The M CEO Freedom Teachings®
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T a b le o f C o n te n ts
5
E L E M E N T S O F D IS C O V E R Y P A R T 1 : 1 5 · D IM E N S IO N A L A N A T O M y
S ta ir S te p C re a tio n a n d 1 5 · D im e n s io n a l A n a to m y
5
5
R e a lity F ie ld s
T h e H o lo g ra p h ic T e m p la te
6
F ie ld
T h e M o rp h o g e n e tic TSRQPONMLKJIHGFEDCBA
P rim a l S u b s ta n c e
7
7
9
9
R e c a p o f P rim a l O rd e r o f M a n ife s ta tio n T e m p la te s
V ib ra tio n · O s c illa tio n
M o rp h o g e n e tic F ie ld s a n d th e T im e M a trix
9
F re q u e n c y B a n d s a n d S u b -F re q u e n c y B a n d s
10
S c a la r· W a v e s a n d P a rtik i P h a s in g
11
K a th a ra 1 2 · T re e G rid
11
12
In te rw o v e n G rid s
U n iv e rs a l L ife F o rc e C u rre n ts
12
14
H o v a B o d ie s
A x io m L in e s , A u ric L e v e ls a n d C h a k ra s
15
15
16
17
D io d ic P o in ts , S ig n e ts , S e e d C ry s ta l S e a ls a n d A x io m L in e s
S e e d S e a ls , A x io m L in e s , C o n s o lid a te d D io d ic P o in ts , C h a k ra s a n d A u ric L e v e ls
A x i-A · to n a l L in e s , M e rid ia n s , C h ~ k ra s a n d H a ra L in e
,
C o rre s p o n d e n c e s
19
E L E M E N T S O F D IS C O V E R Y P A R T 2 : E X P L O R IN G T H E G O D W O R L D S
_
21
In th e B e g in n in g
21
P a rtik i a n d P a rtik i P h a s in g
;
22
22
O rd e r, In te llig e n c e , a n d C o n s c io u s n e s s
R e c o g n izin g th e C o n s c io u s n e s s
23
R u le s a n d B a la n c e s
23
P a rtik i, P a rtik A a n d P a rtic u m
24
P a rtik i P h a s in g
24
S c a la r W a v e s a n d S c a la r G rid s
26
K e y lo n s
:
26
D im e n s io n s
.' :
U n ify in g th e P o la ritie s
S e q u e n tia l P h a s in g
A n a lo g y fo r th e p ro c e s s o f P K I P h a s in g
1 5 -D im e n s io n a l S tru c tu re
;,
29
29
31
31
H a rm o n ic U n iv e rs e s
H o v a B o d ie s a n d S ta tio n s o f C o n s c io u s n e s s
C o n s c io u s n e s s a n d th e F la s h L in e s
26
27
28
28
28
K e y lo n C ry s ta l B o d y
,
S te p p in g D o w n
32
R e p u ls io n Z o n e s
33
A n ta h k a ra n a
33
T h e K a th a ra G rid
33
©A
& A D e a n e . 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
34
K ath ara C en ters
K ath ara QPONMLKJIHGFEDCBA
L in e s
35
P rim al M an ifestatio n T em p late
35
T h e 2 In terw o ven K ath ara G rid s o f P rim al O rd er w ith in th e U n iversal T im e M atrix an d C o sm ic E n erg y M atrix o f th e
P rim al M an ifestatio n T em p late
S eein g W h ere E veryth in g F its T o g eth er: T h e E cka M ap s
36
36
Locks
38
V eca an d E cka C o d e L o ck K eys
39
H eaven W o r ld s
39
C o sm ic E ckash a M id d le G o d .W o rld C o rrid o r
40
C o sm ic E c k a s h a -A H ig h er G o d W o rld S p ectra
K eys an d C o d es
.42
T h e M an ifestatio n F ield s o f th e E ckash a· A ah
T h e G o d · W o rld s M u ltip lyin g
.42
T h e E c k a s h a -A a h 1 st G o d · W o rld o f C reatio n
T h e 3 E tern al G o d -S o u rc e C o n scio u sn ess
C o n scio u sn ess M an ifest
E m erg en ce o f th e K ath ara G rid
R eu ch e S cep ter P illars
41
42
43
F ield s fro m an d th ro u g h w h ich all D im en sio n alized C u rren ts an d
.43
44
.45
.45
H eart o f G o d
T h e C o sm ic A r c s
C o sm ic M erkab a
A m o raea M erkab a
.4 6
.47
47
.47
.48
.48
.48
.49
:
F irst D o w n step
S eco n d D o w n step
T h ird D o w n step
R ad ial B o d ies an d E ckash a
:
God-Seed
W h ere are W e?
S yn th esis
50
E L E M E N T S O F D IS C O V E R Y P A R T 3: C O S M IC C L O C K
52
C o sm ic C reatio n - S ecrets o f th e Y u n asai
52
T h e Y u n asai
52
C o sm ic S taircase: D o w n step p in g C o sm ic C reatio n
T h e M an U W in d o w
52
;
53
D ivin e T rin ity o f E tern al L ife
P K I P h asin g
53
53
T h e R eu ch e G o d -S e e d C o re
54
H o rizo n tal an d V ertical S h ield C lo ck
54
C o sm ic K ath ara G rid /K rist C o d e
55
B l- v e c a M erkab a D o u b le S p iral S et
55
T rl-V e c a M erkab a
55
P o rtals an d S tar G ates
T im e P o r ta ls
56
56
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
2
S ta irw a y to H e a v e n
56
S p h e re s w ith in S p h e re s a n d th e R a d ia l B o d y S tru c tu re
57
M a n ife s ta tio n
58
T ra n s d u c tio n
S equence
T h e P a ra m e te r F ie ld .................................................................................................................................................................•....
58
R o d a n d S ta ff
59
6 S a c re d D ire c tio n s
59
D iffe re n tia l F ie ld
59
V o rte x M e c h a n ic s a n d D e fle c tio n
F ie ld s
59
M o n a d S e ts th e P o la rity S p in s
60
V e c a S y s te m in th e P a tte rn o f th e M o n a d
60
S p h e re s w ith in S p h e re s
60
U n iv e rs a l V e c a O c ta v e s C y c le
61
U n iv e rs a l D im e n s io n a l M e rk a b a P o la rity S c a le
61
6 E c k a E u ia g o C y c le s in O n e E c k a E y u g h a 4 5 ° S h ift..
62
H a rm o n ic S h ie ld s a n d M e rk a b a
62
T h e Y o n · A · S a C y c le
:
:
63
0 · 1 2 D iv in e B lu e p rin t w ith S p h e re s
S im u lta n e o u s
63
T im e
64
T im e C y c le s o f o u r P la n e ta ry S y s te m
64
E iro s S p a rk fro m S u n to E a rth
65
Y a n Y u n F lo w
~
E a rth 's T ilte d A x is a n d W o b b le
65
66
S o la r S h ie ld C lo c k w ith 1 2 P la n e ta ry R o ta tio n s ....................................................................................................................•.... 6 7
L o tu s A rc S e ts
67
T h e M o n a d ic C o d e : a M a p to th e E c k a S y s te m
M o n a d ic C o d e R e s e ts th e A rc s
I A n g le s
:
o f o u r O rig in a l C o s m ic C lo c k
68
68
S ta rB o rn a n d S ta rB u rs t C y c le s
68
T im e F lu x
68
A rc o f th e C o v e n a n t G a te S y s te m ............................•..................................................... .,
69
C o u n te r· R o ta tio n
69
o f o u r P C M a n d P K A S y s te m s
O u r E c k a s h a a n d O u r P a ra lle l E c k a s h a ......................................•.......................................................•.......................................
L e · e · T O r· A a n d L e · a · d O R · A T w in F la m e S y s te m s
S ta rF ire a n d th e H u b W o rld s
;
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
70
70
71
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
3
S ta rF ire C y c le a n d E x p e d ite d T a k E y o n C y c le R e s e t
71
ELEMENTS OF DISCOVERY PART 4: THE KRYSTAL RIVER
P R A y E R •••••.•••.••.••••.•••..••••••.••••.•..
73
W h a t is th e K ry s ta l R iv e r P ra y e r? .............................................•................................................................................................. 7 3
1 5 D im e n s io n a l T im e M a trix & F re q u e n c y D o m a in s
D im e n s io n s a n d D e n s itie s
I H a rm o n ic
73
U n iv e rs e s a n d F re q u e n c y B a n d s
73
W h e re a re w e n o w ? .................................................................................................................................................................•.... 7 4
T h e V e c a - O u r 1 5 D im e n s io n a l T im e M a trix
74
T h e E c k a /V e c a
74
S tru c tu re o f th e O u te r G o d · W o rld
75
G o d W o rld s o f th e C o s m o s
75
W h e re a re w e g o in g to ? ..........................•................................................................•................................................................... 7 5
P re p a rin g fo r A s c e n s io n
in to th e E d o n s
76
The E ckasha·A ah
76
F ro m th e R a d o n in to th e E d o n
76
S o u rc e o f th e K ry s ta l R iv e r
77
K ry s ta l R iv e r C o u n c ils , th e T ri· M a trix K ry s ta l R iv e r c o -o p e ra tiv e
V e c a R A · s h a · E L · H u b A c tiv a tio n
77
- E n te rin g th e F la m e o f R A · s h a · L E
78
A d o n A a n d E y a n A C o u n c ils
78
T h e E ie y a n i
79
O u r C o n n e c tio n to th e C o u n c ils
79
O u r C o n n e c tio n to th e K ry s ta l R iv e r F re q u e n c y
79
T h e 2 0 0 7 C a ll to th e In d ig o s a n d A n g e lic H u m a n s w ith A q u a ri C o d in g
, ........•................................................
80
T h e A u ro ra C o u n c ils
80
B h e n d i C o u n c ils
81
G o ld a n d P u rp le D ra g o n s
81
B lu e D ra g o n s
81
T h e E n tru s tm e n t
82
T h e P s o n n o f A u ro ra
.
82
A q u a ri a n d A n u h a z i V e rs io n V e rs e 1
A q u a ri a n d A n u h a z i V e rs io n V e rs e 2
82
:
83
S u m m a ry
83
T h e A q u a re io n K ry s ta l R iv e r P ra y e r a n d In v o c a tio n
84
P s o n n o f A u ro ra
87
P s o n n o f A u ro ra .................................................•...................................................................•..............•....................................... 8 9
SOURCE
M A T E R IA L ..•.•.••.•.••.•.•...•.•.•..•...•.•.•.••.•.•.•.•.•.•....•.•.•.••.•.••.••.•.•.•.•••.•.••.•..•••.•.•.••.•.••.
92
T h e m a te ria l p re s e n te d in th is h a n d b o o k re fle c ts th e d y n a m ic s o f th e e m e rg in g M C E O m a te ria ls a n d th e
re a lity th a t th e d e ta ile d u n d e rs ta n d in g o f m a jo r to p ic s is u n d e r c o n tin u o u s d e v e lo p m e n t; th e re fo re , th e
c o n te n ts , a n d le v e l o f d e ta il h e re in , a re a s a d v a n c e d a s p o s s ib le U P T O th e d a te o f p u b lic a tio n o f th e
s o u rc e m a te ria ls . T h e te x t is p rim a rily ta k e n fro m liv e w o rk s h o p s a n d s o m e tim e s p a ra p h ra s e d fo r c la rity .
L o v in g ly C o -C re a te d b y K a th a ra T e a m M e m b e rs o n b e h a lf o f th e A z u rite P re s s .
©A
& A D e a n e . 2 0 1 0 . A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
4
I~
Elements of Discovery Part 1: 15·Dimensional Anatomy
Stair Step Creation and 15-Dimensional Anatomy
I
Stair Step Creation
is th e o rg a n ic p ro c e s s b y a n d th ro u g h w h ic h S o u rc e -G o d p e rp e tu a lly m a n ife s ts its e lf
th ro u g h d im e n s io n a liz a tio n
in to in d iv id u a te d m a n ife s t e x p re s s io n , fo r th e p u rp o s e o f e x p e rie n c in g s p a c e -
tim e -m a tte r re a lity . E v e ry b e in g a n d th in g in a n y m a n ife s t re a lity fie ld c o m e s in to b e in g th ro u g h th e p ro c e s s
o f S ta ir S te p C re a tio n . T h is o rg a n ic p ro c e s s o f P rim a l C re a tio n P h y s ic s im p lie s th a t e v e ry b e in g , in c lu d in g
h u m a n s , a re d ire c tly , e n e rg e tic a lly a n d e te rn a lly c o n n e c te d to s p e c ific , fix e d s tru c tu re s o f m u ltid im e n s io n a l
e n e rg y a n a to m y , a n d th e ir c o rre s p o n d in g in te rd im e n s io n a l s ta tio n s o f c o n s c io u s id e n tity . T h ro u g h th e s e
s tru c tu re s o f m u ltid im e n s io n a l e n e rg y fie ld s , w ith in w h ic h th e h ig h e r d im e n s io n a l o r " s p iritu a l" p o rtio n s o f
th e p e rs o n a l id e n tity a re fo c u s e d , e v e ry b e in g is in d e lib ly c o n n e c te d to th e c e n tra l, u n ifie d S o u rc e o f
c re a tio n o r G o d . T h e p ro c e s s o f p e rs o n a l e v o lu tio n th ro u g h th e e x p e rie n c e s o f s p a c e , tim e a n d m a tte r h a s
a t its c o re th e e v o lu tio n a ry o b je c tiv e o f e a c h b e in g , a s a n in d iv id u a te d m a n ife s ta tio n o f S o u rc e , e v e n tu a lly
e x p a n d in g b a c k in to its w h o le n e s s a s S o u rc e , in re tu rn to its n a tu ra l o rg a n ic s ta te o f b e in g .
T h e n a tu ra l m e c h a n ic s o f s p iritu a l a c tu a liz a tio n fo r a n y m a n ife s t b e in g , a s im p lie d b y th e d y n a m ic s o f S ta ir
S te p C re a tio n , a re th e p ro c e s s e s b y w h ic h d o rm a n t p o rtio n s o f th e D N A te m p la te
a re p ro g re s s iv e ly
a c tiv a te d w ith in th e b io lo g ic a l fo rm . T h ro u g h a c tiv a tio n o f th e D N A te m p la te , p ro g re s s iv e in te g ra tio n o f th e
e n e rg y fre q u e n c ie s th a t m a k e u p th e d im e n s io n a liz e d le v e ls o f th e s p iritu a l b o d y a n d c o n s c io u s n e s s (w h ic h
e x is t a s p re c is e a rra n g e m e n ts o f s c a la r s ta n d in g w a v e s ), a re b ro u g h t in to a c tiv e e m b o d im e n t w ith in th e
b io lo g ic a lly -b a s e d c o n s c io u s a w a re n e s s .
com pose
th e
s p iritu a l id e n tity
c re a te s
E m b o d im e n t o f th e h ig h e r d im e n s io n a l s c a la r-w a v e fo rm s th a t
th e
s y s te m a tic
tra n s m u ta tio n
o f p h y s ic a l
m a tte r d e n s ity
and
e x p a n s io n o f in d iv id u a te d c o n s c io u s n e s s a w a re n e s s b a c k in to its o rg a n ic e n e rg e tic s ta te o f A t-O N E -m e n t
w ith S o u rc e , in a p ro c e s s c a lle d . Transmutational
Dimensional Ascension.
T h ro u g h th e m o d e l o f S ta ir S te p C re a tio n th e u n d e rly in g n a tu re a n d m e c h a n ic s o f c re a tio n a n d e v o lu tio n
a re re v e a le d , a llo w in g a m a n ife s t b e in g th e a b ility to m a s te r its e x p e rie n c e a s a c o n s c io u s c o -c re a to r w ith
S o u rc e , a n d to k n o w its e lf a n d a ll th in g s a s m a n ife s ta tio n s o f th e O n e -S e lf th a t is G o d . T h e d y n a m ic s o f
S ta ir S te p C re a tio n d e m o n s tra te s th e e x is te n c e o f a n im p lie d re a lity o f P rim a l O rd e r a n d p u rp o s e .
The
S ta ir S te p C re a tio n m o d e l re v e a ls th e in n a te in te rre la tio n s h ip s b e tw e e n a n in c a rn a te b e in g , its p e rs o n a l
1 5 -D im e n s io n a l a n a to m y a n d th e g re a te r c o n te x t o f its e x is te n c e w ith in P la n e ta ry , G a la c tic , U n iv e rs a l a n d
C o s m ic
s tru c tu re .
T h is
m o d e l s e rv e s
to
illu s tra te
th e
re la tio n s h ip s
b e tw e e n
th e
m a c ro c o s rn ic
and
m ic ro c o s m ic a s p e c ts o f c re a tio n .
Reality Fields
A n in d iv id u a l h o lo g ra p h ic a lly p e rc e iv e s a n d e x p e rie n c e s o n ly th e p o rtio n s o f th e d im e n s io n a l u n ifie d fie ld
m a th e m a tic a l-g e o m e tric a l
p ro g ra m
e n c o d e d w ith in th e p e rs o n a l M a h a ric S h ie ld . s p e c ie s T rib a l S h ie ld ,
P la n e ta ry , G a la c tic a n d U n iv e rs a l S h ie ld a s p e c ts o f th e p e rs o n a l K a th a ra G rid a n d D N A te m p la te . A g lo b a l
p o p u la tio n e x p e rie n c e s a c o m m o n p la n e ta ry re a lity fie ld a n d tim e c o n tin u u m
b e c a u s e th e K a th a ra G rid
te m p la te a n d D N A o f a ll b e in g s e n te rin g a p la n e ta ry fie ld a d o p t th e c o m m o n im p rin t o f th e m a th e m a tic a lg e o m e tric a l p ro g ra m o f th e P la n e ta ry K a th a ra G rid b lu e p rin t, in o rd e r to e n te r in to th e e le c tro m a g n e tic
d o m a in o f th e p la n e t's F o rm C o n s ta n t H o v a B o d y s tru c tu re fo r e x p e rie n tia l m a n ife s ta tio n . M e m b e rs o f a
s in g u la r s p e c ie s s h a re a c o m m o n s p e c ie s T rib a l S h ie ld te m p la te th ro u g h w h ic h a c o m m o n c h e m ic a l b o d y
fo rm a n d p e rc e p tu a l o rie n ta tio n h o lo g ra p h ic a lly
m a n ife s t. T h e p h y s ic a l b o d y s e rv e s a s a c h e m ic a l le n s
th ro u g h w h ic h p o rtio n s o f th e d im e n s io n a l u n ifie d fie ld a re p e rc e iv e d b y th e e m b o d ie d c o n s c io u s n e s s a s a
3 -d im e n s io n a l h o lo g ra m , a s th e P rim a l L ife F o rc e C u rre n ts c o n tin u a lly c a rry p u ls e s o f th e in d iv id u a te d
c o n s c io u s n e s s th ro u g h th e T ra n s d u c tio n S e q u e n c e fro m th e K a th a ra G rid th ro u g h th e D N A to th e m a n ife s t
c h e m ic a l le n s o f th e p h y s ic a l b o d y s tru c tu re a n d h o lo g ra p h ic " e x te rn a l" re a lity fie ld p ro je c tio n .
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
5
The Holographic TemplateYXWVUTSRQPONMLKJIHGFEDCBA
T h e e x te r n a liz a tio n o f life , m a n ife s ta tio n o f m a tte r a n d in d iv id u a tio n o f id e n tity a r e h o lo g r a p h ic p r o je c tio n s
of
c o n s c io u s n e s s - e n e r g y
s u b s ta n c e
c r e a te d
th r o u g h
Consciousness IS Energy and Energy IS Conscious,
an
in tr in s ic
o rd e r
of
e n e r g e tic
r e la tio n s h ip s .
a n d a ll c o n s c io u s e n e r g y e x is ts w ith in a n d is p a r t
o f S o u rc e .
M a n ife s ta tio n
te m p la te s
s e rv e
as
s tr u c tu r e d
b lu e p r in ts
d im e n s io n a liz a tio n fo r th e e x p e r ie n c e o f s p a c e - tim e - m a tte r .
e x is t w ith in S o u r c e .
upon
w h ic h
c o n s c io u s n e s s
m a n ife s ts
in to
T h e r e a r e m a n y m a n ife s ta tio n te m p la te s th a t
R e a lity is th o u g h t c o n s tr u c tio n . T h e c o r e s u b s ta n c e o f th e c o s m o s is c o n s c io u s n e s s .
T h o u g h t is a n a ttr ib u te o f c o n s c io u s n e s s , th e filte r th r o u g h w h ic h c o n s c io u s n e s s m a n ife s ts its e lf in to th e
h o lo g r a m o f fo r m . N o th in g is tr u ly s o lid .
All things are composed of consciousness,
a n d th e ir a p p a r e n t s o lid ity is d e te r m in e d b y th e r e la tio n s h ip
b e tw e e n th e c o n s c io u s n e s s o b s e r v in g th e fo r m a n d th e c o n s c io u s n e s s o f w h ic h th e fo r m is m a d e . H u m a n
c o n s c io u s n e s s e m e r g e s th r o u g h a n o r d e r o f d im e n s io n a liz a tio n w h ic h s e ts th e fr a m e w o r k w ith in w h ic h th e
in te r r e la tio n s h ip s
o f c o n s c io u s n e s s c a n ta k e p la c e . H u m a n p e r c e p tio n o f s o lid ity a n d e x te r n a liz a tio n
is
d e te r m in e d b y th e o s c illa tio n r a te s b e tw e e n d im e n s io n a liz e d u n its o f c o n s c io u s n e s s .
D im e n s io n a liz e d u n its o f c o n s c io u s n e s s fo r m fr e q u e n c ie s o f e n e r g y w h ic h e x is t in s p e c ific r e la tio n s h ip to
each
o th e r .
H u m a n c o n s c io u s n e s s
and hum an
p h y s ic a l fo r m
a re
p a tte r n s
o f fr e q u e n c y
fo r m e d
by
d im e n s io n a liz a tio n o f u n its o f c o n s c io u s n e s s . W e p e r c e iv e m a n ife s t s o lid ity d u e to th e r e la tio n s h ip b e tw e e n
th e fr e q u e n c ie s o f c o n s c io u s n e s s o f w h ic h w e a r e m a d e a n d th o s e o f th e u n ifie d fie ld o f c o n s c io u s n e s s -
Humans perceive a s solid the frequency bands that exist one full dimensional spectrum
below the frequency within which the individuated or collective consciousness is stationed.
e n e rg y a ro u n d u s .
T h e h u m a n b o d y is a h o lo g r a p h ic
p r o je c tio n o f c o n s c io u s n e s s
b u ilt u p o n a h o lo g r a p h ic
te m p la te o f
s tr u c tu r e d u n its o f c o n s c io u s n e s s . T h e h o lo g r a p h ic te m p la te r e p r e s e n ts th e liv in g m o r p h o g e n e tic fie ld o r
th e d im e n s io n a liz e d b lu e p r in t o f c o n s c io u s n e s s , lig h t, s o u n d a n d s c a la r w a v e s w ith in w h ic h th e in d iv id u a te d
c o n s c io u s n e s s is
stationed
a n d u p o n w h ic h th e illu s io n o f s o lid ity o f th e b o d y m a tte r is fo r m e d .
T h e c a u s a l e le m e n t o f a ll m a n ife s t e x p e r ie n c e is c a lle d a M o r p h o g e n e tic F ie ld o r M a n ife s ta tio n T e m p la te .'
K e y lo n tic S c ie n c e , th e S c ie n c e o f M a n ife s ta tio n T e m p la te s , is p a r t o f a la r g e r p a r a d ig m o f s c ie n c e th a t is
k n o w n a s 1 5 - D im e n s io n a l U n iv e r s a l U n ifie d F ie ld P h y s ic s . P e r c e p tio n o f s o lid ity a n d e x te r n a liz a tio n
d e te r m in e d b y th e o s c illa tio n r a te s b e tw e e n d im e n s io n a liz e d u n its o f c o n s c io u s n e s s :
Particum.
is
Partiki, PartikA and
D im e n s io n a liz e d u n its o f c o n s c io u s n e s s fo r m fr e q u e n c y b a n d s th a t e x is t in s p e c ific r e la tio n s h ip
to e a c h o th e r .
D im e n s io n a liz a tio n c r e a te s th e s tr u c tu r e , th r o u g h w h ic h c o n s c io u s n e s s c a n p e r c e iv e th e
h o lo g r a m o f e x te r n a liz a tio n . T h e h u m a n b o d y is a h o lo g r a m b u ilt u p o n a h o lo g r a p h ic te m p la te o f u n its o f
c o n s c io u s n e s s
s tr u c tu r e d in to s c a la r s ta n d in g w a v e g r id s th a t r e p r e s e n tth e
liv in g m o r p h o g e n e tic fie ld
b lu e p r in t u p o n w h ic h m a tte r a n d d im e n s io n a liz e d c o n s c io u s n e s s m a n ife s t. S o u r c e is a n in fin ite a n d e te r n a l
fie ld o f c o n s c io u s n e s s a n d e n e r g y a n d is th e o r g a n iz a tio n a l in te llig e n c e a n d s e n tie n t c r e a tiv e fo r c e th a t is
r e s p o n s ib le fo r th e d e s ig n a n d c r e a tio n o f th e c o s m o s .
1 M o r p h o g e n e tic
F ie ld : B e g in n in g b lu e p r in ts fo r m a tte r - T h o u g h t fo r m fie ld b e h in d a m a n ife s t o b je c t - A s p e c ific c o n s tr u c t o f
c r y s ta lliz e d s c a la r - w a v e s fo r m in g th e C r y s ta l B o d y - T e m p la te s o f c o n s c io u s n e s s
s e r v e a s th e s tr u c tu r e d b lu e p r in ts u p o n w h ic h o u r c o n s c io u s n e s s
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
flig h t
f
s o u n d a n d s c a la r w a v e g r id s w h ic h
m a n ife s ts in to d im e n s io n a liz a tio n .
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
6
H o lo g r a p h ic
U n it s o f C o n s c io u s n e s s ,
T e m p la t e
M o r p h o g e n e t ic
F ie ld s a n d S c a la r G r id s
1 . P a r t ik i, P a r t ik a . & P a r t ic u m :
3 . P a r t ik i u n it s c o n t in u e t o g r o u p o r
S m a lle s t u n it s o f e n e r g y - s u b s t a n c e .
a c c r e t e u p o n t h e P a r t ik i G r id s , f o r m in g :
E le c t r o - t o n a l u n it s o f c o n s c io u s n e s s
A . K e y lo n s
t h a t a r e t h e b u ild in g b lo c k s o f
lig h t " ( s t a n d in g s c a la r - w a v e p a t t e r n s a n d
m o r p h o g e n e t ic f ie ld s , m a t t e r a n d
f ix e d p o in t s o f t o n a l f r e q u e n c y ) , a n d
in d iv id u a t e d c o n s c io u s id e n t it y .
B . K e y lo n
O p e r a t e a s m in u t e p e r p e t u a l,
K e y lo n s , w h ic h t o g e t h e r f o r m a c r y s t a llin e
m o t io n f is s io n / f u s io n g e n e r a t o r s .
t e m p la t e o f lig h t s p e c t r a , s o u n d f r e q u e n c y
- c r y s t a lliz a t io n s o f ''f r o z e n
C o d e s - c o m p le x g r o u p in g s o f
a n d e le c t r o m a g n e t is m t h a t is t h e m o r p h o Partlcum
Matter
g e n e t ic f ie ld C r y s t a l B o d y - t h e B lu e p r in t
Partika
Anti-rnatter
u p o n w h ic h m a t t e r a n d id e n t it y w ill m a n if e s t .
2 . P a r t ik i G r id s : T h e f a b r ic o f
m o r p h o g e n e t ic f ie ld s t r u c t u r e . P a r t ik i
B
u n it s g r o u p t o f o r m in t e r w o v e n S t r a n d s ,
t h e n G r id s o f e le c t r o - t o n a l s u b s t a n c e ,
o u t o f w h ic h m o r p h o g e n e t ic f ie ld s a r e
•.
f a s h io n e d . O u t o f a U n if ie d F ie ld o f
P a r t ik i u n it s , P a r t ik i G r id s f o r m t o
.. ..
..
.
.
..
..
c re a te th e fre q u e n c y b a n d s th a t
m a k e u p t h e d im e n s io n a l f ie ld s a n d
t h e n f o r m in d iv id u a t e d m o r p h o g e n e t ic f ie ld s .
T h e M o r p h o g e n e t ic
F ie ld is m a d e o f in t e r w o v e n P a r t ik i G r id s . T h e e le c t r o - t o n a l u n it s o f
c o n s c io u s n e s s o u t o f w h ic h P a r t ik i G r id s f o r m c r e a t e s t a n d in g w a v e p a t t e r n s - s c a la r - w a v e
g r id s ,
w h ic h h o ld t h e f o r m o f c o n s c io u s n e s s w it h in d im e n s io n a liz e d m a n if e s t a t io n . M o r p h o g e n e t ic F ie ld s
a r e t h u s S c a la r G r id s t h a t f o r m in s p e c if ic o r d e r e d in t e r r e la t io n s h ip . P a r t ik i
G r id s f o r m u p o n t h e
geometrical-mathematical
s t r u c t u r e o f t h e K a t h a r a G r id , a n d s o t h e K a t h a r a G r id r e p r e s e n t s
t h e core Scalar Field u p o n w h ic h f o r m m a n if e s t s .
c o re
M o r p h o g e n e t ic
F ie ld s g o v e r n t h e f o r m o f m a t t e r m a n if e s t a t io n a n d t h e e v o lu t io n o f b io lo g y &
c o n s c io u s n e s s .
M o r p h o g e n e t ic F ie ld m e c h a n ic s t h u s h o ld t h e k e y t o m a s t e r y o f p h y s ic a l r e a lit y
a n d B io - S p ir it u a l E v o lu t io n .
R e a lit y
is a t h o u g h t
f ie ld c o m p o s e d
o f u n it s o f c o n s c io u s n e s s
a w a re n e s s .
T h e M o r p h o g e n e tic ~ ie ld
M o r p h o g e n e tic
fie ld s
g o v e rn
th e
fo r m
of
m a tte r
m a n ife s ta tio n
and
th e
e v o lu tio n
of
b io lo g y
and
c o n s c io u s n e s s ; th e y a r e th e b e g in n in g b lu e p r in ts fo r m a tte r a n d fo r m w ith in th e u n ifie d fie ld o f e n e r g y c o n s c io u s n e s s ( a ls o k n o w n a s G o d - S o u r c e ) . M o r p h o g e n e tic fie ld m e c h a n ic s th u s h o ld th e k e y to m a s te r y
o f p h y s ic a l r e a lity a n d b io - s p ir itu a l e v o lu tio n . M o r p h o g e n e tic fie ld s a r e th e te m p la te s o f c o n s c io u s n e s s ,
lig h t, s o u n d a n d s c a la r s ta n d in g w a v e g r id s w h ic h s e r v e a s th e s tr u c tu r e d b lu e p r in ts u p o n w h ic h o u r
c o n s c io u s n e s s m a n ife s ts in to d im e n s io n a liz a tio n , th r o u g h w h ic h th e h o lo g r a p h ic p r o je c tio n s o f s p a c e - tim e
m a tte r a n d id e n tity in d iv id u a tio n c a n b e e x p e r ie n c e d .
T h e y a r e th e th o u g h t fo r m fie ld b e h in d a m a n ife s t
o b je c t a n d a r e th e s p e c ific c o n s tr u c t o f c r y s ta lliz e d s c a la r w a v e s fo r m in g th e C r y s ta l B o d y .
P r im a l S u b s ta n c e
A m a n ife s ta tio n te m p la te is m a d e o f p r im a l s u b s ta n c e , u n its o f c o n s c io u s n e s s e n e r g y c a lle d P a r tik i th a t
e x is t a s o m n i- p o la r p o in ts o f fix e d v ib r a tio n . P a r tik i u n its a r e th e s m a lle s t b u ild in g b lo c k s o f m a tte r a n d fo r m
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
7
th e te m p la te s u p o n w h ic h c o n s c io u s n e s s in a ll fo r m s e n te r s m a n ife s ta tio n .
P a r tik i u n its a r e o m n i- p o la r
( c o n ta in in g th e p o te n tia ls fo r a ll p o la r itie s o r n o n e ) u n its o f v ib r a tin g e n e r g y th a t p e r p e tu a lly c y c le b a c k a n d
fo r th b e tw e e n a s ta te o f b i- p o la r lig h t r a d ia tio n a n d o m n i- p o la r s o u n d v ib r a tio n .
S c a la r - w a v e s a r e p o in ts o f s ta n d in g w a v e s c o m p o s e d o f q u a n titie s o f c o n s c io u s e n e r g y th a t e m a n a te o u t
o f fix e d u n its o f v ib r a tio n ; th e P a r tik i u n its , w h ic h fo r m th e m o r p h o g e n e tic fie ld te m p la te s u p o n a n d th r o u g h
W h ic h c o n s c io u s n e s s d im e n s io n a liz e s its e lf to e x p e r ie n c e th e h o lo g r a m o f m a n ife s t r e a lity . S c a la r - w a v e s o r
g r id s
a re
c r e a te d
th r o u g h
P a r tik i
P h a s in g ,
w h ic h
fu s io n /c o n tr a c tio n c h a r a c te r is tic o f P a r tik i u n its .
is th e
p ro c e s s
of
in te r n a l fis s io n /e x p a n s io n
and
P a r tik i u n its p e r p e tu a lly b r e a k a p a r t a n d r e p lic a te th r o u g h
fis s io n , th e n r e - m e r g e th r o u g h fu s io n , c r e a tin g a " fla s h in g o n a n d o ff' o f s c a la r - w a v e p o in ts o r " fla s h - lin e
s e q u e n c e s " th a t d e te r m in e th e in tr in s ic o r ie n ta tio n o f c o n s c io u s n e s s w ith in th e s c a la r g r id s c o m p o s in g
m o r p h o g e n e tic fie ld s .
W h e n P a r tik i u n its a r e in th e ir o m n i- p o la r s ta te , th e y e x is t a s
ante-matter
s u b s ta n c e , th e fir s t s ta te o f
e n e r g y o r g a n iz a tio n b e fo r e p r e - m a tte r m a n ife s ta tio n . T h r o u g h a p r o c e s s o f in te r n a l fu s io n c h a r a c te r is tic to
th e ir d e s ig n , P a r tik i u n its b r e a k a p a r t to fo r m b i- p o la r w a v e s w h ile r e p lic a tin g th e ir o r ig in a l o m n i- p o la r fo r m .
In th e
b i- p o la r
s ta te ,
P a r tik i
u n its
b re a k
down
in to
P a r tic u m
u n its
and
P a r tik A
u n its ,
w h ic h
a re
in te r c o n n e c te d u n its o f b i- p o la r lig h t r a d ia tio n th a t fo r m e le c tr o m a g n e tic s c a la r s ta n d in g w a v e s .
P a r tic u m u n its fo r m th e e n e r g e tic b u ild in g b lo c k s fo r p a r tic le te m p la te s , a n d P a r tik A u n its fo r m th e b u ild in g
b lo c k s fo r s im u lta n e o u s ly
m a n ife s tin g
a n ti- p a r tic le
te m p la te s .
P a r tic le a n d a n ti- p a r tic le
in te r c o n n e c te d , u n ite d b y th e a n te - m a tte r P a r tik i u n its th r o u g h w h ic h th e y m a n ife s t.
te m p la te s
a re
P a r tic u m p a r tic le u n its
r e p r e s e n t th e c o n tr a c tio n p h a s e o f a n te - m a tte r e n e r g y , w ith h ig h e r v ib r a tio n a n d lo w e r o s c illa tio n , a n d a r e
b a s e m a g n e tic . P a r tik A a n ti- p a r tic le u n its r e p r e s e n t th e e x p a n s io n p h a s e o f a n te - m a tte r e n e r g y , w ith lo w e r
v ib r a tio n a n d h ig h e r o s c illa tio n , a n d a r e b a s e e le c tr ic a l.
E le c tr o m a g n e tic e n e r g y is c r e a te d th r o u g h th e c o n tin u a l c y c lin g o f e n e r g y a s th e o m n i- p o la r a n te - m a tte r
P a r tik i u n its fo r m in g a w a v e o f s o u n d v ib r a tio n p r o je c t th e ir e n e r g y in to b i- p o la r P a r tic u m
s c a la r - w a v e s
o f lig h t r a d ia tio n . E n e r g y th r u s t e x p a n d s in to th e a n ti- p a r tic le
a n d P a r tik A
P a r tik A v ib r a tio n
p o in t a s
e le c tr ic a l fo r c e . It th e n c o n tr a c ts in to th e p a r tic le P a r tic u m v ib r a tio n p o in t, c r e a tin g m a g n e tic p u ll. T h r o u g h
th e d r a w o f th e a n te - m a tte r P a r tik i te m p la te , P a r tik A a n ti- p a r tic le s a n d P a r tic u m p a r tic le s a r e b r o u g h t b a c k
to g e th e r in to a s ta te o f fu s io n . U p o n fu s io n , th e e n e r g y o f th e P a r tic u m a n d P a r tik A tr a n s m u te s , th e b i- p o la r
s ta n d in g s c a la r - w a v e s o f lig h t r a d ia tio n r e tu r n in g to th e ir o r ig in a l o m n i- p o la r a n te - m a tte r s ta te o f P a r tik i
u n its . O n c e r e tu r n e d to th e P a r tik i s ta te , th e p r o c e s s r e p e a ts a s th e P a r tik i c r e a te s fis s io n a n d r e p lic a tio n .
T h e p r o c e s s b y w h ic h P a r tik i u n its p e r p e tu a lly c o n v e r t c o n s c io u s e n e r g y in to b i- p o la r lig h t r a d ia tio n s c a la r w a v e s a n d b a c k to a n te - p o la r s o u n d v ib r a tio n w a v e s is c a lle d
Partiki Phasing
a n d g iv e s th e a p p e a r a n c e o f
m o v e m e n t.
T h r o u g h p e r p e tu a l c y c le s o f P a r tik i P h a s in g , m a tte r u n its fla s h o n th r o u g h fis s io n in to b i- p o la r p a r tic le a n d
a n ti- p a r tic le m a n ife s ta tio n b u ilt u p o n s c a la r - w a v e s o f lig h t r a d ia tio n , th e n fla s h o ff th r o u g h fu s io n in to o m n ip o la r a n te - m a tte r s o u n d v ib r a tio n , c o n tin u a lly c y c lin g b e tw e e n th e m a n ife s t a n d n o n - m a n ife s t s ta te .
The
in te r a c tio n o f P a r tik i, P a r tik A a n d P a r tic u m le a d to th e fo r m a tio n o f s ta n d in g s c a la r - w a v e g r id s ( P a r tik i
G r id s ) th a t h a v e a r e la tio n s h ip o f 3 d iffe r e n t fla s h in g o n /o ff r h y th m s a n d 3 d iffe r e n t a n g le s o f in te r s e c tio n
th a t c r e a te K e y lo n s .
K e y lo n s a r e G o d - T h o u g h t C r y s ta ls - c r y s ta lliz e d
w a v e p a tte r n s th a t b e g in to c r e a te
e n e r g y fie ld s a r o u n d a n d w ith in th e m s e lv e s th a t a llo w fo r th e h o lo g r a p h ic p r o je c tio n p r o c e s s to b e g in ,
w h e r e th e 3 - ~ h o lo g r a m b e c o m e s a r e a lity .
S o u r c e e n e r g y - th a t
p u re ,
unlimited
to ta lly fr e e e n e r g y
sends
Its s tr e a m
o f c o n s c io u s n e s s
in to th is
fr a m e w o r k . T h o s e s tr e a m s o f c o n s c io u s n e s s fir s t ta k e o n th e s e fo r m s a n d fill o u t to 'm a k e th e s ta n d in g
s c a la r - w a v e g r id s . T h e s e g r id s th e n a c c r e te m o r e o f th a t c o n s c io u s n e s s c o m in g fr o m S o u r c e a n d k e e p
o r g a n iz in g it a lo n g th e m a th e m a tic a l p a tte r n , g o in g fr o m w a v e p a tte r n to c o m b in a tio n s o f w a v e p a tte r n s to
© A & A D e a n e . 2 0 1 0 . A ll R ig h ts R e s e r v e d ;
P a r t o f th e M e E D
F re e d o m
T e a c h in g s ®
S e r ie s ,
8
3 -D w a v e p a tte rn s . T h ro u g h P a rtik i P h a s in g a n d re p lic a tio n , P a rtik i g ro u p to fo rm s tra n d s , th e n g rid s , th e n
K e y lo n s , th e n K e y lo n C o d e s , w h ic h w ill fu rth e r g ro u p to fo rm m a n ife s ta tio n te m p la te s o r b lu e p rin ts . DCBA
R e c a p o f P rim a l O rd e r o f M a n ife s ta tio n T e m p la te s
M o rp h o g e n e tic fie ld s , o r m a n ife s ta tio n te m p la te s th a t s e rv e a s th e b lu e p rin t th ro u g h w h ic h c o n s c io u s n e s s
m a n ife s ts , a re c o m p o s e d o f th e p rim a l s u b s ta n c e o f P a rtik i u n its . P a rtik i u n its d ra w to g e th e r o r a c c re te to
fo rm P a rtik i s trin g s w h ic h in te rw e a v e a n d o v e rla p , fo rm in g a fa b ric o f lig h t a n d s o u n d c a lle d a P a rtik i g rid
o r a s c a la r g rid .
P a rtik i g rid s fu rth e r a c c re te , d ra w in g in m o re P a rtik i u n its th a t c re a te c ry s ta lliz a tio n s o f
e n e rg y c a lle d K e y lo n s . G ro u p s o f K e y lo n s c o n tin u e to a c c re te , fo rm in g c o m p le x K e y lo n a rra n g e m e n ts
c a lle d K e y lo n C o d e s .
P a rtik i a n d K e y lo n s b e lo n g to a c a te g o ry o f p rim a l b u ild in g b lo c k s k n o w n a s io n ic
p a rtic u la te s , w h ic h a re th e b u ild in g b lo c k s o f c o n s c io u s n e s s , e n e rg y , lig h t, s o u n d a n d s c a la r-w a v e fie ld s
th a t fo rm th e b lu e p rin ts u p o n w h ic h a ll m a tte r m a n ife s ts . 2
V ib ra tio n -O s c illa tio n
T h e v ib ra to ry -o s c illa tio n
ra te o f p a rtic le s re p re s e n ts th e ra te a t w h ic h th e s c a la r s ta n d in g w a v e s fla s h o ff
a n d o n w ith in th e m o rp h o g e n e tic fie ld te m p la te . V ib ra tio n is th e c o n d itio n o f in te rn a l m o v e m e n t o r h o ld in g
o f e n e rg y w ith in
u n its o f c o n s c io u s n e s s ,
o r P a rtik i, a n d th e p a rtic le s
d e te rm in e d b y th e q u a n tity o f e n e rg y h e ld w ith in P a rtik i u n its .
b u ilt u p o n th e m . V ib ra tio n
O s c illa tio n
is
is th e c o n d itio n o f e x te rn a l
m o v e m e n t o r e x p a n d in g o f e n e rg y fro m P a rtik i u n its a n d th e p a rtic le s b u ilt u p o n th e m .
Vibration and Oscillation exist in direct proportion to each other. A s
o s c illa tio n
d e c re a s e s
(e n e rg y e x p e n d itu re ).
F a s te r fla s h -lin e
o s c illa tio n
a n d lo w e r v ib ra tio n o f s c a la r te m p la te s .
v ib ra tio n in c re a s e s (e n e rg y h o ld in g ),
sequences
expend
H ig h e r o s c illa tio n /s lo w e r
m o re e n e rg y , ra is e
v ib ra tio n c re a te s s lo w e r
e le c tro n m o v e m e n t a ro u n d th e n u c le u s o f a to m s a n d le s s p e rc e iv a b le d e n s ity o f m a tte r.
M o rp h o g e n e tic F ie ld s a n d th e T im e M a trix
T h e m o rp h o g e n e tic fie ld s u p o n w h ic h u n iv e rs e s m a n ife s t a re b u ilt u p o n a m a n ife s ta tio n te m p la te th a t h a s a
s p e c ific o rd e r o f m a th e m a tic a l in te rre la tio n s h ip s th a t g o v e rn th e c o m b in in g o f s c a la r g rid s w ith d iffe re n t
ra te s o f P a rtik i P h a s in g .
T h e C o s m ic M a n ife s ta tio n T e m p la te is c a lle d th e E n e rg y M a trix . W ith in th e
E n e rg y M a trix th e re a re s m a lle r m a n ife s ta tio n te m p la te s u p o n w h ic h u n iv e rs e s a re s tru c tu re d .
These
s m a lle r m a n ife s ta tio n te m p la te s a re U n iv e rs a l M a n ife s ta tio n T e m p la te s , a ls o c a lle d T im e M a tric e s , a n d
th e re a re u n c o u n ta b le T im e M a tric e s e x is tin g w ith in th e E n e rg y M a trix . T im e M a tric e s a re a rra n g e d u p o n a
p a tte rn o f 1 5 d iffe re n t b u t in te rw o v e n P a rtik i P h a s in g rh y th m s . E a c h o f th e 1 5 rh y th m s o f P a rtik i P h a s in g
c re a te s o n e d im e n s io n . A d im e n s io n is a s e t p a tte rn o f fla s h -lin e s e q u e n c e s o r a c y c le o f s in g u la r P a rtik i
P h a s in g rh y th m s th a t c o n ta in s w ith in it 1 2 s m a lle r rh y th m s o f P a rtik i P h a s in g . E a c h d im e n s io n re p re s e n ts
o n e s c a la r fre q u e n c y b a n d c o n ta in in g 1 2 s m a lle r s u b -fre q u e n c y b a n d s . A d im e n s io n re p re s e n ts a
frequency band or repeating cyclic sequence of "flashing on and
o ff" s c a la r-w a v e
full
p o in ts w ith in a
m o rp h o g e n e tic fie ld . T h e m o rp h o g e n e tic fie ld s c a la r g rid s tru c tu re o f d im e n s io n s ta k e s th e fo rm o f 1 5 D im e n s io n a l M a tric e s .
T h e 1 5 d im e n s io n s a re g ro u p e d in to s e ts o f 3 d im e n s io n s , e a c h fo rm in g 5 s e ts o f 3 d im e n s io n a l re a lity
fie ld s c a lle d H a rm o n ic
U n iv e rs e s . T h e 1 5 d im e n s io n s c o m p o s in g th e 5 H a rm o n ic U n iv e rs e s to g e th e r
re p re s e n t o n e T im e M a trix S y s te m .
2
S e e th e 1 5 -D im e n s io n a l A n a to m y C o rre s p o n d e n c e s
1 5 -D im e n s io n a l T im e M a trix a n d th e ir c o rre s p o n d e n c e
©A
ta b le in th e a p p e n d ix o f th is h a n d b o o k fo r a lis t o f Io n ic P a rtic u la te s fo r th is
to d im e n s io n s a n d H a rm o n ic U n iv e rs e s .
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
9
E ach
d im e n s io n
of
fre q u e n c y is c o m p o s e d o f
1 2 s u b -fre q u e n c y b a n d s , o r
s h o rte r
c y c le s
of
th e
"fl h '
d
ff'
f
a s In g o n a n
0
0
s c a la r-w a v e p o in ts , w h ic h
One 15·Dimensional Time Matrix with 5 Harmonic Universes
P R IM A L O R D E R o f th e
D im e n s io n a liz e d
U n iv e rs a l
M a n ife s ta tio n
T e m p la te
e x is t a s p a rt o f th e lo n g e r
c y c le o f th e fu ll d im e n s io n a l
fre q u e n c y b a n d . T h e P a rtik i
in e a c h d im e n s io n h a v e a
s p e c ific ra te o f v ib ra to ry
o s c illa tio n o r c o n tra c tio n a n d
e x p a n s io n o f e n e rg y , w h ic h
d e te rm in e s
th e
a n g u la r
ro ta tio n o f p a rtic le s p in
(A R P S ). T h e A R P S is th e
a n g u la r a x is u p o n w h ic h
p a rtic le s w ill s p in . T h e re is a
9 0 -d e g re e s h ift o f a n g u la r
M a g n e tic R e p u lsio n
Z o n e s cre a te
se p a ra tio n b e tw e e n
H a rm o n ic U n ive rse s
3 L e ve ls o f th e
n o n -d im e n sio n a lize d
ENERGY
M A T R IX
w ith in w h ich T IM E
M A T R IC E S
re sid e
ro ta tio n o f p a rtic le s p in b e tw e e n e a c h d im e n s io n a l fre q u e n c y b a n d a n d a 4 5 -d e g re e re v e rs e s h ift b e tw e e n
H a rm o n ic U n iv e rs e s o r s e ts o f 3 d im e n s io n s o r 3 fre q u e n c y b a n d s . P a rtic le s h a v in g v a ry in g v ib ra to ry o s c illa tio n ra te s a n d a n g le s o f s p in a llo w m u ltip le d im e n s io n a l re a lity fie ld s to c o -e x is t w ith in th e s a m e
s p a c e w h ile re m a in in g p e rc e p tu a lly in v is ib le to e a c h o th e r.
T h e re la tio n s h ip s b e tw e e n w a v e s tra ta w ith in th e d im e n s io n a l fre q u e n c y b a n d s c re a te th e h o lo g ra p h ic
re fra c tio n o f lig h t, s o u n d a n d s c a la r-w a v e s th a t a llo w s c o n s c io u s n e s s to p e rc e iv e th e illu s io n s o f m a tte r
s o lid ity , s p a c e , tim e a n d e x te rn a liz a tio n o f re a lity w h ile it is e n s c o n c e d w ith in th e s tru c tu re s o f d im e n s io n s .
A s c a la r fre q u e n c y b a n d is a c y c lic p a tte rn o f s p e c ific P a rtik i P h a s in g rh y th m s o r e x p a n s io n s a n d
c o n tra c tio n ra tio s o f e n e rg y c irc u la tio n to w h ic h c o n s c io u s n e s s c o n fo rm s in o rd e r to e n te r th e e x p e rie n c e o f
m a n ife s ta tio n . T o c re a te th e u n iv e rs a l m a n ife s ta tio n te m p la te u p o n w h ic h e x te rn a l s p a c e , tim e a n d m a tte r
e x p e rie n c e c a n b e k n o w n , d im e n s io n s a re o rd e re d in to s e ts o f 1 5 , fo rm in g th e b lu e p rin t fo r a
1 5 -D im e n s io n a l T im e M a trix . W ith in a T im e M a trix th e 1 5 d im e n s io n s a re fu rth e r a rra n g e d in to s e ts o f 3
d im e n s io n s fo rm in g fiv e 3 -d im e n s io n a l re a lity fie ld s . E a c h 3 -d im e n s io n a l re a lity fie ld (H a rm o n ic U n iv e rs e ),
re p re s e n ts a le v e l o f m a tte r d e n s ific a tio n s p e c ific to its in trin s ic ra te s o f P a rtik i P h a s in g . O n e T im e M a trix is
th u s a 1 5 -D im e n s io n a l S c a la r G rid w ith 5 s e p a ra te y e t in te rw o v e n re a lity fie ld s w ith 5 d iffe re n t d e n s itie s o f
m a tte r m a n ife s ta tio n .
