11 21st Century Literature from the Philippines and the World Quarter 2 – Module 6: Literary Genres, Traditions, and Forms Across the World English – Grade 11 Alternative Delivery Mode Quarter 2 – Module 6: Literary genres, Traditions, and Forms Across the World First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from their respective copyright owners. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Secretary: Leonor Magtolis Briones Undersecretary: Diosdado M. San Antonio Development Team of the Module Writer: Blynda J. Gutang Editors: Ellen E. Edrial EdD Reviewers: Ellen E. Edrial EdD Illustrator: None Layout Artist/ Typesetter: Josephine V. Austero Management Team: Senen Priscillo P. Paulin, CESO V Fay C. Luarez, TM, EdD, PhD Nilita L. Ragay EdD Rosela R. Abiera Maricel S. Rasid Elmar L. Cabrera Anna Lee A. Amores, EdD Printed in the Philippines by ________________________ Department of Education –Region VII Schools Division of Negros Oriental Office Address: Kagawasan, Ave., Daro, Dumaguete City, Negros Oriental Tele #: (035) 225 2376 / 541 1117 E-mail Address: negros.oriental@deped.gov.ph 11 21st Century Literature from the Philippines and the World Quarter 2 – Module 6: Literary Genres, Traditions and Forms Across the World Introductory Message For the Facilitator: Welcome to the 21st Century Literature from the Philippines and the World Alternative Delivery Mode (ADM) Module 6 on Literary Genres, Traditions and Forms Across the World. This module was collaboratively designed, developed and reviewed by educators both from public and private institutions to assist you, the teacher or facilitator in helping the learners meet the standards set by the K to 12 Curriculum while overcoming their personal, social, and economic constraints in schooling. This learning resource hopes to engage the learners into guided and independent learning activities at their own pace and time. Furthermore, this also aims to help learners acquire the needed 21st century skills while taking into consideration their needs and circumstances. In addition to the material in the main text, you will also see this box in the body of the module: Give Learners an uncommon experience.” “ As a facilitator, you are expected to orient the learners on how to use this module. You also need to keep track of the learners' progress while allowing them to manage their own learning. Furthermore, you are expected to encourage and assist the learners as they do the tasks included in the module. For the Learner: Welcome to the 21st Century Literature from the Philippines and the World Alternative Delivery Mode (ADM) Module 6 on Literary Genres, Traditions and Forms Across the World. This module was designed to provide you with fun and meaningful opportunities for guided and independent learning at your own pace and time. You will be enabled to process the contents of the learning resource while being an active learner. This module has the following parts and corresponding icons: This will give you an idea of the skills or What I Need to Know competencies you are expected to learn in the module. ii What I Know This part includes an activity that aims to check what you already know about the lesson to take. If you get all the answers correct (100%), you may decide to skip this module. What’s In This is a brief drill or review to help you link the current lesson with the previous one. What’s New In this portion, the new lesson will be introduced to you in various ways; a story, a song, a poem, a problem opener, an activity or a situation. What is It This section provides a brief discussion of the lesson. This aims to help you discover and understand new concepts and skills. What’s More This comprises activities for independent practice to solidify your understanding and skills of the topic. You may check the answers to the exercises using the Answer Key at the end of the module. What I Have Learned This includes questions or blank sentence/paragraph to be filled into process what you learned from the lesson. What I Can Do This section provides an activity which will help you transfer your new knowledge or skill into real life situations or concerns. Assessment This is a task which aims to evaluate your level of mastery in achieving the learning competency. Additional Activities In this portion, another activity will be given to you to enrich your knowledge or skill of the lesson learned. Answer Key This contains answers to all module. activities in the At the end of this module you will also find: References This is a list of all sources used in developing this module. iii The following are some reminders in using this module: 1. Use the module with care. Do not put unnecessary mark/s on any part of the module. Use a separate sheet of paper in answering the exercises. 