medium to create tone
values ranging from white to gray to black- the range of values in shading and highlighting.
Step-by-step: How to create tone and tonal blending
Tone is all about creating harmony, be it in art or in music. Tone can be used to
create the illusion of form or a sense of depth and distance in a picture. It is widely believed
that using a broad selection of shades makes creating tone difficult but, if you know how
you’re viewing the image and where the location of your light source is, tone can be achieved
simply by study of your image.
Using graphic pencils, ranging between a hard 9H to a soft to 9B, you can create a selection
of tones simply by moving your pencil in a certain direction or by how hard you push the
pencil. This step-by-step tutorial will show you how to create tone using Derwent new
Graphic range.
1. Using a HB Graphic pencil, draw out a selection of simple shapes, for example a sphere,
a cylinder and a cube. At this stage, the shapes need to be 3D, so make your shapes look
like a ball, a can and a dice.
(Source: http:// https://blog.derwentart.com/com.)
2. In front of those draw a curved line, beginning at the bottom of the ball and end three
quarters of the way across your cylinder. Then draw a line coming from your cube, beginning
at the corner facing you and ending at the edge of the paper, at around a 75 degree angle.
These lines will form the constraints of your shadows.
4
(Source: https://blog.derwentart.com)
Take the 6B pencil and, working from the edge opposite your light source, press hard
and drag the pencil back towards the direction of the light in soft curved lines for about a
third of the shape. Due to the pressure of the pencil on the paper, this will create some dark
lines.
Continue where your 6B lines finished and using a 5B pencil continue the contour
lines across the middle of the sphere. Bending the lines slightly will add definition to the
sphere. Continue the contour lines towards the bottom of the sphere. The sphere gains
shape as you go down in shades from by bending the lines slightly, gives the impression of
curvature.
3. Moving onto the cylinder, use a secondary piece of paper to cover the right-hand side of
the sheet. This acts as a mask to help you get a neat line as you start to shade so the mask
should run directly down the right-hand side of your cylinder.
Creating curved horizontal lines approximately a centimetre in length with a pencil,
work from the right-hand edge across. Ensure that you’re working from top to bottom with
the pencil as the top corner is further from the light. From here, we will work down in
sectioned panels so in the next panel use a pencil in the same way. The pencil lines will
seemingly get smaller as you’re working from right to left. There’s no need to worry about
making each section exactly a centimetre in length, as light doesn’t work in measured
panels!
(Source: https://blog.derwentart.com.)
5
4. Work your way down from the third panel using a B pencil to the fourth panel with a HB
pencil and then finally the fifth panel with the F pencil. The graded tones in curved panels
will help create the illusion of a cylindrical object. You can then work in the same way for the
lid of the cylinder, with strokes going from left to right, as the light will hit the top differently
than the curvature on the main surface.
(Source: https://blog.derwentart.com.)
For our cube, use an H pencil on its flattest edge to work in horizontal strokes.
Using the flat edge will create broader strokes but the darkest tone. As the right hand side
of our cube is furthest from the light, this is where the heavier shades will need to be.
(Source: https://blog.derwentart.com.)
From there work up 3 grades to a 4H and work in the same way to create the mid
tone on top of the cube.
5. Finally, another 3-grade movement to a 7H can work in vertical lines to create the lightest
side of the cube. Remember those lines that we created early, stemming from our shapes?
These were our shadow lines! As we’ve created solid images, we’re going to need a dark
shade. The soft nature of a 7B will suit this task and will be suitably dark here, unless your
light source is fading.
6
And finally…
The strokes are best to work away from the light source and can lighten slightly as
we get to the edge of our shadows. The nearer the shadow is to the object, the darker it will
be. You may want to work into a 6B shade as we get nearer the edges of our cylinders
shadow.
Now we’ve got our shapes and their accompanying shadows. Use a 9H and work in
horizontal marks to create a light foreground in front of the objects. If your shading on your
shapes are still looking a little blocky, you can use a 9H or a blending stub to create some
smoother definition.
(Source: https://blog.derwentart.com)
Now, to make your shapes stand out from the background, use your darkest pencils,
a 9B. From the right-hand side work around the objects, in horizontal strokes, pressing quite
hard to create a dark background, change to an 8B half way across as you begin to get
nearer your light source.