Frequency Bands and Sub-Frequency Bands
F re q u e n c y
is
th e
fo rm
c o n s c io u s n e s s
ta k e s
on
w h ile
ensconced
w ith in
th e
fra m e w o rk
of
d im e n s io n a liz a tio n . F re q u e n c y is th e v ib ra tin g o s c illa tin g w a v e s p e c tra o f w h ic h m a tte r p a rtic le s a n d
d im e n s io n a liz e d c o n s c io u s n e s s a re c o m p o s e d . F re q u e n c y b a n d s a re s y n c h ro n iz e d , c y c lic , re p e a te d
s e q u e n c e s o f "fla s h in g o n a n d o ff' o f s c a la r-w a v e p o in ts w ith in th e d im e n s io n a l s c a la r g rid s , w h ic h g iv e s
th e a p p e a ra n c e o f m a n ife s t m o v e m e n t o f w a v e s p e c tra w ith in a d im e n s io n a l s y s te m . S u b -fre q u e n c y b a n d s
a re s h o rte r s e g m e n ts o f th e lo n g e r "fla s h in g o n a n d o ff' s e q u e n c e o f th e fu ll fre q u e n c y b a n d . T h e fre q u e n c y
o f d im e n s io n a l le v e ls a n d th e p a rtic le s w ith in th e m is d e te rm in e d b y th e v ib ra to ry -o s c illa tio n ra te o f th e
P a rtik i u n its th a t m a k e u p th e s c a la r-w a v e g rid . E a c h d im e n s io n is o n e fu ll fre q u e n c y b a n d a n d c o n ta in s 1 2
s m a lle r s u b -fre q u e n c y b a n d s . T h e re fo re , o n e 1 5 -D im e n s io n a l T im e M a trix c o n ta in s 1 8 0 s u b -fre q u e n c y
bands.
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e se rve d ; P a rt o f th e M C E D F re e d o m T e a ch in g s®
S e rie s.
10
A s w e m o v e u p w a r d in th e 1 5 - D im e n s io n a l S c a le , e a c h o f th e 5 H a r m o n ic U n iv e r s e s h a s a p r o g r e s s iv e ly
le s s
dense
s ta te
o f p e r c e iv a b le
m a tte r . G o in g
u p th e
d im e n s io n a l
s c a le , e a c h
d im e n s io n
has a
p r o g r e s s iv e ly fa s te r r a te o f P a r tik i P h a s in g w ith in it, c o r r e s p o n d in g to h ig h e r fr e q u e n c y , fa s te r o s c illa tio n ,
lo w e r v ib r a tio n , g r e a te r e x p a n s io n a n d le s s m a tte r d e n s ity . T h e s e c o n d itio n s r e p r e s e n t th e s ta g e s o f
p e r c e iv a b le
m a tte r th a t
p r o g r e s s iv e ly
d e n s ity
u p w a r d /o u tw a r d
c o n s c io u s n e s s
in to
th e
w ill e x p e r ie n c e
h ig h e r
d im e n s io n s
of
as
th e
th e
fo c u s
T im e
of
M a tr ix .
a tte n tio n
As
expands
c o n s c io u s n e s s
p r o g r e s s iv e ly e x p a n d s b a c k in to th e 1 5 - D im e n s io n a l S tr u c tu r e o f its o r ig in a l m o r p h o g e n e tic fie ld , m a tte r
d e n s ity p e r c e p tio n w ill c h a n g e fr o m
p e r c e iv a b le g r o s s m a tte r p h y s ic a l d e n s ity to s e m i- e th e r ic
m a tte r
d e n s ity to e th e r ic m a tte r d e n s ity to p r e - m a tte r liq u id lig h t d e n s ity a n d to its o r ig in a l a n te - m a tte r s c a la r - w a v e
fo r m o f n o n - d e n s ity c o n s c io u s n e s s .
Scalar-Waves and Partiki Phasing
S c a la r - w a v e s a r e s ta n d in g w a v e p o in ts th a t e m a n a te o u t o f fix e d p o in ts o f s o u n d ( e le c tr o - to n a l P a r tik i
u n its ) w h ic h fo r m th e s c a la r g r id m o r p h o g e n e tic te m p la te s th a t h o u s e c o n s c io u s n e s s in d im e n s io n a liz a tio n
fo r th e e x p e r ie n c e o f m a n ife s t r e a lity .
c r e a te s a
"flashing on and
S c a la r g r id s a r e c r e a te d th r o u g h P a r tik i P h a s in g .
o ff" o f s c a la r - w a v e p o in ts , o r
P a r tik i P h a s in g
flash-line sequences.
D im e n s io n s a r e s c a la r g r id s o f c o n s c io u s n e s s c o m p o s e d o f in te r w o v e n la y e r s o f s c a la r - w a v e s w ith v a r y in g
fla s h - lin e s e q u e n c e s , o r fr e q u e n c y b a n d s .
D im e n s io n s a r e fr e q u e n c y b a n d s , o r P a r tik i w a v e s p e c tr a , th a t
e x is t w ith in s p e c ific r e la tio n s h ip to e a c h o th e r to fo r m th e te m p la te o f h o lo g r a p h ic r e a lity . W h a t w e p e r c e iv e
a s c o lo r is s p e c ific s p e c tr a o f lig h t- r a d ia tio n w a v e s th a t h a v e a s p e c ific m e a s u r a b le w a v e le n g th
and
v ib r a tio n a l e n e r g y s iq n a tu r e .'
Spheres Within Spheres
S p h e re s
w ith in
s p h e re s
re p re s e n t
h a r m o n ic s
of
m a n ife s ta tio n ,
an
im a g e
of
microcosm within the
macrocosm, as an individual within the species, as planetary within the galactic, or
as universal within the cosmic, within the In fin ite a n d E te r n a l. T h e u n iv e r s a l
in te r w o v e n
m o r p h o g e n e tic fie ld s . Y o u c a n lo o k a t it a s a
m a n ife s ta tio n te m p la te o r T im e M a tr ix is g e n e r a te d fr o m th e c o s m ic m a n ife s ta tio n
te m p la te th r o u g h c r e a tio n o f in te r w o v e n m o r p h o g e n e tic fie ld s .
T h e p r o g r e s s io n b e g in s w ith in th e u n ifie d
fie ld o f S o u r c e a n d m o v e s to th e c o s m ic le v e l, th e n th e u n iv e r s a l le v e l, th e n to th e g a la c tic le v e l, th e n th e
p la n e ta r y le v e l, a n d th e n to th e s p e c ie s le v e l ( m ic r o c o s m w ith in th e m a c r o c o s m ) .
T im e M a tr ic e s a r e
a r r a n g e d u p o n a p a tte r n o f 1 5 d iffe r e n t b u t in te r w o v e n P a r tik i P h a s in g r h y th m s , w h ic h fo r m 5 o v e r la y
H a r m o n ic U n iv e r s e s ( H U ) th a t e x is t w ith in th e s a m e s p a c e , w ith e a c h H U c o n ta in in g 3 d im e n s io n s .
sets of
3
b lu e p r in t
is
recurrent pattern,
c a lle d a Kathara Grid.
a
a s w e ll a s ju s t s e ts
of
3.
Five
M a n ife s ta tio n te m p la te s fo r m o n a p a tte r n o r
Kathara 12·Tree Grid
T h e K a th a r a G r id is th e
primary mathematical-geometrical organization of units of consciousness
u p o n w h ic h P a r tik i u n its g r o u p to fo r m m o r p h o g e n e tic fie ld s c a la r g r id s . It is th e c o r e le v e l o f s c a la r
s ta n d in g w a v e c r e a tio n a n d e n e r g e tic o r g a n iz a tio n w ith in a n d b e h in d a ll d im e n s io n a l s y s te m s , a n d is th u s
c o n s id e r e d to b e th e c o r e o f th e h o lo g r a p h ic te m p la te u p o n w h ic h th e m o r p h o g e n e tic s c a la r - w a v e b lu e p r in t
a n d a ll o th e r d im e n s io n s o f fo r m a n a to m y a r e b u ilt.
T h e fo r m o f th e K a th a r a G r id is r e fle c te d in th e
m a c r o c o s m a n d th e m ic r o c o s m o f a ll m a n ife s ta tio n . A ll fo r m s h a v e a t th e ir c o r e th e c o m m o n s tr u c tu r e o f
th e K a th a r a G r id h o lo g r a p h ic te m p la te . T h e K a th a r a G r id s o f a ll fo r m s - u n iv e r s e s ,
s p e c ie s - a r e
~
g a la x ie s , p la n e ts , a n d
lin k e d to e a c h o th e r a n d to th e K a th a r a G r id o f th e c o s m o s th r o u g h in te r w o v e n P a r tik i s c a la r
3 S e e K a th a r a B io - S p ir itu a l H e a lin g S y s te m ® L e v e l- 1 M a n u a l
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
[K A 1 - M /2 D V D - 3 C D ]
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
11
s ta n d in g w a v e g rid s o f th e K a th a ra G rid m o rp h o g e n e tic c o re .
T h e C o s m ic K a th a ra G rid re p re s e n ts th e
s c a la r fie ld o f th e c o s m ic u n ifie d fie ld o f c o n s c io u s n e s s -e n e rg y
th ro u g h w h ic h th e h o lo g ra m
o f m a n ife s t
e x p e rie n c e is p e rp e tu a lly c re a te d . E n e rg y c a n n o t b e c re a te d o r d e s tro y e d ; it o n ly c h a n g e s fo rm .
Eternal Consciousness
Energy is
th a t p e rp e tu a lly c h a n g e s fo rm b y p ro je c tin g th ro u g h th e s tru c tu re s o f th e K a th a ra
G rid w h ile s im u lta n e o u s ly
re m a in in g a lw a y s th e s a m e s in g u la r w h o le n e s s o f th e c o s m ic u n ifie d fie ld o f
c o n s c io u s n e s s -e n e rg y .
E a c h K a th a ra C e n te r h o ld s th e e le c tro -to n a l p ro g ra m fo r 1 d im e n s io n a l le v e l o f c o n s c io u s n e s s a n d s e ts th e
te m p la te to g ro u n d c o n s c io u s n e s s w ith in th e h o lo g ra p h ic e x p e rie n c e o f m a n ife s ta tio n .
T h e K a th a ra L e v e l-1
1 2 -T re e G rid is m a d e o f 1 2 K a th a ra S p h e re s o r S ig n e ts a n d 1 5 K a th a ra L in e s . K a th a ra S p h e re s , S ig n e ts o r
C e n te rs h o ld th e p ro g ra m fo r e a c h c o rre s p o n d in g d im e n s io n , w h ile th e K a th a ra L in e s tra n s m it fre q u e n c y
b e tw e e n d im e n s io n s o r s p h e re s .
T h e 1 2 K a th a ra C e n te rs re p re s e n t th e 1 2 d im e n s io n s o f m a tte r d e n s ity in
o n e 1 5 -D im e n s io n a l T im e M a trix .
m a tte r.
D im e n s io n s 1 3 , 1 4 , a n d 1 5 a re P rim a l L ig h t F ie ld s in w h ic h th e re is n o
T h e 1 2 -T re e K a th a ra G rid s e ts th e p a tte rn o r b lu e p rin t fo r d im e n s io n a liz a tio n
o f c o n s c io u s n e s s .
T h e 3 V e rtic a l K a th a ra L in e s c o n tro l th e o th e r K a th a ra L in e s . T h e C e n tra l K a th a ra L in e is th e c o n tro l c e n te r
fo r P a rtik i P h a s in g rh y th m s th ro u g h o u t th e K a th a ra L in e S y s te m . T h e K a th a ra L in e s k e e p a c o n tin u a l flo w
o f c o n s c io u s n e s s c irc u la tin g th ro u g h o u t th e 1 5 -D im e n s io n a lle v e ls
o f th e m o rp h o g e n e tic fie ld .
In te rw o v e n C o s m ic & U n iv e rs a l K a th a ra
Interwoven Grids
G rid s w ith in th e U n iv e rs a l T im e M a trix &
C o s m ic E n e rg y M a trix
T h e K a th a ra 1 2 -T re e G rid h o ld s th e b a s e e le c tro -to n a l p ro g ra m s o f
P a rtik i P h a s in g a n d d im e n s io n a l/fre q u e n c y
o th e r
K a th a ra
M o rp h o g e n e tic
le v e ls
fie ld s
and
m o rp h o g e n e tic
o f m a n ife s ta tio n
in te rw o v e n K a th a ra G rid s .
Energy Matrix
th e
s tru c tu re u p o n w h ic h th e
te m p la te s
fie ld
fo rm
a re
b u ilt.
a s e rie s
of
T h e c o s m ic m a n ife s ta tio n te m p la te is th e
a n d it c o n ta in s ' m a n y T im e M a tric e s .
M a n ife s ta tio n T e m p la te is a
Time Matrix.
T h e U n iv e rs a l
E v e ry th in g in m a n ife s t fo rm is
§
b u ilt u p o n th e b lu e p rin t o f th e K a th a ra G rid . T h e 1 2 K a th a ra C e n te rs o f
~
th e C o s m ic K a th a ra G rid a re th e firs t p rim a l o rg a n iz a tio n
I
S c a la r G rid s th a t fo rm s th e 3 n o n -d im e n s io n a l
o f P a rtik i
le v e ls o f th e E n e rg y
M a trix a n d a n te -m a tte r d e n s ity D im e n s io n s 1 3 -1 5 o f th e T im e M a trix .
T h e 1 2 K a th a ra C e n te rs o f th e U n iv e rs a l K a th a ra G rid a re th e s e c o n d
P rim a l
O rg a n iz a tio n
of
P a rtik i
S c a la r
G rid s
th a t
fo rm s
th e
12
d im e n s io n s o f tim e c y c le s a n d p re -m a tte r to g ro s s m a tte r d e n s ity le v e ls
o f th e T im e M a trix , w ith in th e E n e rg y M a trix .
T h e C o s m ic K a th a ra G rid is re p re s e n te d h e re a s lo c a te d
a b o v e th e U n iv e rs a l K a th a ra G rid . In a c tu a lity it is a t a 9 0 d e g re e a n g le to th e U n iv e rs a l K a th a ra G rid a s
d e p ic te d in th e m a p s o f th e G o d W o rld s . 4
Universal Life Force Currents
T h e E n e rg y M a trix is fo rm e d fro m th e
Khundaray or Primal Sound Field.
T h e K h u n d a ra y h a s th re e le v e ls
o r c u rre n ts , w h ic h a re th e E c k a tic , P o la ric , a n d T ria d ic c u rre n ts o f s ta n d in g s o u n d v ib ra tio n . T h e s e 3 le v e ls
o f th e n o n -d im e n s io n a liz e d
the Primal Light Fields
E n e rg y M a trix a re w h e re th e T im e M a tric e s re s id e .
The
Kee·Ra·ShA forms
a n d is c o m p o s e d o f th re e le v e ls o r 3 P rim a l L ig h t F ie ld c u rre n ts e m a n a tin g fro m
th e P rim a l S o u n d F ie ld s . T h e s e 3 P rim a l L ig h t F ie ld c u rre n ts fo rm th e F irs t C a u s e a n te -m a tte r d e n s ity
d im e n s io n a l lig h t fie ld o f th e T im e M a trix , a n d in c lu d e th e E c k a tic B lu e F la m e D -1 3 P rim a l R a y , fro m w h ic h
th e o th e r tw o P rim a l R a y s e m e rg e . T h e o th e r tw o ra y s a re th e P o la ric G o ld F la m e D -1 4 L ig h t F ie ld c u rre n t
a n d th e T ria d ic V io le t F la m e D -1 5 c u rre n t.
.
4
S e e E x p lo rin g th e G o d W o rld s s e c tio n o f th is H a n d b o o k .
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ; P a rt o f th e M e E O
F re e d o m T e a c h in g s ®
S e rie s .
12
The K ee-R a-S hA is the spherical standing pillar or R ay of First C ause Light that form s D im ensions 13-15,
w hich represents the 1 st m anifestation level of 15-D im ensional Tim e M atrix S ystem s. The K ee-R a-S hA
3 P rim al Light Fields are often called the Um Shaddai Ur (P illar of First C ause Light) or the Holographic
Beam, from w hich the 12-D im ensionalized S calar S tanding-W ave Fields w hich form D im ensions 1-12 of
our Tim e M atrix em erge. The M aharata is com posed of three levels of frequency. D im ension-10 and
D im ension-11 are w oven together to form the D im ension-12 O m ni-polar U niversal C hristos Field of antem atter density hydroplasm ic liquid light.
The A ntahkarana consists of 9 levels of polarized electrom agnetic energy frequency that form 3 currents of
3-dim ensional energy called the Universal Kundalini, w hich form s low er frequency dim ensions 1-9, creating
etheric, sem i-etheric, and gross physical m atter densities. U niversal Life Force C urrents enter the body via
M erkaba Fields, the K athara G rid C ore Tem plate, D N A Tem plate and C entral V ertical C urrent, through
progressive activation of the 12-S trand D N A Tem plate. E m bodied Life Force C urrents are regulated by the
C ranial-S acral S eals located in the P ineal G land at the brain center and in the First 8 C ells in the tailbone at
the base of the spine.
1.
P rim al S ound Fields.
K hundaray
P rim al S ound Fields
a. E ckatic level - B lue flam e
b. P olaric level - G old flam e
c. Triadic level- V iolet flam e
K ee-R a-5hA '
P rim al U ght R elds
M aharala (C hristos)
2.
Liauid Lioht Fields
K ee-R a-S hA - P rim al Light Fields
a. D -13- pale turquoise
b. D -14- pale yellow
.c. D -15 - pale m agenta/pink
5
H A R M O N IC
U N IV E R S E S
3. M aharata - Liquid Light Fields
.....--r--,--...,
a. D -12-11-10 - pale silver
In one 15D im ensional
TIM E
M A TR IX
4.
A ntahkarana - U niversal K undalini
a.
D "1 through D -9
Planetary Bio-Feed Interface System
A s the m orphogenetic fields of species are interw oven into the larger m orphogenetic field of the planet they
inhabit, there is a direct energetic connection betw een the K athara G rids of individuals and that of the
planetary body. This connection betw een personal and planetary K athara G rids is C alled the Planetary BioFeed Interface System® (P B IS ).
The hum an body serves as a bio-electrical energy conductor in relation to the organic energetic
interconnection betw een the P lanetary S hield and the personal m anifestation tem plate. The hum an body is
the only vehicle organic to E arth that is capable of running the frequencies of the 12-D im ensional P lasm a
B eam , w hich is needed for m anual restoration of the P lanetary S hield. .
© A & A D eane, 2010, A ll R ights R eserved; P art of the M C E D Freedom Teachings®
S eries.
13
The Planetary Bio-Feed Interface System
®ZYXWVUTSRQPONMLKJIHGFEDCBA
W h o W e A re
In te rw o v e n P e rs o n a l & P la n e ta ry K a th a ra G rid s
T h e d ia g ra m o n th e le ft s h o w s th e
p la c e m e n t
o f th e
K a th a ra
L e v e l-1
1 2 T re e G rid K a th a ra C e n te rs a n d
K a th a ra lin e s w ith in th e h u m a n b o d y
a n a to m y .
S h ie ld s a re th e 3 -d im e n s io n a l s c a la rw a v e g rid s th a t h o ld th e b lu e p rin t fo r
m a n ife s ta tio n , a s s e t b y th e in trin s ic
m a th e m a tic a l e n c o d in g o f th e P a rtik i
P h a s in g rh y th m h e ld w ith in a ll o f th e
K a th a ra C e n te rs o f th e m a n ife s ta tio n
te m p la te . T h e 4 S c a la r S h ie ld s a s
d e p ic te d
b e lo w , c o rre s p o n d
to th e
K a th a ra C e n te r p ro g ra m s a n d th e 5
h a rm o n ic s o f m a tte r d e n s ity le v e ls
w ith in
Universal
th e
M a n ife s ta tio n
T e m p la te .
F irs t 4 S h ie ld s e a c h w ith 3 S ig n e ts a n d
C o rre s p o n d e n c e to K a th a ra C e n te rs
The
5 th
S c a la r
S h ie ld
in
th e
1 5 -D im e n s io n a l
c o rre s p o n d s to th e firs t 3 K a th a ra C e n te rs o f th e
T im e
M a trix
Cosmic
K a th a ra
Mahallc Shield
Pre-matter Shield
G rid . T h e re is a v e rtic a l S c a la r S h ie ld w h ic h is n o t s h o w n in th e
O lm e n s io n s 1 0 -1 2
d ia g ra m to th e rig h t th a t w o u ld b e th e R is h ic S h ie ld , c o m p o s e d
o f a n te -m a tte r fro m D im e n s io n s 1 3 -1 5 .
Shield
Elhcric Mallcr Shield
D im e n s io n s 7·9
T e u ric
T h e s ig n e ts a re s m a lle r, fix e d , c o n s o lid a te d fre q u e n c y p o in ts o u t
o f w h ic h th e S e e d S ta r C ry s ta l S e a ls th a t fo rm th e C h a k ra s
Doradie Shield
Sernl-etlJeric Matter Shield
m a n ife s t. T h e S ig n e ts a n d th e s m a lle r c ry s ta l s e a l fo rm a tio n s
D im e n s io n s 4 -6
th a t m a n ife s t th ro u g h th e m , c re a te a d is c o f s p in n in g , h o riz o n ta l
Shielcl
Gross Matter Shield
T e llu ric
D im e n s io n s
1·3
H o v a B o d ie s
H o v a B o d ie s a re tri-to n a l s c a la r g rid s th a t fo rm s p h e ric a l e n e rg y "tis s u e c a p s u le s " a ro u n d e a c h 3 -d im e n s io n a l
le v e l o f th e m u lti-d im e n s io n a l id e n tity . W ith in th e 1 5 -D im e n s io n a l H u m a n A n a .to m y th e re a re 5 d im e n s io n a liz e d
H o v a B o d ie s c a lle d A rie a H o v a B o d ie s . T h e A rie a H o v a B o d ie s fo rm o u t o f th e e le c tro -to n a l p ro g ra m s h e ld
w ith in th e K a th a ra C e n te rs o f th e L e v e l-1 K a th a ra 1 2 -T re e G rid . T h e 5 H o v a B o d ie s o f th e h u m a n m a n ife s ta tio n
te m p la te a n a to m y w ith in th e T im e M a trix re p re s e n t th e 5 s u b tle e n e rg y b o d ie s o f h u m a n b io -e n e rg e tic fie ld
c o n s tru c tio n .
E a c h o f th e 5 s h ie ld s w ith in a 1 5 -D im e n s io n a l M a n ife s ta tio n T e m p la te is s tru c tu re d u p o n 3
K a th a ra C e n te rs w ith in th e C o re P rim a l O rd e r o f th e L e v e l-1 K a th a ra 1 2 -T re e G rid . T h e firs t 4 H o v a B o d ie s o f
th e 1 5 -D im e n s io n a l H u m a n A n a to m y a n d th e ir h o riz o n ta l s h ie ld s a re m o s t im p o rta n t in te rm s o f h u m a n
e v o lu tio n .
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
14
A c tiv a tio n o f th e S ig n e ts a c tiv a te s th e ir c o rre s p o n d in g s h ie ld , w h ic h in tu rn re le a s e s th e tis s u e c a p s u le s lo c a te d
b e tw e e n th e
Hova Bodies,
a llo w in g m e rg e r to o c c u r. W h e n th e firs t 4 H o v a B o d y S h ie ld s a c tiv a te , th e b o d y is
a b le to in te g ra te th e A v a ta r id e n tity a n d tra n s m u te in to p re -m a tte r liq u id lig h t w a v e fo rm .
D im e n s io n s
S h ie ld
H ova B ody
13-15
R is h ic S h ie ld
R a ja H o v a
10-12
M a h a ric S h ie ld
M a h a ra H o v a
7 -9
T e u ric S h ie ld
B e tc h a H o v a
4-6
D o ra d ic S h ie ld
A lp h i H o v a
1-3
T e llu ric S h ie ld
N ada H ova
T h e N a d a H o v a B o d y o f D im e n s io n s 1 , 2 a n d 3 fo rm s o n th e T e llu ric S h ie ld , its c o n tro l c e n te r b e in g th e 2 n d
K a th a ra C e n te r th a t is c o m p o s e d o f 2 -d im e n s io n a l fre q u e n c ie s .
T h e A lp h i H o v a B o d y o f D im e n s io n s 4 , 5
a n d 6 fo rm s o n th e D o ra d ic S h ie ld , its c o n tro l c e n te r b e in g th e D o ra o r A rc h e ty p e o f th e 5 -d im e n s io n a l
fre q u e n c ie s .
T h e B e tc h a H o v a B o d y o f D im e n s io n s 7 ,8 a n d 9 fo rm s o n th e T e u ric S h ie ld , its c o n tro l c e n te r
b e in g th e T e u ra o r M o n a d o f th e 8 -d im e n s io n a l fre q u e n c ie s . T h e M a h a ra H o v a B o d y fo rm s o n th e M a h a ric
S h ie ld , its control center b e in g th e M a h u n ta o r A v a ta r c o re a t th e 1 1 th ,d im e n s io n . T h e 5 th H o v a B o d y , th e
R a ja H o v a B o d y , fo rm s o n a s e t o f S ig n e ts th a t c o rre s p o n d to s te lla r p o in ts w ith in th e U n iv e rs a l K a th a ra
G rid . Its s h ie ld , th e R is h ic S h ie ld , ro ta te s o n a v e rtic a l p la n e a n d c o m e s in to a c tiv a tio n w ith in th e p e rs o n a l
m o rp h o g e n e tic fie ld o n ly a fte r th e fo u r lo w e r s h ie ld s h a v e tra n s m u te d th e b o d y in to p re -m a tte r liq u id lig h t o f
th e M a h a ric S h ie ld .
A x io m L in e s , A u ric L e v e ls a n d C h a k ra s
D io d ic P o in ts , S ig n e ts , S e e d C ry s ta l S e a ls a n d A x io m L in e s
E a c h S ig n e t w ith in a H o v a B o d y S h ie ld h o ld s th e e le c tro -to n a l p ro g ra m fo r o n e S e e d C ry s ta l S e a l a n d o n e
d im e n s io n a liz e d fla s h -lin e s e q u e n c e . E a c h s e e d s e a l p ro g ra m c o rre s p o n d s to o n e d im e n s io n a liz e d fla s h lin e p ro g ra m fro m o n e L e v e l-1 K a th a ra C e n te r. E a c h S e e d C ry s ta l S e a l th u s h o ld s in ta c t th e e le c tro -to n a l
p ro g ra m fo r o n e d im e n s io n a liz e d fla s h -lin e p ro je c tio n a n g le o r s in g le a x is d im e n s io n a l fla s h -lin e s e q u e n c e .
T h e s in g le a x is d im e n s io n a l fla s h -lin e s e q u e n c e s c o n tro lle d b y e a c h S e e d C ry s ta l S e a l a re c a lle d A x io m
L in e s .
T h e re a re 1 2 P rim a ry A x io m L in e s th a t c o rre s p o n d to th e 1 2 K a th a ra C e n te rs in th e p e rs o n a l a n d p la n e ta ry
K a th a ra G rid s . T h e re a re 1 2 a d d itio n a l s te lla r A x io m L in e s th a t c o rre s p o n d to th e 1 2 K a th a ra C e n te rs in th e
U n iv e rs a l K a th a ra G rid . T h e A x io m
L in e s re p re s e n t s in g le -a x is fla s h -lin e s e q u e n c e s , o r fix e d p o in ts o f
c o n s c io u s e le c trifie d s o u n d , o r e le c tro -to n a l u n its th a t fo rm s tra n d s o f s c a la r s ta n d in g w a v e s th a t in te rm e s h
to re fin e th e s c a la r g rid w e b b in g u p o n w h ic h K a th a ra G rid L e v e l-3 d io d ic p o in ts w ill e m e rg e . E a c h o f th e 1 2
P rim a ry A x io m L in e s h a s a re v e rs e re fle c tio n w ith in th e d im e n s io n s o f th e a n ti-p a rtic le u n iv e rs e . T h e 1 2
p rim a ry A x io m L in e s g o v e rn in g th e d io d ic
A x i-A -T o n a l
white hole
v o rtic e s o r C h a k ra s o f th e p a rtic le u n iv e rs e a re c a lle d
L in e s (A x ia to n a l L in e s ). T h e c o rre s p o n d in g
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
re fle c tio n s o f th e A x ia to n a l L in e s in th e a n ti-
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
15
p a rtic le u n iv e rs e (p a ra lle l u n iv e rs e ) w h ic h g o v e rn th e m io d ic
black hole
V o rte x re fle c tio n s o f th e D io d ic
P o in ts a re c a lle d th e A x i-§ .-T o n a l L in e s .
T h e 1 2 p rim a ry A x i-A -T o n a l L in e s s e t th e m o rp h o g e n e tic im p rin t u p o n w h ic h th e C h a k ra s y s te m a n d
fo u n d a tio n D N A o rg a n iz a tio n o f th e h u m a n b o d y w ill m a n ife s t, a n d u p o n w h ic h th e p la n e ta ry v o rte x /p o rta l
s y s te m a n d p la n e ta ry le y lin e s w ill e m e rg e w ith in th e p la n e ta ry b o d y .s T h e s in g le a x is fla s h -lin e s e q u e n c e s
o f th e 1 2 P rim a ry A x io m L in e s c ro s s o v e r a n d th ro u g h e a c h o th e r to fo rm c o o rd in a te p o in ts b e tw e e n th e
H o v a B o d y S h ie ld s th ro u g h w h ic h th e w h ite h o le le v e l-3 d io d ic p o in t v o rtic e s o r C h a k ra s e m e rg e . T h e
v a ry in g a n g le s o f fla s h -lin e p ro je c tio n w ith in th e A x io m L in e s c re a te s e p a ra te d im e n s io n a liz e d b a n d s o f
fre q u e n c y o r s e p a ra te s e ts o f fla s h -lin e s e q u e n c e s w ith in th e H o v a B o d y s tru c tu re .
T h e re a re 3 S ig n e ts a n d th u s 3 S e e d S e a ls a n d 3 A x io m L in e s in h e re n t to e a c h H o v a B o d y S h ie ld ;
th e re fo re e a c h H o v a B o d y b e c o m e s d im e n s io n a lly c o m p a rtm e n ta liz e d
in to 3 s e p a ra te y e t in te rre la te d
s e c tio n s , e a c h s e c tio n h a v in g in h e re n t s e ts o f d io d ic p o in ts . E a c h d im e n s io n a liz e d a s p e c t o f th e H o v a
B o d ie s b e c o m e s a le v e l o f th e A u ric F ie ld w ith in th e b io -e n e rg e tic s y s te m . T h e re a re 1 2 in n e r la y e rs to th e
A u ric F ie ld w h ic h c o rre s p o n d to D im e n s io n s 1 -1 2 a n d to th e 1 2 p rim a ry K a th a ra C e n te rs , S e e d S e a ls a n d
A x io m L in e s o f th e firs t 4 H o v a B o d ie s . T h e re a re 3 o u te r la y e rs o f th e A u ric F ie ld th a t c o rre s p o n d to
D im e n s io n s a n d S e e d S e a ls 1 3 -1 5 , to th e firs t 3 K a th a ra C e n te rs a n d A x io m L in e s o f th e U n iv e rs a l K a th a ra
G rid , a n d to th e 5 th H o v a B o d y .
S e e d S e a ls , A x io m L in e s , C o n s o lid a te d D io d ic P o in ts , C h a k ra s a n d A u ric L e v e ls
T h e p o in ts in th e K a th a ra G rid w h e re th e s in g le a x is A x io m L in e s c ro s s o v e r a n d th ro u g h th e C e n tra l
V e rtic a l K a th a ra L in e in th e L e v e l-1 G rid a n d th e h o riz o n ta l fla s h -lin e s o f th e S e e d C ry s ta l S e a ls fo rm fix e d ,
c o n s o lid a te d D ia d ic P o in ts , o r la rg e r v o rtic e s o f e n e rg y c o m p o s e d o f m a n y s m a lle r d io d ic v o rtic e s . W ith in
th e b io lo g ic a l fo rm a n d m o rp h o g e n e tic fie ld , d io d ic p o in ts a re lo c a te d in p h y s ic a l b o d y re g io n s w h e re In te rd im e n s io n a l a n d in te r-h a rm o n ic h o riz o n ta l a n d v e rtic a l K a th a ra L in e s in te rs e c t to fo rm , s m a ll v o rtic e s o f
in te r-d im e n s io n a l o r in te r-h a rm o n ic w a v e s p e c tra th a t s e rv e a s
d im e n s io n a l tim e c o n tin u a o f h a rm o n ic tim e c y c le s .
Gateways
of
Consciousness
b e tw e e n
T h e s e g a te w a y s o f c o n s c io u s n e s s c o n n e c t p h y s ic a l
b o d ie s to th e ir a n ti-p a rtic le c o u n te rp a rts a n d in te rs e c t w ith th e v e rtic a l a n d h o riz o n ta l re la tio n s h ip s o f w a v e
s p e c tra w ith in th e D N A /R N A a n d b io -e n e rg e tic fie ld , th ro u g h s e ts o f w h ite a n d b la c k h o le s a t th e c e n te r o f
th e b io lo g ic a l h a rm o n ic s c a la r g rid s .
D io d ic p o in ts c o n tro l th e d ia g o n a l K a th a ra L in e s . D io d ic p o in ts fu rth e r re g u la te th e re la tio n s h ip s o f fla s h lin e s e q u e n c e s th ro u g h th e K a th a ra G rid b y s e rv in g a s
turnstiles
of
energy.
T h e d io d ic p o in ts in te rs e c t w ith
th e c ro s s o v e r p o in ts o f th e v e rtic a l a n d h o riz o n ta l fla s h -lin e s , a d d in g a fu rth e r le v e l o f m o d u la tio n to th e
fre q u e n c ie s p a s s in g th ro u g h , a llo w in g a 3 -d im e n s io n a l h a rm o n ic p ro je c tio n o f fla s h -lin e s p ro je c tin g o n 3
d iffe re n t a n g u la r p la n e s to b u ild w ith in th e m o rp h o g e n e tic fie ld . T h e d io d ic p o in ts , a d d th e th ird p la n e o f
p ro je c tio n to th e K a th a ra G rid , w h ic h w ill b e g in th e fo rm a tio n o f w h a t w ill a p p e a r a s a 3 -d im e n s io n a l
armature
o f fla s h -p o in ts
u p o n w h ic h p a rtic le s w ill a c c re te to fill o u t th e h o lo g ra p h ic
Illu s io n o f
3-
d im e n s io n a lity .
T h e la rg e r d io d ic v o rte x p o in ts a re c a lle d C h a k ra s . E a c h C h a k ra v o rte x is fo rm e d u p o n th e e le c tro -to n a l
p ro g ra m o f its c o rre s p o n d in g d im e n s io n a l F re q u e n c y B a n d , K a th a ra C e n te r, S e e d S e a l a n d A x io m L in e ,
a n d ' e a c h C h a k ra c o rre s p o n d s to o n e A u ric F ie ld le v e l, D N A s tra n d im p rin t, a n d le v e l o f c o n s c io u s n e s s .
J u s t a s 3 S ig n e ts , S e e d S e a ls a n d A x io m L in e s c o rre s p o n d to e a c h H o v a B o d y S h ie ld , 3 C h a k ra s re g u la te
a n d c o rre s p o n d to e a c h o f th e 5 H o v a B o d ie s fo r a to ta l o f 1 5 P rim a ry C h a k ra s .
5 S e e th e C o rre s p o n d e n c e s
©A
g ra p h ic o n p a g e 2 0 o f th is h a n d b o o k fo r a d e p ic tio n o f th e e m b o d ie d A x i-A -T o n a l L in e s
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
16
P rim a ry C h a k ra s 1 -1 2 c o rre s p o n d to K a th a ra C e n te rs 1 -1 2 in th e p e rs o n a l a n d p la n e ta ry K a th a ra G rid s ,
a n d p rim a ry C h a k ra s 1 3 -1 5 c o rre s p o n d to th e firs t 3 K a th a ra C e n te rs a n d a x io m lin e s o f th e U n iv e rs a l
K a th a ra G rid .
Chakras
1 3 -1 5
are considered Universal Trans-stellar Chakras.
C h a k ra s re g u la te th e tra n s d u c tio n o f fla s h -lin e s e q u e n c e s fro m th e d im e n s io n a liz e d u n ifie d fie ld a n d d io d ic
v o rtic e s o f th e A x io m L in e s a n d A u ric F ie ld le v e ls in to th e H o v a B o d y tis s u e c a p s u le s a n d riv u le t c h a n n e ls
th a t c o n n e c t to th e p h y s ic a l, e le c tro m a g n e tic , c h e m ic a l a n d h o rm o n a l a s p e c ts o f th e v is ib ly m a n ife s t fo rm .
C h a k ra s re g u la te th e flo w o f c o n s c io u s n e s s e n e rg y b e tw e e n th e d im e n s io n a liz e d A u ric F ie ld le v e ls o f th e
H o v a B o d ie s , k e e p in g th e v a rio u s m u lti-d im e n s io n a l s ta tio n s o f c o n s c io u s n e s s s e p a ra te in o rd e r to a llo w
fo r e x p e rie n tia l p e rc e p tio n o f h o lo g ra p h ic m a n ife s ta tio n . E a c h C h a k ra c irc u la te s its s in g le a x is fla s h -lin e
s e q u e n c e a lo n g th e a n g le o f p ro je c tio n c a rrie d w ith in its c o rre s p o n d in g A x io m L in e , a n d th is a n g le o f fla s h lin e p ro je c tio n d e te rm in e s th e
angular rotation of particle spin
(A R P S ), o r th e a x is u p o n w h ic h p a rtic le s
ro ta te w ith in e a c h d im e n s io n a liz e d p o rtio n o f th e a n a to m y . T h e re is a 9 0 -d e g re e s h ift in th e fla s h -lin e a n g le
o f p ro je c tio n fro m o n e C h a k ra a n d d im e n s io n a l b a n d to th e n e x t, w h ic h c re a te s a 9 0 -d e g re e s h ift o f A R P S
b e tw e e n e a c h d im e n s io n a liz e d p o rtio n o f th e a n a to m y . B e tw e e n e a c h 3 -d im e n s io n a l H o v a B o d y th e re is
a ls o a 4 5 -d e g re e re v e rs e s h ift in th e fla s h -lin e p ro je c tio n a n g le b e tw e e n e a c h H o v a B o d y a n d b e tw e e n
e a c h s e t o f 3 C h a k ra s . T h e p re c is e a n g le s o f fla s h -lin e p ro je c tio n a n d A R P S b e tw e e n C h a k ra s c re a te th e
p e rc e iv a b le 3 -d im e n s io n a l h o lo g ra m .
A C h a k ra a p p e a rs w ith in th e b io -e n e rg e tic fie ld a s 2 c o n e s o r s p ira ls o f m u lti-c o lo re d
e n e rg y th a t a re lin k e d to g e th e r a t th e tip in th e c e n tra l b o d y c u rre n t th ro u g h S e e d S ta r
C ry s ta l S e a ls o u t o f w h ic h th e c o n e s e m e rg e .
C h a k ra s 2 -6 e x te n d fro m th e S e e d
S e a ls o u tw a rd th ro u g h th e b o d y a n d A u ric F ie ld o n a h o riz o n ta l a x is , a n d C h a k ra s 8
a n d 9 in te rs e c t w ith 6 a n d 7 a t th e p in e a l g la n d o n 2 ro ta tin g d ia g o n a l a x e s ru n n in g
th ro u g h th e h e a d . C h a k ra s 1 a n d 7 a n d 1 0 -1 4 a re s ta c k e d a b o v e a n d b e lo w th e b o d y
o n a v e rtic a l a x is a lig n e d w ith th e c e n tra l b o d y c u rre n t a n d th e C e n tra l V e rtic a l
K a th a ra L in e .
C h a k ra s 1 a n d 7 , 1 0 a n d 1 2 , 1 1 a n d 1 3 , a n d 1 4 a n d 1 5 a re a c tu a lly th e b o tto m a n d
to p c o n e s o f 4 la rg e v e rtic a l C h a k ra s p ira ls , h o w e v e r th e y a re c o u n te d a s s e p a ra te
C h a k ra s . C h a k ra 1 5 is a ro v in g C h a k ra w h ic h tra v e ls th e c o u rs e o f th e 1 2 p rim a ry
A x io m L in e s fa r o u t in le v e l 1 5 o f th e A u ric F ie ld . E a c h C h a k ra d ra w s in e n e rg y fro m
a n d tra n s m its e n e rg y in to th e d im e n s io n a l u n ifie d fie ld c o rre s p o n d in g to th e C h a k ra
n u m b e r, a n d c a rrie s a s its d o m in a n t p e rc e iv a b le c o lo r th e h u e c h a ra c te ris tic to th e
p rim a ry fre q u e n c y b a n d w a v e -le n g th o f its d im e n s io n a l a ffilia tio n .
W h a t w e p e rc e iv e a s c o lo r is s p e c ific s p e c tra o f lig h t-ra d ia tio n w a v e s th a t h a v e a
s p e c ific m e a s u ra b le w a v e le n g th a n d v ib ra tio n a l e n e rg y s ig n a tu re . A C h a k ra w ill a ls o
c a rry , in le s s e r s a tu ra tio n , th e c o lo rs a n d fre q u e n c y b a n d s a s s o c ia te d w itli a ll o f th e
d im e n s io n s b e lo w its o w n d im e n s io n a l a ffilia tio n . W h e n th e S e e d S e a l a t th e c o re o f
a C h a k ra is re le a s e d , th e 2 c o n e s o f th e C h a k ra m o v e th ro u g h e a c h o th e r to fo rm a
d im e n s io n a l M e rk a b a F ie ld o f tw o
counter-rotating spirals of electromagnetic energy
th a t ta k e th e fo rm o f a s ta r te tra h e d ro n .
P ro g re s s iv e re le a s e o f th e S e e d S e a ls w ith in
th e C h a k ra s c re a te s o p e n in g a n d m e rg in g o f th e K a th a ra L in e s in th e L e v e l-1 1 2 -T re e
G rid a n d m e rg in g o f th e H o v a B o d ie s , s h ie ld s , d io d ic p o in ts , a u ric a n d id e n tity le v e ls
and
D N A s tra n d s ,
th ro u g h
w h ic h
a c tiv a tio n
o f th e
M e rk a b a
V e h ic le
and
de-
d e n s ific a tio n o f m a tte r o c c u rs .
Axi·A·tonal Lines, Meridians, Chakras and Hara Line
Axi·A·Tonal Lines
a re p o in ts w h e re th e ro ta tin g , s in g le -a x is fla s h -lin e s e q u e n c e s fro m th e S e e d C ry s ta l
S e a ls c ro s s o v e r a n d th ro u g h e a c h o th e r to fo rm 1 2 p rim a ry v e rtic a l flo w -lin e s w ith in th e b o d y . T h e A x i-A © A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
17
Tonal Lines create the web-work of energy upon which the Kathara Grid Level-3 Diodic Points and DNA
m anifest.
The Axi-A-Tonal Lines within the body set the prim ary holographic scalar field upon which the M eridian
Lines or secondary flow lines of the body m anifest. Axi-A- Tonal Lines 11 and 12, which correspond to the
11thand 12thdim ensions, Kathara Centers, Seed Seals and Chakras, run vertically through the center of the
body along the Kathara Grid Level-1 Central Vertical Kathara Line, form ing a twisted rope of dark silver (011) and white (0-12) energy that wraps around the Central Vertical Kathara Line flash-line sequence. The
Central Vertical Kathara Line, which appears as a thin silver-gold flash-line of energy running from the 14th
Chakra (36 inches above the head) to Urtha's Core, is im bued with frequencies from the 12 th , 11th, and 8 th
dim ensions-the frequencies of white, dark silver and gold.
.
"
The 7 prim ary em bodied Chakras em erge where the 11th
and 12th Axi-A-Tonal Lines cross through each other as
they spiral around the Central Vertical Current. Secondary
Chakras form in areas where other Axi-A-Tonal Lines cross
through each other. In the Level-2 Kathara Grid, the
rotating single axis flash-lines ofAxi-A-Tonal Lines 11 and
12 spiral around the thin silver-gold flash-line of the Central
Vertical Kathara Line, m erging into a thin, vertical tri-tonal
flash-line of prim arily gold hue that becom es the core of the
central body current. In ancient Eastern healing system s
this thin gold vertical line is called the Hara Line, and is
often considered the foundation of the m anifest form . In
truth, the Level-1 Kathara 12-Tree Grid and the signets,
Star Crystal Seals and shields of Kathara Level-2 are the
deeper foundations upon which the Hara Line m anifests.
There are 6 Hara points to govern and regulate the function
of com plexes of energy synthesization and distribution that
control the operations of all prim ary body system s and bioenergetic field dynam ics.
The 6 Hara points (Crystal Seals) apparent from the Hara level of the Kathara Level-2 Crystal Seals Grid
are as follows:
1. The 9 th Silver Core Star Crystal Seal, called the Hara Center.
2. The 6 th Indigo (or Blue-Violet) Star Crystal Seal, called the Soul Star.
3. The 12thW hite Star Crystal Seal, called the Galactic Star.
4. The 3 rd Yeliow Star Crystal Seal, called the Sun Star.
5. The 8 th Gold Star Crystal Seal, called the Earth Star.
6. The 10 thBlue-Black Star Crystal Seal, called the Earth Core Seal.
© A & A Deane, 2010, All Rights Reserved; Part of the M eEO Freedom Teachings®
Series.
18
C o r r e s p o n d e n c e s fedcbaZYXWVUTSRQPONMLKJIHGFEDCBA
All of the num bers and colors correspond to each other. Everything has a Kathara G rid, and that im plies
Shields and M erkaba, and even our atom s. The Kathara G rid, 15-Dim ensional Structure, Scalar Shields,
Crystal Seals, five 3-dim ensional Harm onic Universes and Hova Bodies, Diodic Point vortices and the
subtle and dense m atter energetic system s that m anifest upon them represent the P R I M A L O R D E R of
m athem atical and geom etrical interrelationship that P R I M A L S U B S T A N C E utilizes to orchestrate the
m anifest hologram through creation of m anifestation tem plates.
The interwoven, ordered structures of scalar-wave fields that form the personal m anifestation tem plate of
15-Dim ensional Hum an Anatom y are collectively referred to as the Personal I N T E R N A L T E M P L A R
C O M P L E X . The Internal Tem plar Com plex, a structural replica of the m acrocosm ic Universal Tem plar
Com plex, anchors personal consciousness into the Tim e M atrix for the experience of the space, tim e and
m atter hologram . Color represents specific wavelengths of frequency that are within the m ultidim ensional
spectrum . Specific colors can be used to direct specific frequencies within the DNA and body tem plate.
Sym bols and geom etrical form s represent specific m athem atical scalar-wave instructions that also can be
used to direct frequency.
F i n a l T h o u g h t : Thoughts are Things; Consciousness IS Energy; Energy IS Conscious. Thought directed
with clear intention and knowledge of the structure of subtle-body anatom y is a very potent form of scalar
power.
R e c o m m e n d a tio n s
f o r f u r t h e r s t u d y : FEDCBA
T a n g ib le S tru ctu re o f th e S o u l, [Product Code: TS-BR1/6CDHB]; T h e E m e ra ld C o ve n a n t M a ste rs T e m p la r
S te w a rd sh ip In itia tive M a n u a l, [Product Code: SAS/M +FG ]; K a th a ra B io -S p iritu a l H e a lin g S yste m ® L e ve l-1
(with Intro to Level-2) study course and/or workshop, [Product Code: KA 1-M /2DVD-3CD]; T h e S cie n ce a n d
S p iritu a lity o f C re a tio n , Seattle 2003 workshop package, [Product Code: SSC/6DVD+HB]; and Kathara
Team m odules on specific topics of the Freedom Teachings.
O ther resources are the Azurite Press website: www.azuritepress.com ;
Dictionary at www.keylonticdictionary.org.
and the Keylontic Science
Note: Som e of the subject's contents within each segm ent of this handbook m ay be repeated in direct
relationship with the given context and serves to better relate and explain the subject m atter.
"W hen we enter the 15-Dim ensional M atrices we com e from a central Source w,h~re we are in a state of
consciousness that in spiritual term s would be considered At-O NE-m ent with our creator. W e are projected
outward as electrotonal energy, as a light-sound energy identity. Energy is aware. W e start as pure energy
and are projected into one of the 15-Dim ensional M atrices. Then we go through a process of expanding
into the dim ensions and we have to pull ourselves back out of the 15-Dim ensional M atrix again and spiral
back up into the central Source of Y u n a s a i . That is the process of spiritual evolution."
(A m e n ti S e rie s-1
C la sse s)
.
"W e eventually evolve as consciousness to know ourselves as the entire 15-Dim ensional M atrix, the
Unified Field. At that stage we're ready to start to go hom e to G od-Source, because we start to realize that
Identity is O NE and M ANY at the sam e tim e." (A m e n ti S e rie s-1 C la sse s)
© A & A Deane, 2010, All Rights Reserved; Part of the M eEO Freedom Teachings®
Series.
19
Correspondences
A
© A & A Deane, 2010, All Rights Reserved; Part of the MeEO Freedom Teachings® Series.
20
Elem ents of D iscovery Part 2: Exploring the G od W orlds
In the B eginning YXWVUTSRQPONMLKJIHGFEDCBA
T h e G o d W o rld s is a s to ry o f c re a tio n .
T h is s to ry b e g in s w ith S o u rc e a n d it e n d s w ith S o u rc e .
th e fo u n d a tio n u p o n w h ic h th e w h o le s tru c tu re is b u ilt.
S o u rc e is
M y R elationship w ith Source C om es First is a
v e ry im p o rta n t p o in t th a t S p e a k e r 3 e m p h a s iz e s a g a in a n d a g a in .
P a rt o f m y re la tio n s h ip w ith S o u rc e is
h o w I p e rc e iv e S o u rc e , h o w I c o n c e iv e S o u rc e , w h a t is m y c o n c e p tio n o f S o u rc e .
S o u rc e is th e c o re
c o n c e p t u p o n w h ic h a ll o f c re a tio n is b u ilt, a n d , in p a rtic u la r, u p o n w h ic h th e G o d W o rld s a re b u ilt.