2. Don’t forget to answer What I Know before moving on to the other activities included in the module. 3. Read the instruction carefully before doing each task. 4. Observe honesty and integrity in doing the tasks and checking your answers. 5. Finish the task at hand before proceeding to the next. 6. Return this module to your teacher/facilitator once you are through with it. If you encounter any difficulty in answering the tasks in this module, do not hesitate to consult your teacher or facilitator. Always bear in mind that you are not alone. We hope that through this material, you will experience meaningful learning and gain deep understanding of the relevant competencies. You can do it. iv TABLE OF CONTENTS CONTENT PAGES TITLE PAGE ------------------------------------------------ i INTRODUCTORY MESSAGE-----------------------------For the Facilitator--------------------------------For the Learner----------------------------------------- ii ii ii WHAT I NEED TO KNOW --------------------------------Learning Competency--------------------------------Learning Objectives --------------------------------- 1 1 1 WHAT I KNOW-----------------------------------------------Task 1------------------------------------------------ 2 2 WHAT’S IN-----------------------------------------------Task 2------------------------------------------------ 3 3 WHAT’S NEW-----------------------------------------------Task 3------------------------------------------------ 3 3 WHAT IS IT------------------------------------------------ 4 WHAT’S MORE-----------------------------------------------Task 4------------------------------------------------ 7 7 WHAT I HAVE LEARNED --------------------------------Task 5--------------------------------- 8 8 WHAT I CAN DO---------------------------------------Task 6------------------------------------------------- 8 8 ASSESSMENT-----------------------------------------------Task 7--------------------------------------------------- 9 9 ANSWER KEYS------------------------------------------------ 11 REFERENCE LIST-------------------------------------------- 12 v WHAT I NEED TO KNOW Welcome to this module! You must be very eager to learn about different literature from the world. After all, it’s always nice to travel. This module will deal about 21st Century Literature from the world through different literary genres like poetry, short story and essay. It desires to situate our study of literary texts to our current time, where you need to, not just learn your own culture and values, but also those of other countries with the end of broadening your horizons and perspective in this highly globalized world. Different representative texts from different international literature and cultures specifically from Asia, Anglo-American, European, Latin American and Africa will be presented in this module. Also, this takes up life issues as viewed from the literary text, emphasizing how literature has enabled us to reflect on human experiences and condense it into writing in a coherent and creative way. The lessons in this module are made with an aim of making you better appreciate literature and culture. Learning Competencies: 1. Identify representative texts and authors from Asia, North America, Europe, Latin America, and Africa. (EN12Lit-11a-22) 2. Explain the text in terms of literary elements, genres, and traditions. (EN12Lit11bc) Objectives: At the end of this lesson, you will be able to: 1. Identify authors from African, Latin American and North American Literature; and 2. Explain the literary elements the speaker uses to enhance understanding of the text; and 3. Uses critical thinking to accomplish tasks given. 1 WHAT I KNOW Task 1 Instructions: Multiple Choice. Kindly answer the following statements by writing the letter of the correct answer on your activity notebook. 1. It is a figure of speech in which ideas, actions, or objects are described in nonliteral terms. A. Imagery C. Metaphor B. Hyperbole D. Symbolism 2. It refers to the use of an object, figure, event, situation, or other idea in a written work to represent something else—typically a broader message or deeper meaning that differs from its literal meaning. A. Metaphor C. Symbolism B. Imagery D. Hyperbole 3. It is an exaggerated statement that's not meant to be taken literally by the reader. A. Simile C. Metaphor B. Hyperbole D. Imagery 4. It is a figure of speech where an author describes a scene, thing, or idea so that it appeals to our senses (taste, smell, sight, touch, or hearing). This device is often used to help the reader clearly visualize parts of the story by creating a strong mental picture. A. Imagery C. Simile B. Metaphor D. Symbolism 5. It is a figure of speech comparing two unlike things that is often introduced by like or as. A. Metaphor C. Symbolism B. Imagery D. Simile 6. It is