The more grades you use, the better you work them into each other and the less
likely someone is to point out the joins, the better your image will be.
It’s best to keep experimenting to create mixtures in shape, tone and definition.
Methods of illustrating light and shadow areas
The values are tones used to render or hit bulk or object volume in traditional drawing
are grouped into two categories: light areas (bright) and dark areas (shadows). It is important
to learn how light acts when it hits or comes in contact with an object.
LIGHT/BRIGHT Areas
a. Highlight- the brightest part of the object which faces the light source
b. Light- the normal bright area of the image that does not reach the brightest value
and touch of the shadow.
c. Half tone- the mid-gray tone zone where the shadow originates
7
DARK/SHADOW Areas
a. Form Shadow- the main shadow and the darkest area of the object positioned
opposite the light source, receives the least amount of light, and is used for defining the
shape of the object.
b. Reflected light- the shadow region where the intensity of the shadow is lower due
to light being reflected on the surface of the object from the luminosity of ground and the
surrounding surfaces.
c. Cast shadow- the shadow volume of the object leaves on the surface behind it
relative to the source of light, darker if closer to the volume and lighter the farther away from
the volume. Penumbra is a region outside the cast shadow and is considered as the
outermost shadow portion of the object.
d. Occlusion shadow- the darkest zone of the shadow found and connected under
the main object.
CREATING LINEAR MARKS
The line is the most basic form of representation in drawing, yet the power and
versatility that can be taken with the drawn lines means that it has a wide range of
descriptive possibilities. Linear drawing is essentially a technique that uses line as the
main vehicle of expression, rather than the depth of color. Lines can be drawn with great
impulsiveness. They can be expressive, economical, and decorative. Shadows and
highlights can be suggested with the use of heavy or sensitive lines.
(Source: http://blog.derwentart.com.)
8
In linear drawing, there are several ways to mark and shade an image to form
appealing tones and create a sense of harmony and unity. Hatching, cross-hatching,
scribbling, dashes, trifling circles and crosses, and feathering are good example of variations
of succession and sequence of lines drawn adjacent to and near one another. Stippling is
another technique wherein dots are used instead of lines to create and draw a shape or
form.
Source:http//pinterest.com
9
Do you remember cross-hatching and hatching? To do cross-hatching, combine two
or more sets of parallel lines that intersect and cross each other in a particular angle to
create a form or shading. If you want to create a heavy tone and texture of an image,
illustrate hatched lines together. Remember that in hatching, lines are never blended
together.
Hatching and Cross-hatching Examples
(Source: http://pinterestcom.)
Feathering is an appropriate and convenient technique for making soft gradations,
color refinements, blending and softening forms in a drawing. It attempts to blend colors and
has a similarity to hatching and cross-hatching in a sense that two techniques use hard
pastel while feathering uses both soft and hard pastel brands.
In soft charcoal pencil and pastel drawing, feathering creates vanishing luminous
coating effect. Feathering softens most landscapes and refines portraiture skins. It is also
softens rough surface of most objects.
Example of Pastel feathering marks
10
(Source: http://pinterestcom.)
Example of Charcoal feathering marks
(Source: http://pinterest.com.)
Safety Tips in Feathering
Artists’ tools like maulsticks and sienna can help you refine more your feathering
artworks.
Also spelled as mahlstick, a maulstick is an artist stick padded with soft leather at
one end. It is used for safety drawing-supporting and keeping the hand steady while the
artist is painting or illustrating.
(Source: http://creativebloq.com.)
Raw sienna provides sheen feather over an area to soften a color if it is too dark or
bright. It is yellow-brown in color composed of iron oxide and manganese oxide. It is one of
the classic and natural earth color/pigments for coloring our art piece especially landscape
painting (creating color for PALLETE drawing) and producing smooth and natural looking
feathering.
11
Different Shades of Raw Sienna
(Source: http://pinterest.com.)
Correct Grip and Stroke in Feathering
Hold the pastel in a loose grip near the end so that the artist will have plenty of
leverage and the pastel will be free to swing. Using the very tip of the pastel, gently make
fine, closely spaced hatching strokes over the surface of the drawing. Feathering strokes
are short and always parallel, running diagonally.