H o w d o w e p e rc e iv e S o u rc e ? T h is is s o m e th in g w e c a n a s k o u rs e lv e s a lm o s t d a ily , a n d e v e ry d a y w e w ill
c o m e to a n e w u n d e rs ta n d in g o f o u r re la tio n s h ip w ith S o u rc e , o r a n e w d e p th in o u r re la tio n s h ip to S o u rc e .
In v e ry g e n e ra l te rm s , w e c a n c o n c e iv e o f S o u rc e a s a v a s t p o o l o f c o n s c io u s n e s s th a t u n d e rlie s a ll o f
c re a tio n .
S o u rc e is th is v a s t p o o l o f c o n s c io u s n e s s , a v a s t p o o l o f a liv e n e s s .
It is th e a liv e n e s s th a t
u n d e rlie s a ll o f c re a tio n . T h is a liv e n e s s is n o t s o m e th in g th a t is re m o te fro m u s ; it is s o m e th in g th a t is v e ry
d ire c t, v e ry im m e d ia te in o u r liv e s . W e c a n a s k o u rs e lv e s " w h a t is it th a t is a liv e in o u rs e lv e s ; w h a t is it th a t
is a liv e w ith in m e ; w h a t is it th a t is a liv e in e v e ry th in g a ro u n d m e ? "
o u rs e lv e s " w h a t is th is th a t is lo o k in g o u t th ro u g h m y e y e s ? "
W e c a n lo o k in th e m irro r a n d a s k
U ltim a te ly , w h a t is lo o k in g o u t th ro u g h a ll o f
o u r e y e s is S o u rc e .
T h e re a re v a rio u s v e ils th a t S o u rc e w e a rs . W h a t is lo o k in g o u t th ro u g h m y b o d y in itia lly is m y S o u l. W h a t's
lo o k in g o u t th ro u g h th a t is a n O v e rs o u l, a n d s o
on."
A s w e p ro g re s s b a c k w a rd s th ro u g h th e v e ils , w e
u ltim a te ly c o m e to a p u re a n d v e ry fre e a liv e n e s s th a t u n d e rlie s a ll o f c re a tio n ... a n d th a t is S o u rc e .
U ltim a te ly , w h a t is a liv e in m e a n d in th e flo w e rs , th e tre e s , a n d th e a n im a ls is S o u rc e . T h e e x p re s s io n s o f
S o u rc e c a n h a v e v a rio u s v e ils o f d is to rtio n , b u t u ltim a te ly b e h in d a ll th o s e d is to rtio n s is S o u rc e .
S o u rc e is
n o t s o m e th in g v e ry re m o te fro m u s . It is v e ry d ire c t, v e ry im m e d ia te , a n d v e ry p re s e n t in o u r liv e s .
W e c a n c o n c e iv e o f S o u rc e in re lig io u s te rm s , in te rm s o f G o d , a n d in te rm s o f a C re a to r. T h e s e h a v e th e ir
u s e s . A ll o f th e s e c o n c e p tio n s o f S o u rc e c a rry , in te rm s o f G o d , in te rm s o f re lig io u s e x p re s s io n s , a c e rta in
am ount of baggage.
T h e c o n c e p t o f S o u rc e is a m u c h m o re e x p a n s iv e
c o n c e p t.
T h e G o d W o rld s
e ffe c tiv e ly d e s c rib e th e s tru c tu re th a t m a n ife s ts c re a tio n , a n d b rin g s it in to b e in g fo r u s . It is b a s ic a lly th e
g e o g ra p h y o f th e C o s m o s .
s p e c ific a lly , w h e re is
here
W e a ll h a v e th is d e s ire to g o
in re la tio n to h o m e ?
home.
W e c a n a s k , " w h e re is h o m e ? " O r m o re
A n d h o w d o w e g e t th e re ?
T h e G o d W o rld s d e s c rib e th e
jo u rn e y w e w o u ld ta k e in o rd e r to in te g ra te o u r w a y b a c k h o m e .
T h e re is a s e q u e n c e o f c o n c e p ts th ro u g h w h ic h w e c a n illu s tra te th e d e v e lo p m e n t o f th e G o d W o rld s . W e
w ill s ta rt a t th e v e ry b e g in n in g , g o in g fro m S o u rc e th ro u g h a s e q u e n c e o f id e a s . s o m e o f th e s e id e a s y o u
w o u ld h a v e c o m e a c ro s s m a n y tim e s a lre a d y in th e c o n te x t o f K a th a ra H e a lin g a n d w ith in th e firs t s e c tio n
o f th is h a n d b o o k .
It is u s e fu l to re v is it th e m b e c a u s e th e y fo rm a s e q u e n c e , a n d w h e n y o u fo llo w th e
s e q u e n c e it c re a te s c o h e re n c e in o u r u n d e rs ta n d in g o f th e G o d W o rld s .
symbol codes.
T h e p ic tu re s o f th e g ra p h s a re
T h e y te ll u s th in g s o n th e 3 -~ le v e l th a t h e lp u s u n d e rs ta n d re la tio n s h ip s b e tw e e n d iffe re n t
o b je c ts o r d iffe re n t p la c e s , a n d th e y a re a ls o e n c o d e d o r e n c ry p te d .
T h is m e a n s th e y c a rry
data packages,
o r h u g e a m o u n ts o f m a th e m a tic a l d a ta in fre q u e n c y fo rm w ith in th e m . T h is m a th e m a tic a l d a ta in fre q u e n c y
fo rm a llo w s y o u to a c tu a lly p ic k u p a lo t o f u n d e rs ta n d in g th ro u g h d ire c t c o g n itio n . E v e n if y o u c a n n o t y e t
lo o k a t a d ia g ra m a n d e x p la in w h a t it m e a n s o n a 3 -~ le v e l, y o u a re s till p ic k in g u p th e fre q u e n c y o f th e
w h o le d ire c t c o g n itio n w h ic h w ill h e lp y o u to u n d e rs ta n d it.
6 In c a rn a te , S o u l, O v e rs o u l, C h ris to s A v a ta r
©A
& A D e a n e . 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
21
-'
Partiki and Partiki Phasing
Order, Intelligence, and ConsciousnessZYXWVUTSRQPONMLKJIHGFEDCBA
In e x p la in in g th e C o s m o s , w e a lw a y s s ta r t w ith th e H o lo g r a p h ic T e m p la te . T h e H o lo g r a p h ic T e m p la te is
lite r a lly th e s e c r e t b lu e p r in t th a t y o u d o n o t s e e , b e h in d w h ic h a n d u n d e r w h ic h m a tte r is a c c r e te d , o r m a tte r
is m a n u fa c tu r e d . T h e H o lo g r a p h ic T e m p la te r e fe r s to
"hologram."
T h e H o lo g r a p h ic T e m p la te s ta r ts w ith
w h a t w e c a ll u n its o f th e C o n s c io u s n e s s o f G o d - S o u r c e . T h is is P r im a l S u b s ta n c e - th e
s u b s ta n c e o u t o f
w h ic h s o m e th in g is m a d e . " W h a t is th is s tu ff? " W e ll, it is o b v io u s ly e n e r g y , b u t " w h a t is e n e r g y ? "
The
F re e d o m
T e a c h in g s
d e m o n s tr a te
th a t
C o n s c io u s n e s s
IS
E n e rg y
and
E n e rg y
C o n s c io u s ."
IS
C o n s c io u s n e s s is a s u b s ta n c e . It is a s u b s ta n c e th a t ta k e s o n th e fo r m o f w a v e fo r m s . T h e y c a n b e s ta n d in g
w a v e s o r m o v in g w a v e s , h o w e v e r th e te m p la te s u p o n w h ic h d e n s ity ( o r m a tte r m a n ife s ta tio n ) o c c u r s a r e
s ta n d in g w a v e fo r m s .
A s ta n d in g w a v e is c a lle d a
Scalar Standing Wave.
It h o ld s a fix e d p o in t in a g r id
w ith m a n y o th e r s , a n d th e r e a r e v e r y s p e c ific m a th e m a tic a l r e la tio n s h ip s a n d g e o m e tr ic a l r e la tio n s h ip s
b e tw e e n th e p o s itio n in g o f th e s e s ta n d in g c o lu m n s o f w a v e fo r m s . S ta n d in g w a v e s o s c illa te a n d v ib r a te .
O s c illa tio n is w h e n th e P a r tic u m a n d P a r tik A a c tu a lly fla s h o n in to m a n ife s ta tio n s o y o u w o u ld s e e th e m .
V ib r a tio n is w h e n th e y fla s h o ff a n d g o b a c k in to th e C r e a tio n P o in t.
Im a g in e a s p h e r e c o v e r e d w ith lig h t b u lb s . T h e y a r e n o t m o v in g , th o u g h th e y fla s h o n a n d o ff a t d iffe r e n t
r h y th m s . W h e n th e y fla s h o n a n d o ff a t d iffe r e n t r h y th m s , it c a n a p p e a r a s if th e y a r e m o v in g . If y o u w a tc h
th e lig h ts a r o u n d a m a r q u e e , y o u c a n s e e h o w th e y c a n m a k e it lo o k lik e th e lig h ts a r e a c tu a lly r u n n in g
a r o u n d , b u t th e y a r e n o t. T h e lig h ts a r e ju s t fla s h in g o ff a n d o n . T h e te m p la te s u p o n w h ic h m a tte r is b u ilt
a r e v e r y m u c h lik e th is . T h e y a r e n o t lig h t b u lb s ; th e y a r e lite r a lly c o n s c io u s n e s s in th e fo r m o f e n e r g y th a t
in te r a c ts in v e r y s p e c ific w a y s a t v e r y s p e c ific a n g le s w ith o th e r u n its o f lik e k in d a n d s o m e o f o p p o s ite k in d .
T h e r e is a w h o le s tr u c tu r e to th e w a y r e a lity is b u ilt. It is
n o t h a p h a z a r d . A b ig b a n g d id n o t ju s t h a p p e n a n d a ll o f
a s u d d e n th in g s s ta r te d to o r g a n iz e th e m s e lv e s . T h e r e
are
b ig b a n g s , a n d th e b ig b a n g s a r e th e r e s u lt o f c e r ta in
m e c h a n ic s th a t h a v e to d o w ith th e te m p la te s b e n e a th
th e m .
T h e r e is o r d e r a n d in te llig e n c e to th e w a y th e u n iv e r s e is
s tr u c tu r e d . T h a t o r d e r h a s fo r a g e s b e e n r e fe r r e d to a s
th e
K r is t- n o t
C h r is t,
C - h - r - i- s - t,
but
K r is t,
K - r - i- s - t-
b e c a u s e th e r e a r e tw o m a in m a th e m a tic a l p r o g r a m s th a t
a r e c o r e te m p la te
and
o b je c tifie d
c a lle d th e
m a n ife s ta tio n
Krist
a n d th e
began
Krystallah.
upon.
in c r e a tio n
They
a re
T h e y g o to g e th e r ,
a n d b e tw e e n th e tw o o f th e m th e y r e p r e s e n t 2 4 p o in ts o f
K r is t a n d K r y s t a lia h
v ib r a tio n
u p o n th is
p r o g r a m s th a t e v e r y th in g
s tr u c tu r e . T h e s e
s ta n d in g
s c a la r - w a v e s
fo r m
and
o s c illa tio n .
in tim a te
S ta n d in g
in te r w o v e n
s c a la r - w a v e s
p a tte r n s th a t c r e a te
fo r m
th e
s tr u c tu r e o f d im e n s io n a l fib e r o f e le c tr o m a g n e tic e n e r g y b y w h ic h th in g s c a n c o m e in to m a n ife s ta tio n a s
in d iv id u a te d fo r m s o f c o n s c io u s n e s s .
T h e e n e r g y th a t m a k e s u p b o th th e s ta n d in g s c a la r - w a v e s th a t m a k e u p th e te m p la te s u p o n w h ic h m a tte r
m a n ife s ts , a n d m a tte r w ith in w h ic h c o n s c io u s n e s s c a n e m b o d y , is a ll c o n s c io u s .
T h a t m e a n s th e y a r e
b e in g s , n o t ju s t th in g s . T h e r e is a w a r e n e s s , th o u g h it is a w a r e n e s s th a t is d iffe r e n t th a n w h a t w e w o u ld
p o s s e s s in a h u m a n fo r m h e r e . Y o u w o u ld h a v e a d iffe r e n t r e la tio n s h ip to th in g s lik e
7
Kathara Bio-Spiritual Healing System® Level-1 Manual,
©A
thought
or
emotion.
It
S e c tio n 1 .
& A D e a n e . 2 0 1 0 . A ll R ig h ts R e s e r v e d ;
P a r t o f th e M e E O
F re e d o m
T e a c h in g s ®
S e r ie s .
22
w o u ld b e m u c h m o r e in a c a te g o r y o f d ir e c t c o g n itio n a n d in fin ite k n o w in g a t a ll tim e s . T h e s ta n d in g s c a la r w a v e s o f c o n s c io u s n e s s th a t th e u n iv e r s e is m a d e o u t o f a ls o in c lu d e s y o u r b o d y a n d y o u r c o n s c io u s n e s s .
Y o u a r e a p a r t o f th is c o n s c io u s n e s s . T h is is w h a t w e m e a n b y u n its o f th e C o n s c io u s n e s s o f G o d .
Y o u c a n n o t b e s e p a r a te fr o m
G o d -S o u rc e .
G o d -S o u rc e
w a s , is a n d a lw a y s w ill b e th e O n e O r ig in a l
everything m a n ife s ts . G o d - S o u r c e d e s ir e d to m a n ife s t
First Creation continually occurs. It never ends. It w a s
C o n s c io u s n e s s w ith in w h ic h
s tr u c tu r e o f p e r p e tu a l m o tio n .
th e K r is t a n d K r y s ta lla h , w h ic h a llo w fo r th e p e r p e tu a l m o tio n - c o n tin u a lly
a n d s e t in m o tio n a
s e t in m o tio n th r o u g h
r e g e n e r a tin g
th e c y c lin g o f
c o n s c io u s n e s s in to a n d o u t o f m a n ife s ta tio n in p e r fe c t b a la n c e a n d in p e r fe c t s y n c h r o n iz a tio n , w h ic h a llo w s
c r e a tio n to h a v e b e g in n in g s a n d e n d in g s
within
c y c le s . In a c tu a lity , it a ll o c c u r s a t o n c e w ith in th e b o d y o f
th e C o n s c io u s n e s s o f G o d - S o u r c e .
Recognizing the Consciousness
W e w e r e n o t fo r c e d to u p h o ld th e o r ig in a l c r e a tio n a n d in te n tio n o f G o d - S o u r c e ; w h ic h w a s a jo y fu l, lo v in g
e x p e r ie n c e o f e te r n a l life a n d in fin ite c r e a tiv ity .
If th a t w a s fo r c e d u p o n u s w e w o u ld n o t b e a b le to m a k e
c h o ic e s . W e w o u ld s im p ly b e p u p p e ts to a c r e a to r g o d s o m e p la c e , a n d th a t is n o t th e in te n tio n o f th e
c o n s c io u s n e s s th a t c r e a te d u n iv e r s a l s tr u c tu r e . It lo v e d u s s o m u c h , e v e n th o u g h It w o u ld p r e fe r th a t w e
n o t d o th in g s lik e c r e a te b la c k h o le s a n d h a r m e a c h o th e r a n d h a r m o th e r th in g s . T h a t fr e e d o m
is s till
a llo w e d , th o u g h n o t p r e fe r r e d .
T h e e n e r g y s tr u c tu r e s o f th e G o d W o r ld s a r e fa s c in a tin g o n a s c ie n tific le v e l. It is in te r e s tin g to s e e th e
s tr u c tu r e a n d h o w th e s tr u c tu r e s in te r r e la te w ith e a c h o th e r . H o w e v e r , it is im p o r ta n t to r e m e m b e r th a t w e
a r e ta lk in g a b o u t c o n s c io u s n e s s w h e n w e lo o k a t th e s e . C o n s c io u s n e s s im p lie s a b e in g o r s tr u c tu r e s o f
b e in g .
It is a w h o le d iffe r e n t w a y o f c o - c r e a tin g th a n lo o k in g a t s o m e th in g s a y in g , " O h , I c a n p la y w ith th a t
th in g . I c a n m a k e th a t d o w h a t I w a n t it to . I c a n le a r n h o w to m a k e th o s e c u r r e n ts d o s o m e th in g ."
You
m ig h t tr y a s k in g th e m fir s t if th e y w a n t to w o r k w ith y o u . If y o u w a n t to r e c la im y o u r c o n s c io u s n e s s a n d b e
w h o le a n d r e s p e c te d a s th e b e in g y o u a r e , th e n y o u h a v e a r e s p o n s ib ility to g iv e r e s p e c t to o th e r fo r m s o f
c o n s c io u s n e s s a s w e ll.
Rules and Balances
W e h a v e ta u g h t o u r s e lv e s
perfection
a s a s p e c ie s
m a n y le s s o n s a b o u t lo v e b y a llo w in g
th a t s ta te o f
.relative
to g o a w a y . W e h a v e ta u g h t o u r s e lv e s w h y lo v e is w o r th s ta n d in g fo r a n d w o r th w o r k in g fo r . T h e
w a y to d o th a t is to r e c o g n iz e th a t th is
Krist template exists
a n d it h a s a
set of rules and balances.
They
a r e n o t r u le s th a t s a y y o u h a v e to d o th is a n d y o u c a n n o t d o th a t. T h e y a r e r u le s th a t e v e r y u n it o f
c o n s c io u s n e s s o f G o d th a t c o m e s in to th e m a n ife s ta tio n fr a m e w o r k u n d e r s ta n d s e x a c tly : w h a t th e K r is t is ,
w h a t th e te m p la te is , a n d h o w it w o r k s . It w o r k s in a fo r m o f a c tio n a n d r e a c tio n . T h e r e w ill b e c o n s e q u e n c e
to a c tio n w h ic h in c lu d e s e v e r y th o u g h t, fo r e v e n th o u g h t is a c tio n .
S o e v e r y th in g , e v e r y b e in g th a t e v e r c a m e in to th is T im e M a tr ix - it
w h in e
now
d o e s n o t m a tte r h o w m u c h it m ig h t
a b o u t " n o b o d y 's b e in g fa ir to m e !" E v e r y o n e k n e w w h e n th e y fir s t c a m e in to m a n ife s ta tio n w h a t
th e r u le s o f th e g a m e w e r e . A n d th e r u le s w e r e th a t th e r e is a c e r ta in w a y th e e n e r g y s y s te m s h e r e w o r k .
T h e r e is a c e r ta in le e w a y if th e y a r e u s e d in w a y s fo r w h ic h th e y w e r e n o t o r ig in a lly c r e a te d .
B u t if y o u
p u s h to o h a r d , th e lite r a l la w s o f in te r - d im e n s io n a l p h y s ic s w ill p u s h b a c k , a n d y o u w ill n o t b e h a p p y w ith
th e c o n s e q u e n c e s . E v e r y o n e k n e w th a t w h e n th e y c a m e in . H o w e v e r , m a n y p e o p le h a v e fo r g o tte n it.
T h e u n iv e r s e a n d th e c o s m o s a r e s e lf- r e g u la tin g . T h e y d o n o t r e q u ir e G o d to p la y w a r d e n . G o d ju s t IS .
A n d G o d e x te n d s lo v e a n d c o n tin u a lly s e n d s p u ls e s o f c o n s c io u s n e s s
in fo r m a n ife s ta tio n a n d r e c e iv e s
o th e r p u ls e s b a c k h o m e fo r r e c ir c u la tio n , to g o b a c k h o m e w ith S o u r c e - if
u n c o n s c io u s ly .
y o u c h o o s e c o n s c io u s ly o r
T h a t is a n o p tio n . B u t, G o d - S o u r c e d o e s n o t p la y w a r d e n .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e r v e d ;
P a r ! o f th e M e E O
F re e d o m
T e a c h in g s ®
S e r ie s ;
23
Partiki, PartikA and ParticumWVUTSRQPONMLKJIHGFEDCBA
If w e a r e g o in g to u n d e r s ta n d o u r m u lti- d im e n s io n a l a n a to m y , w e n e e d to u n d e r s ta n d s o m e th in g c a lle d th e
templates
of
matter.
T h e y a r e lik e th e a r m a tu r e o r th e b lu e p r in t th a t m a tte r b u ild s u p o n .
C o n s c io u s n e s s
d o e s n o t e n te r tim e o r m a n ife s ta tio n in a r a n d o m . h a p h a z a r d w a y . It is n o t a n a c c id e n t.
It is a h ig h ly
o r d e r e d , m a th e m a tic a l, g e o m e tr ic a l s y s te m o f a r r a n g in g u n its o f e n e r g y , u n its o f c o n s c io u s n e s s in to c e r ta in
p a tte r n s w h e r e m a n ife s ta tio n c a n ta k e p la c e . T h e r e
is a Primal Order
to th e s tr u c tu r e o f th e u n iv e r s e a n d
th e r e is a P r im a l O r d e r to th e s tr u c tu r e o f h u m a n b io lo g y a n d c o n s c io u s n e s s .
T h e r e is a ls o a
Primal
Substance.
W e h a v e a v a s t fie ld o f S o u r c e ; a v a s t fie ld o f p u r e c o n s c io u s n e s s th a t u n d e r lie s a ll o f c r e a tio n .
It is to ta lly
a liv e , to ta lly fr e e w ith in its e lf, to ta lly w h o le , to ta lly in te g r a te d . S o u r c e b r in g s Its a tte n tio n to a p o in t o f fo c u s
a n d in d o in g s o c r e a te s s tr u c tu r e a r o u n d it. T h a t s tr u c tu r e m a n ife s ts a s th e F ir s t P a r tik i ( P K I) e m e r g in g
w ith in
S o u rc e .
These
P a r tik i
a re
th e
s m a lle s t
u n its
of
e n e rg y
s u b s ta n c e ,
e le c tr o - to n a l
u n its
of
c o n s c io u s n e s s , th e C o n s c io u s n e s s o f G o d , th e C o n s c io u s n e s s o f S o u r c e . T h e y a r e th e b u ild in g b lo c k s o f
m o r p h o g e n e tic fie ld s , m a tte r a n d in d iv id u a te d c o n s c io u s id e n tity . T h e y o p e r a te a s m in u te p e r p e tu a l m o tio n
fis s io n - fu s io n g e n e r a to r s .
T h e r e is a p r im a l s u b s ta n c e to th e o r d e r o f th e u n iv e r s e , a n d w e r e fe r to th is s u b s ta n c e a s P a r tik i u n its .
omni-polar
P a r tik i u n its c a n b e u n d e r s to o d a s
u n its o f e n e r g y .
Omni
m e a n in g th e y h a v e th e p o la r ity o f b o th
n e g a tiv e a n d p o s itiv e , b u t th e y a ls o h a v e n o p o la r ity a t th e s a m e tim e .
u n d e r s to o d a s s im p ly a
vibration,
A n o m n i- p o la r u n it c a n b e
a u n it o f e n e r g y th a t ju s t h o ld s a v ib r a tio n a n d is n o t y e t m a n ife s t; it e x is ts
in a n a n te - m a tte r s ta te o f n o n - m a n ife s ta tio n ; b u t it is
still holding
a
pattern
o n w h ic h fo r m w ill b u ild .
P a r tik i, P a r tik A , a n d P a r tic u m a r e th r e e p r im a r y u n its th a t e v e r y o th e r p a r tic le o r w a v e fo r m is b u ilt u p o n .
T h o u g h w e th in k o f th e m a s s im p ly w o r d s , th e y a r e a c tu a lly fr e q u e n c y r e s o n a n c e p a tte r n s th a t a r e c lo s e to
th e r e s o n a n c e p a tte r n o f th e s e p a r tic u la r u n its . A n a m e is a s o u n d , a s o n ic s ig n a tu r e th a t h a s to d o w ith th e
v ib r a tio n o r o s c illa tio n o f th e th in g y o u a r e c a llin g a n a m e . T h e y a r e m a s s iv e id e n titie s ( c o n s c io u s n e s s
fie ld s ) p e r p e tu a lly fu e le d a n d c r e a te d b y a p u ls e o f c o n s c io u s n e s s th a t c ir c u la te s c o n s c io u s n e s s fr o m th e
w h o le n e s s o f G o d to th a t fo c u s o f 3 - p o in t a tte n tio n . W e a r e c o n s ta n tly e x p a n d in g in a n d o u t o f G o d , s o it is
ta k in g p la c e a t e v e r y m o m e n t... n o b e g in n in g , n o e n d . T h e r e a r e c y c le s o f lin e a r p e r c e p tio n in th e m a n ife s t
p e r c e p tu a l fie ld s , b u t in tr u th , it is a c o n s ta n t in te r a c tio n o f th e 3 p o in ts o f G o d a tte n tio n .
T h e n a m e s a r e a s c lo s e a s y o u c a n g e t tr a n s la te d in to o u r la n g u a g e s h e r e o f th e a c tu a l to n a l fr e q u e n c y o f
th e p a r tic u la r th in g th a t is b e in g n a m e d . S o w e h a v e th r e e p r im a r y u n its o f c o n s c io u s n e s s a n d u n its o f
e n e r g y c a lle d P a r tik i, P a r tik A , a n d P a r tic u m .
Partiki Phasing
In o r d e r to c r e a te
m a n ife s ta tio n ,
P a r tik i u n its d o s o m e th in g
c a lle d
P K I P h a s in g , w h ic h
m e a n s th e y
c o n tin u a lly a n d p e r p e tu a lly b r e a k a p a r t a n d c o m e b a c k to g e th e r , b r e a k a p a r t a n d c o m e b a c k to g e th e r .
P a r tik i u n its a r e n o t fr e e - flo a tin g u n its o f e n e r g y ; th e y a r e
fixed points
o f fr e q u e n c y th a t a r e a r r a n g e d in v e r y
s p e c ific r e la tio n s h ip s to e a c h o th e r to fo r m m a n ife s ta tio n te m p la te s ; th e y fo r m a s c a la r g r id o f fix e d p o in ts .
If y o u w a n t to u n d e r s ta n d a s c a la r g r id , th in k o f a m a r q u e e ( a ls o e x p la in e d o n p a g e 2 2 ) th a t y o u s o m e tim e s
s e e a r o u n d th e a tr e s ig n s ; y o u w o u ld h a v e a s e r ie s o f lig h t b u lb s a n d th e y w o u ld a ll fla s h o ff a n d o n a t a
c e r ta in r h y th m , a n d it w o u ld
look
th e y w e r e n o t r e a lly m o v in g . T h e
lik e a m o v in g s tr in g o f lig h t g o in g a r o u n d , b u t th e lig h t w a s ju s t a n illu s io n ,
movement,
th e " illu s io n o f m o v e m e n t" w a s c r e a te d b y th e fla s h in g o n a n d
o ff s e q u e n c e o f th e s ta tio n a r y p o in ts o f lig h t.
s ta tio n a r y
Y o u c a n u n d e r s ta n d
P K I u n its a s r e p r e s e n tin g th o s e
lig h t b u lb s . T h e y a r e fix e d p o in ts o f u n its o f e n e r g y th a t c y c le - th e y
o s c illa tio n , v ib r a tio n to o s c illa tio n .
©A
g o fr o m
T h e r e is a d iffe r e n c e b e tw e e n v ib r a tio n a n d o s c illa tio n .
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
v ib r a tio n to
It g o e s fr o m th e
24
o m n i- p o la r s ta te w h e r e it is
ante-matter sound
in to a b i- p o la r s ta te , e le c tr o m a g n e tic , w h e r e it is lig h t. T h is
is w h a t P K I u n its d o ; th e y s ta y in o n e p la c e a n d c y c le o n a n d o ff, fla s h o n a n d o ff.
T h e te m p la te o f th e u n iv e r s a l s tr u c tu r e u p o n w h ic h th e 5 H a r m o n ic U n iv e r s e s ( a n d a ll o f th e g a la x ie s w ith in
PK/ units that phase on and o ff. A P K I u n it th a t p h a s e s o n a n d o ff d r a w s to
its e lf o th e r lik e u n its , s o y o u h a v e clusters o f P K I u n its p h a s in g o n a n d o ff. T h o s e c lu s te r s a r e c a lle d
K e y lo n s ; th a t is w h e r e w e g e t "Key/antic S c ie n c e ." K e y lo n s b u ild u p to fo r m m o r e c o m p le x K e y lo n s o r
Key/on Codes th a t p r o g r e s s iv e ly b u ild u p th e fo r m o f e n e r g y th a t s e r v e s a s th e b lu e p r in t fo r m a n ife s ta tio n .
th e m ) m a n ife s t a r e
created
of
W h e n y o u lo o k a t th e a s p e c t o f th e P K I P h a s in g , w h e n P K I g o in to b i- p o la r ity , w h e r e th e y fla s h o n fr o m
b e in g a s o u n d - th e y
a r e a s m a ll s o u n d v ib r a tio n b u t th e n fla s h o n in to a
a s a s c a la r - w a v e ; it is a ty p e o f s c a la r - w a v e .
p h a s e o n in to b i- p o la r ity - - c r e a te s
light
o s c illa tio n - y o u c a n v ie w th a t
E a c h o n e o f th o s e s ta n d in g p o in ts o f P K I u n its - w h e n
th e y
a s c a la r - w a v e p a tte r n a n d th e n it fla s h e s o ff a g a in in to v ib r a tio n , th e n
b a c k o n a g a in in to o s c illa tio n ... s ta n d in g w a v e p a tte r n s , s c a la r - w a v e s , s ta n d in g w a v e s .
P a r tik i P h a s in g is a v e r y fu n d a m e n ta l p r o c e s s in c r e a tio n th r o u g h w h ic h S o u r c e m a n ife s ts c r e a tio n . A n
im p o r ta n t p o in t in r e la tio n to c r e a tio n is th a t w h a t is b e in g c r e a te d is p r im a r ily s tr u c tu r e .
S o u r c e is c r e a tin g
s tr u c tu r e ; It is p r o je c tin g p a r t o f Its C o n s c io u s n e s s , p a r t o f Its a liv e n e s s in to s tr u c tu r e . It is e ffe c tiv e ly
e x p lo r in g Its o w n n a tu r e fr o m w ith in th a t s tr u c tu r e a n d in te g r a tin g w h a t It le a r n s fr o m th a t p r o c e s s b a c k in to
th e w h o le n e s s o f Its e lf.
T h e r e is a p r o c e s s in v o lv e d in P K I P h a s in g .
W e h a v e th e O r ig in a l P K I, w h ic h
m a n ife s ts a s a n e u tr a l s tr u c tu r e a r o u n d th e o r ig in a l c o n c e p t in S o u r c e .
w ith in its e lf- it
T h is n e u tr a l s tr u c tu r e r e p lic a te s
c r e a te s a n e q u a l r e p lic a o f its e lf. T h a t r e p lic a in tu r n p h a s e s , it p o la r iz e s in to tw o e q u a l a n d
o p p o s ite e x p r e s s io n s o f th e O r ig in a l Id e a .
O n e m a n ife s ts a s a u n it o n th e m a tte r ( P C M ) s id e o f c r e a tio n
a n d th e o th e r a u n it o n th e a n ti- m a tte r s id e o f c r e a tio n ( P K A ) .
P a r tik i P h a s in g , in s im p le te r m s , is h o w th e s e th r e e u n its , th e P a r tik i, th e
P a r tik A
a n d th e
P a r tic u m
in te r a c t w ith e a c h o th e r .
to g e th e r to b e c o m e a n te - m a tte r .
B a s ic a lly th e y
phase
W h e n th e y p o la r iz e y o u h a v e a n ti- m a tte r
( P K A ) a n d its o p p o s ite w h ic h is m a tte r ( P C M ) .
T h e s e a r e th e b a s e u n its o f
c o n s c io u s e n e r g y th a t g r o u p to g e th e r in m a n y d iffe r e n t w a y s to fo r m
a n ti-
p a r tic le s a n d p a r tic le s . P a r tic le s liv e in o u r p a r tic le u n iv e r s e , w h ic h is c a lle d th e
P a r tic u m
U n iv e r s e . T h is
is w h e r e
you
g e t th e s e
w o rd s . T h ro u g h o u t
th e
P a r tic u m
Matter
P a r tik a
Antl-rnatter
lite r a tu r e y o u w ill s e e th e a b b r e v ia tio n P C M o r P K A , w h ic h m e a n s P a r tic u m
P a r tik i P h a s in g
U n iv e r s e a n d P a r tik A U n iv e r s e .
P ro c e s s
T h e P a r tik A U n iv e r s e is o u r p a r a lle l u n iv e r s e th a t is b u ilt u p o n a p r im a r y b a s e o f P a r tik A a n ti- m a tte r u n its ,
w h e r e o u r s y s te m is a P a r tic u m U n iv e r s e b u ilt u p o n m a tte r u n its . Y o u c o u ld lo o k a t P a r tic u m a s th e fe m a le
a n d P a r tik A a s th e m a le , a n d th e P a r tik i a s th e o r ig in a l s p ir it o r a n d r o g y n o u s b e in g o u t o f w h ic h th e y b o th
cam e.
P a r tik i, P a r tik A , a n d P a r tic u m a r e s ta n d in g w a v e s , little tin y s ta n d in g w a v e s th a t c y c le . T h e y g o
b a c k a n d fo r th
fr o m
b e in g
an
a n te - m a tte r
s ta te o f u n ific a tio n
a n d c o m in g ' o n , o r fla s h in g
on
in to
m a n ife s ta tio n o f p a r tic le a n d a n ti- p a r tic le . T h is w o u ld b e th e ir o s c illa tio n s ta g e , a n d y o u w o u ld b e a b le to
s e e th e m if y o u w e r e lo o k in g a t th e m w ith y o u r e th e r ic m ic r o s c o p ic v is io n . W h e n th e y g o in to v ib r a tio n th e y
w o u ld fla s h o ff a n d b e c o m e a n te - m a tte r p a r tic le s . T h a t is a s im p le w a y to u n d e r s ta n d it.
T h e s e u n its o f c o n s c io u s n e s s a lw a y s c o m e in a g r o u p o f th r e e - o r
o n e th a t g e n e r a te s tw o a n d th e n g o e s
b a c k to o n e a g a in . T h is m e a n s y o u h a v e a S till P o in t. S o th e r e is th e r e p lic a a n d th e o r ig in a l a n d b o th h o ld
th e o r ig in a l p a tte r n .
T h e n th e r e p lic a p o la r iz e s c r e a tin g tw o e x p r e s s io n s o f th e o r ig in a l p a tte r n , b u t w ith
o p p o s e d p o la r itie s . P a r tik i, P a r tik A a n d P a r tic u m a ll e x is t a t th e s a m e tim e . H o w e v e r , h e r e in th e m a n ife s t
h o lo g r a m fo c u s th e r e is a s e q u e n c e o f c a u s e a n d e ffe c t- o n e
th in g a p p e a r s to c o m e b e fo r e a n o th e r . T h u s
w e p e r c e iv e th e a c tio n , th is P K I P h a s in g , a t d iffe r e n t p h a s e s .
O u r b o d ie s a r e m a d e o f te m p la te s o f
c o n s c io u s n e s s u n its th a t a ls o p h a s e , b u t d o it in a s y n c o p a te d r h y th m . T h e c o n s c io u s n e s s u n its d o n o t a ll
p h a s e a t th e s a m e tim e ; th e y fo llo w a r h y th m ic a l ( m a th e m a tic a l) p r o g r a m .
©A
&A
D e a n e , 2 0 1 0 , A ll R ig h ts R e s e r v e d ;
P a r t o f th e M e E O
F re e d o m
T e a c h in g s ®
S e r ie s .
25
Scalar-Waves and Scalar GridsZYXWVUTSRQPONMLKJIHGFEDCBA
In v e r y s im p le te r m s w e a r e fa m ilia r w ith w a v e s th a t a r e in th e w o r ld a r o u n d u s . W e h a v e w a v e s flo w in g o n
th e o c e a n a n d th e s e a r e h o r iz o n ta l w a v e s .
T h e y a re
W e c a n p e r c e iv e s c a la r - w a v e s a s w a v e s th a t flo w v e r tic a lly .
a p r o c e s s b y w h ic h e n e r g y a n d c o n s c io u s n e s s m o v e v e r tic a lly fr o m S o u r c e in to m a n ife s ta tio n o r
m o r e s p e c ific a lly , b e tw e e n d im e n s io n s .
T h e r e fo r e , s c a la r - w a v e s a r e e ffe c tiv e ly v e r tic a l w a v e s th a t m o v e
e n e r g y a n d c o n s c io u s n e s s b e tw e e n d im e n s io n s .
S ta n d in g s c a la r - w a v e s a r e m a d e o f P K I u n its , p o in ts th a t fla s h o n ( o s c illa te ) a n d th e n tu r n o ff ( v ib r a te ) , th e n
r e p lic a te a n d p o la r iz e a n d th e n g r o u p to g e th e r ; lik e w ith lik e . T h e y fo r m P K I g r id s ( 2 - d im e n s io n a l) a n d th e y
fo r m P a r tik A a n d P a r tic u m g r id s ; e a c h o n e lik e lig h ts th a t s tr in g to g e th e r .
T h e n th e y b e g in to c r o s s o v e r
a n d th r o u g h e a c h o th e r ; th e y in te r a c t a n d fo r m a 3 - D g r id in a s p e c ific g e o m e tr ic a l c o n fig u r a tio n .
Blueprint Kathara Grid
th a t d e te r m in e s h o w m u c h e n e r g y it w ill h a v e , h o w m a n y v ib r a tio n s , h o w m a n y
o s c illa tio n s , h o w m u c h c o n s c io u s n e s s
Intention
o f G o d -S o u rc e .
They
Original Base-12 Divine
in te r a c t in s p e c ific a n g u la r r e la tio n s h ip to e a c h o th e r . T h is is a ll c o n tr o lle d b y th e
Original
right way-
is h e ld in o n e o f th e s e S till P o in ts ; a ll w a s s e t b y th e
T h e r e is a m a th e m a tic a l fo r m u la th a t g u id e s th e p r o c e s s th a t is a
D iv in e In te n tio n .
T h e P K I u n its in te r w e a v e a n d fo r m a fa b r ic o f s c a la r - w a v e s , a n e n e r g y fie ld th a t p u lls in m o r e a n d m o r e o f
th e C o n s c io u s n e s s o f G o d . G o d - S o u r c e s e n d s in p u ls e s o f c o n s c io u s n e s s c o n tin u o u s ly to k e e p fu e lin g it.
O n e d r a w s in a n d a n o th e r c o m e s b a c k o u t. T h e M a n U fie ld is w h e r e th is c o m e s th r o u g h fr o m G o d - S o u r c e
a n d th r o u g h th e p o la r iz e d M a n A a n d E ir A fie ld s .
C ir c u la tio n o f e n e r g y ta k e s p la c e th r o u g h th e P K I g r id .
T h e P K I g r id b e g in s to a c c r e te m o r e , to r e p lic a te its u n its a n d m a k e m o r e o f its e lf a n d th e s e u n its p u ll
to g e th e r to w a r d e a c h o th e r ( lik e k in d ) .
S o a P K I g r id is lik e a 2 - D s tr u c tu r e p u llin g in m o r e a n d m o r e , a n d
fo r m s s o m e th in g c a lle d K e y lo n s w h ic h a r e 3 - D u n its o f c o n s c io u s n e s s ( P a r tik ilP a r tik A /P a r tic u m ) .
S c a la r - w a v e s a n c h o r o u r c o n s c io u s n e s s
in to d im e n s io n a lity
e x p e r ie n c e s p a c e , tim e a n d m a tte r e v o lu tio n .
in th e T im e M a tr ix in o r d e r to b e a b le to
If w e c a n u n d e r s ta n d th e b a s ic p r im a l s u b s ta n c e o f s c a la r -
w a v e s , w e c a n b e g in to u n d e r s ta n d w h o w e a r e a n d h o w w e g e t h e r e , a n d w h a t it m e a n s to b e in a b o d y
and
be
c o n s c io u s .
We
as
c o n s c io u s n e s s
a r r a n g e m e n ts o f s c a la r - w a v e s .
before
m a n ife s tin g ,
ta k e
on
th e
fo r m
of
v e ry
s p e c ific
O u r c o n s c io u s n e s s lite r a lly tu r n s in to th a t fo r m in o r d e r to e x p e r ie n c e th e
p r o je c tio n , th e h o lo g r a p h ic p r o je c tio n o f s p a c e , tim e a n d m a tte r .
Keylons
K e y lo n s a r e 3 - 0
8
c a r r ie r s o f c o n s c io u s n e s s fo r c e . K e y lo n s fla s h o n a n d o ff in a s y n c o p a te d r h y th m a s th e y
m o v e th r o u g h th e P K I P h a s in g g o in g o n w ith in th e m .
tu r n
o ff; w h e n
M a n U /M a n A lE ir A
th e y
h it a
c r itic a l
m ass
W h e n th e y h it a c r itic a l m a s s o f in n e r v ib r a tio n th e y
o f o s c illa tio n ,
th e y
tu r n
on.
We
go
in to th e P r im a l u n its th a t th e y fo r m - P a r tik ilP a r tik A lP a r tic u m
fr o m
u n its fo r m g r o u p in g to g e th e r m a k in g s tr o n g e r w a v e fo r m s ( s u c h a s th e M a h a r ic 'S h ie ld ].
Shield
th e
fo r c e s
of
in to th e s tr u c tu r e s th e s e
The
Maharic
is c o m p o s e d o f s ta n d in g s c a la r - w a v e s ; e a c h w a v e o f w h ic h is c o m p o s e d o f K e y lo n s ( a P K I u n it o n
its o w n w o u ld n o t b e s tr o n g e n o u g h to fo r m a s h ie ld ) . A ll o f th e s e w a v e fo r m s a r e c o m p o s e d o f P K I u n its ;
u n its o f M a n U /M a n A lE ir A
w h ic h a r e u n its o f th e C o n s c io u s n e s s
o f G o d a n d im p lie s th a t
all energy is
conscious and all consciousness is energy.
Dimensions
D im e n s io n s
a r e s e ts o f 3 fr e q u e n c ie s
o f c o n s c io u s n e s s
( M a n U /M a n A lE ir A
- P a r tik ilP a r tik A /P a r tic u m ) .
E v e r y d im e n s io n h a s s tr u c tu r e s b u ilt o n K e y lo n s . A d im e n s io n is lite r a lly a s tr u c tu r e o f K e y lo n s w h ic h a r e
c o m p le x s ta n d in g s c a la r - w a v e s fo r m e d b y c lu s te r s o f P a r tik i/P a r tik A lP a r tic u m .
8
T h e le tte r D th r o u g h o u t th is h a n d b o o k is u s e d to d e n o te D im e n s io n : 3 - ~ = 3 r d d im e n s io n .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e r v e d ;
P a r t o f th e M e E O
F re e d o m
T e a c h in g s ®
D im e n s io n s b u ild o n e a c h
D - 3 w o u ld b e r e a d a s D im e n s io n 3 .
S e r ie s .
26
o th e r.
F ro m w h e re w e a re it lo o k s lik e th e y g e t b ig g e r a s th e y g o u p . F ro m S o u rc e it lo o k s lik e th e y g e t
s m a lle r a s th e y g o d o w n . T h e y c y c le a n d th a t is c a lle d P a rtik i P h a s in g . T h e y fla s h o n a n d o ff, b u t th e y a re
n o t ju s t in d iv id u a l. T h e y g ro u p to g e th e r a n d firs t fo rm s trin g s o f th e s e u n its , a n d th o s e s trin g s th e n fo rm
g rid s , lik e c ro s s h a tc h e d
g rid s o f th e s e u n its , lik e a fa b ric b e in g w o v e n , a fa b ric o f lig h t a n d s o u n d , o f
v ib ra tio n a n d o s c illa tio n o f e n e rg y u n its -th o s e
g rid s e n d u p w ith th re e d iffe re n t rh y th m s o f fla s h in g o ff a n d
o n th a t fo rm a 3 -d im e n s io n a l b a s e s tru c tu re th a t c re a te K e y lo n s .
A d im e n s io n is c o m p o s e d o f a s e t o f K e y lo n s . A s a n e x a m p le , le t u s s a y D im e n s io n -1 is c o m p o s e d o f a s e t
o f 1 2 K e y lo n s .
D im e n s io n -3
D im e n s io n -2 is c o m p o s e d o f a s e t o f 1 2 K e y lo n s a n d a ls o h a s th e 1 2 fro m D im e n s io n -1 .
it w o u ld b e 1 2 X 3 .
d im e n s io n s = 1 4 4 K e y lo n s .
K e y lo n s a re lik e th e v o lta g e a n d w a tta g e o f c o n s c io u s n e s s .
K e y lo n s in a d im e n s io n w ill d e te rm in e
h o w m u c h c o n s c io u s n e s s
s tra n d s o f D N A th e y a re c a p a b le o f fo rm in g .
In
0 -1 2 = 1 2 K e y lo n s p e r d im e n s io n X 1 2
T h e y b u ild o n e a c h o th e r:
it c a n c a rry .
The am ount of
It w ill d ire c t h o w m a n y
If y o u r te m p la te o f id e n tity o n ly h a s 1 2 K e y lo n s y o u w ill o n ly
h a v e e n o u g h to m a k e o n e D N A s tra n d , n o t e n o u g h to b e c o m e a 3 d im e n s io n a l b io lo g ic a l b e in g . Y o u n e e d
a m in im u m o f 3 6 K e y lo n s in th e te m p la te fo r th is (3 X 1 2 ). T h e K e y lo n s b u ild u p to fo rm th e m a tte r-th e
a to m ic s tru c tu re o f e v e ry th in g a ro u n d u s .
Keylon Crystal Body
K e y lo n s a re b a s ic a lly 3 -d im e n s io n a l fo rm s o f lig h t a n d s o u n d w a v e s . T h e y a re 3 -d im e n s io n a l b e c a u s e y o u
h a v e th re e d iffe re n t lin e s o f P a rtik i, P a rtik A a n d P a rtic u m fla s h in g o n a n d o ff a t th re e d iffe re n t rh y th m s ,
w h ic h c re a te s a 3 -d im e n s io n a l fo rm a t. T h is is th e b a s is o f w h a t w e c a ll th e C ry s ta l B o d y ; th e K e y lo n C ry s ta l
B o d y . E v e ry th in g
s tru c tu re .
in m a n ife s ta tio n ,
in c lu d in g th e e n tire u n iv e rs a l fra m e w o rk
shields.
L a te r w e c o m e to c a ll th e s e
its e lf h a s a C ry s ta l B o d y
W h e n w e ta lk a b o u t th e s ta n d in g s c a la r-w a v e s h ie ld s , w e
a re ta lk in g a b o u t a p a rt o f th e C ry s ta l B o d y s tru c tu re . B u t in tru th e v e ry th in g , e v e ry p a rt o f o u r m a tte r h a s a
C ry s ta l B o d y s tru c tu re to it. It h a s th is s tru c tu re o f P a rtik i, P a rtik A , a n d P a rtic u m a s th e c o re te m p la te .
W e c a ll a P K I g rid th e C ry s ta l B o d y b e c a u s e o f th e K e y lo n s .
th e y fo rm c ry s ta lliz a tio n s
o f lig h t a n d s o u n d -p re -lig h t
A s 3 -d im e n s io n a l u n its o f lig h t a n d s o u n d ,
a n d p re -s o u n d th a t e v e n tu a lly
s o u n d th a t e v e n tu a lly b e c o m e c ry s ta lliz e d th o u g h t fo rm s o r m a tte r.
fo rm in to p rim a l fo rc e a tte n tio n
b e c o m e lig h t a n d
T h is is a p ro c e s s o f ta k in g a th o u g h t
u s in g th e T rin ity P a tte rn B a s e -1 2 D iv in e B lu e p rin t?
a n d p ro g re s s iv e ly
b u ild in g it u p in to a c ry s ta lliz a tio n w h e re th e th o u g h t o f G o d b e c o m e s c ry s ta lliz e d in to m a n ife s t h o lo g ra p h ic
fo rm s th a t h o ld p o rtio n s o f th e C o n s c io u s n e s s o f G o d a b it s e p a ra te fro m Its e lf, e v e n th o u g h It is w ith in
Its e lf, s o It c a n s ta n d b a c k a n d lo o k a t Its e lf a n d Its C re a tio n .
o u rs e lv e s th ro u g h G o d b e c a u s e
G o d k n o w s Its e lf th ro u g h u s a n d w e k n o w
we are one and the same.
W e h a v e a p e rs o n a l C ry s ta l B o d y , a p e rs o n a l K e y lo n s tru c tu re , a c ry s ta l th o u g h t fo rm L ig h t-S o u n d B o d y a s
o u r S c a la r-w a v e T e m p la te .
Scalar-wave Template equals Crystal Keylon Body.
C ry s ta l K e y lo n B o d y it w ill tu rn o n m o re a n d m o re K e y lo n s (s c e la r-w a v e s lp u llin p
W h e n w e w o rk w ith o u r
in m o re c o n s c io u s n e s s
lik e it w a s m e a n t to d o . O u r C ry s ta l B o d y is s im ila r to C h ris tm a s tre e lig h ts , c o n s ta n tly tu rn in g o n a n d o ff in
a s y n c o p a te d p a tte rn . W e a re c o n s ta n tly re tu rn in g h o m e to G o d b u t d o n o t re m e m b e r. W e p u t o u r
Consciousness
Eternal
in to 3 fo c u s e s a t th e s a m e tim e th ro u g h th e D iv in e T rin ity (P a rtik i P h a s in g ) m a k in g th e m
d o d iffe re n t th in g s in o rd e r to p e rc e iv e th is h o lo g ra m th a t is c re a te d th ro u g h th a t p ro c e s s (in te ra c tio n ).
C o s m ic K e y lo n s tru c tu re (w h o le ) is c a lle d th e
Amoraea Crystal.
O ur
A ll o f th is a p p lie s to b o th th e m a c ro c o s m
a n d th e m ic ro c o s m ; a ll h a v e th e s a m e s tru c tu re (s c a la r te m p la te ).
W h e n w e g e t p a s t u n d e rs ta n d in g
th a t w e a re m a d e o u t o f lig h t a n d s o u n d w a v e s , P a rtik i, P a rtik A , a n d
P a rtic u m , w e g e t in to th e s tru c tu re
u n d e rs ta n d th e b o d y o f th e c o s m o s .
th a t th is p rim a l s u b s ta n c e
9 T rin ity P a tte rn = s e ts o f 3 is a re c u rrin g p a tte rn
©A
fo rm s . A n d th a t is w h e re w e s ta rt to
B e fo re w e c a n u n d e rs ta n d o u r o w n b o d ie s it h e lp s to u n d e rs ta n d th e
= P K I P h a s in g
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E D F re e d o m
T e a c h in g s ®
S e rie s .