a collection of discrete accounts of a person’s experiences and thoughts each day. A. Drama C. Blog B. Comedy D. Diary 7. A type of drama that makes the audience laugh. A. Comedy B. Diary C. Fiction D. Blog 8. It is a literary work that tells a story through actions and dialogues. A. Drama C. Diary B. Fiction D. Comedy 2 9. It is a literature that describes imaginary events and people. A. Blog C. Fiction B. Diary D. Comedy 10. This refers to your regular thoughts, opinions, or experiences that you put on the internet for the people to read. A. Diary C. Comedy B. Blog D. Fiction WHAT’S IN Task 2 Instructions: Accomplish the mind map by writing what you know about the author. Eavan Boland What’s New Task 3. Instructions: In column B, write a quick explanation of the terms found in column A. Literary Elements/Genre Explanation/Description 1. Figures of Speech 2. Theme 3. Point of View 4. Drama 5. Short Story 6. Poetry 3 WHAT IS IT Living the Moment Advancement in Technology has always been the hallmark of the 21st century. It has made a big impact on people especially on lifestyle. One of the many things technology has benefited us is through having information and communication easier and convenient. In our present generation, people especially the youth, is so obsessed in using gadgets. That is why, it is undeniable to say, that the use of gadgets in this modern age has become a way of life. It is needed in everyday lifestyle and helps us a lot in making things easier and faster. As we become addicted in these devices, we sometimes forget to live in the moment and just focus on things that are virtual. The poem that you will be reading is a poem written by Irish writer Eavan Boland. Europe and European Literature Europe is one of the seven traditional continents of the Earth. Physically and geologically, Europe is the westernmost peninsula of Eurasia, west of Asia. Europe is bounded to the north by the Arctic Ocean, to the west by the Atlantic Ocean, to the south by the Mediterranean Sea, to the southeast by the Caucasus Mountains and the Black Sea and the waterways connecting the Black Sea to the Mediterranean. To the east, Europe is generally divided from Asia by the water divide of the Ural Mountains, the Ural River, and by the Caspian Sea. European literature refers to the literature of Europe. It includes literature in many languages; among the most important of the modern written works are those in English, Spanish, French, Dutch, Polish, German, Italian, Modern Greek, Czech and Russian and works by the Scandinavians and Irish. Important classical and medieval traditions are those in Ancient Greek, Latin, Old Norse, Medieval French and the Italian Tuscan dialect of the renaissance. European literature, also known as Western literature, and can also be defined as the literature written in the context of Western culture in the languages of Europe, as several geographically or historically related languages. Diverse as they are, European literatures, like Indo-European languages, are parts of a common heritage belonging to a race of proud nations which boast the likes of Homer who wrote Iliad and Odyssey, Virgil who wrote the Aeneid, Dante who wrote Divine Comedy, Chaucer who wrote Canterbury Tales. These, and other literary masterpieces form part of what we call as Western Canon. (SOURCE: Brazalote, Tumoroh. (2011). Readings in World Literature. Mandaluyong City: Books Atbp. Publishing. ) 4 Instructions: Read the poem from Ireland and be able to answer questions for in-depth understanding. Atlantis—A Lost Sonnet Eavan Boland/ Ireland How on earth did it happen, I used to wonder that a whole city—arches, pillars, colonnades, not to mention vehicles and animals—had all one fine day gone under? I mean, I said to myself, the world was small then. Surely a great city must have been missed? I miss our old city — white pepper, white pudding, you and I meeting under fanlights and low skies to go home in it. Maybe what really happened is this: the old fable-makers searched hard for a word to convey that what is gone is gone forever and never found it. And so, in the best traditions of where we come from, they gave their sorrow a name and drowned it. Poem Analysis In the first stanza, the narrator begins the poem by asking herself how an entire city could just disappear. How could an entire city, animals, cars, and buildings, just melt into the ocean--never to be seen again? In the second stanza, the narrator again, asks how a whole city could suddenly disappear. She reminded herself that way back when, the world seemed "smaller", so surely a huge city disappearing would be a big deal! The narrator then flashes back to her old city where she grew up. In the third stanza, the speaker thinks back to her hometown, with the amazing food and boardwalks, and