Feathering Variations
In feathering, using two different colors for the strokes produce an intertwined or
woven effect, even when viewed up close. It is done by drawing feathering stroke using one
color, and doing it again using another color.
Tips in Highlighting
To be able to achieve the brightest highlight in a drawing, leave white areas or spaces
on the paper. If there is no white space available, create by erasing some favorable areas
or by using a gouache to cover up the colored area.
Learning Competencies with Code
LO 2. Use basic drawing techniques (TLE_ICTIL9-12DO-If-j-2)
12
SELF-CHECK
WEEK 5
Activity 1. TRUE or FALSE
Direction: Read each statement carefully. Write True if the statement is correct and False
it is wrong.
1. Drawing is still one of best ways to convey information directly despite
the increasing prevalence photography.
2. Tonal range explains the amount or degree of lightness or darkness of
space.
3. Lines can be drawn with great impulsiveness that they can be expressive,
economical, and decorative.
4. Shadows and highlights can also be suggested with heavy or sensitive
lines.
5. Occlusion shadow is the darkest zone of the shadow found and
connected under the main object.
6. Feathering uses both soft and hard pastel brands.
7. Tone is the effect that light has on color. In black and white terms, tone
is shades of gray.
8. Highlight is the lightest tone in drawing.
9. Shading usually refers to the way areas of shadow are represented in a
drawing. It is invariability linked with tone.
10. Stippling is a technique of using dots instead of lines to create and
draw a shape or form.
Activity 2. WORD SEARCH
Direction: Encircle the 10 words listed below. Words appear straight across, backward
straight across, up and down, down and up, and diagonally.
WORD BANK
FEATHERING
PASTEL
LINEAR
ENHANCEMENT
SHADOW
SHADES
CHARCOAL
TONAL
VALUE
13
HIGHLIGHTS
Activity 3: i-PROCESS
WEEK 6: MY OWN TONAL SCALE MARKS
Draw range of tone in the boxes below using you HB pencil or other essential drawing
pencil.
14
Activity 4: STIPPLING TECHNIQUES
Draw six different 5 different stippling marks in the boxes using your pencil, ruler and
eraser.
Rubric in Grading Artwork
Criteria
5
4
3
2-1
Knowledge
The
student
and
shows excellent
understanding development on
the practice task
as evident in the
output
The
student
good
development on
the practice task
as evident in the
output
The
student
satisfactory
development on the
practice task as
evident in
Neatness of
drawing
Completed
artwork
is
exceptionally
neat
Completed
artwork is very
neat
Accuracy
The
isometric
drawing
exceptionally
drawn according
to standard
The
isometric
drawing
was
drawn according
to standard
The
student
show excellent
development
on the practice
task
as
evident in the
output
Completed artwork is Completed
neat, with some part artwork
in
less neat
more messy
than neat
The
drawing
somehow
according
standard
isometric
was
drawn
to
The isometric
was
drawn
NOT
according to
standard
References
Maglalang, Marvin L. MTE.(2017).Technology and Livelihood Education(TLE)Information
and Communications: Introduction to Illustration
Villamor, Alfredo d. MA.(2017). Technology and Livelihood Education (TLE) Information and
Communications: Introduction to Illustration
www.pinterst.ph
K to 12 – Technology and Livelihood Education- MECHANICAL DRAFTING
https://www.quora.com/What-type-of-pencils-should-be-used-for-sketching
https://thevirtualinstructor.com/Artists-pencils-graphite-pencils-explained.html
https://nl.pinterest.com/pin/422986589987918450/
https://blog.derwentart.com
15
Answer Key:
SELF-CHECK Activity 1
1. TRUE
2. TRUE
3. TRUE
4. TRUE
5. TRUE
6. FALSE
7. TRUE
8. FALSE
9. TRUE
10. TRUE
Prepared by:
ELMER B. CADIANG
Master Teacher-I
16
TECHNOLOGY AND LIVELIHOOD EDUCATION (ICT Illustration GRADE 9)
Name of Learner:
Section:
Q3: W7&8
Date:
LEARNING ACTIVITY SHEET
ILLUSTRATION CLEANUPS
Background Information for Learners:
It is important for someone who hopes to be an illustrator or artist to know the ways
and techniques in doing cleanups and scanning drawings to prepare these for printing or
simply digitizing.