27
fr a m e w o r k w e liv e w ith in , b e c a u s e th e s a m e te m p la te th a t is u s e d to m a n ife s t u n iv e r s e s a n d g a la x ie s a n d
c o s m o s e s is th e e x a c t s a m e te m p la te u s e d to m a n ife s t e v e r y th in g in th e m ic r o c o s m a s w e ll.
If w e c a n
u n d e r s ta n d th e c o s m o s ... if w e c a n u n d e r s ta n d a p la n e ta r y te m p la r ( c o m p r is e d o f e n e r g y g r id s a n d S ta r
G a te s ) ... w e c a n b e g in to u n d e r s ta n d th e in n e r e n e r g y g r id s a n d S ta r G a te s w ith in o u r b o d ie s . W e w ill
u n d e r s ta n d o u r o w n s tr u c tu r e ; a n d th e a d v a n ta g e o f u n d e r s ta n d in g o u r o w n s tr u c tu r e is th a t o n c e y o u
u n d e r s ta n d it, y o u c a n le a r n to u s e it to s e r v e th e in te n tio n s y o u w o u ld lik e , in s te a d o f b e in g r u n o v e r b y
y o u r b io lo g y . .
Unifying the Polarities
W e h a v e 2 p o la r iz e d e x p r e s s io n s o f th e
th e o th e r p o la r iz e d in a n e q u a l/o p p o s ite
Original Idea.
O n e p o la r iz e d in th e m a le e le c tr ic a l d ir e c tio n a n d
fe m a le m a g n e tic d ir e c tio n ; 2 e q u a l a n d o p p o s ite e x p r e s s io n s o f
e a c h o th e r . T h e s e 2 p o la r iz e d e x p r e s s io n s c o m e in to m a n ife s ta tio n a n d th e y in te r a c t. In te r a c tio n b e tw e e n
th e s e tw o p o la r itie s is e ffe c tiv e ly w h a t w e a v e s th e w h o le s tr u c tu r e o f c r e a tio n .
T h e w h o le s tr u c tu r e o f
c r e a tio n e m e r g e s th r o u g h th e s e q u e n tia l in te r a c tio n o f th is p r o c e s s . T h e 2 p o la r iz e d u n its c o m e in to
e x p r e s s io n .
O n c e th e y h a v e m a n ife s te d in e x p r e s s io n , th e y th e n tu r n a r o u n d a n d c o m e b a c k in to th e
n e u tr a l c o r e in S o u r c e . W ith o u t th e th ir d P K I u n it, if p a r tic le a n d a n ti- p a r tic le w e r e to c o m e to g e th e r to
m e r g e , th e y w o u ld a n n ih ila te e a c h o th e r .
T h e O r ig in a l P K I U n it ( w h ic h m a n ife s ts a s p e M p a r tic le s a n d P K A a n ti- p a r tic le s ) h o ld s th e b u ffe r fie ld a n d
th e tw o m e r g e b a c k in to th is b u ffe r fie ld .
w ay.
In th is b u ffe r fie ld th e p o la r itie s a r e r e - in te g r a te d in a n o r d e r ly
S o th e c o n s c io u s n e s s th a t is in h e r e n t to th e s tr u c tu r e is b r o u g h t b a c k in a n o r d e r ly w a y in h a r m o n y ,
in c o h e r e n c e , b a c k in to th e o r ig in a l n e u tr a l e x p r e s s io n , a n d fr o m
th e r e th e s tr u c tu r e
d is s o lv e s
and
c o n s c io u s n e s s r e tu r n s d ir e c tly to S o u r c e . W e h a v e th is p r o c e s s w h e r e b y s tr u c tu r e c o m e s in to b e in g . P a r t
o f th is p r o c e s s is th e d is s o lu tio n o f th e s tr u c tu r e w h e r e th e c o n s c io u s n e s s is r e le a s e d a n d flo w s b a c k to
S o u rc e .
T h u s , w e h a v e p o la r ity a s a n a tu r a l p a r t o f th e c r e a tiv e p r o c e s s . P o la r ity is a n a tu r a l p a r t o f
c r e a tio n .
It is o n ly w h e n p o la r ity g e ts s tu c k , w h e n th e p o la r iz e d u n its o f c o n s c io u s n e s s c a n n o t r e tu r n to
c o h e r e n c e th a t w e h a v e p r o b le m s . P o la r ity in its e lf is n a tu r a l. W h e n p o la r ity c a n r e tu r n to fu ll in te g r ity a n d
w h o le n e s s in S o u r c e , c r e a tio n is w o r k in g in its n a tu r a l w a y .
" A n d w ith in th o s e P r im a l S o u n d F ie ld s ... b y ta k in g s o u n d a n d th e P a r tik i s c a la r u n its th a t a r e tu r n e d
off,
w h ic h is v ib r a tin g , a n d tu r n in g p a r t o f th e m a r o u n d a n d c h a n g in g th e ir p o la r ity in r e la tio n to e a c h o th e r , lig h t
w a s c r e a te d ." (Speaker 1 , Mechanics
of Manifestation)
Sequential Phasing
T h e 1 s t P K I c r e a te s th e p r im a r y s tr u c tu r e fr o m w h ic h a ll th e r e s t o f th e s tr u c tu r e s in c r e a tio n e m e r g e . N o w
w e have
sequential phasing
o f th e P K I u n its : T h e 1 s t P K I p h a s e s -
p r o je c ts p o la r iz e d s tr u c tu r e s in to
m a n ife s ta tio n a n d th e n r e tu r n s to S o u r c e w ith th e s e q u e n tia l e m e r g e n c e o f a d d itlo n e ] P K I P h a s in g , w h ic h
p r o je c ts a d d itio n a l p a r tic le s in to m a n ife s ta tio n . T h e s e p a r tic le s p h a s e s e q u e n tia lly a n d th e y p h a s e in
r e la tio n s h ip to e a c h o th e r , s o , w e g e t th e s e q u e n c e o f P K I u n its p h a s in g , c r e a tin g a
T h is fla s h - lin e
flash-line sequence.
s e q u e n c e in tu r n p h a s e s in r e la tio n to o th e r fla s h - lin e s a n d it c r e a te s P K I g r id s . T h e s e g r id s
in tu r n p h a s e in r e la tio n to o th e r g r id s a n d th e y c r e a te m o r e c o m p le x 3 - d im e n s io n a l s tr u c tu r e s .
d im e n s io n s a r e a
key
T h re e
u n it in th e m a n ife s ta tio n o f c r e a tio n th e r e fo r e w e h a v e a 3 - d im e n s io n a l s tr u c tu r e
e m e r g in g fr o m th e P K I P h a s in g u n its .
.
Analogy for the process of PKI Phasing
W e c a n u s e a T V s c r e e n o r c o m p u te r s c r e e n a s a g o o d e x a m p le fo r P K I P h a s in g . If y o u lo o k v e r y c lo s e ly
a t a T V s c r e e n y o u w ill s e e a s e q u e n c e o f d o ts o n th e s c r e e n .
E a c h d o t h a s little p ix e ls th a t fla s h o n a n d
o ff in a s e q u e n c e in r e la tio n to e a c h o th e r to c r e a te a lin e . T h e lin e s fla s h o n a n d o ff in s e q u e n c e to c r e a te
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
28
a p ic tu re . T h e s e q u e n tia l p h a s in g o f th e s e u n its s w itc h in g o n a n d o ff c re a te s a p a tte rn th a t e m e rg e s o n th e
s c re e n a s a p ic tu re o n a
TV
s c re e n .
A
TV
s c re e n c a n p ro je c t s o m e th in g lik e a fo o tb a ll m a tc h o r h o rs e
ra c in g , a d ra m a , a n d s o o n . T h is v e ry s im p le p ro c e s s o f th e p h a s in g o f u n its p h a s in g o n th e s c re e n ... th e
s e q u e n tia l p a tte rn s th a t e m e rg e fro m th a t c a n c re a te v a rio u s re a litie s . T h e y c a n c re a te v a rio u s p ro je c te d
re a litie s ; th e y c a n c re a te a n in fin ite c o m p le x ity o f re a litie s .
W e re fe r to th e p ro je c te d re a lity w e s e e in th e w o rld a ro u n d u s a s a h o lo g ra m . A h o lo g ra m is n o th in g m o re
th a n a p ro je c te d re a lity . It is th e s e fu n d a m e n ta l p ro c e s s e s th a t c re a te b a s ic u n its a n d it is th e p a tte rn in g o f
th e s e u n its th a t c re a te s th e c o m p le x ity o f th e p ro je c te d re a litie s th a t w e p e rc e iv e a ro u n d u s . J u s t a s w e
h a v e d o ts fla s h in g o n th e s c re e n c re a tin g v e ry c o m p le x p ro je c te d re a litie s o n
TV
s c re e n s , w e h a v e a v e ry
s im ila r p ro c e s s a t w o rk in th e w o rld a ro u n d u s . W e h a v e th is v e ry fu n d a m e n ta l le v e l th a t is P K I P h a s in g
g e n e ra tin g th e p a tte rn s th a t w e s e e in th e e x te rn a l w o rld a ro u n d u s .
T h e re fo re , w e p e rc e iv e th e 3 -
d im e n s io n a l p ro je c te d re a lity w h ic h is re fe rre d to a s th e h o lo g ra m .
15-Dimensional Structure
T h e 1 5 -D im e n s io n a l T im e M a trix is a C ry s ta l B o d y S h ie ld T e m p la te m a d e o u t o f P a rtik i, P a rtik A , a n d
P a rtic u m . S in c e th e re a re 1 5 d im e n s io n s , th e re w o u ld b e 1 5 d iffe re n t fla s h -lin e s e q u e n c e s .
Y o u w o u ld
h a v e 1 5 d iffe re n t rh y th m s o f s ta n d in g w a v e s fla s h in g o ff a n d o n . W ith in th e 1 5 -D im e n s io n a l M a trix w e h a v e
o u r d e n s ity le v e ls : D e n s ity -1 (D im e n s io n s 1 -3 ), D e n s ity -2 (D im e n s io n s 4 -6 ), D e n s ity -3 (D im e n s io n s 7 -9 ),
D e n s ity -4 (D im e n s io n s 1 0 -1 2 ) a n d D e n s ity -5 , th e P rim a l L ig h t F ie ld s (D im e n s io n s 1 3 -1 5 ), a n d th e P rim a l
S o u n d F ie ld s (E n e rg y M a trix ).
T h e d e n s ity le v e ls a re a ls o c a lle d H a rm o n ic U n iv e rs e s .
D -1 0 , D -1 1 , a n d D -1 2 a re th e D iv in e B lu e p rin t P re -m a tte r L iq u id L ig h t s p a c e s . D -9 , D -8 a n d D -7 c o m p ris e
th e e th e ric m a tte r a n d o n d o w n to th e g ro s s p h y s ic a l m a tte r a t D e n s ity .-1 . T h e p illa r o f fre q u e n c y th a t ru n s
fro m D 1 to D -9 is c a lle d th e
Aritahkarana
o r th e U n iv e rs a l K u n d a lin i e n e rq ie s ,
K u n d a lin i e n e rg ie s d o n o t
g o a n y h ig h e r th a n D -9 , b u t th e y c o n n e c t to a la rg e r p illa r th a t c o m e s a ro u n d th e m o n c e h ig h e r a c tiv a tio n o f
th e D N A a n d th e b o d y is c re a te d .
A t D -1 2 is th e M a h a ra ta C h ris to s fre q u e n c y . T h is c o n s is ts o f D -1 1 a n d D -1 2 P a le S ilv e r L ig h t w ith a b it o f
D -1 0 in th e re b e c a u s e w h e n e v e r y o u ru n th e D -1 2 it p ic k s u p th e o th e r tw o th a t a re in th e s h ie ld w ith it. It
lo o k s lik e P a le S ilv e r L iq u id L ig h t, w h ic h is th e M a h a ra ta fre q u e n c y . T h a t
is
th e D -1 2 C a rrie r W a v e .
E v e ry th in g w e w o rk w ith a n d a ll th e te c h n iq u e s th a t c o m e w ith th is p ro g ra m a re b u ilt o n ru n n in g th e D -1 2
a s th e C a rrie r W a v e .
W h e n w o rk in g w ith D -1 2 fre q u e n c ie s y o u a re w o rk in g w ith th e C a rrie r W a v e th a t
a llo w s y o u to o p e n th e s e a ls s o y o u c a n b rin g o th e r c u rre n ts in .
Harmonic Universes
T h e 1 5 d im e n s io n s a re b ro k e n in to w h a t a re c a lle d 5 H a rm o n ic U n iv e rs e s . T h e H a rm o n ic U n iv e rs e s a re
d iffe re n t s e ts o f p u ls a tio n rh y th m s . O n e H a rm o n ic U n iv e rs e w o u ld h a v e th re e d im e n s io n s in it, th e re fo re it
w o u ld b e a 3 -d im e n s io n a l re a lity s y s te m . T h e ty p e o f m a tte r th a t w o u ld m a n ife s t in o n e H a rm o n ic U n iv e rs e
w o u ld c o rre s p o n d w ith th e p u ls a tio n rh y th m o f th e P a rtik i P h a s in g w ith in th o s e th re e d im e n s io n s . T h e fa s te r
th e P a rtik i P h a s in g th e le s s d e n s e th e m a tte r b e c o m e s .
T h e lo w e s t w a v e s th a t fla s h o n a n d o ff a t th e s lo w e s t rh y th m a re D im e n s io n -1 , w h ic h is p a rt o f H a rm o n ic
U n iv e rs e 1 (H U 1 ). T h e n e x t fa s te s t w a v e s a re in H U 2 , th e n in H U 3 , a n d th e n u p in H U 4 . T h e fa s te s t P K I
P h a s in g is in H U 5 . R ig h t n o w , w e a re in H U 1 ; D im e n s io n s 1 , 2 , a n d 3 . It is c a lle d
gross matter density.
It
is th e h e a v ie s t ty p e o f m a tte r e x c e p t w h e n y o u g o in to b la c k h o le s , w h ic h g e ts e v e n w o rs e . T h e n a tu ra l
s tru c tu re h e re is th e s lo w e s t a n d h e a v ie s t.
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s ,
29
T h e n e x t le v e l is c a lle d H U 2 , a n d th a t c o n s is ts o f D im e n s io n s 4 , 5 , a n d 6 . D im e n s io n s 4 , 5 , a n d 6 in H U 2
a re s im ila r to D im e n s io n s 1 , 2 , a n d 3 in H U 1 . T h e y b o th h a v e a b a s e to n e , a n o v e rto n e , a n d a re s o n a n t
to n e , w h ic h is a c o m b in a tio n o f a b a s e to n e a n d o v e rto n e .
A g a in , y o u w o u ld s e e th e s a m e s tru c tu re o f
P a rtik i, P a rtik A , a n d P a rfic u m , T h e P a rtik i u n it is th e re s o n a n t to n e , th e P a rtic u m u n it is th e b a s e to n e a n d
th e P a rtik A u n it is th e o v e rto n e .
T h is s tru c tu re o f b a s e to n e (D -1 ), o v e rto n e (D -2 ), re s o n a n t to n e (D -3 ),
b a s e to n e (D -4 ), o v e rto n e (D -5 ), a n d re s o n a n t to n e (D -6 ) g o e s a ll th e w a y u p .
If y o u g o u p to w h a t w e c a ll D -4 w h ic h is th e a s tra l p la n e , y o u a re a c tu a lly d e a lin g w ith th e s u b -a to m ic
p a rtic le le v e l o f D e n s ity -2 .
E v e ry o n e o f th e s e is a fla s h -lin e s e q u e n c e . It h a s a d iffe re n t p u ls e fro m th e
o n e a b o v e , fro m s lo w g o in g u p to h ig h . Y o u h a v e g ro s s m a tte r d e n s ity a t H U 1 . H U 2
I D e n s ity -2
is c a lle d
s e m i-e th e ric m a tte r d e n s ity . It is g o in g fro m a c a rb o n b a s e (H U 1 ) to a c a rb o n -s ilic a b a s e m a tte r in H U 2
a n d s ilic a b a s e m a tte r in H U 3 , c a lle d e th e ric m a tte r, w h ic h is e v e n lig h te r in w e ig h t a n d d e n s ity .
U p in
H U 4 y o u g o in to P re -m a tte r L iq u id L ig h t. T h is is w h e re m a tte r lite ra lly is in th e fo rm o f liq u id lig h t, a n d th a t
is c o n s id e re d th e D -1 2 le v e l. L iq u id lig h t is a c tu a lly D -1 0 , D -1 1 a n d D -1 2 , b u t D -1 2 in p a rtic u la r is
c o n s id e re d th e D iv in e B lu e p rin t. T h a t is w h e re w e c o m e in fro m , g o in g fro m th e n o n -m a te ria l s ta te o f H U 5 ,
D im e n s io n s 1 3 , 1 4 a n d 1 5 in to th e s ta te s o f d e n s ity o f m a tte r.
T h e P rim a l L ig h t F ie ld s a re D -1 3 , D -1 4 , a n d D -1 5 in H a rm o n ic U n iv e rs e 5 . T h is is th e p la c e w h e re w h a t
w a s s o u n d v ib ra tio n , te m p la te s o f w a v e s in s ta n d in g fo rm , b e g in to in te ra c t w ith e a c h o th e r in a w a y th a t
m a k e s th e m b e n d , a n d th e y b e g in to o s c illa te -n o t
ju s t v ib ra te , th e y b e g in to a rc a n d m a k e e n e rg y a n d th a t
e n e rg y b e c o m e s lig h t: th e P rim a l L ig h t F ie ld s . T h e P rim a l L ig h t F ie ld s a re b a s ic a lly a p a le tu rq u o is e (D 1 3 ), p a le y e llo w (D -1 4 ), a n d p a le m a g e n ta p in k (D -1 5 ) c o lo r.
W ith in th a t y o u h a v e th e D iv in e B lu e p rin t,
w h ic h is th e P a le S ilv e r L iq u id L ig h t o f D -1 2 . T h is is th e M a h a ra ta C u rre n t w e u s e w h e n w e d o th e M a h a ric
S e a l.
F ie ld s ."
W h a t w e h a v e o u t h e re in th e E n e rg y M a trix a re a c tu a lly th e th re e le v e ls o f th e P rim a l S o u n d
Before you have Light there is Sound.
B e fo re y o u h a v e o s c illa tio n o r fla s h in g o n , th e re is th e
v ib ra tio n s ta te . T h is a re a is c a lle d th e P rim a l S o u n d F ie ld s o r th e n o n -d im e n s io n a liz e d E n e rg y M a trix .
W e h a v e th e fu n d a m e n ta l
p ro c e s s o f P K I P h a s in g g e n e ra tin g
s tru c tu re
w ith in
c re a tio n , e ffe c tiv e ly
g e n e ra tin g fu n d a m e n ta l s tru c tu re s o n w h ic h th e G o d W o rld s a re b u ilt. W h a t w e h a v e is th e d im e n s io n a l
s tru c tu re o f a u n iv e rs e . O n th e o u ts id e w e h a v e th e p u re c o n s c io u s n e s s ,
pure
L ig h t, th e v e ry fre e a liv e n e s s
o f S o u rc e th a t is w ith o u t s tru c tu re a n d w ith o u t fo rm th a t is to ta lly in te g ra te d a n d k n o w s a ll o f Its e lf
in tim a te ly . A t a v e ry fu n d a m e n ta l le v e l S o u rc e C o n s c io u s n e s s b rin g s fo c u s to a p a rtic u la r id e a a n d c re a te s
a s tru c tu re a ro u n d it.
(K h u n d a ra y ).
T h a t s tru c tu re in itia lly m a n ife s ts a s v e ry
pure
s o u n d , th e P rim a l S o u n d F ie ld s
T h e s e P rim a l S o u n d F ie ld s a re v e ry a liv e , v e ry c o n s c io u s , v e ry a w a re a n d a re c a p a b le o f
c re a tio n w ith in th e m s e lv e s .
T h e y b rin g fo c u s o f a tte n tio n to a m o re c o n c re te e x p re s s io n o f th e O rig in a l
Id e a , th e O rig in a l T h e m e a n d in d o in g s o , th e y c re a te v a s t fie ld s o f v e ry p u re lig h t, th e P rim a l L ig h t F ie ld s .
(K e e -R a -S h A )
C o n s c io u s n e s s w ith in th o s e P rim a l L ig h t F ie ld s fu rth e r d e v e lo p s th e O rig in a l Id e a a n d
c re a te s m o re c o n c re te s tru c tu re , w h ic h b e g in s to m a n ife s t a s th e m a tte r fie ld s in c re a tio n .
T h e s e q u e n tia l s tru c tu rin g w ith in c re a tio n p ro g re s s e s fro m th e P rim a l S o u n d th ro u g h th e P rim a l L ig h t a n d
b e g in s to m a n ife s t th e m a tte r fie ld s in c re a tio n .
in to d im e n s io n a l le v e ls .
W ith in th e s e in d iv id u a l fie ld s th e re is fu rth e r s u b d iv is io n
D im e n s io n s b a s ic a lly a re b a n d s o f p h a s in g P K I u n its . T h e y a re d iffe re n tia te d b y
th e d iffe re n t fre q u e n c ie s b y w h ic h th e y p h a s e .
A fu rth e r fe a tu re o f th e P K I P h a s in g p ro c e s s is th a t th e
p a rtic le s th a t m a n ife s t e ffe c tiv e ly s p in . S o th e re a re d iffe re n t s p in o rie n ta tio n s fo r d iffe re n t d im e n s io n s .
W ith in th e fu ll e x p a n s e o f m a tte r fie ld s th e re a re 1 2 s u b d iv is io n s : 1 2 d im e n s io n s . T h e s e 1 2 d im e n s io n s a re
a re in a g g re g a te s o f 3 . T h u s w e h a v e 4 g ro u p s o f 3 d im e n s io n s , e a c h g ro u p fo rm in g a H a rm o n ic U n iv e rs e .
A n im p o rta n t p o in t in re la tio n to th is d ia g ra m is th a t th e P rim a l S o u n d F ie ld s a re n o n -d im e n s io n a liz e d .
T h e re is a fu n d a m e n ta l d iffe re n c e h e re in th e P rim a l S o u n d F ie ld s . T h e y a re m u c h c lo s e r to S o u rc e , m u c h
10 R e fe r to 1 5 -D im e n s io n a l T im e M a trix d ia g ra m o n p a g e 1 0 o f th is h a n d b o o k
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ; P a rt o f th e M e E D F re e d o m T e a c h in g s ®
S e rie s .
30
le s s s e p a ra te d th a n th e re s t o f c re a tio n .
S o w e d o n o t g e t q u ite th e s a m e d iffe re n tia tio n , th e s a m e s o lid
s tru c tu re in th e P rim a l S o u n d F ie ld s a s w e d o in th e lo w e r d im e n s io n a l le v e ls o f c re a tio n .
W e h a v e 1 5 d im e n s io n s s p a n n in g th e P rim a l L ig h t F ie ld s a n d m a tte r fie ld s .
E ffe c tiv e ly w e h a v e 5
H a rm o n ic U n iv e rs e s , a ls o re fe rre d to a s d e n s ity le v e ls , e a c h s p a n n in g 3 d im e n s io n s .
z o n e s o f s e p a ra tio n b e tw e e n e a c h o f th e H a rm o n ic U n iv e rs e s .
T h e re a re d e fin ite
W e e x is t in H a rm o n ic U n iv e rs e 1 , in
D e n s ity -1 , c o m p ris e d o f D im e n s io n s 1 , 2 , a n d 3 . It is w o rth m a k in g th e p o in t th a t
lower dimensional
does
n o t im p ly lo w e r im p o rta n c e . A ll o f th e d im e n s io n a l le v e ls a re im p o rta n t; a ll a re s ig n ific a n t in th e ir o w n w a y ..
It is lik e th e n o te s in a m u s ic a l s c a le --e a c h h a s its ro le , e a c h h a s its s ig n ific a n c e .
Hova Bodies and Stations of Consciousness
In e a c h H a rm o n ic U n iv e rs e y o u h a v e w h a t is c a lle d a H o v a B o d y . T h is is w h e re y o u r c o n s c io u s n e s s fo r
th a t le v e l is s ta tio n e d . H o v a B o d ie s a re L ig h t-S o u n d B o d ie s . T h e y a re p a rt o f a la rg e r b o d y s tru c tu re c a lle d
a R a d ia l B o d y th a t w e w ill ta lk a b o u t la te r a fte r w e m o v e th ro u g h M e rk a b a .
It is e n o u g h to u n d e rs ta n d th a t in D e n s ity -1 y o u h a v e y o u r In c a rn a te S e lf h e re th a t y o u k n o w a s y o u r
3 -d im e n s io n a l s e lf. In D e n s ity -2 y o u h a v e y o u r S o u l le v e l o f Id e n tity . T h a t is w h e re th e ta n g ib le s tru c tu re o f
y o u r S o u l liv e s . A n d y e s , it h a s a b o d y lik e y o u d o e x c e p t it w ill b e a m o re re fin e d b o d y . H o w e v e r, it m ig h t
n o t e v e n lo o k lik e y o u . It d e p e n d s o n w h a t y o u c a m e h e re to d o a n d w h e th e r y o u c a m e
true to form
or
w h e th e r y o u d e c id e d to w e a r a h u m a n m a s k a n d y o u r fo rm is re a lly lik e a n E ie y a n i a n d y o u a re 1 2 fe e t ta ll
a n d h a v e lo n g w h ite e y e la s h e s ; y o u d o n o t a lw a y s lo o k th e s a m e in th e s e b o d ie s . H o w e v e r, y o u w ill h a v e
a n im p rin t o f y o u r D e n s ity -1 b o d y in y o u r D e n s ity -2 S o u l b o d y . Y o u w ill h a v e a n im p rin t o f th is b o d y in y o u r
O v e rs o u l b o d y . W h a t w e a re a im in g fo r is C h ris to s A v a ta r a n d h ig h e r. T h e fu ll in te g ra tio n o f D -1 2 fre q u e n c y
is th e
C h ris to s
C o n s c io u s n e s s .
A v a ta r
le v e l. A n y th in g
b e lo w
th a t
le v e l a n d
you
a re
n o t e m b o d y in g
fu ll
C h ris t
C h ris t C o n s c io u s n e s s is a m in im u m o f th e D -1 2 fre q u e n c y . R is h ia c C o n s c io u s n e s s w o u ld
b e D -1 3 , D -1 4 , a n d D -1 5 -th e
c o n s c io u s n e s s a n d th e fre q u e n c y o f th o s e R a y s .
Consciousness and the Flash Lines
E a c h d im e n s io n is lik e a fla s h lin e s e q u e n c e w ith a d iffe re n t s e q u e n c e in e a c h d im e n s io n .
D -1 5 h a s th e
fa s te s t fla s h o n a n d o ff s e q u e n c e a n d h a s th e m o s t p o in ts fla s h in g o n a n d o ff b e c a u s e it c o n ta in s a ll o f th e
o th e rs b e lo w it. W e 'v e d is c u s s e d th a t th e P rim a l L ig h t F ie ld s a re lo c a te d a t D -1 3 , D -1 4 , a n d D -1 5 . D -1 3 is
th e
Blue Flame, w h ic h e q u a ls th e firs t d im e n s io n a liz e d
Pale Yellow-Gold Flame a t D -1 4 , a n d th e
S o u rc e is th e
e x p re s s io n o f S o u rc e . T h e s e c o n d e x p re s s io n o f
th ird e x p re s s io n is th e
Violet Flame
a t D -1 5 .
T h e h ig h e r d im e n s io n s h a v e le s s d e n s ity . D e n s ity -1 , th e g ro s s m a tte r d e n s ity le v e l is th e th ic k e s t, s lo w e s t
m o v in g , s lo w e s t fla s h in g a n d th e re fo re th e lo w e s t fre q u e n c y .
fla s h
d e te rm in e s
w h e th e r
it is a lo w fre q u e n c y
consciousness determines the
fla s h e s .
T h e fre q u e n c y o f fla s h e s o r h o w o fte n th e y
(s lo w fla s h ) o r h ig h fre q u e n c y
E a rth 's c o n s c io u s n e s s
d e te rm in e s
(fa s t fla s h ).
Your
its .fta s h e s , w h ic h m e a n s
e v e ry th in g o n it is th e s a m e . T h is m e a n s th a t p a rt o f o u r id e n tity is a ls o s e lf a s E a rth . It is a ll c o n n e c te d .
T h e re fo re w e h a v e s e lf a s lo c a l s o la r s y s te m a n d lo c a l g a la x y , s e lf a s lo c a l u n iv e rs e a n d s e lf a s th e 5
H a rm o n ic U n iv e rs e s a n d u p w a rd in fre q u e n c y .
A s w e tu rn o n m o re o f th e fla s h -lin e s e q u e n c e s in o u r te m p la te w e p ro g re s s iv e ly
b rin g m o re o f th e
c o n s c io u s n e s s a s s o c ia te d w ith th e h ig h e r e x p a n d e d le v e ls - w e e x p a n d b a c k in to G o d -S o u rc e .
T h e re a lity
o f th e C o n s c io u s n e s s o f G o d e x is ts a s a fo rc e th a t h a s n o b o u n d a rie s , n o lim ita tio n s o r fo rm -th e
"n o th in g " in "n o s p a c e " a n d "n o tim e ," is E T E R N A L ...
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
c o s m ic
n o b e g in n in g a n d n o e n d .
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
31
Stepping DownZYXWVUTSRQPONMLKJIHGFEDCBA
T h e C o s m ic S h ie ld m a k e s th e G o d W o rld s S h ie ld s .
T h e G o d W o rld s S h ie ld s m a k e U n iv e rs a l S h ie ld s .
U n iv e rs a l S h ie ld s m a k e O im e n s io n a l S h ie ld s ; e a c h 3 o f th e s e fo rm O e n s ity S h ie ld s . T h e s e s h ie ld s a re th e
c irc u la to ry s y s te m o f c o n s c io u s n e s s th a t m a k e s u s k n o w o u rs e lv e s in e x is te n c e .
T h e s u b -h a rm o n ic fre q u e n c y b a n d s o f 0 -1 2 to 0 -1 a re in y o u r M a h a ric S h ie ld T e m p la te .
Y o u r T e u ric .
S h ie ld h o ld s th e s u b -h a rm o n ic fre q u e n c y b a n d s fro m 0 -9 to 0 -1 , y o u r O v e rs o u l le v e l o f c o n s c io u s n e s s .
Y o u r O o ra d ic S h ie ld h o ld s th e s u b -h a rm o n ic fre q u e n c y b a n d s o f 0 -6 to 0 -1 , y o u r S o u l le v e l.
T e llu ric
S h ie ld
h o ld s
th e
s u b -h a rm o n ic
fre q u e n c y
bands
o f 0 -3
to
0 -1 ,
your
In c a rn a te
A nd your
le v e l o f
c o n s c io u s n e s s .
W e a c tiv a te th e s h ie ld s in o u r b o d ie s to o p e n th e 0 -1 2 M a h a ric S h ie ld , w h ic h c o rre s p o n d s to th e O iv in e
B lu e p rin t a n d w h ic h h o ld s th e e n c ry p tio n fo r a ll d im e n s io n s b e lo w it. T o g e t th e c o n s c io u s n e s s o f a ll 1 2
d im e n s io n s in to o u r p h y s ic a l b o d y , w e h a v e to tu rn o n a ll s u b -h a rm o n ic s w ith in th e 0 -1 2 O N A s tra n d a n d
s o o n . O u r o b je c tiv e is to tu rn o n a ll 1 4 4 s u b -fre q u e n c y b a n d s in o rd e r to tu rn o n a ll fla s h lin e s e q u e n c e s
th a t fo rm th e d im e n s io n s a s th e y a re a ll in te rc o n n e c te d .
W h e n th e u n iv e rs a l te m p la te is c re a te d , th e s o u n d (v ib ra tio n ) fie ld s c o m e in firs t a n d th e n g iv e b irth to th e
lig h t fie ld s ; th e M a n U e x is ts a s th e c o n s ta n t fie ld b e h in d b o th o f th e m .
0 -1 3 ,0 -1 4
a n d 0 -1 5 a re th e a n te -
m a tte r p o rtio n s o f y o u r id e n tity . N e x t, u p w a rd s a fte r 0 -1 2 is th e T ria d ic le v e l w h ic h fo rm s th e V io le t F la m e
F ie ld w h e re s o u n d b e c o m e s lig h t; firs t s o u n d v ib ra tio n , th e n lig h t. T h e n y o u h a v e th e P o la ric w h ic h fo rm s
th e 0 -1 4 lig h t F ie ld . T h e E c k a tic is th e firs t in d iv id u a tio n o f S o u rc e C o n s c io u s n e s s o n th e u n iv e rs a l le v e l
(n o t th e c o s m ic ) a n d c o rre s p o n d s w ith th e M a n U S till P o in t F ie ld ; th e P rim a ry M a n U E c k a tic le v e l (n o n p o la riz e d fie ld ). T h e s e fla m e fie ld s a re n o t c o lu m n a r fla m e s b u t s p h e ric a l, a n d m a n ife s ta tio n is ta k in g p la c e
w ith in th e m .
W h e n th e s e fo rc e s c o m e in to th e T im e M a trix th e y s te p d o w n o r b re a k d o w n in to s m a lle r a n d s m a lle r u n its
o f v ib ra tio n m a n ife s t. T h e p ro c e s s o f g e ttin g b a c k in to e x p a n s io n a n d w h o le n e s s a n d o n e n e s s w ith G o d is
th e p ro c e s s o f b rin g in g o u t o f p o la rity th e b o u n d a rie s th a t s e p a ra te e a c h o f th e s e le v e ls .
d e n s ity le v e ls th e re is a
magnetic repulsion lone.
B e tw e e n th e
T h is re a c ts s im ila rly to w h e n y o u p u t tw o m a g n e ts
to g e th e r in a c e rta in w a y ; th e y re p e l e a c h o th e r. W e h a v e a 3 -0 c o n s c io u s n e s s a t e a c h o f th e d e n s ity
le v e ls , w h ic h m e a n s w e h a v e a b o d y o f s o m e fo rm m o v in g a ro u n d in e a c h o f th e s e d e n s itie s (m a n y
s e lv e s ).
P a rt o f th e p ro c e s s o f b u ild in g th e P rim a l L ife F o rc e C u rre n ts in th e b o d y is o p e n in g th e s e b o d y le v e ls a n d
th e c o rre s p o n d in g re a lity fie ld s . T h e y s te p d o w n th ro u g h th e G o d W o rld s s ta rtin g a t th e u n iv e rs a l le v e l a t
th e M a n U , M a n A a n d E irA in 0 -1 3 , 0 -1 4 a n d 0 -1 5 .
T h e y a re s m a lle r v e rs io n s w ith d iffe re n t n a m e s in th e
lo w e r d im e n s io n a l le v e ls . T h e y h a v e a d iffe re n t v ib ra tio n a t e a c h le v e l b u t s till c a rry th e flo w o f o n e o f th e
th re e a s p e c ts o f th e P rim a l C o n s c io u s n e s s .
T h e P rim a l L ig h t F ie ld s a re c a lle d - th e
Kee-Ra-ShA;
th e
n a m e s a re d e riv e d fro m th e s o u n d to n e s th a t g o w ith th e m . T h e s e a re c o d e d in o u r O N A a n d to w a k e th e m
u p w e c a ll th e ir n a m e s . W h e n y o u b e g in to u s e th e p ro p e r n a m e s y o u s e n d th e
wake-up call.
W o rd s a n d c e rta in im a g e s th a t c a rry s ile n t w o rd s , s ile n t to n e s a n d c e rta in s y m b o l c o d e s a re th e p a tte rn s o f
v ib ra tio n th a t w e c o n s c io u s ly s e n d in to o u r b o d ie s , O N A te m p la te a n d K a th a ra G rid to w a k e u p th e s e
fre q u e n c ie s w ith in th e s c a la r s h ie ld s .
P s o n n s w a k e u p th e O N A a n d M e rk a b a b e c a u s e th e y c a rry s p e c ific
to n e s a s s o c ia te d w ith th e K e e -R a -S h A a n d K h u n d a ra y le v e ls a n d s e n d th e m in to o u r O N A . W o rk in g w ith
to n e s a n d v is u a l im a g e s th a t c a rry to n e s in a m a th e m a tic a l p ro g ra m , w e a re u s in g G o d L a n g u a g e s o f F irs t
C re a tio n .
H o w e v e r, w h e n w e a w a k e n th e h ig h o n e s , w e c a n n o t a w a k e n th e m w ith o u t firs t u s in g th e
©A
& A D e a n e . 2 0 1 0 . A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
32
M a h a ra ta C u rre n t. T h e M a h a ra ta C u rre n t, th e 0 -1 2 c u rre n t, a c ts a s th e b rid g e b e tw e e n u s a n d th e h ig h e r
d e n s itie s . 11
Repulsion Zones
If y o u ta k e a lo o k a t th e 1 5 -0 im e n s io n a l T im e M a trix , y o u w ill s e e s o m e th in g c a lle d a V o id F ie ld o r a
m a g n e tic re p u ls io n z o n e b e tw e e n e a c h s e t o f 3 d im e n s io n s . T h a t is w h a t a llo w s 3 -d im e n s io n a l re a lity fie ld s
to lite ra lly c o -e x is t in th e s a m e p la c e b u t b e s e p a ra te fro m e a c h o th e r, s o th e re a re d iffe re n t v ie w s .
The
m a g n e tic re p u ls io n z o n e is w h a t s e p a ra te s th e le v e ls o f o u r in te r-d im e n s io n a l s e lv e s fro m e a c h o th e r a n d it
w o rk s th a t w a y o n th e p la n e t le v e l, th e g a la x y le v e l, a n d th e u n iv e rs a l le v e l.
Antahkarana
T h e s lo w w a y to e v o lu tio n is to b u ild th e A n ta h k a ra n a 9 th -d im e n s io n a l p illa r firs t. T h is is th e s lo w c o u rs e
a n d u s u a lly ta k e s m o re th a n o n e life tim e to e v e n tu a lly b rin g in th e M a h a ric C u rre n t. W e a re ta k in g th e fa s t
w ay.
W e c a ll u p o n th e 0 -1 2 fre q u e n c ie s to a c tiv a te th e m in th e te m p la te w h ic h b e g in s th e p ro c e s s o f
b rin g in g th e s e c u rre n ts d o w n th ro u g h th e b o d y . T h is is a c h ie v e d b y b u ild in g u p th e 1 2 s u b -h a rm o n ic s in
e a c h o n e w h ic h m a k e s it b u ild m u c h fa s te r= o n e
c u rre n t c o m in g d o w n a n d th e o th e r c o m in g u p ; it fo rm s a
p illa r o f c u rre n t th a t p ro g re s s iv e ly g e ts w id e r a n d la rg e r.
D o w n h e re in O e n s ity -1 th e m a in v e rtic a l c u rre n t is v e ry th in th ro u g h th e c e n te r o f th e b o d y .
W hen we
in te g ra te th e S o u l le v e l it g e ts a little w id e r; a n d w h e n w e in te g ra te th e O v e rs o u l it g e ts w id e r s till. W h e n
y o u in te g ra te th e M a h a ra ta , it g e ts s o w id e it fo rm s a p illa r o f lig h t b o th w ith in a n d a ll a ro u n d th e b o d y . It is
c a lle d th e A s c e n s io n T u b e . W h e n y o u
do th e
fa s t e v o lu tio n , it is te m p o ra rily m a n u a lly s tim u la tin g th a t tu b e
to c o m e a ll th e w a y d o w n a n d ' a n c h o r in y o u r fie ld .
It m e e ts th e s k in n y lin e (c e n tra l v e rtic a l c o lu m n ) o f
w h a te v e r y o u h a v e a c tiv a te d , a n d b e g in s to p ro g re s s iv e ly c a ll a ll th e n a m e s (fre q u e n c ie s ) o f th e o th e r
le v e ls in b e tw e e n (fre q u e n c y b rid g e ).
to fo rm w ith o u t 0 -1 2
It w ill a c tiv a te th e A n ta h k a ra n a 0 -9 c u rre n t, b u t w ill ta k e a lo n g tim e
M a h a ra ta C u rre n t to s tim u la te it.
A ll o f th e c u rre n ts fro m 0 -9 d o w n a re c a lle d
K u n d a lin i c u rre n ts . W h e n th e s e o p e n in th e b o d y th e re a re p h y s ic a l s e n s a tio n s th a t g o w ith th e m ; th e re a re
a s e t o f C ra n ia l S a c ra l S e a ls (c ry s ta l s e a ls ) in th e ta ilb o n e a n d p in e a l g la n d . T h e s e c u rre n ts c a n n o t c o m e
in to th e b o d y u n til th e y c a n ru n th ro u g h th e c e n tra l v e rtic a l c o lu m n .
O p e n in g th e s e a ls b e g in s th e
a w a k e n in g p ro c e s s .
A s w e w o rk w ith th e s e c u rre n ts w e a re b u ild in g th e a b ility to ta k e o u r m e m o ry w ith u s a s w e g o b a c k to
G o d -S o u rc e .
W e s ta rt w ith w h o w e a re n o w a n d le t th a t e x p a n d to w h o w e w e re to b e g in w ith -to
C o s m ic C o n s c io u s n e s s w ith in u s .
C o n s c io u s n e s s .
As
you
b u ild
th e s e
c u rre n ts
C o n s c io u s n e s s ; th e E te rn a l F la m e . It e x is ts
th e e n tire u n iv e rs e .
h o ld
It is a p ro c e s s o f e x p a n s io n , a n d w e s ta rt firs t w ith d e v e lo p in g C h ris t
within
you
a re
p ro g re s s iv e ly
b rin g jn g
a liv e
th e
E te rn a l
y o u a n d a ls o s u rro u n d s th e e n tire u n iv e rs e , a n d is w ith in
W e a re w a k in g o u rs e lv e s u p to th e fa c t th a t w e h a v e a lw a y s b e e n a t o n e w ith th e
E te rn a l C o n s c io u s n e s s .
The Kathara Grid
T h e K a th a ra G rid (D iv in e B lu e p rin t) is th e n e x t le v e l o f s tru c tu re w ith in th e G o d W o rld s , w ith in th e s e q u e n c e
th ro u g h w h ic h c re a tio n e m e rg e s fro m S o u rc e . T h e re is a D iv in e O rd e r th a t is h e ld a n d s e t b y th e D iv in e
B lu e p rin t. T h is is a c o re s c a la r te m p la te , a
core structure
o n w h ic h a ll s tru c tu re s w ith in c re a tio n a re b u ilt.
T h e s tru c tu re re p lic a te s to m a k e m o re o f its e lf w ith in th is fo c u s o f a tte n tio n fie ld . T h e re is a m a th e m a tic a l
p ro g ra m th a t s e ts th e m a th e m a tic a l re la tio n s h ip s b e tw e e n th e s e u n its o f th e C o n s c io u s n e s s o f G o d .
11
?ee
th e K a th a ra T e a m M o d u le ,
©A
&A
Engaging the God Languages,
D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
fo r m o re o n th is s u b je c t.
P a rt o f th e M e E D F re e d o m
[P ro d u c t C o d e E G U D V O /H B j
T e a c h in g s ®
S e rie s .
33
S tru c tu re
o f th e K a th a ra
W hen
L e v e l- 1
we
th in k
of
S o u rc e ,
when
we
th in k
of
th e
C o n s c io u s n e s s o f S o u r c e , it is a v e r y fr e e u n s tr u c tu r e d a n d
1 2 - T r e e G r id C o r e S c a la r T e m p la t e
in te g r a te d c o n s c io u s n e s s c r e a tin g s tr u c tu r e a n d p r o je c tin g
Its c o n s c io u s n e s s in to s tr u c tu r e . It h a s a p a r tic u la r in te n t, a
p a r tic u la r d e s ig n fo r w h a t It m a n ife s ts
in c r e a tio n . T h a t
in te n t, th a t d e s ig n , th a t c o r e te m p la te is s tr u c tu r e d in a v e r y
o r d e r ly
w ay.
. It is
s tr u c tu r e d
in
a
p a r tic u la r
s tr u c tu r e
r e p r e s e n te d b y th e K a th a r a G r id .
T h e r e is a d ia g r a m o f th e D iv in e B lu e p r in t, th e K a th a r a G r id
a t th e le ft. K a
= L ig h t ( G o d e x p r e s s io n
I
S o u n d ( G o d in te n tio n
(M a n U ).
Ufe.
T h is d ia g r a m
I e x p a n s io n ) ;
Tha
=
d r a w in g in ) ; a n d R a = O n e S p ir it
is a ls o c a lle d th e
Tree of Eternal
E a c h p o in t r e fe r s to a s c a la r - w a v e o f c o n s c io u s n e s s .
O th e r K a th a r a G r id s b u ilt o n 1 1 , 1 0 o r 8 p o in ts a r e n o t
h o ld in g th e D iv in e B lu e p r in t, a n d th e te a c h in g s a s s o c ia te d
w ith th e m r e fle c t th e d iffe r e n c e . In s te a d o f
Eternal Ufe,
th e y g iv e te m p o r a r y o r fin ite life . T h e y w e r e ta k e n
o u t o f th e o r ig in a l 1 2 - p o in t g r id ; th in g s w e r e d o n e to th e m th a t c u t o ff th e a b ility to h o ld 0 - 1 2 fr e q u e n c y
( C h r is to s fr e q u e n c y ) .
T h e s e te m p la te s d o n o t h a v e th e a b ility to p lu g in to th e G o d - W o r ld te m p la te . T h e y
a r e c a lle d a n ti- C h r is to s b e c a u s e th e y d o n o t h a v e a b ility to h o ld C h r is to s fr e q u e n c y . 12
. In th e M a n U F ie ld , th e S till P o in t F ie ld w h e r e c r e a tio n ta k e s p la c e ,
The
C o s m ic
B ase 12
K a th a ra
G r id
w e h a v e th e E ir A a n d M a n A F ie ld s . E a c h o n e o f th e s e ta k e s o n th e
2 4 P o in t E t e r n a l L if e T e m p la t e
M anA
K a th a ra
1 2 P o in t
G r id
B a s e - 1 2 p r o g r a m a n d c r e a te s a K a th a r a G r id w ith 1 2 p o in ts . T h e y
b r e a k th e ir c o n s c io u s n e s s d o w n in to 1 2 p o in ts o f v ib r a tio n .
They
m a n ife s t a s 2 in te r c o n n e c tin g K a th a r a G r id s ( 2 4 p o in ts ) ; b u t e a c h
o n e is a s e p a r a te in d iv id u a tio n u n to th e m s e lv e s th a t to g e th e r fo r m
a 2 4 - p o in t
C o s m ic
T e m p la te .
The
p a tte r n
is r e fle c te d
th r o u g h
e v e r y th in g .
T h e K a th a r a G r id is a ls o a m a p o f U n iv e r s a l S ta r G a te s . T h e
C h r is to s b lu e p r in t is th e p a r t o f u s th a t is a ll c o n n e c te d . A t th is le v e l
w e a ll lo o k lik e p a le s ilv e r liq u id lig h t b e in g s ( s till in d iv id u a ls th a t
k n o w o u r s e lv e s a s o n e o f th e m a n y , a n d m a n y o f th e o n e ) b u t o n e
M anA
M anU
fo r m ; w e d o n o t h a v e m u c h d iffe r e n tia tio n .
P illa r
P illa r
E ir A P illa r
le v e l o f th is a ls o . It is a
core
T h e G o d W o r ld s h a v e a
te m p la te fr o m w h ic h w e th e
core
te m p la te fo r in d iv id u a tio n th a t m a k e s o n e fo r m ; i.e ., h u m a n , d o g , c o w . C e r ta in m a th e m a tic a l p r o g r a m s a ls o
fo r m p la n e ts a n d s ta r s . A t th e
core w e
core
o f a ll life th e r e is s till a v e r y s im p le B a s e - 1 2 fo r m . o f K a th a r a G r id . A t th e
a r e a ll th e s a m e .
.
.
K a th a r a C e n te r s
T h e K a th a r a G r id h a s 1 2 C e n te r s , e a c h c a r r y in g th e c o r e c o d in g , th e c o r e in te n t o r p r o g r a m , th e c o r e
te m p la te fo r w h a t w ill m a n ife s t o n th e d im e n s io n a l le v e l o v e r 1 2 d im e n s io n s .
K a th a r a C e n te r s r e p r e s e n tin g 1 2 d im e n s io n s .
te m p la te fo r w h a t w ill m a n ife s t a t th a t d im e n s io n a l le v e l in c r e a tio n .
T h e K a th a r a C e n te r s a r e c o n d e n s e d
core electro-tonal geometrical mathematical program fo r
core coding th a t w ill c o n d itio n a ll th e r e s t o f m a n ife s t c r e a tio n .
s c a la r - w a v e p o in ts th a t h o ld th e
s tr u c tu r e . T h e y c a r r y th e
12 A n ti-C h ris to s :
A K a th a r a G r id h a s 1 2
E a c h c e n te r c a r r ie s th e d e s ig n e d c o r e in te n t, th e c o r e
d im e n s io n a liz e d
E v e r y th in g th a t
a b o u t s y s te m s , ra c e s , p la c e s , b e in g s c re a te d o n a p e rv e rs io n o f th e O rig in a l E te rn a l L ife 1 2 -p o in t te m p la te ,
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt 0 1 th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
34
m a n ife s ts in c re a tio n h a s a d e s ig n ; a n d th a t d e s ig n in its p u re s t fo rm is c o d e d in th e K a th a ra G rid a s a
fo u n d a tio n w ith in c re a tio n .
T h e p ro g ra m fo r P a rtik i P h a s in g a n d v ib ra tio n -o s c illa tio n fo r e a c h d im e n s io n a l fre q u e n c y b a n d is s e t in th e
c o rre s p o n d in g
K a th a ra C e n te r. T h e K a th a ra C e n te rs s e t th e te m p la te fo r e a c h d im e n s io n to g ro u n d
c o n s c io u s n e s s w ith in th e h o lo g ra p h ic e x p e rie n c e o f m a n ife s ta tio n .
key
S o , it is a
s tru c tu re , a k e y to o l b y
m e a n s o f w h ic h S o u rc e p u ts s tru c tu re in to c re a tio n , p u ts c o n s c io u s n e s s in to m a n ife s ta tio n , w h e re th e c o re
c o d in g is s to re d fo r th e b o d ie s th a t h o u s e o u r c o n s c io u s n e s s in c re a tio n .
K a th a ra m e a n s L ig h t-S o u n d -
O n e : K a -T h a -R a . E a c h o f th e K a th a ra C e n te rs o r K a th a ra S p h e re s re p re s e n t a s p e c ific p o in t o f v ib ra tio n , a
c o re s e t o f v ib ra tio n s th a t h o ld th e rh y th m , p u ls a tio n p a tte rn a n d g e o m e tric a l re la tio n s h ip fo r e a c h o f th e
firs t 1 2 -D im e n s io n a l b a n d s .