having friends to go home to. Then the narrator makes a guess about really happened to Atlantis. In the fourth stanza, the narrator tells herself that it would be impossible for an entire city to be lost. Then she guesses that maybe, Atlantis is just a symbol that people made up to describe the feeling of losing something, and never getting it back. 5 In the fifth and final stanza, the narrator convinces herself that Atlantis is just a metaphor, used to give emotions a name and a reason-not an actual city. (Source: Eavan Boland. (2007). Atlantis—A Lost Sonnet, from Domestic Violence. W. W. Norton & Company, Inc.) About the Poet Eavan Boland Eavan Boland was born in Dublin, Ireland, in 1944. She is one of Ireland’ preeminent contemporary poets and the author of A Poet’s Dublin and A Women Without a Country, among others. Boland is currently working as a professor of English at Stanford University, where she directs the creative writing program. She lives in California with her husband, the author Kevin Casey, and their two daughters. In "Atlantis: A Lost Sonnet," Eavan Boland uses literary devices to illustrate and express her ideas. (Source: Eavan Boland. (n.d) Retrieved from https://www.poetryfoundation.org/poets/eavan-boland Essay, The. (1997). In the Bloomsbury Dictionary of English Literature. Retrieved from http://www.credoreference.com ) Here, let us define and identify the different 21st literary genres we enjoy today. Diary- It is a collection of discrete accounts of a person’s experiences and thoughts each day. Drama – It is a literary work that tells a story through actions and dialogues. Comedy- A type of drama that makes the audience laugh. 6 Fiction- It is a literature that describes imaginary events and people. Blog- This refers to your regular thoughts, opinions, or experiences that you put on the internet for the people to read (Source: Jean-Marie, Gaetane, Anthony H. Normore, and Jeffrey S. Brooks. "Leadership for social justice: Preparing 21st century school leaders for a new social order." Journal of Research on Leadership Education 4, no. 1 (2009): 1-31.) . Literary devices are techniques a writer uses to produce a special effect in their writing. Examples are: Simile- It is a figure of speech comparing two unlike things that is often introduced by like or as. Metaphor- is a figure of speech in which ideas, actions, or objects are described in non-literal terms. In short, it’s when an author compares one thing to another. The two things being described usually share something in common but are unalike in all other respects. Symbolism- refers to the use of an object, figure, event, situation, or other idea in a written work to represent something else—typically a broader message or deeper meaning that differs from its literal meaning. The things used for symbolism are called "symbols," and they’ll often appear multiple times throughout a text, sometimes changing in meaning as the plot progresses. Hyperbole- is an exaggerated statement that's not meant to be taken literally by the reader. It is often used for comedic effect and/or emphasis Imagery- is a figure of speech where an author describes a scene, thing, or idea so that it appeals to our senses (taste, smell, sight, touch, or hearing). This device is often used to help the reader clearly visualize parts of the story by creating a strong mental picture. (Source: Reyes, Dinia Delfina S. (2011). World Literature:Literacy Gems of the East and West. Manila, Philippines: Rex Bookstore.) WHAT’S MORE Task 4 Instructions: Do what are asked. Write your answer on your notebook. 1. Give a quick explanation what each stanza means. _______________________________________________________________ 2. Choose one stanza from the poem and explain its significance. ________________________________________________________________ ________________________________________________________________ 7 WHAT I HAVE LEARNED Task 5 Directions: Write your reflection in your notebook by completing the unfinished statements below. I have learned that ________________________________________________________ ___________________________________________________________________________ I have realized that _______________________________________________________ __________________________________________________________________________ I will apply _______________________________________________________________ WHAT I CAN DO Task 6 Direction: Fill in what are asked in the table. The first one is provided for your guidance. Genre/Elements used in the Sonnet Figure of speech used Answers Extended Metaphor Point of View Imagery Attitude Theme Genre Speaker’s Tone 8 Explanation Compares the lost city of Atlantis to the sorrows of people ASSESSMENT Task 7 Instructions: Multiple Choice. Kindly answer the following statements by writing the letter of the correct answer on your activity notebook. 