Cleanup is an essential part in the whole process of drawing and illustrating.
Professionally, it is mostly done and used in animations such as cartoon animation, and in
the creation of sophisticated designs such as in painting and printed materials. Usually after
rough-in process, the cleanup artist and the animator’s assistance are the ones responsible
in cleaning and finalizing the look of the shots on a new paper. They do this under the
supervision of the Art Director. Work is saved using digital format for later processing.
Illustrations normally have a black and white outline, are grayscale, and are
monochrome. They are created using acrylic paint, chalk, hard or soft charcoal, crayons,
gouache, graphite, marker, oil paint, pastel, pen, and ink, pencil, sand or water color.
Illustrations may be done on a paper, canvas, card stock, fabric, or glass. They may be
engraved on metal, plaster, scratchboard, and carved on wood. They maybe tattooed on
human body and made into murals on walls.
In digital illustration, an artist uses digital tools such as drawing tablet or equivalent
handheld or pointing device and a specific editing and drawing software such as Paint Tool
SAI, Adobe Illustrator, or Adobe Photoshop to draw and create images.
https://design.tutsplus.com
CLEANING ILLUSTRATIONS/ DRAWING
Drawings/illustrations can be cleaned up using the erasing method or the digital
method.
The Erasing Method
An eraser is important just like how important pencil is. Its main function is to remove
unwanted or unnecessary marks in drawing/illustration. But it is also used to vary gradation
17
of color in a colored charcoaled drawing. Applying varying pressure on this drawing medium
creates varying color tones. The heavier the pressure, the darker the color.
The commonly used erasers by the artists are vinyl and kneaded erasers. Vinyl
erasers are used in removing light and fine areas in drawing/ illustration, while kneaded
erasers are used in erasing larger areas of a drawing. A canvas will be neatly erased with
kneaded eraser by just reshaping and erasing.
Kneaded Eraser
Vinyl Eraser
rainbowresource.com
dickblik.com
A kneaded eraser can be cleaned by stretching and pulling it, until its entire
surface is already dark that it should already be replaced.
Scanning and Digital Software Cleaning
Here are the ways to scan and clean an image, drawing, or illustration through the
digital method.
1. Scanning directly using Adobe Photoshop
To scan traditional drawing directly, go to
FILE>IMPORT then choose your scanner driver or search
for “scan” in the computer’s search box. Once the file is
already opened, set the color mode to grayscale. The
resolution should be at least 600dpi (dots per inch), with
the scale of 100%. The image should be saved as JPEG
(Joint Photographic Experts Group) or TIFF (Tagged
Image File Format).
2. Scanning Manually
(source: Lehigh.edu.)
In scanning images manually, there is no need to scan beyond 1200ppi (pixel per
inch.) If the computer system seems to have difficulty in processing large file size, lower
the setting to 900ppi or 600ppi. Scan the image set in grayscale mode and it as JPEG or
TIFF.
Cleaning up Sketches in Adobe Photoshop
https://www.youtube.com/watch
The quality of a drawing before scanning is not the same as after scanning. In
converting a scanned traditional drawing to a digital illustration, many unnecessary things
appear on the computer screen, such as extra lines, small dots, and dirt. To fix these,
18
Adobe Photoshop can utilized to clean the digital illustration for better results by adjusting
threshold and levels.
3. Applying the Adjustment Threshold
In using Threshold in arts, go to IMAGE>IMAGE SIZE and set the image to 600dpi
before doing any editing work, and then save the file. To save time in cleaning and
outlining fine lines, shadings(hatching), dots or light
flick, go to IMAGE>ADJUSTMENT>THRESHOLD.
As you will see, the default color is 128. If you adjust
below 128, the image gets lighter and lighter until
what you only see is white. Set the Threshold to give
the image exact shade, out of the spectrum range of
1-255 shade of gray. It is best to adjust the little
arrow until the image appears clean. If the image is
dark and has many gray parts due to pencil erasures,
the Threshold should be set lower.