K a th a ra L in e s
T h e K a th a ra G rid is a b u ild in g b lo c k , a s c a la r-w a v e te m p la te . E a c h K a th a ra C e n te r g o e s w ith e a c h
d im e n s io n a l le v e l a n d h o ld s th e m a th e m a tic a l g e o m e tric a l p ro g ra m fo r e a c h d im e n s io n a l le v e l.
K a th a ra G rid a re lin e s lin k in g th e K a th a ra C e n te rs ; th e s e a re c a lle d K a th a ra
L in e s .
W ith in th e
T h e s e k e y lin k s
b e tw e e n th e K a th a ra C e n te rs c a rry th e in fo rm a tio n fro m o n e c e n te r to th e n e x t, e ffe c tiv e ly c a rry in g th e
in fo rm a tio n fro m o n e d im e n s io n a l le v e l to a n o th e r.
K a th a ra L in e s a re th e
primary sequences
of
Partiki Phasing
th a t tra n s m it th e e le c tro -to n a l p ro g ra m s h e ld
w ith in th e K a th a ra C e n te rs fro m o n e d im e n s io n to a n o th e r, to k e e p th e c o n tin u a l flo w o f c o n s c io u s n e s s
c irc u la tin g th ro u g h o u t th e 1 5 -d im e n s io n a lle v e ls
K a th a ra
L in e s c o n n e c t e a c h
h a rm o n ic
o f th e m o rp h o g e n e tic fie ld . W h e n fu n c tio n in g p ro p e rly , th e
a n d d im e n s io n
o f c o n s c io u s n e s s
to th e
o th e r a n d g o v e rn
s y n c h ro n iz a tio n o f c y c le s o f tim e w ith in th e d im e n s io n a l fie ld s a n d w ith in th e m o rp h o g e n e tic fie ld , D N A a n d
b o d y rh y th m s o f d lm e n s lo n a liz e d fo rm s . T h e 3 v e rtic a l K a th a ra L in e s c o n tro l th e o p e ra tio n o f th e o th e r 1 2
K a th a ra L in e s . T h e C e n tra l V e rtic a l
K a th a ra L in e is th e c o n tro l c e n te r fo r P a rtik i P h a s in g
rh y th m s
th ro u g h o u t th e K a th a ra L in e s y s te m .
Primal Manifestation Template
T h e K a th a ra G rid is b u ilt u p o n w h a t is c a lle d th e K ris t C o d e . It is th e C o d e o f E te rn a l L ife M a n ife s ta tio n
o f F irs t C re a tio n a n d th e K a th a ra G rid is th e
core
s tru c tu re .
T h e K a th a ra C e n te rs a re ra d ia tio n u n its . T h e K a th a ra G rid is a s tru c tu re
o f ra d ia tio n u n its a n d th e in te ra c tio n lin e s th a t fo rm b e tw e e n th e m . It h a s
to d o w ith th e c o re e n c ry p tio n a n d th e tin ie s t o f tin y , a n d a ls o th e la rg e s t
e n c ry p tio n o r th e la rg e s t s tru c tu re s th a t th e c o s m o s is fo rm e d o n . It is a ll
b u ilt u p o n th e K a th a ra G rid , s e ts o f K a th a ra G rid s th a t a re in te rw o v e n .
W e h a v e e m b e d d e d K a th a ra G rid s th a t g iv e u s d im e n s io n a lity .
T h e re
4~?::<//'
i
i
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a re s m a ll o n e s lik e D -1 , D -2 a n d th e n D -3 a n d th e n a la rg e r o n e c a lle d a
D e n s ity K a th a ra G rid .
Y o u h a v e o th e r s tru c tu re s th a t a re in te rre la te d
K a th a ra G rid s th a t fo rm c o m p le x s tru c tu re s o n th e u n iv e rs a l, c o s m ic a n d
p la n e ta ry le v e ls . T h e s e a re S ta r G a te s tru c tu re s a n d S ta r G a te m a p s .
O n th e p e rs o n a l le v e l th e y a re th e m a p s to th e lite ra l S ta r G a te s w ith in y o u r b o d y s tru c tu re a n d y o u r L ig h t
B o d y s tru c tu re . E a c h s e t o f th e s e m a p s h a s a n a m e .
It c re a te s th e p rim a ry le v e ls o f y o u r n a tu ra l L ig h t
B o d y s tru c tu re , s o y o u h a v e y o u r lo w e r L ig h t B o d y s tru c tu re if y o u a re d o w n h e re in D e n s ity -1 . A ll o f th e s e
s tru c tu re s c re a te s p h e re s w ith in s p h e re s th a t a re g ro w in g la rg e r a n d th e y re p re s e n t th e la rg e r p a rts o f y o u r
L ig h t B o d y a n a to m y th a t a re c o n n e c te d to th e s a m e p a rts th a t a re b u ilt o n th e s a m e s tru c tu re o f th e
p la n e ta ry , g a la c tic , u n iv e rs a l a n d c o s m ic L ig h t B o d y s tru c tu re .
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e
M e EO
F re e d o m
T e a c h in g s ®
S e rie s .
35
r
CBA
The 2 Interwoven Kathara Grids of Prim al Order within the Universal Tim e Matrix and
Cosm ic Energy Matrix of the Prim al Manifestation Tem plate ZYXWVUTSRQPONMLKJIHGFEDCBA
O n p a g e 1 2 o f th is h a n d b o o k w e s h o w a d ia g r a m d e p ic tin g th e c o m b in a tio n o f th e 1 5 - D im e n s io n a l T im e
M a tr ix a n d th e K a th a r a 1 2 - T r e e G r id . T h is fig u r e illu s tr a te s th e K a th a r a G r id in r e la tio n to th e u n d e r ly in g
d im e n s io n a l s tr u c tu r e .
It c o m p r is e s 2 in te r w o v e n K a th a r a G r id s o f P r im a l O r d e r w ith in th e U n iv e r s a l T im e
M a tr ix a n d C o s m ic E n e r g y M a tr ix o f th e P r im a l M a n ife s ta tio n T e m p la te .
C o s m ic K a th a r a G r id fo r m
th e F ir s t P r im a l O r g a n iz a tio n
T h e 1 2 K a th a r a C e n te r s o f th e
o f P a r tik i S c a la r G r id s th a t fo r m s th e 3 n o n -
d im e n s io n a l le v e ls o f th e E n e r g y M a tr ix a n d a n te - m a tte r D im e n s io n s 1 3 - 1 5 o f th e T im e M a tr ix .
W e h a v e 1 2 d im e n s io n s o f m a n ife s t d e n s ity , 3 d im e n s io n s o f th e P r im a l L ig h t F ie ld s a n d 3 le v e ls o f th e
P r im a r y S o u n d F ie ld s b e y o n d th a t. T h e r e fo r e tw o K a th a r a G r id s r e p r e s e n t ( o r h o ld ) th e p r o g r a m s fo r 2 4
p o in ts o f c o n c e n tr a te d fr e q u e n c y .
O n e o f th e K a th a r a G r id s s p a n s th e 1 2 d im e n s io n s o f th e m a tte r fie ld s .
E a c h K a th a r a C e n te r is k e y e d to a d im e n s io n le v e l. T h e d im e n s io n a l le v e ls a r e r e p r e s e n te d b y a p a r tic u la r
fr e q u e n c y , a n d th a t fr e q u e n c y in tu r n is c o d e d b y c o lo r .
It is n o t K e y lo n tic S c ie n c e th a t s ta te s , fo r e x a m p le ,
th a t D im e n s io n
1 is r e d ; it is ju s t th a t th e c o lo r fr e q u e n c y
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d im e n s io n a l le v e ls .
color is
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b y m e a n s o f w h ic h w e c a n a c c e s s c o r e fr e q u e n c ie s
C o lo r is u s e d in th e s e d ia g r a m s
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d im e n s io n a l b a n d . W e h a v e o u r K a th a r a G r id s p a n n in g th e lo w e r 1 2 d im e n s io n s w ith in o u r lo c a l u n iv e r s e .
T h is is r e fe r r e d to a s th e U n iv e r s a l K a th a r a G r id o r th e D e n s ity K a th a r a G r id .
T h e r e is
an additional Kathara Grid s p a n n in g
C e n te r K a th a r a G r id .
th e P r im a l L ig h t a n d th e P r im a l S o u n d F ie ld s ; a g a in , it is a 1 2 -
T h e fir s t 3 K a th a r a C e n te r s s p a n th e P r im a l L ig h t F ie ld s a n d th e u p p e r 9 K a th a r a
C e n te r s s p a n 3 le v e ls o f th e P r im a l S o u n d F ie ld s . T h e P r im a l S o u n d F ie ld s a r e s o m e w h a t d iffe r e n t in th a t
th e y a r e n o n - d im e n s io n a liz e d , s o w e h a v e a s lig h tly d iffe r e n t s tr u c tu r e to th e K a th a r a G r id a t th is le v e l, a n d
a t th is le v e l th e r e is le s s s e p a r a tio n fr o m S o u r c e .
T h e s tr u c tu r e s , th e P a r tik i u n its th a t m a n ife s t a t th is p r im a l s o u n d le v e l d o n o t fo r m s ta n d in g w a v e s in th e
s a m e w a y th e y d o w ith in th e 1 5 d im e n s io n s o f th e d im e n s io n a l s tr u c tu r e .
a r e d e s c r ib e d a s D o m a in s .
T h e s e h ig h e r K a th a r a C e n te r s
T h e 9 D o m a in s s p a n n in g th e P r im a l S o u n d F ie ld s a ls o in c lu d e th e 3 lo w e r
K a th a r a C e n te r s in th e P r im a l L ig h t F ie ld s a s p a r t o f th e D o m a in s a s w e ll. T h e r e fo r e , w e h a v e th e P r im a r y
9 D o m a in s in th e P r im a lS o u n d
F ie ld s . T h e u p p e r K a th a r a G r id is r e fe r r e d to a s th e C o s m ic K a th a r a G r id ,
1 2 K a th a r a C e n te r s o f th e C o s m ic K a th a r a G r id , th e F ir s t P r im a l O r g a n iz a tio n o f P a r tik i S c a la r G r id s th a t
fo r m s th e 3 n o n - d im e n s io n a l le v e ls o f th e E n e r g y M a tr ix a n d a n te - m a tte r d e n s ity D im e n s io n s 1 3 - 1 5 o f th e
T im e M a tr ix .
T h e T im e M a tr ix s p a n s th e 1 5 - D im e n s io n a l le v e ls w ith in o u r u n iv e r s e , th e 5 d e n s ity le v e ls ,
e a c h w ith 3 d im e n s io n s .
T h e T im e M a tr ix r e p r e s e n ts th e p a r t o f o u r u n iv e r s e w h e r e th e r e a r e b e g in n in g s a n d e n d in g s .
a t th is le v e l. A s w e m o v e o u t b e y o n d th is le v e l in to th e n o n - d im e n s o n a liz e d
g e ttin g
m u c h c lo s e r to e te r n ity .
W e a r e g o in g
T im e e x is ts
P r im a l S o u n d F ie ld s , w e a r e
b e y o n d th e le v e l o f c r e a tio n
w h e re
w e h a v e s p e c ific
b e g in n in g s a n d e n d in g s , a n d b e y o n d th a t w e a r e in to th e v e r y p u r e in te g r a te d C o n s c io u s n e s s o f S o u r c e .
Seeing W here Everything Fits Together: The Ecka Maps
B e lo w a r e tw o K a th a r a G r id s . T h e fir s t K a th a r a G r id , th e U n iv e r s a l K a th a r a G r id s p a n s th e lo w e r 1 2
d im e n s io n s o f m a tte r w ith in o u r lo c a l u n iv e r s e w ith its 4 d e n s ity le v e ls . T h e u p p e r K a th a r a G r id s p a n s th e
P r im a l S o u n d a n d th e P r im a l L ig h t F ie ld s , a n d a g a in h a s 1 2 K a th a r a C e n te r s . T h is c o m b in a tio n o f 2
K a th a r a G r id s s p a n n in g th e P r im a l S o u n d , th e P r im a l L ig h t, a n d th e m a tte r fie ld s in o u r lo c a l u n iv e r s e
r e p r e s e n ts th e m a tte r s id e o f o u r u n iv e r s e , th e P a r tic u m s id e o f o u r u n iv e r s e .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts
R e s e rv e d ;
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S e r ie s .
36
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m a tte r e x p re s s io n , w e h a v e a n e q u a l a n d o p p o s ite e x p re s s io n in
a n ti-m a tte rw e h a v e p o la r o p p o s ite s . S o , th is m a tte r u n iv e rs e h a s a n
e q u a l a n d o p p o s ite e x p re s s io n in a n ti-m a tte r.
In o th e r w o rd s , th e
P a rtic u m U n iv e rs e h a s a n e q u a l a n d o p p o s ite P a rtik A tw in .
The
fig u re b e lo w b rin g s th e tw o s id e s o f o u r u n iv e rs e in to re la tio n s h ip s o
13
w e c a n s e e w h e re e v e ry th in g fits to g e th e r.
T h is d ia g ra m s h o w s y o u th e b e g in n in g o f th e E c k a M a p s o f th e G o d
W o rld
c o rre s p o n d
G a te s . T h e
lo w e r K a th a ra
G rid , S ig n e ts
1 th ro u g h
12
to o u r U n iv e rs a l
P rim a l F o rc e C u rre n ts c irc u la te
S ta r G a te s , th e 1 2 d im e n s io n s
o f o u r 1 5 -0 im e n s io n a l
th ro u g h U n iv e rs a l V e c a fo rm
E c k A In n e r G o d W o rld v ia th e
T im e
D e n s ity & D im e n s io n a l L o c k s &
S ta r G a te s (A - G ), th e n tlo w
M a trix .
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S y s te m . If y o u s ta rt a t th e T ri- .
v e c a p o in t a n d fo llo w it to y o u r
le ft, th a t is o u r P rim a l L ig h t
fie ld a n d S o u n d fie ld .
A t a 9 0 -d e g re e s h ift in A R P S , is th e P a ra lle l U n iv e rs a l K a th a ra G rid w ith its 1 2 d im e n s io n s a n d 4 d e n s ity
le v e ls . T h e n a t a fu rth e r 9 0 d e g re e s to th is , a re th e P a ra lle l L ig h t a n d S o u n d F ie ld w ith its P a ra lle l C o s m ic
K a th a ra G rid . R ig h t a t th e c e n te r th e re is a s m a lle r K a th a ra G rid th a t h a s d o u b le th e fre q u e n c ie s o f th e
o th e rs . T h is is c a lle d th e E c k a , th e G o d -S e e d . It is th e C o re S e e d o u t o f w h ic h a ll o f th e w o rld s in th e s e
1 5 -0 im e n s io n a l T im e M a tric e s c a m e . A ll o f th e e n e rg y th a t is m a n ife s t h e re in th e P C M s ta rte d o u t fro m th e
E c k a G o d -S e e d , a n d it s p ira lle d o u tw a rd fro m th e re in to th e s e m a n ife s t fo rm s a n d s tru c tu re s . T h e E c k a is
h o m e to e v e ry o n e in th is 1 5 -0 im e n s io n a l T im e M a trix a n d in its p a ra lle l. T h e 4 K a th a ra G rid s c o m e in to
re la tio n s h ip in th is p a rtic u la r s tru c tu re .
T h is d ia g ra m s h o w s th e P a rtic u m , th e m a tte r s id e o f o u r u n iv e rs e re p re s e n tin g th e P rim a l S o u n d , th e
P rim a l L ig h t, a n d th e m a tte r fie ld s . T h e re is a n e q u iv a le n t e x p re s s io n o n th e a n ti-m a tte r s id e , th e P a rtik A
s id e . W e h a v e a d e n s ity o r U n iv e rs a l K a th a ra G rid s p a n n in g 1 2 d im e n s io n s o f th e a n ti-m a tte r P a rtik A s id e
o f o u r u n iv e rs e . T h e re is a p a rtic u la r s e q u e n c e , a v e ry s p e c ific o rd e r to th is s tru c tu re . If w e ta k e th e m a tte r
fie ld s w ith in o u r P a rtic u m U n iv e rs e a n d e x a m in e th e re la tio n s h ip to th e a n ti-m a tte r fie ld s o n th e P a rtik A
s id e , w e c a n s e e th e re is a 9 0 d e g re e s h ift. T h is 9 0 d e g re e s h ift g o e s b a c k to th e o rig in a l P a rtik i P h a s in g
p ro c e s s . T h e u n its o n th e m a tte r s id e h a v e o n e a n g u la r ro ta tio n a n d th e u n its o n th e a n ti-m a tte r s id e h a v e
a n a n g u la r ro ta tio n o rie n te d a t 9 0 d e g re e s to th a t.
13 F ro m
Dance for Life / UK:
©A
G o d W o rld m a p s a re c o -o rd in a te m a p s .
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e
M e EO
F re e d o m
T e a c h in g s ®
S e rie s .
37
LocksZYXWVUTSRQPONMLKJIHGFEDCBA
T h e lo w e r d ia g ra m o n p a g e 3 7 s h o w s th e 4 K a th a ra G rid s th a t fo rm o u r lo c a l u n iv e rs e a n d re p re s e n t
q u a d ra n ts . A t th is le v e l w e h a v e a n a d d itio n a l s tru c tu re w ith in o u r K a th a ra G rid th a t is re fe rre d to a s
locks.
L o c k s a ris e b e tw e e n d im e n s io n a l le v e ls a n d b e tw e e n d e n s ity le v e ls a n d e ffe c tiv e ly h o ld th e s tru c tu re o f
c re a tio n in p la c e .
C h a k ra s .
F o r e x a m p le , w e h a v e o u r C h a k ra s a n d w e h a v e o u r S ta r C ry s ta l S e a ls b e tw e e n th e
T h e s e S ta r C ry s ta l S e a ls s e rv e a fu n c tio n to k e e p th e e n e rg ie s o f th e C h a k ra s a p a rt.
lo c k s h a v e a v e ry im p o rta n t fu n c tio n o f h o ld in g s tru c tu re in p la c e ."
S o , th e
T h e s e lo c k fe a tu re s p re s e rv e th e
s tru c tu re fo r a s lo n g a s it is n e e d e d u n til w e c o m e to a p o in t in c re a tio n w h e re w e tra n s c e n d th e s e p a ra tio n
th a t is e n fo rc e d b y th e lo c k s . W h e n w e c o m e to th a t p o in t w e e ffe c tiv e ly h a v e to o p e n th e lo c k s .
O n th e s a m e d ia g ra m L -n u m b e rs in th e s q u a re s re p re s e n t
dimensional locks.
T h e lo c k s a re b a s ic a lly
fre q u e n c y b a rrie rs th a t p re v e n t th e fre q u e n c ie s fro m o n e d im e n s io n fro m ru n n in g in to a n o th e r d im e n s io n
u n til th e lo c k is o p e n . T h e re a re s m a lle r d im e n s io n a l lo c k s in -b e tw e e n th e in d iv id u a l d im e n s io n s , b e tw e e n
D -2 a n d D -3 , b e tw e e n D -3 a n d D -4 , e tc .
W e a ls o h a v e la rg e r d e n s ity lo c k s b e tw e e n d e n s ity le v e ls th a t
m a in ta in s e p a ra tio n b e tw e e n th e d e n s ity le v e ls w ith in th e K a th a ra G rid .
F o r e x a m p le , w e h a v e a la rg e
d e n s ity lo c k in d ic a te d b y th e d ia m o n d -s h a p e d lo c k (L 1 ) b e tw e e n D im e n s io n s 3 a n d 4 , e n fo rc in g s e p a ra tio n
b e tw e e n D e n s ity -1 a n d D e n s ity -2 . T h e re is a ls o a lo c k b e tw e e n D im e n s io n s 3 a n d 4 a n d in b o d ily te rm s it
c o rre s p o n d s to o u r E -u m b i p o in t.
b e tw e e n D im e n s io n s 6 a n d 7 .
W e h a v e a s im ila r lo c k b e tw e e n D e n s ity le v e ls 2 a n d 3 , e s s e n tia lly
T h e d im e n s io n a l lo c k a t th e c e n te r (L 6 ) c o rre s p o n d s to th e A z u rA in o u r
b o d y , a n d th e re is a n o th e r d im e n s io n a l lo c k b e tw e e n D im e n s io n s 9 a n d 1 0 w h ic h c o rre s p o n d s to th e
R a jh n a p o in t in o u r b o d y .
W h e re v e r y o u s e e a K a th a ra G rid , it im p lie s th a t th e re is a n A z u rA p o in t a t th e c e n te r p o in t, a n d th a t is
w h e re th e s e e d a to m e x is ts a n d w h e re th e life -fo rc e ro ta tio n s p in s fro m .
T h a t is w h e re th e c re a tio n
fre q u e n c ie s , o n a c y c lic b a s is , c a n re c h a rg e th e s e e d a to m s o th a t e te rn a l life is p o s s ib le . R ig h t n o w o u r
b o d ie s a re n o t w o rk in g th a t w a y , th o u g h th e y w e re d e s ig n e d to w o rk th a t w a y . O u r p la n e t w a s d e s ig n e d to
w o rk th a t w a y . W e a re in th e p ro c e s s o f re c la im in g th a t.
T h e re a re
two important locks
a t th e to p a n d th e b o tto m o f th e K a th a ra G rid .
L o c k 4 lie s b e tw e e n
D im e n s io n s 1 2 a n d 1 3 (L o c k 4 , th e c e n te r lo c k is n o t s h o w n o n th e d ia g ra m ), a n d th e Z e ro P o in t L o c k (L Z )
is lo c a te d a t th e b o tto m . E a c h e x tre m ity o f th e K a th a ra G rid h a s a re la tio n s h ip to th e P rim a l S o u n d F ie ld s
th a t e n c o m p a s s th e w h o le s tru c tu re .
re p re s e n ts th e
Zero Point,
A ls o , th e re is a w in d o w in th e c e n te r o f th e K a th a ra G rid th a t
th e p o in t o f in te g ra tio n w ith in th e u n iv e rs a l s tru c tu re .
T h e s e Z e ro P o in t L o c k s
c o n n e c t to th e c o re lo c k s tru c tu re a t th e c e n te r. T h e d e n s ity lo c k s , th e b ig g e r o n e s , a re
Void Locks.
They
a re th e lo c k s th a t b lo c k th e fre q u e n c ie s b e tw e e n e a c h o f th e d e n s ity le v e ls o f m a tte r. W ith in o u r e m b o d ie d
K a th a ra G rid , th e re is a lo c k b e tw e e n th e D -1 , D -2 , a n d D -3 fre q u e n c ie s o f y o u r a w a re n e s s h e re . Y o u h a v e
y o u r D -3 M e n ta l B o d y , y o u r D -2 E m o tio n a l-E le m e n ta l B o d y , a n d y o u r D -1 A to m ic -E th e ric B o d y d o w n h e re .
A t th e D -4 , D -5 a n d D -6 le v e ls y o u h a v e y o u r S o u l le v e l o f c o n s c io u s n e s s , a n c .a g a in y o u h a v e a D -4
E th e ric -A to m ic B o d y , y o u h a v e a D -5 , w h ic h is D e n s ity -2 E m o tio n a l-E le m e n ta l, a n d a D -6 w h ic h is th e
D e n s ity -2 o r S o u l le v e l M e n ta l B o d y . T o e x p a n d th e s e b o d ie s to h o ld th is fre q u e n c y , th is lo c k (L 1 ) n e e d s to
re le a s e in o rd e r to a llo w fre q u e n c ie s fro m D e n s ity -2 to c o m e in to D e n s ity -1 .
Veca Codes
a re v e ry s p e c ific m a th e m a tic a l p ro g ra m s th a t c o rre s p o n d d ire c tly to e a c h o f th e lo c k s th a t
a llo w fo r a ra p id o p e n in g o f th e fre q u e n c ie s b e tw e e n th e d e n s itie s , w h ic h in tu rn a llo w s fo r th e fa s te s t
p ro c e s s
o f S o u l in te g ra tio n ,
O v e rs o u l
in te g ra tio n , a n d
fre q u e n c ie s o f y o u r h ig h e r d im e n s io n a l s e lf-y o u r
A v a ta r
in te g ra tio n . A s
you
in te g ra te
th e s e
S p iritu a l B o d ie s , y o u a re a ls o p ro g re s s iv e ly a c tiv a tin g
a n d b u ild in g y o u r M e rk a b a w h ile a c tiv a tin g a n d b u ild in g D N A . A s y o u a re o p e n in g lo c k s y o u a re b u ild in g
14 In th e b o d y th e lo c k s a re c a lle d S ta r C ry s ta l S e a ls , w h ic h k e e p th e C h a k ra s s e p a ra te fro m e a c h o th e r.
T h e y k e e p th e
d im e n s io n a l le v e ls o f c o n s c io u s n e s s s e p a ra te fro m e a c h o th e r a t d iffe re n t a n g u la r ro ta tio n s o f p a rtic le s p in to g iv e u s th e
p ro je c te d illu s io n o f 3 -d im e n s io n a l re a lity .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
38
Veca
G a te
le v e ls y o u a re o p e n in g th e d e n s ity b a rrie r b e tw e e n th e D e n s ity -1 s y s te m a n d th e D e n s ity -2 s y s te m .
T h is
M e rk a b a a n d y o u a re a c tiv a tin g s o m e th in g c a lle d th e F la m e B o d y .
W h e n y o u d o th is o n th e
m e a n s th a t y o u c o u ld a s c e n d to D e n s ity -2 th ro u g h th e g a te s , if th is lo c k w a s o p e n e d a n d if y o u c o u ld fu lly
a c tiv a te th e D e n s ity -1 a n d D e n s ity -2 M e rk a b a s to a llo w th e m to b le n d .
E a c h d im e n s io n a l le v e l h a s a M e rk a b a o f its o w n , a s m a lle r d im e n s io n a l o n e . E a c h d e n s ity le v e l h a s a
M e rk a b a . B u ild in g a M e rk a b a is p ro g re s s iv e ly
b u ild in g th e fre q u e n c ie s ,
D e n s ity -2
D im e n s io n -3
in to
D e n s ity -1 ,
d o w n s te p p in g
fro m
in to
b rin g in g th e fre q u e n c ie s
D im e n s io n -2
in to
D im e n s io n -1 ,
fro m
and
p ro g re s s iv e ly b u ild in g a fa s te r, s tro n g e r, h ig h e r fre q u e n c y M e rk a b a V e h ic le .
V eca and E cka C ode Lock K evs
T h e c o n c e p t o f a lo c k m e a n s th a t w e h a v e th e a s s o c ia te d c o n c e p t o f a k e y ... s o m e th in g th a t o p e n s a lo c k .
T h e lo c k e n fo rc e s s e p a ra tio n , b u t th e re m u s t b e a p ro c e s s b y w h ic h th e lo c k is re le a s e d .
T h e re a re c o re
e n e rg y s ig n a tu re s e n c o d e d in s y m b o l c o d e s a n d s o u n d p a tte rn s th a t re le a s e a n d o p e n th e lo c k s . T h e re is
a s e q u e n c e o f s y m b o l c o d e s a n d s o u n d p a tte rn s th a t g o w ith th e lo c k s . T o m o v e u p a n d d o w n th ro u g h th e
s tru c tu re s , w e w o rk w ith th e S ig n e ts , S ta r G a te s , a n d K a th a ra C e n te rs in th e K a th a ra G rid .
B u t w e a ls o
w o rk to re le a s e th e lo c k s to a llo w p a s s a g e b e tw e e n th e S ig n e ts s o w e c a n p ro g re s s u p a n d d o w n th ro u g h
th e s tru c tu re . T h u s w e h a v e a s e q u e n c e o f c o d e s to re le a s e th e d im e n s io n lo c k s , a s e q u e n c e o f c o d e s to
re le a s e th e d e n s ity lo c k s , a n d s o o n u p th ro u g h th e K a th a ra G rid s tru c tu re .
Veca
C o d e s a n d th e E c k a C o d e s a re s y m b o l c o d e s w ith a s s o c ia te d s o u n d to n e s th a t w o rk w ith y o u r
p e rs o n a l s h ie ld s . T h e y a re a ls o k e y e d to th e P la n e ta ry S h ie ld , th e G a la c tic S h ie ld a n d th e U n iv e rs a l S h ie ld .
S p e c ific a lly th e y a c tiv a te S ig n e ts , S ta r G a te s , a n d K a th a ra C e n te rs in y o u r b o d y a n d th e y a c tiv a te th e lo c k s
in -b e tw e e n . T h e y a re th e
Void
C o d e s th a t a c tu a lly o p e n u p th e d e n s ity le v e ls .
T h e re is a s e t o f V e c a
C o d e s th a t g o in e a c h o f th o s e · p o s itio n s . A n d u p o n th e n e x t le v e l, th e E c k a le v e l, th e re a re a s e t o f E c k a
C o d e s ; a n d th e re a re a ls o le v e ls a b o v e th a t w ith th e ir o w n a s s o c ia te d c o d e s .
W e w o rk w ith th e s e c o d e s to lite ra lly b e g in th e p ro c e s s o f h e a lin g a n d o p e n in g o u r R a d ia l B o d ie s to b rin g
o u r d e n s ity le v e ls to g e th e r a s fa s t a s p o s s ib le .
The
Veca
C o d e s a re th e S h ie ld C o d e s th a t a c tiv a te th e
d e n s ity lo c k s th a t a llo w fo r th e p ro g re s s iv e b u ild in g o f th e F la m e B o d y a n d p ro g re s s iv e a c tiv a tio n o f th e
D N A a n d th e M e rk a b a le v e ls th a t g o w ith it.
B e y o n d th e
Vecas
a n d th e E c k a le v e ls w e h a v e m a s s iv e c o d e s c a lle d K ris t C o d e s fro m th e E c k a s h a -A
a n d th e E c k a s h a -A a h le v e ls .
o f la y e rs u p o n la y e rs o f
Veca
K ris t C o d e s a re th e m o s t s o p h is tic a te d
Codes of Consciousness
c o m p ris e d
C o d e s , E c k a C o d e s , a n d o th e r c o d e s fro m a ll d iffe re n t le v e ls o f th e G o d
W o rld s . W e a re w o rk in g w ith s h ie ld s a t th is p o in t, n o t ju s t in d iv id u a l c o d e s .
Heaven Worlds
W ith in th e s tru c tu re , th e c o m b in a tio n o f 4 K a th a ra G rid s a re re fe rre d to a s a
K a th a ra G rid is re fe rre d to a s a
Veca
Q u a d ra n t.
Veca
U n iv e rs e , a n d e a c h
T h e re a re d iffe re n t d e n s ity le v e ls w ith in e a c h K a th a ra
G rid , e a c h d e n s ity s p a n n in g 3 d im e n s io n s .
E a c h o f th e s e 3 d im e n s io n s (i.e ., D im e n s io n s 1 , 2 , a n d 3 )
re p re s e n t a c o h e re n t w o rld w ith in c re a tio n .
W e h a v e a w o rld th a t s p a n s D im e n s io n s 1 , 2 , a n d 3 . T h e 3
d im e n s io n s h a v e a c o h e re n t re la tio n s h ip w ith e a c h o th e r. T h e y c re a te a 3 -d im e n s io n a l re a lity fie ld th a t w e
p e rc e iv e a s a n in te g ra te d e x p e rie n c e
in c re a tio n . W e p e rc e iv e a n d o p e ra te w ith in c re a tio n w ith in a 3 -
d im e n s io n a l w o rld w ith in a 3 -d im e n s io n a l s tru c tu re .
W e liv e in D e n s ity -1 , in D im e n s io n s 1 , 2 , a n d 3 ; th is re p re s e n ts a c o h e re n t e x p e rie n c e o f c re a tio n , a
c o h e re n t w o rld th a t w e c a n p e rc e iv e a n d liv e in w ith in th e s tru c tu re o f c re a tio n .
W e h a v e a w o rld th a t
c o rre s p o n d s to D e n s ity -1 ; w e h a v e a s im ila r w o rld c o rre s p o n d in g to D e n s ity -2 , s p a n n in g D im e n s io n s 4 , 5 ,
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
39
and 6. Each of these worlds, these coherent stations of perception in creation is referred to as a Heaven, a
Heaven World within the structures of creation. A Heaven represents an integrated world that we perceive
as a coherent reality.
We have Density-1, Density-2, and Density-3, each representing a Heaven World. Furthermore, the Primal
Kathara Grid of the Primal Light and Sound Fields in our universe also has its density levels. The top
density levels spanning the top 3 Kathara Centers are represented by the Eckatic level of the Primal Sound
Fields. We have another density level spanning the Polaric level of the Primal Sound Fields. We also have
a density level spanning the Triadic level of the Primal Sound Fields. Therefore, we have 3 density levels, 3
coherent Heaven Worlds within the Primal Light and Sound Fields.
The Particum Side of our Universe
~ .. -~..,
I<~"'.'''''''''''._A''''
.~.. 'x/. '
I/ :::..-:::.
'\
";F// .:
~'
(I
E:~~'
-,
'.>,'
•..----
•...'
' ••.••.oa,_:.r_ •••• ;'
In this diagram we see that Density-4 on the Universal Kathara
Grid and the 5 th density level on the Cosmic Kathara Grid share
a lot in common. Of the 3 pairs of Kathara Centers, 2 of them
are connected; only 1 pair is separate. Kathara Centers 12 and
13 share the same space; Kathara Centers 9 and 15 share the
same space. There is much commonality, much sharing of
space between the top Density-4 in our Universal Kathara Grid
and the 5 th density level of the Cosmic Kathara Grid. The
combination of the 2 represents a coherent Heaven World in its
own right.
We have 3 density levels (Kathara Signets 1-9) in the lower Universal Kathara Grid and 3 density levels in
the higher Primal Kathara Grid and well as a common area between the two representing a 7th Heaven
World. Thus, we have 3 % Lower Heaven Worlds and 3 % Higher Heaven Worlds, which are on the
Particum side of our universe.
We also have a similar structure on the other side, the PartikA side of our universe. There are 3 distinct
Heaven Worlds in the lower structure at the density level; i.e., 3 lower Heaven Worlds in the Universal
Kathara Grid; 3 Higher Worlds in the Cosmic Kathara Grid; and then a common world between them, the
7th Heaven. These add up to 7 Heaven Worlds on the PartikA side and 7 Heaven Worlds on the Particum
side comprising 14 Heaven Worlds within the 4 Veca Quadrants.
There is an additional structure. at the core of this Veca Universe, referred to as the Inner Ecka, the Inner
Ecka World. Just as the Particum represents the female or what is called the EirA side of our universe, and
the PartikA represents male, the ManA side of our universe, we have a neutral core that synthesizes both
polarities. This neutral core is represented by a Kathara Grid referred to as the Inner Ecka.
Once we get up to this level of the God Worlds, the next step would be to go from the Veca Quadrants to
the Ecka. From the Ecka you could go up to the Eckasha Corridor level, this would be the next level in the
Stairway to Heaven.
Cosmic Eckasha Middle God World Corridor
Our Veca Universe exists within a higher level structure. We have the 4 Veca Quadrants within our Ecka
Core constituting an Ecka-Veca Universe. The whole structure of a Veca Universe is held within a larger
Kathara Grid, which is referred to as the Eckasha level. An Eckasha holds one Veca which has 7 Higher
© A & A Deane, 2010, All Rights Reserved; Part of the MCED Freedom Teachings®
Series.
40
Heavens on the primal side and 7 Lower Heavens on the universal or the matter side, 1 Ecka Lower God
World at the core.
At th e E c k as h a Ieve,I th e
Eckasha has relationship to
the
Ecka
Core.
The
combination of the Eckasha
Each Veca System of 15
Manifestation Fields & 3 Time
~~~~~~.IS encased wilhln one
One EckashaCreales
3.5 Middle God W o~ds
Combined with Ihe
Ecka~W orld
Matrix from the Veca
System below, the
Ecka & the Eckasha
form a full 3rd Time
Matrix - the 3.5
Eckasha God W o~ds.
and the Ecka Core constitutes
combined with the
One Eckasha holds:
expanded 3.5 Ecka
1 Veca
God Wor1ds create one
an additional 7 God Worlds-7
(7 "Higher Heavens" +
set of Eckasha (full
7 "Lower Heavens")
Ecka) "7 Heavens".
Middle God Worlds. When you
1 Ecka Lower God
One Eckasha Middle
W orld
God Wor1ds contains.a
combine the 15 God Worlds
7 Eckasha - God
Full Time Matrices;
W orlds;
namely 2 Veca Time
within the Ecka-Veca Universe
which equals the
Matrices, plus Inner
content of 3 - 15
Lower Ecka, plus
itself with the additional 7
Dimensional Time
Ecka-Eckasha Middle
Matrix Systems
Inner Time Matrices.
deriving from the Eckasha
structure, we end up with a
total of 22 Worlds within an Eckasha. The Eckasha structure is referred to as a Corridor, an Eckasha
Corridor. At the Eckasha level we refer to the Heaven Worlds as Middle God Worlds.
At this level we have an additional sequence of locks (i.e., C1). We have our Eckasha Corridor density
locks represented by the letter "C" on the diagram above. We have our Eckasha Corridor density locks
between each density level within the Eckasha Kathara Grid. Between Kathara Centers 3 and 4 of the
Eckasha we have a very important density lock structure, and a similar one between Kathara Centers 6 and
7, Lock C2 right at the center of the Eckasha Ecka structure. Another density Lock C3 (upper right on
Figure 16) is between Eckasha Centers 9 and 10. And then there is Lock C4 at the very top and Lock CZ,
a Zero Point lock, at the bottom.
The Cosmic Eckasha-A Higher God World Spectra
The diagram on page 42 shows our Eckasha Corridor with its Veca Universe and Inner Ecka Core. This
Eckasha structure has a relationship to another 3 similar Eckasha structures. They effectively form
quadrants within a higher level structure that is referred to as the Eckasha-A or an Eckasha-A Spectra. An
Eckasha-A is also referred to as a Higher God World. An Eckasha is referred to as a Middle God World.
And the Veca Universe itself is called the Lower God World.
This higher level structure is represented by its own Inner Ecka Core and its own Outer Eckasha
superstructure that holds the whole structure in place. Between the Inner Ecka Core of the Eckasha-A and
the Outer Eckasha structure that holds the whole thing in place are an additional 8 God Worlds. There is
one in the Ecka Core and 7 between the Outer Eckasha and the Inner Ecka, When we take the 22 worlds
in each Eckasha times 4 making up 88, plus an additional one in the Ecka Core, plus 7 between the Outer
Eckasha and the Inner Ecka Core, we have a total of 96 (88 plus 8) Heaven Worlds. We thus have 96
discrete manifestation fields within one Cosmic Eckasha-A Higher God World Spectra-4 Vecas I 56
"Heavens", 16 Quadrants, 4 Ecka Lower Inner God Worlds, 28 Eckasha Middle God Worlds plus 1 Ecka
Inner God World, and 7 Eckasha-A Higher God Worlds for a total of 96 manifestation fields. We also have
the content of 14 Time Matrices-3 per Eckasha x 4 Eckashas + 2 Time Matrices between the Outer
Eckasha-A and its Inner Ecka Core.
The Eckasha-A structure effectively replicates the structures we have discussed already. It is the same
structure replicated at a higher level. We have seals and locks which maintain separation within the
©A &A Deane, 2010, All Rights Reserved; Part of the MeED Freedom Teachings®Series.
41
structure. At this level we have Spectra Locks (i.e, S1), Eckasha-A Density Seals. They are represented in
this
figure
as
O N E Eckasha-A Spectra
S-Seals.
14 Tim e M atrices, 96 Fields
4 Eckasha
Eck.asha-A
Keys and Codes
M iddle
Higher
God W orld
God-W orld
16 Q uadrants,
Inner G od W orlds,
We
mentioned
previously that there
are EDCBA
s p e c ific k e y s to
th e s e
God-W or1ds
10 form one
4 Eck.a Lower
28 Eckasha
M iddle
.•.
Plus:
A: 3.5 Eckasha-A
Higher God-W ortds
,Eckalnn.rG odW orld,
lo c k s dcbaZYXWVUTSRQPONMLKJIHGFEDCBA
and 7 Eckasha-A
in order
passage
cluster
O ne Eckasha-A
H igher G od W orld Spectra
Holds: 4 Eckasha Corridors {4 V ecas /56
~Heavens·,
re le a s e
Corridors
Spectra
to allow
b e tw een
the
dimensional
levels and passage
Higher
3.5 Ecka M iddle
Inner G od-W orlds •• 7
ptus
God-
~;~~:s~':..~:talof96
Eckasha-A
Fields-
Tim e
Fields
(1
M atrix).
The content 01 14 Tim e M ,tricas;
(3 x 4) .•. 2: Tim e
M atrices.
B: 1 Ecka M iddle inner G od-W orid (1 Tim e
M atrix),
Tha! is: 3 Tim e M atrices,
7 + 1 .8
Eckasha-A
M anifestation
Fields
(2 TIm e M atrices).
~a:~~~:~~ap~srridor
2 Eckasha-A
Tim e
M atrices",
c: 1 Eckasha M iddle
14.
G od·W orld
Corridor
(with
1
veca
1 4 Q uadrants
I
Eckasha
between the density
x
+
levels
within
the
cosmic structure. At
the Veca Universe level we have the Veca Codes. The Veca Codes are the keys that open the locks that
allow progression between the levels within the Veca Universe structure. The V e c a C o d e s a re th e k e y s to
ls
th e lo c k s a t th e V e c a U n iv e rs e L e v e l.
W e have Ecka Codes which have a similar function in the Ecka
level. The E c k a C o d e s o p e n th e lo c k s o n th e s e a ls w ith in th e E c k a U n iv e rs e . And they allow passage into
and through the Ecka W orlds.
14 "Heavens~), 1 Ecka lower Inner G od·W or1d
G od-W orlds
equal 22 G od-W orlds
M anifestation
CorrIdors
4 Eckasha
M atrices
88 Eckasha
Fields.
M anifestation
Fields
88 Eckasha
in ONE
•• 22 Eckasha
Fields
and 7
Fields.
M iddle
(3 tim e
M anifestation
B Eckasha-A
Fields
Fields",
x 4
11:
96
Eckasha· A Spectra).
At the Eckasha-A level we have Scepter Codes which operate and carry the frequency pattern-the sound
tones-that allow us to open the Scepter Locks (S-Locks), which allow progression up through the structure
of the Eckasha-A. W e have the ability to move in and out through\the structure by using the Scepter
Codes.
The M anifestation Fields of the Eckasha-Aah
God Core Highest God-W orlds
4 Eckasha-A Spectra (14 Tim e M atrices 1 9 6 Higher God-W orld Fields)
Cluster to Form One Eckasha-Aah Core God-W orld
The God-W orlds M ultiplying
O ne Eckasha· A ah
The Eckasha-Aah is at the very top of the Stairway to
Heaven. W hen you take our 12-Dimensional Universal
Star Gate System and the rest of the God W orlds and
plug them in together, you get what we call the
Stairway to Heaven. At this level we have another set
of locks that are referred to as the Reuche Density
Locks. W e use the Reuche Codes to work with these
particular locks.
The very same Kathara Grid structure is replicated
again. W e have an Eckasha-A Spectra from the
previous diagram which has a relationship to 3 other
similar Eckasha-A Spectra. The 4 Eckasha-A Spectra
15
holds:
4 Eckasha· A Spectra, (each w ith 4
V ecas
I
5 6 'h eav en s", 1 6
Q uadrants,
4 Ecka Low er Inner
1 Ecka M iddle Inner
G od-W orlds,
G od W orld & 7 Eckasha· A
H igher
9
I--= ~ --,1 IID --
G od· W orids.
1 Eckasha-A Spec1rax4",
16 V ecas I 224 "H eavens·
I 64
Q uadrants,
t 6 Low er Im er G od·
W cxtds, 112 Eckashe M iddle G od·
W orlds
& 28
Eckasha· A
H igher
G od· W orIds, 56 Tm e M atrices ...
6
Plus:
1 Ecka-RetJehe'
H ighest
Inner
G od· Seed C ore, the 1S geuchea
G od-Seed
W orlds,
The Cosm ic
K atlw a
G rid
Tem plate,
the.
Cruxansatea
Eternal Lile M erkaba
V ehicle and, The Y unasai
3l:---''''@ ----'I''f----1l:!i'''---I
For more in-depth information on Veca Codes, refer to the Kathara Team Module: K e y s fo r
T h e V e c a C o n s c io u s n e s s C o d e s . [Product Code: VCC/DVD/HBj
M ,a s te rin g A s c e n s io n :
© A & A Deane, 2010, All Rights Reserved; Part of the MCEO Freedom Teachings®
Series.
42
structures form quadrants within the larger structure. This larger structure has its own Inner Ecka Core and
its own Outer Eckasha superstructure that holds the whole structure in place.
This Outer Eckasha is referred to as the Eckasha-Aah level in creation. We have this large superstructure,
this large Eckasha at a very high level in creation that holds the large scale structure of our universe in
place. The number of distinct worlds and stations of perception within our universe multiply upon a similar
basis as before. The structure for 1 Eckasha-Aah is: 4 Eckasha-A Spectra, each with 4 Vecas / 56
"Heavens," 16 Quadrants, 4 Ecka Lower Inner God Worlds, 1 Ecka Middle Inner God World and 7
Eckasha-A Higher God Worlds. The overall sequence of structure is Veca, Ecka, Eckasha, Eckasha-A,
and Eckasha-Aah. We end up with a large number of God Worlds and Time Matrices within the large
structure of creation.
t God-World of Creation
The Eckasha-Aah 1 sUTSRQPONMLKJIHGFEDCBA
The 12 Divine Scepters and the Reuchea
The diagram of the Eckasha-Aah below has the sacred symbolism of the balanced cross, which is not the
crucifix cross-it is the natural cross. It also has the Eternal Tree of Life, or the Kathara Grid in it, in
addition to being a very practical map if you want to
know where you are in relation to the rest of the
universes, and where you are in relation to your
connection to God. What is so beautiful about these
maps is they are showing you the map of your own
consciousness.
ELEMENTS
tA )
M anU
OF THE Ecka.sha-Aah
V O ID ,
1.
P a rtik l
U n it o f G o d -
Force A t t e n t i o n ; The · S t i l l - P o l n t " l Z e r a P o lrt
( C o n t a l l '1 $ the Imbedded
Mathematical
P ro g ra m m In g
of the B a s e 12,12 P o i n t Kathara Christos Template for
P e rp e tu a l
u te ).
B) The EirA B a s e - 1 2 1 1 2
Point
Pre-Sound Vibration ReId Frrst PaniaJrn
Contraction Polnt.
C) The ManA Base-12Pre-Ught
O s c i l l a t i o n F i e l d Fils! P a r t l k i E x p a n s i o n
P o in t.
There is a place where all of us never left Source.
There is a place where we are always in at-ONE-ment
with Source. The more we bring in those frequencies,
the closer and closer we feel to that space even
though it appears to be way up that whole set of
mathematics in the sky. They are not just in the sky,
they are in your body. They are right here in our
hologram. They are woven in the air-you start to just
feel that presence with you. No matter how high the Stairway is, it feels like you are walking it together.
This is very powerful to use as a symbol code to bring information to you.
Together, the 3 God-Force
"1"' 3 Ce!Is~ Create the 24 Point
(EirA-ManA) Cosmic K a t h a r a G r i d
template through v.tJlch the
God-Force Circulates Into and Out
of Manlfestalion.
2 Circulating Ttvough t h e
EirA-ManA C o s m e
K a th a r a G rid ,
the Yunasal God-Force C U T e n t s
Next C f e a t e d t h e
1 2 R e u c h e S c e p te rs ,
the 1 2 P r i m a r y C o s m i c C r u x a n s a t e a
Eckasha Meri<aba FIelds By Which
T h e C o s m k : Manifestation
T e m p la te
is
Anchored And Sustained.
The 12 Reuche
perpetually Transmit and Receive God·Force
C U T e n ts .
The 3 Eternal God-Source Consciousness Fields from and through which all
Dimensionalized Currents and Consciousness Manifest
The Eckasha-Aah starts with 3 Primary Forces of energy. It starts with God-Source-and within Itself GodSource created 3 portions of Its Consciousness as standing fields of consciousness, living fields of
consciousness. God-Source created what are called the ManU, which is the Still Point Void-"in the
16
beginning was the Void," the ManA God-Spark, the Intention for Light and the EirA.
The first 3 were the
Original Divine Trinity, the ManU, the ManA, and the EirA-the HolySpirit, the Divine Masculine, and
Divine Feminine. These are the three Eternal Life Force Fields out of which emerges every frequency
band that exists, every Ray of Consciousness, every Primal Life Force Current. Every one of those currents
within the Cosmic Kathara Grid is a carrier of one of these or a combination of these frequencies. These
form the Primary Eternal Trinity that is the First Creation. It is within those three fields that the Krist and
Krystallah Grids-the first 24 points of vibration that set the whole creation in motion-were created. In the
16
See Dance for Ufe, Love, Freedom Handbook for the whole creation mechanics.
© A & A Deane, 2010, All Rights Reserved;
[Product Code: DFM]
Part of the MCEO Freedom Teachings®
Series.
43
b e g in n in g w a s th e V o id , a n d w ith in th e V o id a v ib ra tio n w a s c re a te d , a n d s im u lta n e o u s ly w ith th e v ib ra tio n
a n o s c illa tio n w a s c re a te d . T h is m e a n s m a le a n d fe m a le w e re c re a te d a t th e s a m e tim e .
C r e a tio n
P e r p e tu a lly
W it h in
W e a re g e ttin g to th e to p le v e ls o f th e G o d W o rld s a t th is p o in t.
W a v e F la m e s
DCBA W e a re c o m in g m u c h c lo s e r to S o u rc e , c lo s e r to th e O rig in a l F ie ld s
U n fo ld s
T h e 3 E te r n a l S ta n d in g
0 1 :-
o f C re a tio n .
T h e E c -K a -S h a
F o rc e
W e b e g in to s e e th e O rig in a l F ie ld s th a t e m e rg e
VUTSRQPONMLKJIHGFEDCBA
G o d -S o u rc e
T r in it y
w ith in
c re a tio n
in
te rm s
of
a
M anU
F ie ld ,
w h ic h
in
tu rn
e n c o m p a s s e s a n E irA a n d a M a n A F ie ld . A s w e s ta te d b e fo re , a t
a fu n d a m e n ta l le v e l y o u h a v e th e P a rtik i P h a s in g p ro c e s s .
T h is
g e n e ra te s a n O rig in a l P K I F ie ld w h ic h is b a s ic a lly n e u tra l in n a tu re ;
T ri-p o la r o r O m n i-p o la r.
p o la ritie s .