1. It is a figure of speech in which ideas, actions, or objects are described in nonliteral terms. A. Imagery C. Metaphor B. Hyperbole D. Symbolism 2. It refers to the use of an object, figure, event, situation, or other idea in a written work to represent something else—typically a broader message or deeper meaning that differs from its literal meaning. A. Metaphor C. Symbolism B. Imagery D. Hyperbole 3. It is an exaggerated statement that's not meant to be taken literally by the reader. A. Simile C. Metaphor B. Hyperbole D. Imagery 4. What is personification? A. A word that mimics a sound B. Repetition of consonant sounds C. Using symbols to represent something D. Giving human-like traits to non-living objects. 5. A segment of a poem that is divided into groups of lines. A. Lines C. Symbolism B. Stanza D. Meter 6. It refers to a collection of discrete accounts of a person’s experiences and thoughts each day. A. Drama C. Blog B. Poetry D. Diary 7. This refers to your regular thoughts, opinions, or experiences that you put on the internet for the people to read. A. Comedy C. Fiction B. Diary D. Blog 9 8. It is a literary work that tells a story through actions and dialogues. A. Drama C. Diary B. Fiction D. Epic 9. It is a literature that describes imaginary events and people. A. Blog C. Fiction B. Diary D. Comedy 10. A type of drama that makes the audience laugh. A. Blog C. Diary B. Comedy D. Fiction 10 ANSWER KEY Task 1 1.C 2.C 3.B 4.A 5.B 6. C 7. A 8. A 9. C 10. B Task 2 Eavan Boland- an Irish poet - was born in Dublin, Ireland, in 1944 - one of Ireland’ preeminent contemporary poets - a professor of English at Stanford University - died at the age of 75 Task 3 - Answers may vary - Task 4 In the first stanza, the narrator begins the poem by asking herself how an entire city could just disappear. How could an entire city, animals, cars, and buildings, just melt into the ocean--never to be seen again? In the second stanza, the narrator again, asks how a whole city could suddenly disappear. She reminded herself that way back when, the world seemed "smaller", so surely a huge city disappearing would be a big deal! The narrator then flashes back to her old city where she grew up. In the third stanza, the speaker thinks back to her hometown, with the amazing food and boardwalks, and having friends to go home to. Then the narrator makes a guess about really happened to Atlantis. In the fourth stanza, the narrator tells herself that it would be impossible for an entire city to be lost. Then she guesses that maybe, Atlantis is just a symbol that people made up to describe the feeling of losing something, and never getting it back. In the fifth and final stanza, the narrator convinces herself that Atlantis is just a metaphor, used to give emotions a name and a reason-not an actual city. Task 5 - Answers may vary Task 6 Genre/Elements used in the Sonnet Figure of speech used Extended Metaphor Point of View Imagery Attitude First person Old city Sadness, wondering, sorrowful Theme Cherish the moment Genre Speaker’s Tone Poetry Hesitant, unsure Answers Explanation Task 7 1. C 2. C 3. B 4. D 5. D 6. D 7. D 8. A 9. C 10.B 11 Compares the lost city of Atlantis to the sorrows of people Uses “I” Triggers memories of a city in the past How the city disappeared and further expresses sorrow on how it should feel when something is lost forever The author tries to emphasize to live in the moment because once the moment is gone, it is gone for good. Poem (sonnet) in structure The speaker asks how an entire city could just disappear one day REFERENCES Arabic Literature. (2018). Encyclopedia Britannica (2nd ed.) Retrieved from https://www.britannica.com/art/Arabic-literature Brazalote, Tumoroh. (2011). Readings in World Literature. Mandaluyong City: Books Atbp. Publishing. Cruz, Jesus Q.,et.al. (2010). A Treasury of World Literature. City: Books Atbp. Publishing. Eavan Boland. (2007). Atlantis—A Lost Sonnet, from Domestic Violence. W. W. Norton & Company, Inc. Eavan Boland. (n.d) Retrieved from https://www.poetryfoundation.org/poets/eavan-boland Essay, The. (1997). In the Bloomsbury Dictionary of English Literature. Retrieved from http://www.credoreference.com Latin America. (2016). Encyclopedia Britannica (2nd ed.) Retrieved from https://www.britannica.com/topic/list-of-countries-in-Latin-America-2061416 Reyes, Dinia Delfina S. (2011). World Literature: Literacy Gems of the East and West. Manila, Philippines: Rex Bookstore. 12 For inquiries or feedback, please write or call: Department of Education – Schools Division of Negros Oriental Kagawasan, Avenue, Daro, Dumaguete City, Negros Oriental Tel #: (035) 225 2376 / 541 1117 Email Address: negros.oriental@deped.gov.ph Website: lrmds.depednodis.net