(Source:industrydev.com)
The Photoshop application is a great tool for artist to enhance their drawings. Using its tools
correctly and creatively will give the best results.
If you want to make sure that the image is
totally cleaned, use the Magnifying Glass (
) tool.
Slowly zoom the image to be leaned of smudges, dots,
and dusts. Set a pattern in checking the image to avoid
missing a portion. Use only the Pencil ( ) tool in
editing. Check if the Eraser ( ) tool is also set to
pencil tool and the Antialias box is unchecked. If the
Pencil tool alone is desired to be used, hit the X key
in changing the pencil color in black or white.
(Source:expertphotography.com
If the eraser size is too big for the pencil size, the portion that should not be erased
might be erased also. On the other hand, if the pencil is too big in size compared to the
eraser, it would be time consuming to erase what should be removed. Always hit the Save
button as the editing progresses. Save the image in Bitmap format through IMAGE>MODE
4. Using Adobe Adjustment Levels
Another tool in editing images and illustrations is the Adjustment Layer. This
application resolves corrections that simple Threshold conversation cannot do.
To start using this application, make a Levels Adjustment Layer on the raw scan.
Click the half white, half black at the bottom of the LAYER menu and select LEVELS. Adjust
the black and white and gray tone of the image by moving the arrows at the bottom until the
desired quality of the image is gained. Afterwards, make a Threshold Adjustment Layer, set
the threshold and save the image.
19
(Source:graphicdesignstackexchange.com)
Resolution of pencil illustrations or line Artwork Resolution should always be set at 1200 dpi.
Although 600 dpi can also be used, higher resolution gives clearer images. Before saving the
artworks done, check them by changing MODE to BITMAP. In this way, the line art will be printed in
its best format. Final check the image by zooming it out to see the entire artwork. If there is no more
problem, save the artwork. In the Format, choose BMP if Bitmap, PSD if Photoshop file, on JPEG if
picture file. You can also use PNG.
ADDITIONAL TOOLS AND TECHNIQUES IN DOING ARTWORK
1. To preserve artworks, a fixative spray may be used. Apply it by spraying across the surface rather
than directly onto the drawing. Do the task in an open, well ventilated place to ensure proper air
circulation.
2. Using lay figures or joint wood models can greatly help in accurately illustrating various human
body movements through poses. Also called mannequin or manikin, it can be bought in school
supplies or art stores.
3. Use larger binder clips instead of adhesive tape to attach a paper drawing board so that the paper
will not move or be damaged.
4. Use hand-held sharpeners with two blades for sharpening regular-sized and big sized pencils. If
the pencil’s lead pot is still intact but not sharp anymore, use a sandpaper block to sharpen the pencil
tip. In this way, the wood will not wear around easily and the sharpener will not be over used.
5. Use a portfolio case to organize and safe keep drawings and art materials. Doing so will avoid loss
and damage.
6. Easels make workings area comfortable, compact, and sturdy. They are affordable and come in
different types, such as tabletop, tripod, and box.
Easels
(Source: conceptartempire.com)
Table top
(Source:amozon.com)
20
Tripod
(Source:walmart.com)
Learning Competencies with Code
LO 2. Use basic drawing techniques (TLE_ICTIL9-12DO-If-j-2)
SELF-CHECK
WEEK 7
Activity 1. IDENTIFICATION
Direction: Identify what is described each number. Choose the correct answer from the
scroll below and then write it on the space provided.
1. It is a great tool for artist to enhance their drawings.
2. Another tool used in editing images and illustrations. This application
resolves corrections that simple Threshold cannot do.
3. It is the short term for Tagged Image File Format.
4. It is the minimum resolution that could be set in scanning.
5. It is an essential part in the whole process of drawing and illustrating.
6. It is a type of eraser better than the pencil eraser.
7. It is used to zoom in an artwork to see smudges of grays available in
Threshold
8. It is the total number of spectrum of grays available in Threshold..
9. This must be the scale in scanning.
10. Adobe Photoshop can be utilized to clean the
adjusting threshold and levels.
for better results by
Activity 2: i-PROCESS
WEEK 8
MY ARTWORK
Choose a tree from the given and draw it using the traditional approach in drawing. Then
do spic-and-span cleaning process. After cleaning, add green color to the leaves and
brown to the trunk. Use separate bond paper for your drawing for bigger output.