~ D N in e M o t h e r "
~Firsl Eternal Particum'
It is n o t p o la riz e d ;
it s y n th e s iz e s
T h is is re p re s e n te d b y w h a t is re fe rre d to a s th e M a n U
C u rre n t, th e M a n U F ie ld in C re a tio n . T h a t in tu rn c re a te s a re p lic a
w h ic h p o la riz e s , c re a te s a m a le M a n A e x p re s s io n
E irA e x p re s s io n .
T 0 9 ~ 1 h !:r;
c :(C a U l
lI I e
tr/C
" D f v in , . .
p ; 1 f 1 J e w ; I , 'I y
9 ': 1 '1 C I m : r . u : J lK r i: ; ; 1 o s
t W o u g li
J iin ity
•• o t
G o d -S o u r.:;c
g t ? I j C f O J t > J y ; j ''C h t i: ; t
. 'S p P . r 1 <o f
E te m u l
E le m . lJ
S W n t 1 lr 1 g
w ,1 o 'D ! l
a n d a fe m a le
W e a re b e g in n in g to s e e th e e m e rg e n c e o f th e
O rig in a l F ie ld s in C re a tio n , th e e m e rg e n c e o f th e O rig in a l C u rre n ts
C h I ld " ·
U /8
C t 6 : ! lU c n
in C re a tio n .
t h f t p r t : J c ( S s a o lp ; m t k I P h n $ ln g
Y u n a s a i,
fie ld s -th e
th e
T h e a g g re g a te o f th e s e 3 fie ld s is re fe rre d to a s th e
th e P o in t o f a ll U n io n , th e P o in t o f In te g rity o f a ll th e s e
p o in t w h ic h in te g ra te s th e m .
T h e C o n s c io u s n e s s o f S o u rc e c o m e s in to 3 P rim a l F ie ld s : th e M a n U , M a n A , a n d E irA F ie ld s . W ith in th e s e
fie ld s , S o u rc e b rin g s Its fo c u s o f a tte n tio n to 1 2 s p e c ific p o in ts o f c o n s c io u s n e s s , a n d th e s e c re a te th e
o r ig in a l K a th a ra G rid s . W e h a v e th e o r ig in a l la rg e K a th a ra G rid s p a n n in g th e M a n U F ie ld s a n d th e s m a lle r
K a th a ra G rid a t th e c e n te r s p a n n in g th e E irA .
E m e rg e n c e o f th e K a th a ra G rid
A t th e n e x t le v e l o f e m e rg e n c e w e h a v e th e C o s m ic K ris to s , th e D iv in e B lu e p rin t K a th a ra , th e K ry s ta lla h ,
a n d th e K ris t.
Y u n a s a i.
s p e c ific
T h e D iv in e B lu e p rin t K a th a ra -th e
K ris to s K ry s ta lla h C re a tio n e m e rg e s fro m w ith in th e
It e m e rg e s w ith in th e in te g rity o f th e O rig in a l P rim a l F ie ld s d e s ig n e d b y G o d -S o u rc e fo llo w in g a
B a s e -1 2
E te rn a l
C re a tio n
P ro g ra m
of
m a th e m a tic a l
g e o m e tric a l
in te rre la tio n s h ip s
of
c o n s c io u s n e s s c a lle d th e K a th a ra T e m p la te D iv in e B lu e p rin t o r th e K a th a ra G rid . T h is is th e e m e rg e n c e o f
th e K a th a ra G rid .
In s id e th e Y u n a s a i M a n U F o rc e F ie ld , th e E irA a n d M a n A F o rc e F ie ld s e a c h c re a te a
K a th a ra G rid th a t is fo rm e d u p o n 1 2 s p e c ific p o in ts o f c o n s c io u s a tte n tio n e x p re s s e d
a s 1 2 fix e d o r
s ta n d in g p o in ts o f v ib ra tio n . T h e tw o 1 2 -p o in t K a th a ra G rid s o f M a n A a n d E irA to g e th e r fo rm th e B a s e -1 2 ,
2 4 -p o in t C o s m ic K a th a ra G rid D iv in e B lu e p rin t.
T h e w o rd K a th a ra e x p re s s e s th e D iv in e In te n tio n G o d -
S o u rc e h o ld s in c re a tio n o f th e Y u n a s a i; K a , th e L ig h t e m a n a tio n o r e x p re s s io n ; T h a , S o u n d v ib ra tio n o r
in te n tio n ;
Ra,
th e O n e S p irit. S o , w e h a v e th e O n e S p irit o f G o d in te n d in g
E irA K a th a ra G rid is c a lle d th e K r y s ta lla h , m e a n in g " G o d In te n d s ."
to e x p re s s
a s C re a tio n .
The
T h e M a n A K a th a ra G rid is c a lle d th e
K r is to s , m e a n in g " G o d E x p r e s s e s ."
l:T h e Y u n a s a i- P o in t
o f A ll U n io n
T h e d ia g ra m o n th e le ft re p re s e n ts th e Y u n a s a i, th e P o in t o f A ll U n io n , th e
e m e rg e n c e o f th e O rig in a l P rim a l F ie ld s fro m th e o rig in a l p ro c e s s e s o f P K I
P h a s in g , th e e m e rg e n c e o f th e O rig in a l P rim a l F ie ld s .
F u rth e r e la b o ra tio n o f
s tru c tu re w ith in th o s e p rim a l fie ld s m a n ife s ts th e p rim a ry K a th a ra G rid s : th e
la rg e K ris to s a n d th e s m a lle r K ry s ta lla h .
A t th is le v e l p o la rity e x is ts in te rm s o f
M a n A a n d E irA th a t a re m a n ife s tin g th e s e K a th a ra G rid s tru c tu re s . A ll o th e r
s tru c tu re s in c re a tio n e m e rg e fro m th e in te ra c tio n o f th e s e tw o w h o s e p o la ritie s
in te ra c t, w e a v in g th e F a b ric o f C re a tio n th a t e m e rg e s th ro u g h th e s u b s e q u e n t
le v e ls o f th e s tru c tu re . T h ro u g h v ib ra tio n in te ra c tio n o f c o n s c io u s n e s s b e tw e e n
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt 0 1 th e M C E O
F re e d o m
T e a c h in g s ®
S e rie s .
44
th e C o sm ic K a th a ra G rid , th e M a n U , E irA a n d M a n A G o d F o rce s o f th e Y u n a sa i, th e original creation
process o f vib ra tio n a l d o w n ste p p in g is re cre a te d b y w h ich th e D ivin e C o sm ic T rin ity p e rp e tu a lly
in d ivid u a te s Itse lf w ith in th e C o n scio u sn e ss o f G o d -S o u rce . F o llo w in g th e im p e tu s to cre a te a s im b u e d b y
th e O rig in a l G o d -S o u rce C re a tio n In te n tio n , th e M a n U , E irA , a n d M a n A G o d
F o rce s in te rtw in e a p o rtio n o f th e ir co n scio u sn e ss a n d d o w n ste p th e vib ra tio n s o f HGFEDCBA
The
R euche
2:
S c e p te rs
12
th e C o sm ic K a th a ra G rid 3 tim e s to fo rm a se t o f 1 2 la ye re d p o in ts o f vib ra tio n .
T h e 1 2 la ye re d p o in ts o f vib ra tio n a re fixe d in a circu la r o rg a n iza tio n w ith in th e
C o sm ic K a th a ra G rid te m p la te s. E a ch o f th e se p o in ts fo rm s a sin g u la r sca la r
sta n d in g co lu m n a r w a ve , a p illa r o f vib ra tio n ca lle d a S E 'U R w ith in th e Y u n a sa i, a
P illa r o f S o u n d a n d L ig h t w ith in th e core o f th e Y u n a sa i. T h e se t o f 1 2 C o sm ic
S E 'U R sta n d in g w a ve s a re ca lle d th e 1 2 Reuche Scepter Pillars, w h ich to g e th e r
fo rm th e first sca la r-w a ve fie ld th a t b e co m e s th e
core
G o d W o rld o f C re a tio n .
R e u c h e S c e p te r P illa rs
3 T h e R e u c h e G o d -S e e d
(C o s m ic C lo c k o fO e a tio n j
A
6
D ow n
T h e R e u ch e S ce p te r P illa rs a re a n o th e r ve ry im p o rta n t stru ctu re w ith in
th e cre a tio n p ro ce ss w ith in th e G o d W o rld s. W e h a ve th e e m e rg e n ce
o f th e M a n U , M a n A , a n d E irA P rim a l F ie ld s w ith in cre a tio n ; a n d th e
e m e rg e n ce o f th e P rim a l K a th a ra G rid s, th e K risto s a n d K rysta lla h .
T h e n e xt stru ctu re is th e e m e rg e n ce o f th e R e u ch e P illa rs w ith in
D ow n
~2+2
S le p .1
:::~
C o re
C D o w n S te p # 3
R e p llC ll
E irA
6
~~~J~~g
S le p .2
9
3
6
90deg
P r o j 'n
45deg
P r o l 'n
:~ ;~ ~ :~ s
cre a tio n . T h e re is a p a rticu la r se q u e n ce in w h ich th e se u n fo ld . It is
d e scrib e d a s a 3-stage downstepping. A t th e co re o f th e cre a tio n
~ ;k :.:~ c .n t.r
re p lic a
stru ctu re , th e co n scio u sn e ss o f th e M a n U , M a n A a n d E irA F ie ld s
w in d o w s
e xists. T h e y in te rtw in e a p o rtio n o f th e ir co n scio u sn e ss w ith in th e co re a n d th e y e la b o ra te 1 2 p o in ts o f
stru ctu re w ith in cre a tio n a t th is le ve l. W e h a ve th e p o in t o f fo cu s a t th e co re , re p re se n te d b y th e ce n te r
p o in t o r P illa r 1 3 . T h is p o la rize s a n d cre a te s tw o e xp re ssio n s; th e y e m e rg e a s th e 1 2 a n d th e 6 p o in ts o n
th e R e u ch e clo ck p a tte rn .
R e u ch e p a tte rn .
S o , th e co re p o la rize s, d o w n ste p s a n d cre a te s a 1 2 a n d a 6 p o in t w ith in th e
D u rin g th e n e xt sta g e o f d o w n ste p p in g th is p a tte rn tu rn s a n d
cre a te s a re p lica o f itse lf a t 9 0 d e g re e s, e q u iva le n t to th e P C M P K A a n g le o f a lig n m e n t. A t th is le ve l w e h a ve th e e m e rg e n ce o f
th e 3 a n d th e 9 . E a ch o f th e se 4 p o in ts (1 2 , 6 , 3 , 9 ) p o la rize s in
tu rn a n d cre a te s e q u a l a n d o p p o site e xp re ssio n s, w h ich
m a n ife st a s th e o th e r re m a in in g 8 p o in ts-th e
o u te r p o in ts o f th e
R e u ch e p a tte rn . T h e 1 2 p o in ts th a t fo rm th e R e u ch e p a tte rn
p o la rize M a n A a n d E irA . T h e M a n A p o in ts a re re p re se n te d b y
th e lig h te r co lo r; th e E irA p o in ts b y th e so lid co lo r in th e d ia g ra m
o n th e rig h t. E a ch o f th e p o in ts o n th e R e u ch e p a tte rn fo rm s a
sta n d in g co lu m n o f so u n d a n d lig h t. T h e y a re th e o rig in a l
R e u ch e P illa rs (ce n te r o f te a rd ro p fig u re ). E a ch p o in t o r co lu m n
fo rm s a sh ie ld th a t sp in s. T h e M a n A R e u ch e p o sitio n s a re
sp in n in g in a clo ckw ise d ire ctio n ; th e E irA p o sitio n s a re sp in n in g
in a co u n te r-clo ckw ise d ire ctio n . T h e se sta n d in g w a ve s o f ve ry
p u re Sound and Light in tu rn in te ra ct w ith th e co re a n d th e y
b rin g o u t a n o th e r le ve l o f stru ctu re w ith in th e cre a tio n p ro ce ss.
T h e H e a rt o f G o d
W e h a ve a C o sm ic H e a rt a n d F ire -th e
M a n U W in d o w a n d th e E cka E te rn a l fla m e . F o llo w in g th e C o sm ic
K a th a ra G rid P ro g ra m , th e 1 2 R e u ch e S ce p te r
P illa rs vib ra tio n a lly in te ra ct w ith in th e Y u n a sa i, w ith in th e
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e se rve d ; P a rt o f th e M e E D F re e d o m T e a ch in g s®
S e rie s.
45
co m p o site fie ld , cre a tin g a n o p e n in g ca lle d th e M a n U W in d o w M a n ife sta tio n P o in t o r Z e ro P o in t, a t th e
ce n te r p o in ts o f th e E irA a n d M a n A K a th a ra G rid s. A t th e ce n te r o f th e K risto s a n d th e K rysta lla h w e h a ve
th e e m e rg e n ce o f th e M a n U W in d o w . This is the Zero Point w h ich is a t th e ce n te r o f th e E irA a n d M a n A
K a th a ra G rid s, w h ich lin ks th e ce n te r o f th e R e u ch e S ce p te r C ircle d ire ctly in to th e M a n U F o rce F ie ld o f
F irst C re a tio n a n d th e L ivin g E te m a l C o n scio u sn e ss F ie ld o f G o d -S o u rce .
T h e 1 2 R e u ch e S ce p te r P illa rs in te ra ct w ith th e M a n U F ie ld ca u sin g a q u a n tity o f th e M a n U F o rce
C o n scio u sn e ss, ca lle d th e A m o ra e a W a ve P illa r o r E cka M a n U E te rn a l F la m e , to e m e rg e th ro u g h th e
M a n U W in d o w to fo rm a 1 3 th S ce p te r o r P illa r a t th e ce n te r o f th e R e u ch e circle . T h ro u g h th e M a n U
W in d o w , th e A m o ra e a W a ve circu la te s P u lse s o f L ivin g G o d C o n scio u sn e ss b e tw e e n G o d -S o u rce a n d th e
E te rn a l G o d F o rce C o n scio u sn e ss F ie ld s o f th e Y u n a sa i, se ttin g in p e rp e tu a l m o tio n th e p ro ce sse s o f
E te rn a l L ife C re a tio n . T h e A m o ra e a W a ve E cka M a n U E te rn a l F la m e is kn o w n a s th e H e a rt o f G o d , a s it
circu la te s p u lse s o f L ivin g G o d C o n scio u sn e ss-th e
E te rn a l L ife S tre a m p e rp e tu a lly in to a n d o u t o f
m a n ife sta tio n . S o , w e h a ve th e M a n U W in d o w e m e rg in g a t th e core a n d th e R e u ch e P illa rs b e g in n in g to
in te ra ct w ith th e M a n U W in d o w cre a tin g th e n e xt le ve l o f stru ctu re w h ich is re fe rre d to a s th e C o sm ic A rcs,
th e 1 2 R e u ch e S ce p te r A rcs a n d th e C o sm ic S h ie ld .
T h e C o sm ic A rcs
T h ro u g h vib ra tio n a l in te ra ctio n w ith th e A m o ra e a W a ve P illa r, th e E cka M a n U F la m e -th e
1 2 R e u ch e
S ce p te r P illa r C o lu m n a r W a ve s b e n d to w a rd th e R e u ch e ce n te r to fo rm 1 2 A rcs o f C o n scio u sn e ss: 6 E irA
F o rce A rcs a n d 6 M a n A F o rce A rcs. T h e se a re
4 1 2 R e u c h e s c e p te rP illa rs
A m o re a W a v e 'E c k a ' E te rn a l M a n U F la m e
& LKJIHGFEDCBA
co lle ctive ly ca lle d th e 1 2 R e u ch e S ce p te r A rcs.
C o 'm ;'C o < .S c a ~ ,S ra n d in g W '"
1 2 R e u ch e S ce p te r A rcs
U n ifie d F ie ld T e m p la te
T h e E irA a n d M a n A F o rce A rcs p a ss th ro u g h th e
M a n U W in d o w a t th e R e u ch e ce n te r b le n d in g
a n d re p lica tin g th e ir vib ra tio n a l co n te n t w ith in
th e E cka M a n U F la m e , to fo rm 1 2 ro ta tin g sca la r
sta n d in g co lu m n a r w a ve d iscs o f b i-p o la r E irA M a n A co n scio u sn e ss ca lle d th e 1 2 R e u ch e
S ce p te r S h ie ld s. T h e se a re lin ke d to g e th e r
12
9
th ro u g h a ce n tra l T ri-p o la r S h ie ld W a ve D isc
co m p o se d o f b le n d e d M a n U , E irA a n d M a n A
F o rce , ca lle d th e C o sm ic S h ie ld o f A m o ra e a
th a t fo rm s w ith in th e C e n tra l E cka M a n U F la m e .
A m o r •• W .v e
~ 1 ':~ .~ t" U
;~:::::nd'
~ ~ :;~
,ro"h,lbm Jo",II01'.""'O W """.A_"",",,'Iv'd<>-M onU
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Im t'tn e
1 2 f1 e U C M
Scep~r
P llllrC c lu m n a rW a w s
b e n d 1 0 W l1 rd
th e
'P a th o f
W e h a ve 1 2 S ce p te r S h ie ld s, th e M a n U W in d o w
A m o re .'
a n d th e A m o ra e a S h ie ld a t th e core. E a ch o f th e 1 2 R e u ch e S ce p te r S h ie ld s fo rm s a livin g circle o f
co u n te r-ro ta tin g G o d F o rce E n e rg y: th e E irA sca la r sta n d in g w a ve s fo rm a co u n te r-clo ckw ise ro ta tin g
sca la r fie ld th a t re ce ive s G o d F o rce C o n scio u sn e ss fro m th e R e u ch e a n d Y u n a sa i F ie ld a n d co n tra cts it
b a ck to G o d -S o u rce th ro u g h th e M a n U W in d o w fo r d e m a n ife sta tio n .
T h e M a n A sca la r sta n d in g w a ve s fo rm a clo ckw ise -ro ta tin g sca la r fie ld th a t tra n sm its n e w p u lse s o f G o d
F o rce fro m th e M a n U W in d o w , e xp a n d s it in to th e Y u n a sa i a n d R e u ch e S h ie ld s fo r m a n ife sta tio n . T h e
syn ch ro n ize d ro ta tio n o f th e 1 2 co u n te r-ro ta tin g R e u ch e S ce p te r S h ie ld s h e ld p e rp e tu a lly to g e th e r
th ro u g h th e C e n tra l
S h ie ld o f A m o ra e a ,
b rin g s in to b e in g th e first expression o f G o d F o rce
C o n scio u sn e ss a s a n e le ctro m a g n e tic fo rce -th e Living Primal Life Force Current fro m w h ich a ll m a n ife st
w o rld s e m e rg e . W h a t w e h a ve a t th is p o in t a re th e 1 2 R e u ch e S ce p te r P illa rs w ith th e M a n U W in d o w a t
th e co re . T h e p illa rs b e g in to a rc to w a rd s a n d a w a y fro m th e ce n te r a n d th e y b e g in to m o ve to in te ra ct w ith
th e ce n te r, cre a tin g w a ve s o f cu rre n t th a t flo w in to a n d o u t o f th e ce n te r. T h e re is a va st circu la tio n o f
cu rre n t th ro u g h th e S ce p te r P illa rs. T h is in trica te in te ra ctio n b e tw e e n th e p illa rs a n d th e co re cre a te s th e se
a rcs o f cu rre n t th a t a re flo w in g b e tw e e n th e p illa rs a n d th e co re . T h e re fo re , e a ch p a ir o f o p p o site p illa rs
fo rm s a p a ir o f S ce p te r A rcs th a t in te ra ct w ith th e co re a n d ca u se th e se .cu rre n ts to flo w . T h e se cu rre n ts, in
© A & A D eane, 2010, A ll R ights R eserved; P art of the M C E O F reedom
T eachings®
S eries.
46
tu rn , m a n ife s t a n o th e r le v e l o f o rd e r w ith in c re a tio n .
flow
re fe rre d to a s C o s m ic M e rk a b a -th e
of
T h e fio w o f th e s e c u rre n ts b e g in s to m a n ife s t w h a t is
Life Force Current into and out
of
creation.
W h a t w e w ill
d is c o v e r n e x t is th e v e ry h ig h -le v e l fio w o f p u re P rim a l L ife F o rc e C u rre n t th a t e m e rg e s w ith in th e S o u rc e
p ro c e s s o f c re a tio n .
Cosmic Merkaba
T h e p e rp e tu a l ro ta tio n o f th e 1 2 R e u c h e S c e p te r S h ie ld s a n d th e A m o ra e a
m o tio n liv in g c irc u la to ry s y s te m o f G o d F o rc e a s e le c tro m a g n e tic
R e u c h e S c e p te r c u rre n ts th a t a re in te rtw in e d th ro u g h th e
S h ie ld c re a te a p e rp e tu a l
c u rre n t th a t fo rm s 1 2 s m a lle r b i-p o la r
central tri-polar current
o f th e A m o ra e a S h ie ld s .
A s th e S c e p te r S h ie ld s ro ta te a ro u n d th e a x is o f th e ro ta tin g C e n tra l A m o ra e a S h ie ld , th e E c k a M a n U
F la m e s e p a ra te s th e c o u n te r-c lo c k w is e
ro ta tin g o r c o n tra c tin g E irA c u rre n ts fro m th e c lo c k w is e ro ta tin g o r
e x p a n d in g M a n A c u rre n ts , a s th e A m o ra e a S h ie ld h o ld s th e tw o p o la riz e d c u rre n ts in d ire c t re la tio n s h ip
w ith e a c h o th e r, fo rm in g 2 c o u n te r-ro ta tin g s p ira ls o f p o la riz e d E irA a n d M a n A G o d F o rc e C u rre n t w ith in th e
E c k a M a n U F la m e . T h e s e a re h e ld to g e th e r a n d in te rw o v e n th ro u g h th e A m o ra e a S h ie ld .
T h e E irA s p ira l c o n tra c ts G o d F o rc e in fro m th e E c k a M a n U F la m e , s e n d in g it to w a rd s th e c e n te r p o in t
M a n U W in d o w c re a tin g a n e g a tiv e e le c tric a l c u rre n t, w h ic h c re a te s th e e ffe c t o f m a g n e tic fo rc e a n d g ra v ity .
A t th e s a m e tim e , th e M a n A s p ira l e x p a n d s G o d F o rc e fro m th e c e n te r p o in t E c k a M a n U F la m e , c re a tin g a
p o s itiv e e le c tric a l c u rre n t.
T h e s y n c h ro n iz e d p e rp e tu a l ro ta tio n o f th e E irA a n d M a n A c u rre n ts c re a te s th e
firs t C o s m ic M e rk a b a F ie ld : th e A m o ra e a M e rk a b a .
F o rc e E x p re s s io n ; a n d
Ba
Mer
m e a n s G o d F o rc e M o v e m e n t;
Ka
m eans G od
m e a n s B o d y o r V e h ic le . T h is is th e firs t e m e rg e n c e o f M e rk a b a s tru c tu re w ith in
th e c re a tio n p ro c e s s . 17
Amoraea Merkaba
T h e p rim a ry M e rk a b a th a t e m e rg e s w ith in th e
core creation process
is th e A m o ra e a M e rk a b a , b u ilt u p o n
th e B a s e 1 2 , 2 4 p o in t m a th e m a tic a l p ro g ra m o f th e C o s m ic K a th a ra G rid . T h is c o n ta in s th e 1 2 p o in ts o f th e
s lo w e r-v ib ra tin g E irA K ry s ta lla h K a th a ra G rid w ith in th e
1 2 p la n e c o u n te r-c lo c k w is e
core,
fo rm in g th e g e o m e tric a l s h a p e o f a 1 2 p o in t,
ro ta tin g M e rk a b a s c a la r-w a v e s p ira l; th e b o tto m s p ira l o f th e M e rk a b a F ie ld .
T h e K ry s ta lla h a t th e c o re fo rm s th e m a g n e tic b a s e s p ira l fo r th is v e ry la rg e C o s m ic M e rk a b a .
T h e la rg e r
M a n A K ris to s fo rm s th e u p p e r e le c tric a l s p ira l. T h e c o u n te r-ro ta tio n o f th e tw o s p ira ls m a n ife s ts th e o rig in a l
e x p re s s io n o f K a th a ra w ith in c o s m ic s tru c tu re . T o g e th e r th e E irA a n d M a n A M e rk a b a S p ira ls c re a te th e 2 4
p o in t, 2 4 p la n e B a s e 4 8 fo rm o f th e s in g u la r C o s m ic A m o ra e a M e rk a b a F ie ld .
First Downstep
T h e in tric a te p ro c e d u re s b y w h ic h th e A m o ra e a M e rk a b a F ie ld is fo rm e d a re 're p lic a te d a n d re p e a te d b y th e
G o d F o rc e C u rre n ts th ro u g h s e v e ra l s ta g e s o f d o w n s te p p in g , to c re a te w ith in th e 'firs t M e rk a b a F ie ld th e
s m a lle r M e rk a b a F ie ld s , o r liv in g c o n s c io u s n e s s e n e rg y fie ld s , w ith in w h ic h a m u ltitu d e o f e le c tro m a g n e tic
m a n ife s ta tio n d o m a in s fo rm .
w h ic h
th e
2 4 -p o in t,
E a c h 1 2 -p o in t K a th a ra G rid th a t fo rm s 1 o f th e 2 C o s m ic K a th a ra G rid s fro m
2 4 -p la n e
C o s m ic
A m o ra e a
M e rk a b a
F ie ld
is c re a te d ,
v ib ra tio n a lly d o w n s te p s to fo rm a p a ir o f s m a lle r B a s e -1 2 K a th a ra G rid s .
re p lic a te s ,
p o la riz e s
and
E a c h o f th e s e in tu rn fo rm s a 6 -
p o in t, 6 -p la n e M e rk a b a S p ira l. T o g e th e r th e s e fo rm a 1 2 -p o in t, 1 2 -p la n e B a s e -2 4 E c k a s h a -Ie v e l M e rk a b a
fie ld .
S o , fro m th e firs t d o w n s te p , o n e 2 4 -p o in t, 2 4 -p la n e B a s e -4 8 A m o ra e a M e rk a b a fo rm s tw o 1 2 -p o in t,
1 2 -p la n e B a s e -2 4 E c k a s h a M e rk a b a fie ld s .
17 M e rk a b a F ie ld s a re th e c irc u la to ry s y s te m b y w h ic h y o u r K a th a ra G rid te m p la te a n d y o u r s h ie ld s m o v e th e e n e rg y th ro u g h
your body.
T h e to p M e rk a b a F ie ld ta k e s M a n A e n e rg y , w h ic h is a b a s e e le c tric a l e n e rg y a n d s p in s c lo c k w is e w h e n it is
fu n c tio n in g n a tu ra lly o n its C h ris to s s p in .
s y s te m s .
It s p ira ls th e e n e rg y d o w n th ro u g h th e K a th a ra G rid in th e b o d y a n d a ll th e b o d y
Its c o rre s p o n d e n t is th e E irA M e rk a b a F ie ld w h ic h is th e o n e o n th e b o tto m . It s p in s c o u n te rc lo c k w is e a n d b rin g s E irA
fre q u e n c y u p fro m E a rth 's c o re a n d s p ira ls it in a c o u n te r-c lo c k w is e ro ta tio n th ro u g h th e b o d y a n d s e n d s it o u t.
©A
& A D e a n e , 2 0 1 0 . A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O
F re e d o m
T e a c h in g s ®
S e rie s .
47
Second DownstepZYXWVUTSRQPONMLKJIHGFEDCBA
A t th e n e x t le v e l, th e 2 n d d o w n s te p , th e 2 E c k a s h a M e rk a b a fie ld s in tu rn fo rm fo u r 6 -p o in t, 6 -p la n e B a s e -1 2
B l-V e c a M e rk a b a fie ld s .
Third Downstep
O n th e 3 rd d o w n s te p , 4 B i-V e c a M e rk a b a F ie ld s fo rm e ig h t 3 -p o in t, 3 -p la n e B a s e -6 p o la riz e d M e rk a b a
S s p ira ls c a lle d V e c a M e rk a b a S p ira ls . T h is is th e le v e l o f M e rk a b a w e e n c o u n te r in firs t m e e tin g M e rk a b a
S p ira ls in th e K a th a ra 1 m a te ria l, w h e re w e s e e th e tw o p y ra m id s tru c tu re s , e a c h w ith 3 s id e s w h e re w e g e t
M e rk a b a F ie ld s a n d M e rk a b a S p ira ls ro ta tin g in re la tio n to e a c h o th e r. T h e c o u n te r-ro ta tio n
o f th e 2
M e rk a b a S p ira ls c re a te a c o m m o n s p a c e a t th e c o re . T h e p o in t o f in te rs e c tio n a t th e c o re o f th e M e rk a b a
S p ira ls c re a te s a s p a c e , a n o v a l s p a c e th a t c o n s titu te s th e R a d ia l B o d y w h e re w e h a v e M e rk a b a S p ira ls in
m o tio n . T h e s p a c e a t th e c o re o f th e M e rk a b a S p ira ls g e n e ra te s a R a d ia l B o d y a n d th a t c re a te s a n o th e r
le v e l o f s tru c tu re w ith in th e c o s m ic p ro c e s s .
F o r e a c h le v e l th e re w o u ld b e a s h ie ld . E a c h
T h is is a ll p a rt o f th e C o s m ic C lo c k , th e S h ie ld o f th e V e c a .
shield
is th e C o s m ic C lo c k fo r th a t p a rtic u la r p a rt o f c re a tio n .
Radial Bodies and Eckasha God-Seed
W e n o w c o m e to th e fin a l le v e l o f s tru c tu re w ith in th is
p ro c e s s .
F ro m th e M e rk a b a a c tiv ity w ith in th e c o s m ic
s tru c tu re w e n e x t m o v e to th e R a d ia l B o d ie s , th e G o d
C e lls a n d th e C o s m ic E g g . T h ro u g h th e p e rp e tu a l s p in o f
th e c o u n te r-ro ta tin g e le c tro m a g n e tic
G o d F o rc e C u rre n ts
w ith in th e C o s m ic A m o ra e a M e rk a b a F ie ld , th e 1 5 C o s m ic
S p h e re s o r 1 5 G o d C e lls o f th e C o s m ic G o d -S e e d a re
fo rm e d . T h e fo rc e a n d c o u n te r-fo rc e o f th e E irA a n d M a n A
M e rk a b a S p ira ls c re a te w ith in th e c e n te r o f th e M e rk a b a
F ie ld , w h ic h is w ith in th e E c k a M a n U F la m e a t th e R e u c h e
C e n te r,
a
p e rfe c tly
b a la n c e d
s p in n in g
e le c tro m a g n e tic
fo rc e fie ld in th e s h a p e o f a n e llip tic a l s p h e re th a t is c a lle d
th e
Form Constant.
c o re o f th e
c o s m ic
It is b a s ic a lly a n e g g s tru c tu re a t th e
M e rk a b a S p ira ls .
T h is is a n e le c tro s ta tic
holographic Radial Body. .. th is
is th e e m e rg e n c e o f
th e R a d ia l B o d ie s .
F o rm a tio n o f th e F irs t G o d C e ll S p h e re w ith in th e A m o ra e a
M e rk a b a
s e ts
d o w n s te p p in g
in
s im u lta n e o u s
m o tio n
th e
M e rk a b ic
T h e , E c k a s h a G o d -S e e d
&
C r u x a n s a te a
p ro c e s s , w h ic h d o w n s te p s c re a tin g in th e
c e n te r o f its M e rk a b a F ie ld a n o th e r h o lo g ra p h ic R a d ia l B o d y G o d C e ll.
T h e firs t d o w n s te p c re a te s 2
a d d itio n a l G o d C e lls . T h e 2 n d d o w n s te p c re a te s a n o th e r 4 G o d C e lls . T h e 3 rd d o w n s te p c re a te s th e la s t 8
G o d C e lls fo r a to ta l o f 1 4 G o d C e ll R a d ia l B o d ie s . A n d th e s e a re e x p a n d e d w ith in th e O rig in a l F irs t G o d
C e ll, th e C e ll o f A m o ra e a , w h ic h is k n o w n a s th e 1 5 th C e ll. T h e 1 5 th C e ll is o n th e o u ts id e . T h e re a re 7 a t
th e c e n te r p lu s th e o n e th a t e n c o m p a s s e s th e m , m a k in g 8 . T h e n w e h a v e th e 6 o u te r c e lls , m a k in g u p 1 4 .
F in a lly , w e h a v e th e o u te r c e ll w h ic h e n c o m p a s s e s a ll o f th o s e , w h ic h a re th e G o d C e lls .
T h ro u g h d o w n s te p s 1 a n d 2 , G o d C e lls 2 to 6 fo rm w ith in th e F irs t C e ll A m o ra e a R a d ia l B o d y w ith in th e
E c k a M a n U F la m e , M a n U W in d o w R e u c h e C e n te r P o in t o r Z e ro P o in t. T h e y c re a te th e c o re o r th e Y o lk o f
th e C o s m ic E g g . T h e fin a l 8 G o d C e lls fo rm fro m th e E c k a M a n U F la m e Z e ro P o in t w ith in th e c e n te r o f th e
A m o ra e a R a d ia l B o d y Y o lk ; e x p a n d in g th e c lu s te r o f th e 1 s t 7 Y o lk C e lls o u tw a rd to b e c o m e th e C o s m ic
E g g , a s th e la s t 8 C e lls b e c o m e th e y o lk a t th e c e n te r o f th e A m o ra e a R a d ia l B o d y .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
T h e firs t 7 C e lls
48
---------------------
baZYXWVUTSRQPONMLKJIHGFEDCBA
e x p a n d to b e c o m e th e la s t 7 C e lls a s th e o rig in a l la s t 8 C e lls e m e rg e fro m th e Z e ro P o in t C e n te r to e x p a n d
th e o rig in a l firs t 7 c e lls in to e x te rn a liz a tio n .
T h ro u g h th e in tric a te w o rk in g o f th e M e rk a b ic H o lo g ra p h ic
R a d ia l B o d ie s a n d th e M a n U , E irA a n d M a n A D iv in e T rin ity o f G o d F o rc e C u rre n ts , th e F irs t 1 5 E te rn a l G o d
C e lls c o m e in to b e in g w ith in th e E c k a M a n U E te rn a l F la m e . T h is c a u s e s th e E c k a M a n U F la m e s c a la r
c o lu m n a r s ta n d in g w a v e to e x p a n d o u tw a rd fro m w ith in its e lf, fo rm in g a s ta tio n a ry s c a la r s p h e ric a l s ta n d in g
w a v e o f M a n U G o d F o rc e c a lle d th e
Cosmic Amoraea Crystal,
a C o s m ic T h o u g h t C ry s ta l, R a d ia l B o d y
s ta tio n a ry s c a la r s ta n d in g w a v e , in th e s h a p e o f a n e llip tic a l s p h e re o r C o s m ic E g g , s u rro u n d in g p e rp e tu a l
c re a tio n th a t ta k e s p la c e w ith in its c o re .
In fu lfillm e n t o f th e B a s e 1 2 E te rn a l L ife
THE CORE GOD·WORLD
ECKASHA·Aah
m a th e m a tic a l
g e o m e tric a l
c re a tio n
p ro g ra m h e ld w ith in th e C o s m ic K ris to s
D iv in e B lu e p rin t, th e p ro c e s s o f 6
d o w n s te p s th a t fo rm e d th e o rig in a l
C o s m ic E g g is re p e a te d o n c e m o re
C o re G o d -W o rld
R euche
S c e p te rs - th e C o s m ic A rc s
w ith in th e A m o ra e a C ry s ta l, fo rm in g a
to ta l o f 1 2 d o w n s te p s th ro u g h w h ic h th e
m ic ro s c o p ic
G o d -S e e d
re p lic a
w ith
c e lls th a t fo rm
D im e n s io n a l
o f th e
U n iv e rs a l
1 5 s m a lle r
u n iv e rs a l
th e
T im e
s tru c tu re
M a trix
of 15S y s te m s
w ith in th e G o d W o rld s fo rm e d th ro u g h
th e
C o s m ic
G o d -S e e d .
The
C o s m ic
G o d -S e e d fo rm s th e E c k a s h a -A a h in
d o w n s te p
d o w n s te p
H ig h e r
1,
th e
E c k a s h a -A
in
2 a n d th e E c k a s h a C o re ,
and
M id d le
G od
W o rld s
in
d o w n s te p 3 . T h e U n iv e rs a l G o d -S e e d
in tu rn d o w n s te p s th ro u g h s ta g e s 7 a n d
1 2 a n d fo rm s th e c lu s te rs o f 7 H ig h e r
O ur E ckasha·A
S p e c tra
O U R C O S M IC
-
••....•~ I
a n d 7 L o w e r H e a v e n s o f th e lo w e r G o d
#3
W o rld
C O O R D IN A T E S
E c k a s h a -A
U n iv e rs a l
V eca
T im e
M a trix
S y s te m s . E m e rg e n c e o f th e M e rk a b a
a c tiv ity g e n e ra te s th e R a d ia l B o d y ,
S p e c tra - 3
E c k a s h a C o rrid o r - 4
w h ic h in tu rn g e n e ra te s c e lls , a n d th e
V e c a Q u a d ra n t - 4
D e n s ity -1
R4
T h e C o re G o d W o rld E c k a s h a -A a h
downstepping o f these cells creates the
Core Seeds fo r th e u n iv e rs a l le v e ls a t
th e lo w e r le v e ls in c re a tio n . T h e
d ia g ra m o n p a g e 4 8 is a n o th e r d ia g ra m
o f th e G o d S tru c tu re , th e s tru c tu re o f th e E c k a s h a G o d -S e e d . T h e re a re 7 G o d C e lls a t th e c e n te r, p lu s th e
8 th C e ll th a t e n c o m p a s s th e m , p lu s th e 6 o u te r C e lls , p lu s th e 1 5 th C e ll th a t s u rro u n d s e v e ry th in g .
Where are We?
S o "w h e re a re w e ? " A b o v e , w e h a v e a b re a k o u t o f th e E c k a s h a -A a h le v e l K a th a ra G rid th a t e n c o m p a s s
th e la rg e s c a le s tru c tu re o f o u r u n iv e rs e . W e e x is t w ith in th e E c k a s h a -A a h . W e e x is t w ith in a n E c k a s h a -A
Q u a d ra n t o r S p e c tra w ith in th a t. W e e x is t w ith in a n E c k a s h a C o rrid o r w ith in th e E c k a s h a -A . W e e x is t
w ith in a V e c a Q u a d ra n t in th a t E c k a s h a s tru c tu re . T h e d ia g ra m s h o w s o u r lo c a l E c k a s h a -A a h , o u r lo c a l
E c k a s h a -A , o u r E c k a s h a , o u r V e c a Q u a d ra n t a n d D e n s ity -1 . S o w h e re a re w e ?
W e e x is t w ith in th e
E c k a s h a -A S p e c tra 3 , E c k a s h a C o rrid o r 4 , V e c a Q u a d ra n t 4 a n d D e n s ity -1 .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
49
SynthesisbaZYXWVUTSRQPONMLKJIHGFEDCBA
W e fo llo w e d th e p ro g re s s io n b e g in n in g w ith th e O rig in a l F ie ld s o f C re a tio n : th e M a n U , M a n A a n d E irA ,
p r im a r y K a th a ra G rid s . T h e in te ra c tio n o f th e s e p rim a ry
m a n ife s ta tio n o f th e K ris to s a n d K ry s ta lla h , th e SRQPONMLKJIHGFEDCBA
K a th a ra G rid s c re a te s q u a d ra n ts ; u n iv e rs e s e m e rg e w ith in th o s e q u a d ra n ts , e a c h u n iv e rs e re p re s e n te d b y
its o w n O u te r E c k a s h a a n d its o w n In n e r E c k a c o re .
T h e in te ra c tio n b e tw e e n th o s e g e n e ra te s a n o th e r
le v e l o f d e ta il w ith in o u r u n iv e rs e , c re a tin g s u b -s tru c tu re , e a c h s u b -s tru c tu re re p re s e n te d b y a n E c k a s h a
w ith its o w n In n e r E c k a c o re a n d its o w n s e t o f q u a d ra n ts .
W e m o v e d o w n th ro u g h 3 le v e ls o f s tru c tu re to a rriv e a t o u r lo c a l V e c a U n iv e rs e , w ith its q u a d ra n ts , its
P a rtic u m /P a rtik A s id e s , a n d its In n e r E c k a c o re . T h e te rm s ta ir-s te p
p ro v id e s a v a lu a b le k e y to th e
p ro c e s s , b e c a u s e a s w e p ro g re s s u p th ro u g h th e d e n s ity le v e ls w ith in o u r lo c a l u n iv e rs e , w e g a in a c c e s s to
th e In n e r E c k a c o re ; m o v in g u p th ro u g h th e E c k a c o re in to th e E c k a s h a le v e l. W ith in th is E c k a s h a le v e l, w e
a g a in p ro g re s s th ro u g h th e d e n s ity le v e ls o f th a t E c k a s h a in to its In n e r E c k a c o re , u p in to th e o u te r
E c k a s h a -A th a t e n c o m p a s s e s th a t th u s a rriv in g a t a h ig h e r le v e l in th e c o s m ic s tru c tu re . A g a in m o v e in to
th e E c k a c o re , u p to th e O u te r E c k a s h a -A a h a n d th e n w e a c c e s s th e p r im a r y fie ld s w ith in c r e a tio n . S o
th e re is th is s te p p in g p ro c e s s b y w h ic h w e c a n s te p u p th ro u g h th e c o s m ic s tru c tu re a n d a s im ila r p ro c e s s
b y m e a n s o f w h ic h w e s te p d o w n th ro u g h it.
T h e s tru c tu re is h o lo g ra p h ic in n a tu re . T h e w h o le is c o n ta in e d in th e p a rts a t e v e ry le v e l. If w e lo o k a t th e
P rim a l S o u n d F ie ld s , w e c o u ld th in k th a t th e P rim a l S o u n d F ie ld s a re o n ly a c c e s s ib le a t th e to p le v e ls o f
c re a tio n , b u t in fa c t th e P rim a l S o u n d F ie ld s a re re p lic a te d a t e v e ry le v e l in th e s tru c tu re .
T h e y a re
re p lic a te d a t th e V e c a le v e l, a t th e E c k a le v e l, th e E c k a s h a le v e l, a ll th e w a y u p th ro u g h th e s tru c tu re . W e
h a v e a D N A te m p la te c o n n e c te d to a C h a k ra S y s te m , c o n n e c te d to a n A x ia to n a l L in e S y s te m , c o n n e c te d
to a K u n d a lin i S y s te m , c o n n e c te d to a n A n ta h k a ra n a S y s te m , c o n n e c te d to a M a h a ra ta S y s te m , c o n n e c te d
to a K e e -R a -S h A S y s te m , c o n n e c te d to a K h u n d a ra y S y s te m , c o n n e c te d to th e G o d W o rld s .
I8
W e can
a c c e s s th e M a n U , M a n A , a n d E irA C u rre n ts , th e P rim a l L ig h t a n d P rim a l S o u n d F ie ld s a t e v e ry le v e l w ith in
th e s tru c tu re . T h e s tru c tu re is h o lo g ra p h ic , th a t m e a n s th e w h o le is re p re s e n te d in a ll p a rts . A ll th e le v e ls o f
th e s tru c tu re a re re p lic a te d o r in te rw o v e n th ro u g h a ll o f th e p a rts .
W e a re n o t s e p a ra te
fro m
S o u rc e ;
w e h a v e a v e ry
d ire c t
re la tio n s h ip
to S o u rc e .
C re a tio n is n 't
s o m e th in g th a t w a s d o n e to u s ; w e a re n o t v ic tim s in c re a tio n . W e a re a n a c tiv e p a rt in c re a tio n , w e a re
C re a to rs w ith in c re a tio n . P a rt o f o u r s te w a rd s h ip in c re a tio n is th a t w e u n d e rs ta n d a n d a c q u a in t o u rs e lv e s
w ith th e s tru c tu re s o f th e G o d W o rld s to fu lfil o u r ro le a s a c tiv e P la n e ta ry S te w a rd s .
K n o w le d g e o f th e G o d W o rld s h o n o rs o u r c o n n e c tio n
R e c o m m e n d a tio n s
M e /c h iz e d e k s
W o rk s h o p
fo r fu rth e r s tu d y :
T h e E v o lu tio n a r y P a th o f H u m a n C o n s c io u s n e s s : S e c r e ts o f th e
& G u a r d ia n R a c e s ; In tr o d u c tio n
& H andbook;
to S o u rc e .
to K e y lo n tic
M o r p h o g e n e tic
( M a tte r
T e m p la te ) S c ie n c e
M e c h a n ic s o f M a n ife s ta tio n - E m b o d y in g Y o u r H e r o ic F u tu r e - In tro d u c in g th e B i-
V e c a a n d T ri-V e c a C o d e s ; C o n d e n s e d P r e s e n ta tio n o f D a n c e fo r L ife 1 & D a n c e fo r L o v e 2 - p lu s S e c r e ts o f M e ta tr o n , D a n c e fo r L o v e - T h e S e c o n d 3 6 E le m e n ts o f S p ir itu a l M a s te r y : T h e In n e r K e y s to th e
L o w e r , M id d le & H ig h e r G o d - W o r ld s ; T h e S c ie n c e a n d S p ir itu a lity o f C r e a tio n ; S a c r e d S e x u a lity
&
T h e A rt
o f D iv in e R e la tio n s h ip - D iv in e C o u p lin g - In tim a tio n s , E x p lo r a tio n s & C o s m ic C o n n e c tio n (P a rt 3 o f a th re e
p a rt s e rie s ). S e e a z u rite p re s s .c o m
"T h e Y u n a s a i is n o t s o m e th in g
(S p e a k e r
18 C o n d e n s e d p r e s e n ta tio n
1, In tr o d u c tio n
y o u g o to ; y o u a re ta k in g p la c e w ith in it."
to K e y lo n tic M o r p h o g e n e tic
( M a tte r T e m p la te ) S c ie n c e )
o f D fL ife - 1 & D fL o v e - 2 - p lu s - S e c r e ts o f M e ta tr o n , U K , 2 0 0 2 . [P ro d u c t C o d e : D F L -U K l1 8 C D I
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E D F re e d o m
T e a c h in g s ®
S e rie s .
50
T h e 6 P la tfo rm s
o f P e rce p tio n
A n d H o lo g ra p h ic
life E xp e rie n ce
in th e n a tu ra l S ta irw a y to H e a ve n
T h e E cka sh a -A a h
K risto s
6.dcbaZYXWVUTSRQPONMLKJIHGFEDCBA
to th e R e u ch e a , K I)'S la lla h ,
A m o ra e a C e n tra l F la m e ,
M a n u -A zu rite
C o re C rysta l
&
1 :1 l1 e Y u n a s a l·
2 :T h II1 2
Y u n a sa i
G o d C o re
P o in Io IA IIU n io n
R e u c h e S c e p t8 fS
OUR
C O S M IC
C O O R D IN A T E S
E cka sh a -A
S p e clra 3
E cka sh a
C o rrid o r
V e ca O u a d ra n t
- 4
- 4
"4
\
HGFEDCBA
T h e M id d le G o d W o rld
1 0 th e E c k a .h a -A
• E ckasha
T H E U N IV E R S A L V E C A
i~
O N E C O S M IC _ ~ ~ ~
U ': : - J l l ! P ~ ~
on
•••••
•••••
~
I
•••••
I
I
" '~ = < ~ U > t : : ~ '~ ~ -J ~
"
' '>..:.:{
~ ~'I"C-...,...
=~
,.~,
, I
, 1
,
U S G - l1 L y r a lo
In n e r E c k a S G - . r . ; ~ , , " , , £ : . I . : \ ' f r n . , r . : \ . ~
O u r 1 5 -D im e n sio n a l
T im e \
M a trix V e ca Q u a d ra n t-1
P rim a l F ie ld -H ig h e r
H e a ve n s" & Q u a d ra n t-4
0 -1 2 "L o w e r H e a v e n s "
K a th a ra
G rid s
Stairway to Heaven
"S o there is a very specific set of frequencies that are m ade of very specific types of standing scalar-w aves,
A n eloquence in the design of the cosm os - so beautiful- all the pieces really do fit."
.
(S p e a k e r
1,
S c ie n c e a n d S p ir it u a lit y
© A & A D eane, 2010, A ll R ights R eserved;
o f C r e a t io n , S e a t t le 2 0 0 3 )
P art of the M eE O Freedom
Teachings®
S eries,
51
Elements of Discovery Part 3: Cosmic Clock VUTSRQPONMLKJIHGFEDCBA
W e a re b e g in n in g th e jo u rn e y in to a n a c c e le ra te d
StarFire Cycle w h ic h a ffe c ts u s o n m a n y le v e ls in v e ry
p ro fo u n d w a y s , e s p e c ia lly in re la tio n to tim e . U n d e rs ta n d in g th e R e s e t C y c le s th a t w e h a v e a lre a d y
e x p e rie n c e d c a n g re a tly e x p a n d o u r p e rc e p tio n a n d k n o w le d g e o f th e n e w a c c e le ra te d S ta rF ire R e s e t
C y c le w e a re p re s e n tly e n te rin g .
T im e a n d e x p la in s th e
T h e C o s m ic C lo c k is th e u n d e rly in g m e c h a n is m b e h in d th e C y c le s o f
Time Reset Cycles w e a re g o in g th ro u g h .
Cosmic Creation - Secrets of the Yunasai
U n d e rs ta n d in g th e T im e C y c le s o f th e C o s m ic C lo c k b e g in s w ith u n d e rs ta n d in g C o s m ic C re a tio n its e lf, a s
time
is o n e in te g ra l p a rt o f th e W h o le n e s s th a t is S o u rc e . T h ro u g h u n d e rs ta n d in g th e re a lity o f th e C o s m ic
D iv in e B lu e p rin t, w e c a n b e g in to c o m p re h e n d a n d a w a k e n o u r ta n g ib le , in d e lib le , e te rn a l, d ire c t a n d
p e rs o n a l re la tio n s h ip to G o d .
T h e re is a p u rp o s e , p la n a n d in te llig e n t d e s ig n in h e re n t to , b e h in d a n d w ith in
a ll c re a tio n . W e e x is t a s a n in tim a te , in te g ra l a n d b le s s e d p a rt o f a m e a n in g fu l C o s m ic , U n iv e rs a l, G a la c tic ,
P la n e ta ry , a n d P e rs o n a l D iv in e O rd e r.
A ll c re a tio n ta k e s p la c e w ith in th e C o n s c io u s n e s s o f G o d ; th u s
s e p a ra tio n fro m G o d c a n o n ly e x is t a s th e illu s io n o f lim ite d p e rc e p tio n a n d fo rg e tfu ln e s s o f o u r O rig in a l
S o u rc e .
The Yunasai
C re a tio n
p e rp e tu a lly
e m e rg e s
fro m
and
re tu rn s
to
C o n s c io u s n e s s w ith in w h ic h a jl c re a tio n ta k e s p la c e .
C o n s c io u s n e s s
o f G o d -S o u rc e , a n d
th e
C o n s c io u s n e s s
o f th e
ONE
G o d -S o u rc e
W e liv e w ith in th e lim itle s s fie ld o f th e C o s m ic
G o d re s id e s a lw a y s w ith in u s a n d a ro u n d
u s , fo r w e a n d a ll
m a n ife s ta tio n a re c o m p o s e d o f th e D iv in e S u b s ta n c e , th e liv in g , in te llig e n t u n its o f th e C o n s c io u s n e s s o f
G od.
T im e is a ls o th e in te llig e n t u n its o f G o d C o n s c io u s n e s s .
T im e is a s p ira l o f th e C o n s c io u s n e s s o f
G o d , w h ic h m o v e s fro m th e C o re o f C re a tio n e x p a n d in g o u t in to th e m a n ife s t w o rld s , th e n s p ira llin g b a c k
in to S o u rc e , b rin g in g w ith it k n o w le d g e th ro u g h e x p e rie n c e .
S o u rc e le a rn s th ro u g h th e e x p e rie n c e s w e
e m b o d y o n o u r jo u rn e y s th ro u g h s p a c e a n d tim e .
Cosmic Staircase:
Downstepping Cosmic Creation
G o d -S o u rc e p e rp e tu a lly s e ts m a n ife s ta tio n in m o tio n th ro u g h e n g a g in g its a w a re n e s s in th e p ro c e s s o f
v ib ra tio n a l
d o w n s te p p in g ,
or
th o u g h t
fo rm a tio n .
D o w n s te p p in g
o c c u rs
th ro u g h
c o n tra c tin g
th e
Creation Intention o r ThOUghtVibration to c re a te th e 1s t
Still Point Creation Point. G o d -S o u rc e s e ts c re a tio n in m o tio n th ro u g h
C o n s c io u s n e s s in to a s in g u la r p o in t o f fo c u s , a
In d iv id u a tio n o f A tte n tio n , a
p e rp e tu a lly e n g a g in g p a rt o f Its a w a re n e s s in v ib ra tio n a l d o w n s te p p in g , b y w h ic h th e C o s m ic D iv in e T rin ity
o f E te rn a l L ife C re a tio n is fo rm e d .
B e c a u s e w e a re c re a te d in th e Im a g e o f S o u rc e , w e a re g ifte d w ith th e
a b ility to c re a te th ro u g h o u r th o u g h ts .
alignment with Source.
Every thought is
a
creation that takes
us
closer to, or further from
B e in g in a lig n m e n t w ith S o u rc e th ro u g h th o u g h t a n d a c tio n c o n n e c ts u s m o re
in tim a te ly w ith o u r o w n p e rs o n a l K ris tia c C o s m ic C lo c k . S o u rc e c re a te s th e firs t d o w n s te p p in g , a n d th ro u g h
th is p ro c e s s c re a te s w ith in its e lf:
The ManU:
The EirA:
1 s t P K I; V o id E te rn a l S till P o in t.
1 s t P C M ; P re -S o u n d V ib ra tio n ; D iv in e M o th e r C re a tio n S e e d ; C o n tra c tin g R e c e iv in g F o rc e .
The ManA:
1 s t P K A ; P re -L ig h t, D iv in e F a th e r C re a tio n S p a rk ; E x p a n d in g T ra n s m ittin g F o rc e .
© A & A D e a n e . 2 0 1 0 . A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E D F re e d o m
T e a c h in g s ®
S e rie s .
52
T h e M a n U W in d o w
T h e M a n U W in d o w is a n o p e n in g th a t re fle c ts th e 1 s t C re a tio n P o in t a t th e c e n te r o f th e C o s m ic D iv in e
T rin ity . T h e M a n U W in d o w a llo w s fo r a n o p e n c irc u la tio n o f fre q u e n c y /c o n s c io u s n e s s
th ro u g h o u t th e G o d
W o rld s . A t th e c o re o f c re a tio n w ith in th e T a u re n L ig h t U n it th is
o p e n in g
Creation Point
is c a lle d th e
o r D ia m o n d
D o o r, a n d
T h e C o s m ic G o d - S e e d
c#'s=
a llo w s fo r w h a t is c a lle d B a c k flo w a n d B a c k flo w R e tu rn .
E c k a s h a -A a h
15 God Cells
R #'5 = 12 Reuche
Scepter Pillars
B a c k flo w
th e
is th e m o v e m e n t o f th e u n its o f c o n s c io u s n e s s fro m
m a n ife s t
re a lm s
u n d iffe re n tia te d
B a c k flo w
R e tu rn .
c o n s c io u s n e s s
th ro u g h
F ie ld s
In
move
u n d iffe re n tia te d
M a n ife s t W o rld s .
of
th e
C re a tio n
S o u rc e ,
w h ic h
B a c k flo w
P o in t
in tu rn
R e tu rn
th e
in to
th e
a llo w s
fo r
u n its
of
b a c k th ro u g h th e C re a tio n P o in t fro m th e
F ie ld s
of
S o u rc e
to
c o n tin u a lly
re n e w
th e
S o S o u rc e g iv e s u s th e g ift o f life a n d w e a re
p a rt o f th e p ro c e s s th a t g iv e s b a c k to S o u rc e th ro u g h B a c k flo w ,
a n d S o u rc e th e n g iv e s a B a c k flo w R e tu rn .
T h is flo w c a n o n ly
c o n tin u e if fre q u e n c y c a n m o v e b o th w a y s th ro u g h s y s te m s a n d
th ro u g h th e s tre a m s o f c o n s c io u s n e s s th a t c o n n e c t th e m .
As
th e flo w c o n tin u e s b u ild in g fro m th is p ro c e s s o f B a c k flo w a n d
B a c k flo w R e tu rn , th e c o n tin u a l p ro c e s s o f F irs t C re a tio n , (w ith its
in h e re n t tim e c y c le s ) th ro u g h d o w n s te p p in g , o c c u rs .
D iv in e T r in ity o f E te r n a l L ife
A fu n d a m e n ta l p ro c e s s o f c re a tio n is th e p ro c e s s o f p h a s in g . T h e F irs t C o s m ic D iv in e T rin ity o f E te rn a l L ife
s e ts c re a tio n in m o tio n th ro u g h th e p h a s in g o f th e firs t th re e P K I.
P h a s in g is th e c o m in g to g e th e r, o r
m e rg in g , o f b o th th e s m a ll a n d la rg e a n a to m y o f S o u rc e ; b e it s m a ll u n its o f ra d ia tio n o r la rg e p la n e ts , s u n s
o r u n iv e rs e s . T h e m e rg in g th a t is p a rt o f th e p h a s in g p ro c e s s c a n o c c u r o n ly if th e c o rre c t a n g u la r ro ta tio n
o f p a rtic le s p in (A R P S ) e x is ts b e tw e e n
whatever
is p h a s in g to g e th e r.
If th e A R P S a re c h a n g e d o r p o la ritie s
s w itc h e d , th e n p h a s in g c a n n o t ta k e p la c e a n d th e K ris tia c S tre a m s o f C o n s c io u s n e s s
th a t lin k liv in g
s y s te m s to g e th e r c a n n o t m a n ife s t.
P K I P h a s in g
P K I-1 w h ic h h o ld s th e K ris t C o d e E n c ry p tio n c a n b e s e e n a s th e F irs t D e s ire o f S o u rc e to c re a te , w h ic h
v ib ra te s b u t d o e s n o t
move.
N e x t, th e O rig in a l T h o u g h t V ib ra tio n is re p lic a te d w ith in th e v ib ra tio n o f th e
firs t to fo rm th e 2 n d in d iv id u a tio n o f c o n s c io u s n e s s w h ic h is P K I-2 .
S o u rc e d e s irin g to s e t in m o tio n th e
e n c ry p tio n h e ld w ith in P K I-1 , e x p a n d s to fo rm w ith in its e lf P K I-2 , w h ic h h o ld s th e e n c ry p tio n o f th e firs t P K I
b u t a ls o h o ld s th e e x p re s s io n o f S o u rc e , w h ic h s ta rts th e c re a tio n p ro c e s s in m o tio n .
A s P K I-2 e x p a n d s
w ith in P K I-1 , it s p lits P K I-1 in to tw o , c re a tin g th e D iv in e T rin ity o f E te rn a l L ife -P e rp e tu a l M o tio n . T h is is
im p o rta n t in re la tio n to th e C o s m ic C lo c k , a s it s ta rts to s h o w u s h o w tim e is m a d e o f u n its o f ra d ia tio n
c re a te d th ro u g h th e p h a s in g o f th e firs t th re e P K I.
T h e p h a s in g rh y th m (o r B a s e P u ls e R h y th m ) o f th e s tre a m o f c o n s c io u s n e s s c re a te d b y th e firs t th re e P K I
d e te rm in e s th e T im e C lo c k S h ie ld o f e a c h u n iq u e s y s te m , a n d th e re fo re h o w tim e flo w s . E a c h p o in t o f th is
p h a s in g c y c le p ro d u c e s s p a rk s , w h ic h c o n tin u e to p h a s e to c re a te s p a rk p u ls e c u rre n ts , th e c u rre n ts th a t
m a k e u p th e u n its o f s p a c e a n d tim e .
(s p a c e
a n d tim e ) a s s e p a ra te
fro m
A s th e s e u n its o f s p a c e a n d tim e d o w n s te p , w e e x p e rie n c e th e m
e a c h o th e r.
In tru th th e y a re th e s a m e
s u b s ta n c e
o f S o u rc e
d iffe re n tia te d to a llo w u s to e x p e rie n c e th e m a n y d iffe re n t S ta tio n s o f Id e n tity in th e o u te r m a n ife s t w o rld s .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e
M e EO
F re e d o m
T e a c h in g s ®
S e rie s .
53
The Reuche God-Seed Core
T h e R e u ch e G o d -S e e d C o re is th e 1st C o sm ic C lo ck o f C re a tio n . T h e cre a tio n o f th e 1st R e u ch e w ith in
S o u rce h a p p e n s th ro u g h th e p ro ce ss o f d o w n ste p p in g . D o w n ste p p in g is h o w S o u rce re p lica te s Itse lf d o w n
in to sm a lle r a n d sm a lle r p a rts (w h ile still m a in ta in in g th e E te rn a l L ife m a th e m a tica l e n cryp tio n a n d
co n n e ctio n to S o u rce ) so th a t S o u rce ca n e xp e rie n ce a n d le a rn
o n m a n y d iffe re n t le ve ls o f e xiste n ce . T h e fu ll q u a n tu m o f S o u rce
T h e R e u c h e G o d -S e e d C o re
C o s m ic C lo c k o f C re a tio n CBA
is so p o w e rfu l th a t re p lica tio n , b u t w ith le sse r q u a n tu m , is n e e d e d
Down
Down
Stepil
Step #2
in o rd e r to m a in ta in th e in te g rity o f th e m a n y sm a lle r syste m s th a t
ManA 1'12~1
a re a lw a ys w ith in , b u t h o ld d iffe re n tia tio n w ith in S o u rce .
M anU
-,;~ ~.. ~
~ '--
R e p lica
T h e ce n te r o f th e R e u ch e G o d -S e e d C o re h o ld s th e M a n U F la m e ,
w h ich is th e w in d o w th ro u g h w h ich th e re is a lw a ys a co n n e ctio n
to S o u rce . T h is o p e n co n n e ctio n w ith in th e M a n U F la m e is
e sse n tia l in o rd e r to a llo w fo r o p e n circu la tio n o f th e stre a m o f
co n scio u sn e ss th ro u g h o u t th e G o d W o rld s.
E irA
6
EirA
lSOdegree
P ro je c tio n
~~;/~i:'
~'
6 E lrA F ie ld s
6 M a n A F ie ld s ------..:.
lin k e d a t c e n te r
~
In th e p ro ce ss o f d o w n ste p p in g , th e M a n U F la m e , w h ich is w ith in
th e 1 3 th C e n te r P illa r, re p lica te s itse lf a n d d o w n ste p s to cre a te th e
E irA P illa r. T h is is R e u ch e n u m b e r 6 o f th e R e u ch e S h ie ld .
Simultaneously, th e M a n U d o w n ste p s to cre a te th e M a n A R e u ch e
n u m b e r 1 2 , w h ich is th e 1 2 p o sitio n o f th e R e u ch e S h ie ld . T h e 6
t7l
90~ee
Projection
b y M a n U re p lic a
w in d o w .
,~ ;, /1/ ('
"
-, __
' 9 "-6r'lL..-J
3
/--, .... /
',7}
/
45 degree
Projection
5
~ '_ R _ '" '_ '''" _ '''''
a n d 1 2 R e u ch e P illa rs d o w n ste p to cre a te th e 3 a n d 9 R e u ch e P illa rs o n th e 3 a n d 9 p o sitio n s o f th e
R e u ch e S h ie ld C lo ck. T h e se a re th e 4 in n e r h a rm o n ics o f a R e u ch e S h ie ld , w h ich fu rth e r d o w n ste p to fo rm
th e 8 O u te r R e u ch e P illa rs, kn o w n a s th e 8 O u te r O cta ve s o f th e R e u ch e S h ie ld . R e u ch e P illa r 1 2
d o w n ste p s in to P illa rs 1 0 a n d ' 1 1 ; R e u ch e P illa r 6 d o w n ste p s in to P illa rs 4 a n d 5 ; R e u ch e P illa r 9
d o w n ste p s in to P illa rs 7 a n d 8 ; a n d R e u ch e P illa r 3 d o w n ste p s in to P illa rs 1 a n d 2 .
Horizontal and Vertical Shield Clock
T h e R e u ch e is n o t ju st a fla t sh ie ld ; th e circle s th a t fo rm th e R e u ch e a re co lu m n s o f livin g co n scio u sn e ss
w ith a M e rka b a w h ich a rcs to a M e rka b a o f a n o p p o site p o la rity. T h is fo rm s e le ctro m a g n e tic fre q u e n cy
flo w s w h ich co n n e ct fro m o n e sh ie ld to a n o th e r sh ie ld in a n o p e n E te rn a l L ife C o m m u n ica tio n S yste m . In
th is w a y th e R e u ch e P a tte rn is a Core Creation Pattern a n d a n ch o rs fre q u e n cy in to th e sh ie ld s in a sp e cific
w a y. T h e R e u ch e , like th e K a th a ra G rid , is in e ve ry p a rt o f o u r a n a to m y, o n e ve ry le ve l o f e xiste n ce .
T h e R e u ch e P a tte rn m a n ife sts o n b o th o u r ve rtica l a n d h o rizo n ta l sh ie ld s. W h e n it m a n ife sts w ith in th e
h o rizo n ta l sh ie ld it cre a te s co lu m n s w h ich a re m a d e o f sp a rk cu rre n ts o r livin g stre a m s o f co n scio u sn e ss
th a t a n ch o r ve rtica lly. W h e n yo u se e th e R e u ch e o n a ve rtica l sh ie ld , it is a n ch o rin g h o rizo n ta l co lu m n s o f
fre q u e n cy. T h e co lu m n s sta rt o u t a s sta n d in g w a ve s th a t vib ra te w h ich m e a n s th e y sta y in o n e p la ce
cre a tin g co lu m n s th a t d o n 't m o ve . It is b e ca u se th e co lu m n s h a ve p o la rity d iffe re n ce s in re la tio n to e a ch
o th e r a n d a re a t sp e cific a n g le s th a t th e co lu m n s fo rm a rcs, a n d it is th e g O -d e g re e a n g le s o f th e ve rtica l
a n d h o rizo n ta l co lu m n s th a t a llo w th e a rcs to fo rm .
P o la rity d iffe re n ce s m e a n th e co lu m n s h a ve a p re d o m in a te ly e le ctrica l, m a g n e tic o r n e u tra l ch a rg e , a n d
w h e n th e y in te ra ct a t sp e cific a n g le s a tu n n e l o r a rc o f e n e rg y is cre a te d . T h e se a rcs a re w h a t lin k d iffe re n t
le ve ls o f th e a n a to m y, d iffe re n t sh ie ld s, a n d d iffe re n t syste m s to e a ch o th e r.
©A
& A D eane, 2010, A ll R ights R eserved;
P art of the M e E O F reedom
T eachings®
S eries,
54
C o s m ic K a th a ra G rid /K ris t
Code
T h e K a th a ra G rid is a fu n d a m e n ta l s tru c tu re o f G o d -S o u rc e , a n d it is k n o w n a s th e K ris t C o d e . T h e K ris t
C o d e is a m a th e m a tic a l p ro g ra m th a t o rg a n iz e s s u b -u n its o f ra d ia tio n in v e ry s p e c ific a n g le s to e a c h o th e r.
T h e s e s u b -u n its a re s p h e re s o f e n e rg y th a t a re th e c irc le s o f th e K a th a ra G rid , a n d th e y h o ld th e p ro p e r
q u a n tu m
o f e n e rg y a n d p o la rity re la tio n s h ip s
fo r th e E te rn a l L ife C re a tio n
p ro c e s s .
T h e q u a n tu m
re p re s e n ts th e a m o u n t o f fre q u e n c y a s y s te m 's s h ie ld h a s w ith w h ic h to c re a te its h o lo g ra m . P o la rity
d iffe re n c e s re p re s e n t th e w a y th e p o s itiv e a n d n e g a tiv e c h a rg e s in te ra c t w ith e a c h o th e r. If th e K ris t C o d e
K a th a ra G rid is c h a n g e d in a n y w a y , it c h a n g e s th e m a tte r b a s e o f h o w o u r a to m s fo rm . A n y o th e r v e rs io n
o f th e K ris t C o d e is n o t E te rn a l L ife , b u t is fin ite in n a tu re a n d w o u ld b lo c k th e n a tu ra l s tre a m o f
c o n s c io u s n e s s , th e re b y c h a n g in g a n d d is to rtin g th e T im e S h ie ld o f th e O rig in a l C o s m ic C lo c k .
B i-V e c a M e rk a b a D o u b le S p ira l S e t
A n o th e r im p o rta n t a s p e c t o f th e C o s m ic C lo c k is M e rk a b a . A c o u n te r-ro ta tin g M e rk a b a S p ira l S e t h a s a to p
C W E le c tric a l S p ira l w ith a b a s e s p e e d o f 3 3
1/3
ro ta tio n s p e r trillio n th s o f a n a n o s e c o n d , w h ic h c irc u la te s
a n ti-p a rtic le fre q u e n c y fro m th e a n ti-p a rtic le u n iv e rs e in to o u r P C M s y s te m .
It is a n in c o m in g fre q u e n c y ,
s p ira llin g e n e rg y in to m a n ife s ta tio n . T h e M e rk a b a b o tto m s p ira l is m a g n e tic , h a s a b a s e s p e e d o f
ro ta tio n s p e r trillio n th s o f a n a n o s e c o n d , a n d s p ira ls e n e rg y u p a n d o u t o f m a n ife s ta tio n .
11 2/3
B e c a u s e th e tw o
s p ira ls c o u n te r-ro ta te , th e y c re a te a c irc u la tio n o f e n e rg y , o r a b re a th in g rh y th m fo r th e re n e w a l o f life .
M e rk a b a s th a t d o n o t c o u n te r-ro ta te a n d a re p h a s e -lo c k e d to g e th e r, c a n o n ly s p in in th e s a m e d ire c tio n
a n d d o n o t b re a th e ; th e y c irc u la te d e a d lig h t o n ly , w h ic h d is c o n n e c ts th e s y s te m fro m th e ir K ris tia c C o s m ic
C lo c k . T h e re is m o re th a n o n e k in d o f lig h t. L ig h t b u ilt o n th e m a th e m a tic s o f th e K ris t C o d e is
called ShaLAeah Light.19 W h e n th e a n a to m y o f S o u rc e is c h a n g e d , s u c h a s th e c re a tio n o f a
dead light is created called ShOna20 Light. T h e k in d o f lig h t c re a te d is d e te rm in e d
M e rk a b a ,
s y s te m h a s B a c k flo w
a n d B a c k flo w
Living Light,
p h a s e lo c k e d
b y w h e th e r a
R e tu rn , o r n o t.
T ri-V e c a M e rk a b a
W e h a v e p o la riz e d M e rk a b a S p ira ls th a t in a S o la r A c tiv a tio n C y c le (S A C )2 1 b u ild to b e c o m e a B i-V e c a
M e rk a b a V e h ic le .
In a n a tu ra l S A C , th is w o u ld m a n ife s t o n th e m ic ro a s w e ll a s th e m a c ro le v e l,
m a n ife s tin g a ro u n d o u r in d iv id u a l fie ld s , a s w e ll a s a ro u n d o u r U n iv e rs e a n d o u r b ig g e r V e c a S y s te m ,
p re p a rin g u s (a n d o u r V e c a ) fo r a s c e n s io n in to th e E c k a S y s te m .
O u r V e c a is m a d e u p o f o u r P C M D e n s ity U n iv e rs e a n d its P rim a l L ig h t F ie ld s , a n d th e a n ti-p a rtic le P K A
D e n s ity U n iv e rs e w ith its P rim a l L ig h t F ie ld s , c re a tin g th e fo u r q u a d ra n ts o f th e V e c a S y s te m .
E ach
q u a d ra n t w o u ld h a v e o n e B i-V e c a M e rk a b a , o n e fo r e a c h d e n s ity s y s te m a n d o n e fo r e a c h o f th e P rim a l
L ig h t F ie ld s . T h e n in th e p ro c e s s o f b u ild in g a b ig g e r (w ith m o re q u a n tu m ) M e rk a b a F ie ld , th e P rim a l L ig h t
F ie ld o f o u r P C M S y s te m a n d th e P rim a l L ig h t F ie ld o f o u r P K A S y s te m m e rg e to c re a te o n e d o u b le B iV e c a M e rk a b a F ie ld . T h e d e n s ity B i-V e c a M e rk a b a o f th e P C M , a n d th e d e n s ity B i-V e c a M e rk a b a o f th e
P K A S y s te m s a ls o m e rg e to c re a te o n e d o u b le B i-V e c a M e rk a b a F ie ld ; th e n b o th d o u b le
B i-V e c a
M e rk a b a s m e rg e to c re a te a n e v e n la rg e r M e rk a b a F ie ld c a lle d th e F u ll E c k a s h a T ri· V e c a M e rk a b a F ie ld .
T h is is th e E te rn a l L ife M e rk a b a F ie ld th a t fe e d s e n e rg y p e rp e tu a lly d o w n fro m th e E c k a S y s te m in to o u r
V e c a . T h is w a s a c tiv a te d in o u r p la n e t a n d in o u r fie ld s to p re p a re u s fo r th e H e th a ro /H e th a lo n R e u s h a - T A
R e s e t C y c le . T h is h a s n o t fu lly a c tiv a te d to c re a te a M e rk a b a V e h ic le , a s th a t d o e s n o t h a p p e n u n le s s it is
19 S h a -L A -e a
is p ro n o u n c e d s h a h -Ia y -a h
20 s h O n a is p ro n o u n c e d
s h 6 -n a h
21 A ls o k n o w n a s S te lla r A c tiv a tio n
C y c le o r S ta r G a te A s c e n s io n C y c le
© A & A Deane,
2 0 1 0A,ll
R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
55
s a fe fo r a s y s te m to d o s o . T h e re h a v e b e e n to o m a n y d is to rtio n s w ith in o u r E c k a lV e c a S y s te m fo r s a fe
S ta r G a te (S G ) tra v e l.
W h e n w e a c tiv a te th e T ri-V e c a E c k a s h a M e rk a b a in o u r p e rs o n a l fie ld s , it is in its c irc u la tio n p h a s e , a n d w e
c a n th e n b rin g th e fre q u e n c ie s fro m th e E c k a in to o u r fie ld s to g iv e u s p ro te c tio n , h e lp c le a r d is to rtio n s in
o u r D N A , a n d p re p a re u s fo r th e n e x t s ta g e o f a c tiv a tio n o f o u r a n a to m y .
W h e n a M e rk a b a is in its
c irc u la tio n p h a s e , it c irc u la te s e n e rg y b a c k a n d fo rth th ro u g h th e s y s te m s to c o n tin u a lly re n e w th e s e e d
a to m o f th a t s y s te m .
T h e v o rtic e s c o m m u n ic a te ; h o w e v e r th e y a re n o t o p e n to e a c h o th e r c o m p le te ly .
T h e y a re k e p t s e p a ra te b y w h a t a re c a lle d S ta r C ry s ta l S e a ls (S C S ).
W h e n th e s e S C S fu lly o p e n , th e
M e rk a b a F ie ld s c a n m e rg e a n d g o fro m b e in g a M e rk a b a F ie ld to b e c o m in g a M e rk a b a V e h ic le . T h is is
w h e n a p e rs o n o r a p la n e t w o u ld d e -m a n ife s t a n d b e c o m e th e M e rk a b a a n d tra v e l th ro u g h th e d e n s ity
v o id s to th e n e x t d e n s ity u p , w h e re th e y w o u ld re -m a n ife s t o n a h ig h e r s ta tio n o f id e n tity .
P o rta ls a n d S ta r G a te s
S ta r G a te s fo rm o n th e K ris t C o d e P a tte rn . T h e y a re s p a c e /tim e
T im e P o rta ls & D im e n s io n a l
lo c k S y s te m
lo c a tio n s th a t h o ld v e ry s p e c ia l fre q u e n c y , a n d a re p a rt o f th e
P rim a l lig h t F ie ld
D e n s ity 5 D im 1 3 -1 4 -1 5
U n iv e rs a l, P la n e ta ry a n d P e rs o n a l T e m p la r M e c h a n ic s . T h e y a re
". ...
,/,,5 !~ 7 g iW _ t
a re a s w h e re fla s h lin e s e q u e n c e s o f d iffe re n t s p a c e /tim e lo c a tio n s
c ro s s th ro u g h e a c h o th e r. W e k n o w th a t e a c h fla s h lin e s e q u e n c e
" - ,.- .,
re p re s e n ts P K I P h a s in g , a n d th a t th e y h o ld th e m a th e m a tic a l
• • • • •/
P re M a tte r
fo rm u la fo r o n e d im e n s io n a l le v e l o f a n g u la r ro ta tio n o f p a rtic le
s p in . T h is m e a n s it h o ld s th e p ro g ra m fo r th e T im e C lo c k fo r th a t
S tilr G .il~ iill~ P o r n .1 5 e l! in .u ~ c k & W h lte
H o l e P 'o llts t h < I t l l l 'e : c o n n c c t e d
p a rtic u la r d im e n s io n .
W h e n m u ltip le le v e ls o f fla s h lin e s c ro s s
th ro u g h e a c h o th e r, y o u h a v e m u ltip le tim e lin e s ru n n in g th ro u g h
5 la l.! r f ,~ u e n c y S e a L
a t th e
c e n te r
W h e n th e S u rG a tc tS
by II
or
P o r ta ls A c r iv a te .th e ~ r 5 o e .::lI r e le a ~ itr .d
t h e ~ l p a l r m e r 9 '! t o f o r m a M e r i l a b a F t e l d .
e a c h o th e r, o ffe rin g th e p o te n tia l to tra v e l to o th e r s p a c e -tim e
lo c a tio n s .
T h e s e S ta r G a te s o p e n fo r a c tiv a tio n d u rin g v e ry s p e c ific tim e s
c a lle d S o la r A c tiv a tio n C y c le s . T h e s e a re tim e s w h e n m u ltip le WVUTSRQPONMLKJIHGFEDCBAV ,n ''''' " " ," ,," ','" " " ., ,,,,,,,,,,.
s u n s a lig n (v e rtic a l a x e s a lig n ) c re a tin g a n o p e n b rid g e c a lle d a
:";,'':::,~:'::su~:.:,;~~:,~~~:~::;;"
5 in h e re n t
S te lla r B rid g e w h ic h a llo w s a fre q u e n c y in fu s io n to m o v e in to th e
M a tU lr
O ~ n s lly te v e ls ,
"'• •"",m ""'~ '_ "'_ ."'."_
S ta r G a te a n d c o rre s p o n d in g s y s te m . T h is g iv e s a s y s te m th e e n e rg e tic th ru s t it n e e d s to c o -lin k w ith th e
tim e lin e th a t it is a b o u t to m o v e in to .
T im e P o rta ls
W h e n S ta r G a te s a n d P o rta ls a c tiv a te , th e c o u n te r-ro ta tin g , e le c tro m a g n e tic (E M ) s p ira l p a ir m e rg e s to
fo rm a M e rk a b a V e h ic le ; its c e n te r b e c o m e s a
Form Constant Still Point
lo c a tio n s d ire c tly to e a c h o th e r, c re a tin g a tra n s -tim e b rid g e .
th a t lin k s v a rio u s s p a c e -tim e
S ta r G a te s a n d p o rta ls a re a liv e ; th e y a re
b e in g s th a t h a v e a ll th e a n a to m y w e d o . T h is in c lu d e s a M e rk a b a w h ic h h a s v o rtic e s . W h e n a c tiv a te d th e
M e rk a b a v o rte x c re a te s a n a rc , b e c a u s e th e re is a c o u n te r v o rte x th a t it lin k s in to . T h e tw o v o rtic e s c re a te
tw o p o le s , o n e w ith a n e g a tiv e c h a rg e , a n d o n e w ith a p o s itiv e c h a rg e W h ic h a llo w s fo r th e c re a tio n o f a n
a rc o f e n e rg y . T h e s e a rc s b e c o m e th e p a s s a g e s fo r tra v e l d u rin g a n A s c e n s io n C y c le .
S ta irw a y to H e a v e n
T h e S ta irw a y to H e a v e n is a n a lig n m e n t o f S ta r G a te s , w h ic h c re a te v e rtic a l, h o riz o n ta l, a n d d ia g o n a l
le v e ls o f re a lity a ll th e w a y th ro u g h th e G o d W o rld s o f o u r E c k a s h a -A a h w ith in th e E u k a th a ris ta B o d y , in
w h a t a re k n o w n a s th e O u te r M a n ife s ta tio n D o m a in s . T h e O u te r D o m a in s e m e rg e fro m w h a t a re c a lle d th e
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e
M e EO
F re e d o m
T e a c h in g s ®
S e rie s .
56
M id d le D o m a in s , w h ic h e m e rg e fro m th e In n e r D o m a in s w h ic h e m e rg e fro m th e C o re o f C re a tio n .
S ta irw a y to H e a v e n is th e b o n e s tru c tu re
The
o f th e O u te r D o m a in s .
O u r V e c a is p a rt o f a n E c k a s h a w ith a n In n e r E c k a G o d W o rld in th e c e n te r, o n a d ia g o n a l a x is to th e a x is
o f o u r V e c a S y s te m .
T o c o m e d o w n th is S ta irw a y to H e a v e n fro m th e E c k a im p lie s w e h a d to le a v e
S ta tio n s o f o u r Id e n tity in a ll th e s e p la c e s in o rd e r to fit o u r fre q u e n c y in to th e lo w e r le v e ls o f th e re a lity
fie ld s . R e c o n n e c tin g w ith o u r C o s m ic C lo c k m e a n s fin d in g a n d m e rg in g o u r e n c ry p tio n w ith th e e n c ry p tio n s
o f o u r In te r-C o s m ic F a m ily , th e p a rts o f o u rs e lv e s th a t w e fo rg o t w e h a d , a n d th a t e x is t o n a ll th e S ta tio n s o f
Id e n tity a b o v e D e n s ity -1 .
D u e to d is to rtio n s in o u r U n iv e rs a l S y s te m fro m th e G ra v itro n lT h re s h o ld T e c h n o lo g ie s ,2 2 w e a re n o t m o v in g
v e rtic a lly u p o u r U n iv e rs a l S ta irw a y to H e a v e n in o rd e r to m e rg e w ith o u r fa m ily , a s th e s e S ta r G a te s h a v e
g o n e in to L o c k d o w n .
H o w e v e r, w e h a v e fa m ily s ta tio n e d in th e h ig h e r d e n s ity le v e ls , a n d in s te a d o f u s
m o v in g u p th e S ta irw a y to H e a v e n to jo in th e m , th e y n o w h a v e th e o p p o rtu n ity to jo in w ith u s (o u r fie ld s )
h e re in D e n s ity -1 . T h is is b e c a u s e D e n s ity -1 is th e o n ly d e n s ity in o u r V e c a S y s te m th a t c a n do S ta rF ire
(S F ) C y c le , a n d it is th e S F C y c le th a t w ill p re v e n t u s fro m g o in g in to b la c k h o le fa ll. B e c a u s e o u r S ta irw a y
to H e a v e n G a te s a re in L o c k d o w n (to p re v e n t R e d P u ls e v a p o riz a tio n ), w e h a v e a n e w H o s t O p tio n w h ic h
ta k e s u s d ire c tly in to th e
Middle Worlds
o f th e E d o n ic M id d le D o m a in s . E v e n th o u g h w e a re n o t m o v in g
v e rtic a lly u p th ro u g h o u r S ta r G a te s , it is im p o rta n t to k n o w h o w a L iv in g V e c a S y s te m w o u ld w o rk if it w e re
a b le to lin k w ith th e T im e C y c le s o f its E c k a S y s te m .
Spheres within Spheres and the Radial Body Structure
T h e re a re s p h e re s o n e v e ry le v e l o f e x is te n c e . A ro u n d u s w e
h a v e p e rs o n a l s p h e re s c a lle d R a d ia l B o d ie s . A R a d ia l B o d y is
k n o w n a s a T rio n -M e a jh e
B i-V e c a M e rk a b a
F ie ld th a t fo rm s a s p h e ric a l tis s u e
North Electric
c a p s u le s k in a ro u n d o u r 3 -d im e n s io n a l H o v a B o d y s tru c tu re . W e
p ro g re s s iv e ly h e a l a n d m e rg e o u r R a d ia l B o d ie s th ro u g h th e u s e
o f V e c a C o d e a n d F la m e B o d y T e c h n o lo g ie s . T h e m e rg in g o f o u r
R a d ia l B o d ie s b e g a n to g iv e u s p ro te c tio n d u rin g th e p re s e n t
SAC.
N a tu ra l
R a d ia l
B o d ie s
have
v e ry
s p e c ific
a n a to m y
p la c e m e n ts in re la tio n to o u r K a th a ra G rid T e m p la te .
O n th e K a th a ra G rid th e R e io n
F ie ld
m a n ife s ts o n th e 1 2 a n d 1 p o s itio n s .
c re a te s a s p h e re th a t
T h is is th e R e io n B a s e
S h ie ld , a ls o k n o w n a s th e R e io n V o id F ie ld , a n d is c o m p o s e d o f
P rim a l L ife F o rc e U n its c a lle d R e io n s th a t h a v e w h a t is c a lle d a
tri-c h a rg e . T h e y h o ld th e c a p a c ity fo r a n e le c tric a l, m a q n e tlc o r
n e u tra l
c h a rg e ,
in te ra c tin g w ith .
d e p e n d in g
what
L ife
F o rc e
C u rre n ts
T h e R e io n V o id F ie ld is k n o w n a s th e
it
South Magnetic
T h e M e rk a b a F ie ld S p ira l S e t is c a lle d th e Actual
Field,
th e U n iv e rs a l S h ie ld D iv in e B lu e p rin t is th e 8 a s e Field,
th e P rim a l L ig h t R a d ia n t B o d y is th e Parameter Field.
is
~'_rl""".~'~_._"_
0·12
B a s e F ie ld , a n d it m a n ife s ts in th e V o id F ie ld b e tw e e n th e d e n s itie s . In s id e th e R e io n F ie ld R a d ia l B o d y is
th e T rio n L ig h t F ie ld , c o m p o s e d o f T rio n L ig h t u n its , w h ic h a re a n te -m a tte r P rim a l L ig h t u n its o f D e n s ity -5 .
T h e T rio n L ig h t s p h e re fo rm s o n K a th a ra C e n te rs 1 1 a n d 2 ,
In s id e th e T rio n F ie ld is th e M e a jh e F ie ld
w h ic h is a s p h e re th a t ru n s th e K a th a ra C e n te rs 8 a n d 5 , a n d is c o m p o s e d o f M e a jh o n P rim a l S o u n d u n its .
It is w ith in a n d th ro u g h th e R a d ia l B o d y s tru c tu re th a t w e e x p e rie n c e o u r 3 -d im e n s io n a l m a n ife s t re a lity a n d
o u r T im e C lo c k w ith in th e h o lo g ra m .
22 T h is is a m a c h in e th a t g e n e ra te s
u n n a tu ra l g ra v ita tio n a l fie ld s a n d m u ta te s w h a t q u a rk s d o in th e ir p ro c e s s o f fo rm in g th in g s
UK Michael-Mary Line Workshop,
lik e p ro to n s a n d n e u tro n s .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
2 0 0 4 . [P ro d u c t C o d e : U K M M /6 D V D -1 C D T /H B M ]
P a rt o f th e M e E D F re e d o m
T e a c h in g s ®
S e rie s .
57
M a n ife s ta tio n
T ra n s d u c tio n
S e q u e n c e dcbaZYXWVUTSRQPONMLKJIHGFEDCBA
T he R a d ia l B o d y T is s u e C a p s u le serves as the polarizing lens through w hich the P rim al Life F orce
C urrents flow from the K athara G rid and D N A T em plate into m anifestation via M erkaba F ield C irculation.
T his is done by dow nstepping frequency from the P rim al Light and S ound F ields into the densities in a
process called the R a d ia l B o d y T ra n s d u c tio n -M a n ife s ta tio n S e q u e n c e . T his com plex process explains
how w e accrete frequencies into our personal tem plates, giving us the experience of space and tim e. A
sim ple w ay to understand this process is that the M erkaba circulates energy/consciousness dow n from our
P rim al Light F ields into our D N A T em plate. O ur D N A acts as the projector; projecting the dow nstepped Life
F orce C urrents onto our spherical R adial B ody, w hich acts as the projection screen that bounces the
frequencies back to us, giving us the experience of our 3-dim ensional hologram . A ny distortions held w ithin
our R adial B odies w ill be reflected back to us as distortions w ithin our hologram .
Veca Code
T e c h n o lo g ie s allow us to clear the distortions held w ithin our R adial B odies. 23
T h e P a ra m e te r F ie ld
T he P a ra m e te r F ie ld is the outerm ost sphere of our R adial B ody structure."
O ur P aram eter F ield should
shift and m ove continually in order to pick up the frequencies of the E cka and angle them into our V eca and
density system s for renew al and ultim ately ascension into the E cka W orlds. F or a long tim e our P aram eter
F ield w as not able to pick up the life force currents from the E cka, w hich phase-locked this system into the
tim e cycles of our D N -1 system . W e have learned w e have horizontal shields that go w ith density levels 1
through 4 of our P C M U niversal S ystem , and a 5 th horizontal E thos S hield that is the M aharic S hield, 12
inches below the feet that w e use in the M aharic S eal; this is the M aharic S hield that goes w ith the P K A
P arallel S ystem . W e use the P K A M aharic S hield for our P C M S ystem , because the P K A E thos
frequencies override som e of the distortions in our P C M S ystem . O ur P C M M aharic S hield is actually at the
K athara C enter 12, six inches above our heads. 25 T he 6th S hield is our P aram eter F ield and corresponds
to the P rim al Light F ields of our P K A , our R ishiac Level of Identity. O ur P a ra m e te r S h ie ld is th e s a m e a s
o u r V e rtic a l R is h ia c S h ie ld , w hich w ith its M erkaba spins vertically, w hile our H arm onic, D ensity and
E thos S hields spin horizontally w ithin it. T he P aram eter F ield is the larger shield that carries frequencies
called the O c ta v e s , w hich correspond w ith our E cka. T hrough the m ovem ent of the P aram eter F ield axis,
our V eca picks up the O ctave frequencies from the E cka, m aking them available to our V eca S ystem and
H arm onic S hield. F or a system to connect w ith its C osm ic C lock it m ust have its param eter M erkaba
functioning and able to rotate vertically.
T he large O c ta v e S h ie ld is the P aram eter F ield that surrounds the inner R adial B ody spheres of our V eca
S ystem . T he R adial B ody spheres stay stable and do not shift as the P aram eter F ield shifts around them .
T his allow s stability of our m anifest hologram . A t 90 degrees to the O ctave S hield is the horizontal shield
know n as the H a rm o n ic s S h ie ld . This S hield corresponds to the V eca system . and holds the sm aller
frequencies called H arm onics. T hese 2 shields (O ctave and H arm onic) m ake up one large R euche pattern
and full T im e C alendar. T he O ctaves S hield is the outer part of the calendar and corresponds to the E cka
C lock, w hich correspond to the eight outer spheres of the R euche. T he H arm onics S hield is the inside of
the calendar and corresponds to the sm aller V eca C lock, m ade up of the 4 inner spheres of the R euche.
F rom this w e can see there is a direct link betw een the E cka S hield and the V eca S hield created by the
arcs of the R euche. T he horizontal H arm onic S hield is also know n as the S h ie ld C lo c k . It is know n as the
S hield C lock because it is the S hield/D isc w hich the Life F orce C urrents spiral into and out of. It expands
our R adial B odies and m orphogenetic fields, giving us the perceptual experience of passing tim e.
23
S ee K athara T eam m odule,
Keys for Mastering Ascension: The Veca Consciousness Codes. [P roduct C ode: V C C /D V D /H B j
2/3)
T here are larger spheres that control our P aram eter F ield w hich are part of our C rystal B ody S tructure. (S ee K athara
25 R efer to page 157 of the K athara m anual to see the 5 H orizontal S hields.
24
© A & A D eane, 2010, A ll R ights R eserved; P ari of the M eE O Freedom Teachings® S eries.
58
Rod and StaffZYXWVUTSRQPONMLKJIHGFEDCBA
A n o th e r p a rt o f o u r K ris tia c a n a to m y is k n o w n a s th e R o d a n d S ta ff.
The Staff
is th e N o rth C e n tra l V e rtic a l
C o lu m n o f th e K a th a ra G rid (w ith its c o rre s p o n d in g M e rk a b a F ie ld ) o f o u r v e rtic a l P a ra m e te r F ie ld .
Rod
The
is a c o lu m n o f fre q u e n c y th a t s p in s , lik e th e h a n d o n a c lo c k , w ith in th e h o riz o n ta l H a rm o n ic S h ie ld .
A s it s p in s ,it s e n d s fre q u e n c y o u t fro m th e M o n a d ic C e n te r P o in t F la m e a n d in to o u r H a rm o n ic S h ie ld . T h is
in tu rn e x p a n d s o u r R a d ia l B o d ie s a n d m o rp h o g e n e tic fie ld s , b rin g in g in to o u r fie ld s (a c c re tio n ) th e
h a rm o n ic s n e e d e d to a s c e n d o u t o f th e tim e c y c le s o f D N -1 .
T h e re is a d ire c t c o n n e c tio n b e tw e e n th e
R o d s a n d S ta ffs w ith in K ris tia c s y s te m s . T h e re is a n e n e rg e tic e x c h a n g e b e tw e e n th e h o riz o n ta l ro d o f o n e
s y s te m a n d th e v e rtic a l s ta ff o f a n o th e r s y s te m .
T h is fre q u e n c y s te p -d o w n (d o w n s te p p in g ) e x c h a n g e
a llo w s fo r a n a tu ra l o p e n b ro a d c a s t s y s te m w ith in th e m a n y le v e ls o f G o d -S o u rc e .
a s c e n s io n a n d p e rp e tu a l re n e w a l o f a s y s te m .
T h is is w h a t a llo w s fo r
W h e n a n y o f th e s p h e re s o f a n y o f th e s y s te m s a re
m is a lig n e d , it c u ts o ff th is n a tu ra l b ro a d c a s t s y s te m , d is c o n n e c tin g th e c o rre s p o n d in g s y s te m fro m its
K ris tia c C o s m ic C lo c k a n d tra p p in g it w ith in its c o rre s p o n d in g tim e lin e .
6 Sacred Directions
O u r a b ility to a s c e n d c o rre s p o n d s d ire c tly w ith o u r a b ility to m a in ta in a lig n m e n t w ith o u r K ris tia c a n a to m y ,
a n d to o u r 6 S a c re d D ire c tio n s . T h is a n a to m y in c lu d e s o u r S ta ff, w h ic h is th e C e n tra l V e rtic a l C o lu m n o f
o u r K a th a ra G rid a n d g iv e s u s o u r n o rth /s o u th a lig n m e n t; o u r R o d w h ic h c o rre s p o n d s w ith a p o in t a t th e
e a s U w e s t p o s itio n o f o u r S h ie ld , w h ic h a lig n s w ith o u r R e u c h e P illa rs 9 a n d 3 ; a n d o u r a lig n m e n t to o u r 6
(fro n U fu tu re ) a n d 1 2 (b a c k /p a s t) R e u c h e P illa rs w ith in o u r s h ie ld s . T h e n o rth /s o u th , e a s t/w e s t, fro n U b a c k
a lig n m e n ts g iv e u s o u r 6 s a c re d d ire c tio n s , w h ic h a re p o s itio n s th a t o p e n in o u r fie ld s , firs t a s tu b e s , th e n
p illa rs , th e n la rg e c h a m b e rs .
T h e s e a re th e c h a m b e rs w e u ltim a te ly m o v e th ro u g h in o u r a s c e n s io n
p ro c e s s .
Differential Field.
The
Horizontal Harmonic Shield
is a ls o k n o w n a s th e
Differential Field.
T h is is b e c a u s e th e h o riz o n ta l
H a rm o n ic S h ie ld h o ld s th e a m o u n t o f e n e rg y th a t its c o rre s p o n d in g s y s te m h a s to w o rk w ith . T h is is k n o w n
a s its
Thrust Quotient or Mana Frequency,
a n d is th e d iffe re n c e b e tw e e n th e to p e le c tric a l c lo c k w is e
(C W ) s p ira l o f 3 3 1 /3 a n d th e b o tto m m a g n e tic c o u n te r-c lo c k w is e (C C W ) s p ira l o f 1 1 2 /3 o f a c o u n te rro ta tin g
Merkaba
s e t. T h is e q u a ls 2 1 2 /3 C 'IN s p in o f th e 0 -1 2 H a rm o n ic S h ie ld , w h ic h w o u ld b e th e th ru s t
q u o tie n t (a m o u n t o f fre q u e n c y ) o u r s y s te m h a s a v a ila b le to m a n ife s t w ith .
T h e D iffe re n tia l H o riz o n ta l
H a rm o n ic S h ie ld g o v e rn s th e a c c re tio n ra te o f fre q u e n c y th a t m o v e s in to a s y s te m 's R a d ia l B o d y F ie ld ,
w h ic h is th e a m o u n t o f fre q u e n c y th a t c a n c o m e in to m a tte r m a n ife s ta tio n .
Vortex Mechanics and Deflection Fields
The concept of a
Deflection Field
h o ld in g a h o s e o f ru n n in g w a te r.
c a n b e u n d e rs to o d b y th e e x a m p le o f a p e rs o n m o v in g in a c irc le w h ile
T h e p e rs o n s p in n in g is m o v in g o n e w a y b u t th e w a te r m o v e s in th e
o p p o s ite d ire c tio n o r c o u n te r to th e d ire c tio n o f th e p e rs o n . T h is is a n e x a m p le o f a d e fle c tio n fie ld . T h e .
s p in n in g s p h e re s w ith in s p h e re s w ith in th e G o d W o rld s d o th is in re la tio n to e a c h o th e r.
A s th e C e n tra l
S p h e re s p in s o n e w a y , p a rtic le s fro m th a t s p h e re , p u lle d b y th e to rq u e o f th e s p in , m o v e in th e o p p o s ite
d ire c tio n w h ic h c re a te s a n e w s p h e re , a d e fle c tio n o f th e o rig in a l. W h e n a D e fle c tio n F ie ld (n e w s p h e re ) is
c re a te d it w ill h a v e a n o p p o s ite c h a rg e , a s w e ll a s s p in in th e o p p o s ite d ire c tio n fro m th e s p h e re th a t
c re a te d it.
T h is p a tte rn c re a te d th ro u g h d e fle c tio n , is h o w fre q u e n c y c u rre n ts d o w n s te p th ro u g h o u t
c re a tio n . O n o n e le v e l S o u rc e m a n ife s ts a s e le c tric a l e x p a n d in g o s c illa tin g c u rre n ts , a n d o n th e n e x t le v e l
th e c u rre n ts o f S o u rc e d e fle c t to b e c o m e o p p o s ite m a g n e tic c o n tra c tin g o r v ib ra tin g c u rre n ts .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
59
Monad Sets the Polarity SpinsaZYXWVUTSRQPONMLKJIHGFEDCBA
U n d e rs ta n d in g th e p a tte rn s c re a te d th ro u g h d e fle c tio n is h e lp fu l, b e c a u s e if y o u k n o w th e M o n a d p o la rity
a n d s p in y o u c a n tra c k th e d e fle c tio n s p in s fro m th is s ta rt p o in t o n w a rd .
It is th e M o n a d w h ic h s e ts th e
p o la rity s p in s o f a n y s y s te m , a n d th e M o n a d is c a lle d th e A c tu a l S o u rc e (th e S o u rc e y o u d o n 't s e e c re a te s
th e h o lo g ra m y o u d o s e e ), a n d in th e P C M U n iv e rs e th e A c tu a l S o u rc e (M o n a d ) s p in s C C w .
T h is
g e n e ra te s , th ro u g h d e fle c tio n , th e C W A c tu a l F ie ld a n d D -1 2 D iv in e B lu e p rin t S h ie ld a n d D e n s ity S h ie ld .
T h e A c tu a l F ie ld is th e M e rk a b a S p ira l V o rte x S e t, w h ic h d e fle c ts to c re a te a C C W v o rte x V irtu a l F ie ld ,
w h ic h is o u r o b s e rv a b le h o lo g ra m .
T h e o b s e rv a b le h o lo g ra m is c a lle d th e G rU · a l w h ic h m a n ife s ts o n
D im e n s io n s 2 , 5 , 8 a n d 1 1 w ith in th e d e n s ity s y s te m s o f o u r U n iv e rs a l M a trix .
T h e C C W v o rte x V irtu a l
F ie ld in tu rn c re a te s a C W V irtu a l D e fle c tio n F ie ld th a t w e d o n o t s e e . T h e d iffe re n t d e fle c tio n fie ld s b e g in
to g iv e u s a n a w a re n e s s o f th e m a n y u n s e e n , y e t ta n g ib le w o rld s in flu e n c in g o u r v is ib le h o lo g ra m .