Oak Tree
Pine Tree
Palm Tree
21
Maple Tree
Elm Tree
(Source: coloringhome.com)
Rubric in Grading Artwork
Criteria
Creativity
and design
Skill
Neatness of
drawing
5
4
3
2-1
Work
exceptionally
unique, detailed
and interesting.
The artwork is
outstanding
and
was finished with a
great deal of
patience
Completed
artwork
is
exceptionally neat
Work generally
unique, detailed and
interesting.
Work somewhat
unique, detailed and
interesting.
Work occasionally
unique, detailed
and interesting.
The student showed
above
average
craftsmanship and
understanding
The student showed
average
craftsmanship
and
understanding
The
student
showed
poor
craftsmanship and
understanding
Completed artwork
is very neat
Completed artwork is
neat, with some part
less neat
Completed
artwork in more
messy than neat
Activity 3: i-PROCESS
Drawing and Cleaning Up
Direction: Draw your favorite cartoon character on a bond paper. Then, scan and edit it
using digital method learned. Save it as JPEG format and send it to your teacher.
Rubric in Grading Artwork
Put a check mark on the weight or rank value that best describes the student’s
work.
Criteria
Very
Satisfactory
5
Satisfactory
4
Fairly
Satisfactory
3
Creativity and
design
Workmanship
Accuracy
Speed
Neatness
22
Unsatisfactory
2
Very
Unsatisfactory
1
Reflection:
1. What are the learning experiences have you encountered while doing your
learning activity sheets?
2. What inspires you to accomplish your learning task?
References
Maglalang, Marvin L. MTE.(2017).Technology and Livelihood Education(TLE)Information
and Communications: Introduction to Illustration
Villamor, Alfredo d. MA.(2017). Technology and Livelihood Education (TLE) Information and
Communications: Introduction to Illustration
K to 12 – Technology and Livelihood Education- MECHANICAL DRAFTING
https://design.tutsplus.com/tutorials/sketch-photoshop-effect--cms-27461
https://www.rainbowresource.com/product/008533/Kneaded-Art-Eraser-Small-138E.html
https://www.dickblick.com/products/alvin-vinyl-eraser/
https://www.google.com/search?q=scanning+with+adobe+photoshop&source=lnms&tbm=i
sch&sa=X&ved=2ahUKEwjA0PjXsOrsAhWIyIsBHXovAw8Q_AUoAnoECBEQBA&biw=160
0&bih=789#imgrc=ktv-1ifnoCbqzM
https://www.youtube.com/watch
https://www.google.com/search?q=applying+adjustment+to+threshold+&tbm=isch&ved=2a
hUKEwiJ6dSBsersAhVIYpQKHdlyAqoQ2cCegQIABAA&oq=applying+adjustment+to+threshold+&gs_lcp=CgNpbWcQDDoECAAQ
https://graphicdesign.stackexchange.com/questions/38916/set-adjustment-layer-to-onlyaffect-certain-layers-without-using-groups
https://conceptartempire.com/best-easels/
https://www.amazon.com/Drawing-Easels-Artist-Adjustable-Painting/dp/B084MFCXKC
https://www.walmart.com/ip/Ktaxon-Portable-64-Artist-Wood-Tripod-A-Frame-Easel-StandStudio-Floor-Display-Holder-with-Art-Painting-Drawing-Sketching-ExhibitionWedding/690562415
https://dragoart.com/tut/how-to-draw-an-oak-tree-1807
https://www.wedrawanimals.com/how-to-draw-a-pine-tree/
https://www.pinterest.ph/pin/252553491577002323/
https://coloringhome.com/coloring-page/243618
23
Answer Key:
SELF-CHECK Activity 1
1. Photoshop application
6. Kneaded eraser
2. Adjustment Levels
7. Magnifying Glass
3. TIFF
8. 1-255
4. 600ppi.
9. 100%
5. Cleanup
10. Digital illustration
Prepared by:
ELMER B. CADIANG
Master Teacher-I
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