Veca System in the Pattern of the Monad
O u r V e c a s y s te m is b u ilt o n th e M o n a d ic P a tte rn , w ith e a c h T ri-V e c a s p h e ric a l s e t c o rre s p o n d in g w ith a
q u a d ra n t o f o u r V e c a S y s te m . T h e V e c a C e n te r P o in t is th e C e n te r F la m e o f A m o ra e a , w h ic h is w h e re th e
E c k a c u rre n t s p ira ls o u t a s it c re a te s th e m a n ife s t w o rld s o f th e V e c a . T h e E c k a F la m e s p ira ls o u t a s a fu ll
3 6 0 d e g re e th ru s t q u o tie n t. It g iv e s e a c h o f th e 4 q u a d ra n ts a g O -d e g re e th ru s t w h ic h b re a k s d o w n to g iv e
th e d e n s itie s a 4 5 -d e g re e th ru s t, s te p p in g d o w n fu rth e r to b e c o m e th e 3 3 1 /3 a n d 1 1 2 /3 c u rre n ts o f o u r
c o u n te r-ro ta tin g A c tu a l F ie ld M e rk a b a S p ira ls fo r o u r D -1 2 D iv in e B lu e p rin t. T h e s e tw o p o la riz e d c u rre n ts
p e rp e tu a lly p a s s th ro u g h e a c h o th e r a t th e
4 5 R e io n F ie ld c h a rg e .
Tri-Veca Fission-Fusion Point
to re p lic a te (a n d re -c re a te ) th e
T h is 4 5 R e io n c h a rg e is a re a s s e m b le d E iro s C u rre n t, w h ic h fu lly re n e w s th e
s y s te m s o n o c h a rg e is lo s t a n d th e s y s te m re m a in s e te rn a l. A s th e s e c u rre n ts c re a te th e re a lity fie ld s ,
th e y a re p e rp e tu a lly re n e w in g th e m a t th e s a m e tim e . T h e y d o th is in d e fin ite ly if th e re a re n o d is to rtio n s
w ith in th e s y s te m . D is to rtio n s a p p e a r w ith in a s y s te m w h e n K ris tia c p ro p o rtio n s a n d a n g le s a re c h a n g e d
fro m th e ir O rig in a l D iv in e P a tte rn o f th e K ris t C o d e . T h is F is s io n -F u s io n P o in t is a ls o c a lle d th e E iro s P o in t.
Spheres within Spheres
T h e U n iv e rs a l V e c a
C o re M e rk a b ic "R o d
&
Octaves
O n e w a y to u n d e rs ta n d o u r u n s e e n a n a to m y is b y u n d e rs ta n d in g th e
C y c le
& S h ie ld ro ta te C W s p ira lin g e n e rg y fro m th e
C e n te r A m o re e a F la m e in to th e V e c a .
C W + E c k a c a u se s
th e v e c e R o d & S h ie ld to sp in C C W -
The
m a n y le v e ls o f s p h e re s w ith in s p h e re s th a t m a k e u p th e O u te r C re a tio n
S ta ff' A x is A lig n m e n t
E cka R od
LKJIHGFEDCBA
D o m a in s . In re la tio n to th e E c k a IV e c a S y s te m , th e o u te rm o s t s p h e re is
th e E c k a S p h e re a n d it s p in s C W , c re a tin g th ro u g h d e fle c tio n o u r C C W
s p in n in g V e c a S p h e re .
In s id e th e V e c a S y s te m th e re a re fo u r M o n a d s (s m a ll tri-v e c a s in th e
c e n te r s p h e re ) th a t re p re s e n t th e M o n a d s fo r e a c h o f th e 4 q u a d ra n ts .
O u t o f th e M o n a d s e m e rg e th e 4 q u a d ra n t s p h e re s ; tw o D -1 2 d e n s ity
D iv in e B lu e p rin t s p h e re s a n d tw o D -1 4 P rim a l L ig h t F ie ld s p h e re s . T h e s e
4 s p h e re s d e fle c t a s th e y e m e rg e o u t o f th e 4 M o n a d s . T h is m e a n s th a t
th e y a re w ith in th e M o n a d , a n d th ro u g h th e M o n a d s p in n in g o n e w a y , th e
~~
c re a tio n o f th e 0 -1 2 d e n s ity -le v e l s p h e re m a n ife s ts a s a n o p p o s ite
~~
"------
#'
T h e D iv in e B lu e p rin t 0 1 2 D e n sity a n d 0 1 4 P rim a l fie ld s " /
c h a rg e a n d s p in .
a re se t b y th e 0 1 3 M o n a d S p in a n d P o la rity a s o p p o site
D e fle c tio n
fie ld s fro m
th e 0 1 3 M o n a d .
Everything manifests a s spheres within spheres that really take place
within the same point in space; th e y o n ly a p p e a r to b e s e p a ra te d u e to
th e ir d iffe rin g a n g u la r ro ta tio n o f p a rtic le s p in a n d d iffe rin g s p in s p e e d s .
If w e e m e rg e d o u t o f a
s y s te m /s p h e re , th a t im p lie s w e a re re a lly in s id e it, a n d e x is t a s a d o w n s te p p e d v e rs io n o f th e b ig g e r
s y s te m /s p h e re a ro u n d u s . S e e in g c o s m ic s tru c tu re a s s p h e re s w ith in s p h e re s s h o w s u s h o w to tra c k th e
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ; P a rt o f th e M e E O F re e d o m T e a c h in g s ®
S e rie s .
60
C o s m ic C a le n d a r. If w e k n o w th e O rig in a l S ta rt P o in t o f th e E c k a , w h ic h g iv e s u s th e n o rth /s o u th a x is p o in t
o f th e E c k a S y s te m , th e n w e k n o w th e a n g le s re q u ire d to a lig n o u r V e c a S y s te m w ith th e E c k a S y s te m in
o rd e r to s p ira l in to th e b ig g e r T im e C y c le o f th e E c k a . M o v in g th ro u g h tim e is a b o u t rid in g th e a rc s th a t
a re a t v e ry s p e c ific a n g le s to e a c h o th e r.
e a c h o th e r th ro u g h s e a ls .
T h e s e a rc s a re M e rk a b a v o rtic e s th a t a re k e p t s e p a ra te fro m
W h e n th e s e s e a ls o p e n , th e y c re a te liv in g tu n n e ls o f c o n s c io u s n e s s , th ro u g h
w h ic h w e tra v e l in a s c e n s io n .
Universal Veca Octaves Cycle
W e c a n tra c k a lig n m e n ts b e tw e e n s y s te m s b y c e n te rin g th e s y s te m s to g e th e r a s s p h e re s .
s p h e re s a re th e la rg e P a ra m e te r S p h e re s .
T h e o u te r
It im p lie s s p h e re s w ith in s p h e re s , in c lu d in g a ll o f th e s m a lle r
P a ra m e te r F ie ld S p h e re s a lo n g w ith th e R a d ia l B o d y S p h e re s o n th e d e n s ity le v e ls th a t e x is t w ith in th e
o u te r la rg e r P a ra m e te r F ie ld o f th e B a s e S h ie ld o f th e V e c a . T h ro u g h th e a lig n m e n ts o f th e s p h e re s w ith in
s p h e re s w e s e e th a t e a c h s p h e re h a s a v e ry s p e c ific n o rth a n d s o u th v e rtic a l a x is . It h a s a n e a s t a n d w e s t
a x is , a fro n t p o s itio n (d e te rm in e d b y th e M e rk a b a fin a lig n m e n t)2 6 a n d a b a c k p o s itio n . A ll o f th is e x is ts in
re la tio n to th e M o n a d o f th a t p a rtic u la r s y s te m . T h e s e d ire c tio n a l ra tio s a re b a s e d o n th e m a th e m a tic s o f
th e K ris t C o d e , th e F irs t C re a tio n C o d e th a t h o ld s th e m a th e m a tic s
E c k a V e c a O rie n ta tio n
S p h e re s
fo r E te rn a l L ife P e rp e tu a l C re a tio n .
E cka
N o rth
T h e h o riz o n ta l H a rm o n ic S h ie ld lie s a t a g O -d e g re e a n g le to th e
v e rtic a l P a ra m e te r S h ie ld ."
T h is h o riz o n ta l H a rm o n ic S h ie ld is th e
Accretion Disc,
a n d a fte r it a c c re te s fre q u e n c y (p u lls e n e rg y in to
th e s h ie ld fo r s p a c e /tim e m a n ife s ta tio n ) in w h a t is c a lle d a 6 -C y c le ,
th e v e rtic a l P a ra m e te r O c ta v e s S h ie ld m a k e s a 4 5 -d e g re e a x is
ro ta tio n (s h o w n b y th e n u m b e rs o f th e P a ra m e te r F ie ld in th e o u te r
4
s p h e re ).
5
PCM UV
E c k a S p h e re
CW +
"
,/'
~
~
V e c a S p h e re
_ '<
~~~-
?f'
12
D S ~ ~ £ :P
W ~'W ----""®
,,~
O N ·'
CW
~ ~ :~ ~ - 1
5
In th e E c k a th is is a C W v e rtic a l a x is ro ta tio n o f th e
P a ra m e te r F ie ld .
A t th e e n d o f 6 v e rtic a l a x is s h ifts (o f th e
P a ra m e te r F ie ld o f th e E c k a ), w h ic h is 6 C y c le s o f 6 w ith in th e
's
E c k a H a rm o n ic S h ie ld , th e p a ra m e te r n o rth is a t th e 6 th a x is p o in t
N
F ro n t
G ru a l
W
(w ith in th e O c ta v e s S h ie ld ). T h is is k n o w n a s th e 6 C y c le s o f th e
O c ta v e s . T h e 7 th a n d 8 th a x is p o in ts o f th e O c ta v e s S h ie ld a re n o t
c o n s id e re d c y c le s a s th e y d o a le a p in s te a d o f a 6 -C y c le ro ta tio n . T h e s e a re le a p p o in ts , a s th e c u rre n ts
b e c o m e a m p lifie d a s th e y c ro s s o v e r o p p o s ite p o la rity c u rre n ts a t th e 7 th a n d 8 th p o s itio n s , a llo w in g fo r
tim e lin e a c c e le ra tio n a n d m o v e m e n t in to a d iffe re n t s p a c e -tim e lo c a tio n . IHGFEDCBA
The 4 spheres at the bottom
diagram, shown separately.
o f the diagram above are the embedded spheres from the large spheres in the
T h is m o re c le a rly s h o w s th e 6 s a c re d d ire c tio n o rie n ta tio n s s p e c ific to e a c h
s p h e re in re la tio n to e a c h o th e r. T h e s e 6 s a c re d d ire c tio n s
c o rre s p o n d w ith n o rth /s o u th a x is a lig n m e n t,
e a s t/w e s t R o d a lig n m e n t, a n d fro n t/b a c k 6 /1 2 R e u c h e p o s itio n w ith in th e S h ie ld . T h e s e 6 s a c re d d ire c tio n s
a re v e ry im p o rta n t a s th e s e s p e c ific a lig n m e n ts , b a s e d o n th e K ris t C o d e , m a in ta in e a c h s p h e ric a l d o m a in
a n d a ll w ith in it to th e ir E te rn a l L ife S tre a m o f C o n s c io u s n e s s a n d th e ir E te rn a l L ife T im e C y c le s .
Universal Dimensional Merkaba Polarity Scale
T h is s c a le s h o w s w h e re th e P a ra m e te r F ie ld s h ifts ta k e u s w ith in th e d im e n s io n a l s c a le o f o u r u n iv e rs a l
s y s te m s o f th e P C M a n d P K A . T h e P a ra m e te r F ie ld s h ift is th e s h ift o f th e v e rtic a l a x is o f th e P a ra m e te r
F ie ld .
26
T h e re is a c o n s is te n t p a tte rn to th e s h ifts th a t w e c a n fo llo w a s w e tra v e l u p th e d e n s itie s in o u r
G e n d e r F in O rie n ta tio n s e ts th e s y n c h ro n iz a tio n
s p in s fo r th e D im e n s io n a l M e rk a b a F ie ld s . T h e g e n d e r o f a d im e n s io n a l le v e l
is d e te rm in e d b y w h ic h o f th e M e rk a b a S p ira ls (m a g n e tic o r e le c tric ) h a s its fro n t p o s itio n a t th e 6 p o in t o f th e H o riz o n ta l S h ie ld .
2 7 A ls o k n o w n a s th e v e rtic a l R is h ia c S h ie ld
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e se rve d ;
P a ri o f th e M e E O F re e d o m
T e a ch in g s®
S e rie s.
61
a s c e n s io n p r o c e s s ZYXWVUTSRQPONMLKJIHGFEDCBA
w ith in o u r V e c a S y s te m . T h e P a r a m e te r F ie ld a c tu a lly s h ifts fo r w a r d a n d b a c k w a r d a s
it s h ifts in a z ig z a g m o tio n b a c k a n d fo r th b e tw e e n th e P C M a n d P K A S y s te m s , w ith th e e n d r e s u lt o f th e
P a r a m e te r O c ta v e s S h ie ld s h iftin g fo r w a r d in 4 5 - d e g r e e in c r e m e n ts . T h e s e 4 5 - d e g r e e s h ifts o f th e O c ta v e s
S h ie ld a r e th e b ig s h ifts th a t ta k e u s to th e n e x t d e n s ity le v e l. T h e s m a lle r s h ifts th a t in v o lv e m e r g in g w ith
o u r P K A a n ti- p a r tic le d o u b le w o u ld b e th e s m a lle r d im e n s io n a l s h ifts w ith in o u r H a r m o n ic s S h ie ld .
The
s m a lle r d im e n s io n a l s h ifts a r e g O - d e g r e e s h ifts b a c k a n d fo r th b e tw e e n o u r P C M a n d P K A S y s te m s .
T h is
s h o w s u s h o w th e tim e c y c le s o f th e P C M a n d P K A S y s te m s a r e in te r tw in e d ; e a c h h a s 4 tim e c y c le s in its
o w n s id e , a n d 2 tim e c y c le s in th e o p p o s ite s id e .
6 E c k a E u ia g o C y c le s in O n e E c k a E y u g h a 4 5 0 S h ift
T h e T im e C y c le S p ir a l s h o w n in th e d ia g r a m is th e 6 C y c le s o f E x p a n s io n w ith in th e E c k a B a s e S h ie ld
s h o w n h e r e v e r tic a lly fo r c la r ity .
T h e V e c a S y s te m w o u ld a ls o h a v e its 6 C y c le s o f E x p a n s io n w ith in its
V e c a B a s e S h ie ld . W h a t a r e s h o w n a r e th e tw o s im u lta n e o u s 6 C y c le s o f E x p a n s io n w ith in th e E c k a B a s e
S h ie ld ; tw o c y c le s b e c a u s e it im p lie s a s im u lta n e o u s
d ir e c tio n ) w ith in th e P a r a lle l E c k a S y s te m .
6 C y c le o f E x p a n s io n
( m o v in g in th e o p p o s ite
T h e E c k a h a s a C W h o r iz o n ta l H a r m o n ic S h ie ld a n d th e s p ir a l
o f e n e r g y k n o w n a s th e 6 C y c le s o f E x p a n s io n m o v e o u t fr o m its M o n a d ic C e n te r F la m e in to th e H a r m o n ic
S h ie ld .
Cosmic Clock - One "12 Cycle"
2 S im u lt a n e o u s
6 C y c le s
Its v e r tic a l P a r a m e te r F ie ld a ls o r o ta te s C W a n d th is th e
v e r tic a l O c ta v e S h ie ld th a t m a k e s e ig h t 4 5 d e g r e e s h ifts , h e n c e
o f E x p a n s io n
in the Ecka Base Sheild
th e n a m e 6 C y c le s o f th e O c ta v e s .
T h e E c k a h a s a C W h o r iz o n ta l S h ie ld a n d a C W P a r a m e te r F ie ld
b e c a u s e it is a tr a n s m ittin g
s y s te m .
O ur V eca has a C C W
s p in n in g h o r iz o n ta l H a r m o n ic S h ie ld a n d a C C W r o ta tin g v e r tic a l
O c ta v e s S h ie ld .
T h is is b e c a u s e it is a r e c e iv in g s y s te m .
On
th e d e n s ity le v e ls th e H a r m o n ic S h ie ld a n d P a r a m e te r S h ie ld
w o u ld s p in c o u n te r to e a c h o th e r ( th e H a r m o n ic S h ie ld w o u ld
h a v e a n o p p o s ite s p in /c h a r g e th r o u g h d e fle c tio n fr o m th e O c ta v e
S h ie ld ) .
6 Ecka Euiaqo Cycles in one
Ecka Eyugha (45' Shift)
T h e 6 C y c le s o f E x p a n s io n p a tte r n w ith in th e H a r m o n ic S h ie ld
m a n ife s ts o n e v e r y le v e l o f c r e a tio n .
T h e V e c a S y s te m , e a c h
d e n s ity le v e l a s w e ll a s o u r o w n p e r s o n a l s h ie ld s w o u ld h a v e its
c o r r e s p o n d in g
6 - C y c le
S h ie ld
in
w h ic h
we
w o u ld
a c c r e te
fr e q u e n c y , p u llin g in to o u r s h ie ld s th e c o r r e s p o n d in g h a r m o n ic s r e q u ir e d to c o m p le te o u r a s c e n s io n le a p .
T h is s p ir a llin g o f fr e q u e n c y fr o m th e M o n a d ic C e n te r F la m e is a fla s h lin e s e q u e n c e th a t c a r r ie s th e B a s e
P u ls e T im e R h y th m g e n e r a te d b y th e M o n a d .
T h e liv in g fr e q u e n c y s p ir a ls th r o u g h o n e c y c le a n d h its its
A n th a r o /A n th a lo n P o in t a t a x is 6 o n th e h o r iz o n ta l S h ie ld C lo c k , w h e r e it th e n h a s th e p o te n tia l to s p ir a l to
th e n e x t le v e l if it h a s a c c r e te d its e n tir e h a r m o n ic s .
In th is w a y a n
a s c e n s io n s p ir a l is c r e a te d a s o p p o s e d
to a p h a s e - lo c k e d c ir c le . T h is A x is 6 L e a p P o in t is a ls o k n o w n a s th e D e c is io n P o in t, th e d e c id in g p o in t o f
w h e th e r th e s y s te m w ill m a k e a le a p to th e n e x t le v e l o f its tim e s p ir a l o r g o b a c k to its b e g in n in g s ta r t p o in t.
H a r m o n ic S h ie ld s a n d M e r k a b a
A M e r k a b a c o n s is ts o f tw o c o u n te r - r o ta tin g s p ir a ls th a t c r e a te a M e r k a b a F ie ld .
T h is is th e c ir c u la to r y
s y s te m fo r r e a lity fie ld s . H o w e v e r , it is th e H a r m o n ic S h ie ld th a t d e te r m in e s if th e M e r k a b a c a n b e c o m e a n
a c tiv a te d M e r k a b a V e h ic le th a t c a n ta k e a p la n e t o r b e in g to a h ig h e r o r lo w e r r e a lity s y s te m .
If th e s h ie ld
is d a m a g e d it c a n n o t a c c r e te a ll o f its h a r m o n ic s . T h u s , w h e n th e M e r k a b a F ie ld s p ir a ls to th e p o in t o n th e
tim e c y c le w h e r e it is to m a k e its ju m p , th e M e r k a b a c a n n o t fo r m a n a c tiv a te d v e h ic le .
In o u r d a m a g e d
V e c a S y s te m w e h a v e b e g u n to m a k e n e w tim e lin e lin k s d u e to th e h o s tin g a v a ila b le fr o m th e A r c o f th e
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s ,
62
C ovenant G ates, the P olarian G ates and from the M iddle E don W orlds. T hese host frequencies help fill out
the m issing harm onics w ithin our S hieldlD N A T em plate w hich w ill allow us to m ove into (at a future date) a
new tim e line, out of harm s w ay of the B lack H ole technologies. KJIHGFEDCBA
T h e Y o n · A · S a C ycle
W hen the E ckasha C ore T ri-V eca M erkaba F ield of an E ckasha G od W orld S ystem has reached the end of
Its last E xpansion/M anifestation C ycle (or w hen Its E cka C ore U niverse approaches im m inent destruction,
such as is presently the case) the E ckasha, E cka and V eca U niversal S ystem s enter a C osm ic C ycle of
R enew al called the Y o n · A · S a C ycle. D uring Y on-A -S a, the E ckasha, E cka and V eca S ystem s experience
R e.C reatio n , o r R eg en esis of the E ckasha K rist and V eca C hristos S eed A tom s, reset of the E ckashaE cka-V eca D ivine B lueprint and realignm ent of the M erkabic C irculatory S ystem and U niversal S hields w ith
the C osm ic C lock 12 T em plar R euche P illars of the E ckasha-A ah C ore G od W orld. T he Y on-A -S a 28 C ycle
takes place in 4 rapid phases: the H etharo E lectrical M erkaba P eak, the H ethalon M agnetic M erkaba
P eak, the R eusha-T A R eset of the 12 T em plar R euche C osm ic C lock P illars and the E cka-S hi R ebirth of
the C osm ic K rist S eed A tom w ithin the E ckasha, E cka and V eca U niverses.
0· 12 D ivin e B lu ep rin t w ith S p h eres
T his pattern is our 0· 12 D ivin e B lu ep rin t interfaced w ith 5 levels/system s of our P C M U niverse. T he
outerm ost ring of spheres represents our 12 U niversal S tar G ates, w hich are norm ally pictured as a
K athara G rid form ation. H ere they are represented as huge beings in the form of S uns, C ollectives of
C onsciousness in the form of fam ily. E very person has a direct line to their universal origins through this
pattern, w hich means w e all emerged out of and would return
0 -1 2 D iv in e B lu e P rin t S h ie ld
back to one o f these 12 Beings in our ascension process.
Planetary, Solar, Galactic,
Meta-Galactic
and Universal Shields
Density 4
A s m entioned above the outer ring of spheres represents the
U n iversal level w ith its 12 S tar G ates, w hich hold all the smaller
systems w ithin it. G oing tow ard the center from the outer
U niversal level you have the M eta· G alactic level, w hich
corresponds to our Over-Sou/level of D N -3, and w ithin that you
J?
3.~
have the G alactic level, w hich corresponds to our S ou/level of
'" 9
~.
s
w .
c
D N -2. W ithin the G alactic level is our S olar level and then our
P lanetary level w hich corresponds to D N -1. E ach of these levels
has their ow n 6-C ycle T im e S hield, w hich in the outer levels is a
larger T im e S hield w ith m ore frequency as the larger contains all
the sm aller levels w ithin it. T his isalso a d isb u rsem en t p attern ,
Density 2
w here there are 12 large beings on the U niversal level. T hey
P C M [)..1 2 U n iv e rs a l Star Gates a lo n g w ith th e 1 2 U n iv e rs a l
S ta r G a te s o f P K A are th e 2 4 E ld e rs b e fo re th e T h ro n e
disperse or dow nstep them selves into the M eta-G alactic level as
12 tim es 12 (144) beings. O n the S olar level this becom es 1728
S olar S ystem s, each one creating a S un w ith 12 S tar G ates around it. W e follow this disbursem ent pattern
w hen w e com e dow n into the density levels. T his m eans w e have a lot of fam ily w e w ould rejoin as w e
m oved back through the A scension C ycle.
A n interesting note about astro lo g y is that the fallen races took the identities and frequencies from these
12 U niversal B eings/S uns, tw isted their m eaning by assigning them qualities from their B lack H ole W orlds
to give us the astrological calendar. T he astrological sym bols are based on som e of the O riginal C odes but
tw isted. T he astrological calendar is the tracking of the w obble of the P recession of the E quinox.
28
T he w ord Y on-A -S a is the F irst C reation.
© A & A D eane, 2010, A ll R ights R eserved; P art of the M eE O Freedom Teachings®
S eries.
63
T h e O rig in a l C o sm ic C lo ck C a le n d a r is th e tra ckin g a n d m e e tin g u p w ith th e 1 2 U n ive rsa l S u n s/B e in g s o f
P C M a n d th e 1 2 U n ive rsa l S u n s/B e in g s o f P K A . T o g e th e r th e y a re kn o w n a s th e 2 4 E ld e rs b e fo re th e
T h ro n e . T h e T h ro n e is th e 0 -1 3 P illa r o f th e E cka /M o n a d , w h e re w e e xp e rie n ce e xp a n sio n a s w e e vo lve
o u t o f o u r V e ca u n ive rsa l le ve l. T h e 2 4 E ld e rs b e fo re th e T h ro n e a re B e in g s/ fa m ily a s w e ll a s S ta r G a te s
th a t h o ld th e original sacred angles th a t a lig n u s w ith o u r C o sm ic C lo ck o n th e V e ca /U n ive rsa lle ve l.
T h is
p a tte rn is a ctu a lly b u ilt o n th e R e u ch e P a tte rn .
S im u lta n e o u s T im e
In o rd e r to u n d e rsta n d th e d yn a m ics in vo lve d in tim e sh ifts, it is h e lp fu l to re a lize th a t th e stru ctu re a n d
illu sio n o f lin e a r tim e is cre a te d th ro u g h th e re la tio n sh ip o f d iffe rin g A R P S a n d d iffe rin g p u lsa tio n ra te o f
p a rticle s (b a se p u lse rh yth m ) o f d iffe re n t syste m s in re la tio n sh ip to e a ch o th e r. T h ro u g h th e p ro ce sse s o f a
p la n e t's e vo lu tio n , w h ich e n ta ils th e p u llin g in o f fre q u e n cy p a tte rn s o f its re sp e ctive d im e n sio n s in to its
m o rp h o g e n e tic fie ld , th e illu sio n o f th e p a ssa g e o f tim e is cre a te d . In a ctu a lity, time is not linear, but
simultaneous. T im e e xists a s a u n ifie d fie ld o f p a rticle s p u lsa tin g a t va rio u s rh yth m s a n d sp in n in g o n
va rio u s a n g le s o f ro ta tio n , th ro u g h w h ich th e illu sio n s o f m a n ife st sp a ce a n d lin e a r tim e a p p e a r to
in d ivid u a te d id e n titie s. A s w e b rin g se g m e n ts o f th e u n ifie d fie ld o f p a rticle su b sta n ce in to vie w b y m o vin g
o u r co n scio u sn e ss th ro u g h p o rtio n s o f th e u n ifie d fie ld , tim e d o e s n o t m o ve ; co n scio u sn e ss m o ve s itse lf
th ro u g h th e u n ifie d fie ld o f th e T im e M a trix.
T im e C ycle s o f o u r P la n e ta ry S yste m
W ith in th e tim e lin e s o f a n A sce n sio n P a th th ro u g h th e O u te r M a n ife sta tio n G a te s, th e tim e cycle s (o f o u r
p la n e ta ry syste m ) h a ve sp e cific n a m e s, d e g re e s o f sh ift a n d n u m b e r o f ye a rs a sso cia te d w ith th e m .
O n e T im e C o n tin u u m = 6 T irn e V e cto rs = 1 .2 5 d e g re e S h ift
O n e E u ia g o
6 C o n tin u u m
3 6 T im e V e cto rs 7 .5 d e g re e S h ift
O n e E yu g h a
6 E u ia g o 3 6 C o n tin u u m
2 1 6 T im e V e cto rs 4 5 d e g re e S h ift
4 E yu g h a
2 4 E u ia g o = 1 4 4 C o n tin u u m
8 6 4 T im e V e cto rs
fo u r 4 5 d e g re e S h ifts
4 E yu g h a o f P C M o n e 1 2 cycle P C M E ya rd o 1 8 0 d e g re e S h ift
4 E yu g h a o f P K A o n e 1 2 cycle P K A E ya d o = 1 8 0 d e g re e S h ift
o n e P C M E ya rd o p lu s o n e P K A E ya d o 3 6 0 d e g re e sh ift.
O n e E ya n a C ycle
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
O n e E u ia g o is e q u a l to o n e cycle o f a 6 -C ycle , a n d a t th e e n d o f 6 E u ia g o s, w h ich is o n e E yu g h a , th e re
w o u ld b e a n o p p o rtu n ity fo r th e p la n e t to m a ke a sh ift fro m O e n sity-1 to O e n sity-2 . If o n e P la n e ta ry E yu g h a
is % o f th e fu ll a ccre tio n p a tte rn o f th e P la n e ta ry S h ie ld , th e n 4 E yu g h a s w o u ld b e th e fu ll H a rm o n ic
S p e ctru m A ccre tio n P a tte rn a n d th a t w o u ld b e th e tim e w h e n th e w h o le p la n e ta ry b o d y co u ld m a ke tw o
4 5 -d e g re e sh ifts first th ro u g h th e O e n sity-4 V o id a n d th e n u p in to th e E ya n ic T im e C ycle s o f th e E cka .
E ve n th o u g h o u r syste m w a s d a m a g e d , th is w a s a p o te n tia l th a t m a n ife ste d d u e to H e th a ro /H e th a lo n
R e u sh a - T A R e se t C ycle .
A fte r o u r p la n e t fu lfille d a fu ll E ya rd o (P C M 1 2 -C ycle ) a n d a fu ll E ya d o (P K A 1 2 -C ycle ) o n a U n ive rsa l le ve l
T im e C ycle , w e w o u ld h a ve th e o p p o rtu n ity to p a ss in to th e M o n a d ic C ycle o f th e E cka , ca lle d a n E ya n ic
T im e C ycle . T o m o ve in to o u r E cka fro m O e n sity-1 w e w o u ld d o e ig h t 4 5 -d e g re e sh ifts o f th e V e ca
P a ra m e te r O cta ve s S h ie ld , w h ich w o u ld ta ke u s a cro ss fo u r vo id sp a ce s, o n e b e tw e e n e a ch d e n sity, a s w e
zig za g b a ck a n d fo rth b e tw e e n o u r P C M a n d P K A U n ive rse s a n d m e rg e w ith o u r d e n sity-2 , 3 a n d 4 sta tio n s
o f id e n tity to fu lfill tw o 1 2 -C ycle s. T h e n w e w o u ld sta rt th e p a tte rn a g a in , b u t o n th e E cka L e ve l, w h ich
w o u ld b e a n E ya n ic T im e C ycle .
© A & A D eane, 2010, A ll R ights R eserved; P art of the M C E O F reedom
T eachings®
S eries.
64
Eiros Spark from Sun to EarthcbaZYXWVUTSRQPONMLKJIHGFEDCBA
T h e re is a n a tu ra l e le ctro m a g n e tic (E M ) e xch a n g e b e tw e e n th e S u n a n d th e p la n e ts o f th e so la r syste m .
T h e S o la r P la n e is th e S o la r S h ie ld o f th e S u n . T h e S o la r S h ie ld sp in s C C W b e ca u se th e R o d o f th e S u n
sp in s C C W , w h ich a lso p u lls th e p la n e ts in a C C W o rb it a ro u n d it. A s th e S u n sp in s C C W , it cre a te s a
d e fle ctio n cu rre n t th a t is a p o sitive ly ch a rg e d C W cu rre n t ca lle d th e S o la r W in d s. C o m in g o ff o f th e E a st
sid e o f th e S u n is a n o th e r d e fle ctio n cu rre n t ca lle d th e M a g n e tic E iro s C u rre n t. T h e se E iro s a n d S o la r
W in d C u rre n ts a re p a sse d o n fro m th e S u n to th e p la n e ts th ro u g h th e a lig n m e n t o f th e R o d s a n d S ta ffs.
T h e e le ctrica l cu rre n ts o f th e S u n a re re ce ive d b y th e m a g n e tic p o sitio n o f th e R o d o f th e p la n e t (if w o rkin g
co rre ctly), a n d th e m a g n e tic cu rre n ts fro m th e S u n a re re ce ive d b y th e e le ctrica l R o d p o sitio n o f th e p la n e t.
T h is is h o w th e ste p -d o w n fre q u e n cy fro m th e S u n fe e d s th e g a te syste m s o f th e p la n e t. E n e rg y sh o u ld
flo w o u t o f a n d b a ck to th e S u n in a n e te rn a l p e rp e tu a l flo w th a t re ch a rg e s th e se e d a to m s o f th e p la n e ts.
T h is is a sp e cific flo w p a tte rn w h e re th e E iro s
M a g n e tic S p a rk flo w s to th e e a st sid e o f th e
N a tu ra l E le c tric a l/M a g n e tic
e x c h a n g e b e tw e e n th e S u n a n d P la n e ts
g e n e ra te s th e R e io n 4 S C h a rg e c u rre n t th a t re n e w s th e S e e d A to m s
p
la n e t w h e n it is nighttime, a n d th e E le ctric
o fth e
P la n e ts o f o u r S o la r S y s te m
p
o sitive S o la r W in d s flo w in to th e w e st sid e o f
S o la r N o rth
C W E le c tric a l D e fle c tio n c u rre n t
th e p la n e t in the daytime. T h e n cu rre n ts fro m
fro m W e s t s id e o f S u n
4 5 R e io n
C h a rg e
b o th e a st a n d w e st p o le s o f th e p la n e t a re
33'h E le c .
11'h M a g .
. \~
C u rre n t
E a rth
C u rre n f
flip p e d b a ck o u t o f th e e a st/w e st p o le s b y
,
E iro s
E a rth 's sp in n in g ro d a n d a rc u p to th e n o rth
er--.......---~7\
'')
S p a rk
+ E ast
ve rtica l sta ff a xis (N o rth P o le ) w h e re th e tw o
cu rre n ts, o n e 3 3 1 /3 E le ctrica l T rio n a n d o n e
1 1 2 /3 M a g n e tic M e a h jo n jo in to re cre a te th e
C C W M a g n e tic D e fle c tio n c u rre n t
fro m E a s t E le c tric a l s id e o f S u n
4 5 R e io n C h a rg e C u rre n t. T h is 4 5 R e io n
C h a rg e C u rre n t m o ve s d o w n th e ce n tra l sta ff
S o la r S o u th
o f th e p la n e t a n d in to th e P la n e ta ry S h ie ld
w h e re th e cu rre n ts sp lit a p a rt a n d co m e b a ck to g e th e r a g a in , re fo rm in g th e ir 4 5 R e io n C h a rg e , w h ich
regenerates the Seed Atom. It m o ve s o u t fro m th e M o n a d ic C e n te r P o in t, e n te rs Z e ro P o in t a lig n m e n t
w h e re it sp ira ls th ro u g h th e H a rm o n ic S h ie ld a ccre tin g fre q u e n cy th ro u g h its 6 -C ycle . T h is is h o w th e E iro s
S p a rk fro m th e ro d o f th e su n is p icke d u p b y th e ro d o f th e p la n e t in a n a tu ra l K ristia c e le ctro m a g n e tic
(E M ) e xch a n g e b e tw e e n th e S u n a n d a ll o f th e p la n e t. T h is is h o w a n a tu ra l K ristia c so la r syste m is
E iro s S p a rk fro m S u n to E a rth
p e rp e tu a lly re n e w e d .
Van Yun Flow
E a rth 's N a tu ra l Y a n Y u n F lo w
PCM YanCW
,t,,
I
"
---~---f ~
~,
1\
I
I'
,
I
,
'
'
PCMYun CCW
In a p ro p e rly w o rkin g K rtstia c so la r syste m , th e E M
e xch a n g e b e tw e e n th e su n a n d p la n e ts sh o u ld m a n ife st a s
th e E te rn a l V a n Y u n F lo w P a tte rn . T h e V a n Y u n flo w s o f
th e P C M a n d th e P K A e m b e d to cre a te o u r n a tu ra l K ristia c
E M fie ld s o f th e V e ca S yste m . T h e V a n Y u n P a tte rn is a
fla t p a tte rn in th e sh ie ld s, a n d w h a t is in a sh ie ld is a lso
p ro je cte d o u tw a rd in a 3 -~ sp h e rica l fo rm . T h u s, it is a fla t
p a tte rn in th e sh ie ld a n d a lso a 3 -~ sh a p e a ro u n d th e
p la n e ts a n d S u n th a t circu la te s e n e rg y in a sp e cific p a tte rn
th ro u g h th e K a th a ra G rid C e n te rs in o rd e r to re ch a rg e th e
se e d a to m . In o u r P C M th e to p is th e C W e le ctrica l V a n
p a tte rn , w h ich sta rts a t th e n o rth a xis p o in t o f o u r E le ctrica l
M e rka b a S p ira l a n d m o ve s in a C W d ire ctio n .
T h e Y a n Y u n F lo w is th e N a tu ra l E le c tro m a g n e tic
flo w
p a tte rn
th a t s u rro u n d s
a ll L ife F o rm s in a
K ris tla c S y s te m
© A & A U eane, Z U 1U , A ll K ights R eserved;
P art of the
M e EO
F reedom T eachings®
S eries.
65
Because of distortions created by the BeaST machine,29these currents get reversed as they move into the
planet and into all of the life forms on the planet. These currents move into our brains at an interface point
and because of the reversals also distorts the way the brain works as well. This reversal of currents create
an unnatural flow pattern which creates a distorted field around us and the planet. This unnatural flow
pattern is called the Poison Apple which acts as a static field within our fields and DNA template. A static
field is created when a natural circulation of EM exchange cannot occur.
Earth's Tilted Axis and Wobble
Our planet has an unnatural axis tilt. Instead of a vertical
north/south axis alignment that is the same as the Sun's
north/south axis alignment, the Earth has a tilt of 23.5
degrees. The first axis tilt of 22 degrees occurred 5.5
million years ago (MYA) during the Electric Wars that
destroyed Seeding 1. When a system loses part of its
grids it loses energetic thrust as well. This in turn slows
the spin speed of the Parameter Field Merkaba, which
throws it off of its original axis alignment.
When a planet loses its natural vertical axis alignment, it
becomes vulnerable to interference from Anti-Kristiac
Solar Shield Clock with 12 Planetary
Rotations
Earth's Tilted Axis & Wobble
Earth's_1.~
Sextant
.•••
Shield
Natural Alignment for
Earths Vertical Axis
Solar North
False North
Celestial
~,~~~
.•__
Pole
'm"""'''~
Races. The wobble was purposely orchestrated as part of the BeaST
spedF.~~~~~~~~~n7~~:I~j~a~~~~~~~~~i:r~hierd
machine mechanism and put into our Planetary/Solar Templar System
8
in 25,500 BC.
»1J~~
.--
This is when the planet received its wobble and
t~b~~Uin:~:~~1:ri~O~~:1
E;~~~~d
~~
~~~~~~~~in~f
Ti~!S
at~:
correspondingly giving us the unnatural Precession of the Equinoxes.
This wobble creates a shield called the Sextant Shield Clock which
has been plugging us into an unnatural time cycle called the Sextant
Shield Clock, which is different than the original Cosmic Clock.
This Sextant Shield Clock was prevented from going into full activation
in 13,400 BC by a frequency fence that stopped the top Merkaba
Electrical Spiral of the Parameter Field of the planet from spinning. A
Frequency Fence is an artificial static field meant to hold something
in stasis. This is an example of a Frequency Fence used beneficially, as it prevented further activation of
the BeaST machine by stopping the top Electric Merkaba Spiral (that prevented the top spiral from going
into reversal which would have activated the Sextant Shield in 13,400 BC). 'However, in 13,400 BC, it also
completely stopped our Parameter Field from spinning. This was a temporary stalemate. The Sextant
Shield Clock was fully activated in November 2003. This means that 2/3rds of the top Electrical
Merkaba Spiral of the planet went into reverse spin.
The Sextant Shield is a shield with a distorted Kathara Grid and Merkaba that creates a 6-Cycle with a 6
Axis, but without its 7 and 8 Leap Cycle. This is why we have a 25,924 year Precession of the Equinoxes.
Our unnatural 6-Cycle (without its 7 and 8 leap) is just shy of its natural cycle of a 26,556 year Euiago; the
difference between the two numbers being the lack of the 7 and 8 Leap Cycle. This is why the Sextant
Shield Clock is a phase-locked shield creating a phase-locked circle, rather than an Ascension Spiral.
Because we had a successful Hetharo in 2003, 1/3 of the grids and the life forms on the planet reconnected
29
BeaST stands for BST, meaning Blank Slate Technology
© A & A Deane, 2010, All Rights Reserved; Part of the MCEO Freedom Teachings®
Series.
66
with their natural Cosmic Clock Shield while 2/3 of the grids and life forms anchored the Sextant Shield
Clock.
Solar Shield Clock with 12 Planetary Rotations
The planets, along with the Sun make up the Solar Shield. There is an Original First Creation Pattern of
the Solar Shield as the planets first birthed into creation from the Sun and into their 12 respective orbits.
Within the Sun's horizontal shield is its Rod, which spins counterclockwise (CCW). As it spins, it sends out
frequency, which first created the planets, then continues to refuel them. This emergence follows a specific
pattern based on the harmonics of the Sun. Each planet holds a portion of the Sun's harmonics in the form
of sub-harmonics, and together the 12 planets and the Sun make up a complete Solar Shield.
The planet's sequence of emergence and its mass determines which sub-harmonics are held within each
planet. Mercury, which emerged from the Sun first in its CCW spiral, has the smallest mass and would hold
the smallest sub-harmonic frequencies of the Sun. Mercury holds sub-frequency band 1 of dimensions 1,
2, and 3 within the Density-1 System, and so is known as the 111 Planet. The next planet to emerge would
hold more mass and therefore would hold the sub-frequency band 2 within dimensions 1, 2, and 3. This
would be Venus as the 222 Planet. Earth as the 3rd planet would be the 333 planet of the solar system.
This pattern would continue to the 12th and last planet which would have the biggest mass, which is
Nibiru.3o The planets emerge in arcs of 30 degree increments. Mercury would first emerge through the
Solar Gate and start its orbit at 30 degrees from Zero Point. Zero Point represents the axis where the Sun
first emerged into existence. Venus, the next planet to emerge, would be at 60 degrees from Zero Point,
and so on through the planets.
This would be the natural broadcasting system of our solar system and would depend on an exact
alignment of all the Rods and Staffs of the Sun and planets with each other. This would allow the arcs of
frequency to come into our Solar Shield and renew the solar system from our galactic level of Density-2. At
certain periods in the time cycles, the gates between the planets and Sun open. This allows frequency
infusions to come into the planets to prepare them for an Ascension Cycle. We have not had this open
broadcast system for a long time, because any axis misalignment of any of the planets throws off the whole
arcing of frequency throughout the solar system, which then manifests as distortions within the DNA
templates of all life forms on Earth.EDCBA
Lotu s Arc Sets
U n iv e rs a l E c k a M o n a d ic
V o rtic e s & S ta r C ry s ta l S e a ls
EckaZeroPoint
A lig n m e n t
and
30
31
o f th e
th e 6 T I m e
M o n a d ic
C y c le s
o f th e
jc k e
Lotus Breathing technologies represent the organic breathing
function of the Eternal LifeError! Boo~mark not defined. organism,
through which life force currents are perpetually renewed.3 1 Lotus
Breathing opens the flow of energy called Heliotalics from the
Ecka Central Sun. By doing Lotus breathing we start to align all the
spheres within spheres of our anatomy on their natural Kristiac axis
from the Ecka on down. This starts to give us a personal direct
connection to our Cosmic Clock.
le v e l w ith
U n iv e r s a l
th e
PC M and
1 2 S ta r G a te s
P K A S y s te m s .
The Lotus Arc wings that form petals emerge from the AzurA at a 45degree axis. This is important as it allows us to plug into the Lotus
Arcs from the PKA side, which then shifts the petals to 30 degrees.
Arc petals at a 60 degree axis with less than 12 petals implies a
Mars 444, Maldek 555, Jupiter 666, Saturn 777, Uranus 888, Neptune 999, Pluto 101010, Chiron 111111, Nibiru 121212.
Lotus Breathing was introduced during Hetharo. See Dance for Joy, Paxos, May 2003. [Product Code: DFJ /8DVD]
©A & A Deane, 2010, All Rights Reserved; Part of the MCEO Freedom Teachings®Series.
67
re v e rs e d S h O n a D a is y o f D e a th c o n fig u ra tio n w h ic h p re v e n ts u s fro m m e rg in g w ith o u r a n ti-p a rtic le d o u b le
fro m th e P K A S y s te m . CBA
T h e M o n a d ic C o d e : a M a p to th e E c k a S y s te m
T h e M o n a d ic C o d e is a Ap ro je c tio n m a p .
It is a m a p th a t h a s p u t to g e th e r th e 6 d ire c tio n s o f e a s t/w e s t,
n o rth /s o u th a n d fo rw a rd a n d b a c k w a rd , a n d a ll th e a x e s /p la n e s o f th e 2 4 s p h e re s o f th e U n iv e rs a l S ta r
G a te s to g e th e r: 1 2 fro m P C M a n d 1 2 fro m P K A . It h o ld s a ll o f th e K ris tia c a n g le s o f th e th re e s y s te m s :
E c k a , P C M a n d P K A . T h e s e a n g le s a re v o rtic e s o f e n e rg y th a t in te rfa c e w ith o th e r v o rtic e s s o a rc s o f
e n e rg y c a n b e fo rm e d b e tw e e n s y s te m s .
W h e n th is o c c u rs , S ta r C ry s ta l S e a ls c a n o p e n b e tw e e n th e
M o n a d ic , U n iv e rs a l, M e ta -G a la c tic , G a la c tic , S o la r a n d P la n e ta ry le v e ls o f o u r E c k a lV e c a S y s te m . W h e n
th e S ta r C ry s ta l S e a ls (S C S ) o p e n , th e p a s s a g e s fo r a s c e n s io n o p e n .
M o n a d ic C o d e R e s e ts th e A rc s
I A n g le s
o f o u r O rig in a l C o s m ic C lo c k
In re s p o n s e to S e x ta n t C lo c k A c tiv a tio n , w e w e re g iv e n th e M o n a d ic C o d e to b e g in re s e ttin g th e a rc s a n d
a n g le s o f o u r o rig in a l C o s m ic C lo c k . T h is c o d e is a F ie ld C o d in g C h a rt, a n d w a k e s u p th e a p p a rth i in o u r
s h ie ld s to a llo w th e c o n fig u ra tio n o f th e c o d e its e lf to a c tiv a te w ith in o u r M a h a ric S h ie ld . It is a liv in g m a p
th a t h o ld s th e a rc s a n d a n g le s a ll th e w a y b a c k to th e E c k a . F la m e B o d y A c tiv a tio n s ta rte d th e p ro c e s s o f
re le a s in g th e S ta r C ry s ta l S e a ls w ith in o u r M o n a d ic P a tte rn ; h o w e v e r it w o u ld h a v e ta k e n m u c h lo n g e r to
a c h ie v e h a d w e n o t re c e iv e d th e M o n a d ic C o d e . B e c a u s e 1 /3 o f o u r g rid s b e g a n re c e iv in g th e E iro s S p a rk ,
w e a re n o w a b le to u s e th e fu ll M o n a d ic C o d e fo r th e firs t tim e in 5 .5 m illio n y e a rs .
S ta rB o rn a n d S ta rB u rs t C y c le s
T h e S ta rB o rn C y c le is th e la rg e T im e S h ie ld th a t c o n ta in s th e s m a lle r c re a tio n c y c le s y s te m s w ith in it.
T h e S ta rB o rn C y c le is b u ilt o n th e s a m e 6 -C y c le o f th e O c ta v e s P a tte rn o n w h ic h th e E c k a a n d V e c a a re
b u ilt. T h e 6 -C y c le o f th e O c ta v e s S h ie ld (w h ic h in c lu d e s th e 7 a n d 8 L e a p C y c le s ), is th e T im e C y c le
S h ie ld P a tte rn fo r liv in g s y s te m s , w h ic h s e q u e n tia lly b u ild s to b e c o m e la rg e r T im e S h ie ld s a s th e y m o v e
c lo s e r to S o u rc e . T h is is b e c a u s e th e y c o n ta in a ll th e s m a lle r s y s te m s a n d T im e S h ie ld s w ith in th e m .
S ta rB u rs t is o n e c re a tio n c y c le w ith in th e la rg e r S ta rB o rn C y c le , w ith in th e C o s m ic L ig h t B o d y o f S o u rc e .
E a c h c re a tio n c y c le is m a d e u p o f a s p e c ific c o n fig u ra tio n o f lig h t c e lls w ith th e ir o w n id e n tity , a x is
a lig n m e n t, re a lity d o m a in a n d s m a lle r tim e c y c le .
T h e s e s p e c ific c re a tio n c y c le s s e q u e n tia lly b u ild to
b e c o m e th e la rg e r m o re c o m p le x s tru c tu re o f th e n e x t c y c le u p . S ta rB u rs t is a n a tu ra l p ro c e s s w ith in th e
c re a tio n c y c le p ro c e s s , a n d b e c a u s e w e s p ira l o u t fro m S o u rc e m a n ife s tin g m a n y S ta tio n s o f Id e n tity to
e x p e rie n c e a n d le a rn , w e w o u ld a ls o s p ira l b a c k h o m e to S o u rc e , a n d a t a c e rta in p o in t w e w o u ld n a tu ra lly
flo w b a c k to th e p o in t o n th e c re a tio n c y c le th a t is S ta rB u rs t.
T im e F lu x
In a n o rm a l A s c e n s io n
m o v e m e n t th ro u g h tim e .
C y c le o u r m o v e m e n t th ro u g h th e S ta r G a te s w o u ld re p re s e n t a s e q u e n tia l
W h e n w e e n te r tim e a c c e le ra tio n c y c le s , a c c e le ra tio n s e n te r o u r g rid s a t a n
e x tre m e ly a c c e le ra te d ra te p re p a rin g u s to m a k e T im e L e a p s .
T h is c o rre s p o n d s w ith fa s te r F la s h L in e
R h y th m s w h ic h g iv e th e e ffe c t o f s p e e d in g u p tim e , w h ic h m e a n s th e ra d ia tio n u n its th a t o u r m a tte r b a s e is
m a d e u p o f o s c illa te a t fa s te r rh y th m s . W h a t w o u ld h a v e o n c e ta k e n 2 y e a rs fo r u s to a c c o m p lis h in o u r
liv e s m a y n o w ta k e 2 w e e k s .
A fte r th is p e rio d o f a c c e le ra tio n a n d e x p a n s io n , tim e w ill d e c e le ra te a n d
c o n tra c t. T h e n it w ill a c c e le ra te a g a in , b u t fa s te r th is tim e . T h is c re a te s a n e ffe c t c a lle d T im e F lu x .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
68
The phenom ena of tim e flux w ill continue to occur throughout S tarB urst and S tarFire, and m ay cause
strange physical and em otional sensations. W e m ay also experience N ull Zones. These are periods
betw een tim e lines w here w e m ay feel unm otivated in our lives, and feel disconnected from both the old
and the new tim e lines. W e are bringing into our bodies am plified base pulse rhythm s of a new tim e line
w ith w hich w e are beginning to co-resonate. In order to anchor this new tim e line w e need to release m any
m iasm s. This can bring up m any issues in our lives to deal w ith. A s challenging as these experiences can
be, they are m uch easier to m ove through and offer opportunities to heal our hologram if seen in this light. A
A rc o f th e C o v e n a n t G a te S y s te m
The S tar G ates that span the V eca D ensity S ystem s of both P C M and P K A are referred to as the A rc o f
th e C o v e n e n t G a te s . The S tar G ates that span the P C M P rim al Light Fields and the P K A P rim al Light
Fields are called the P o a lria n G a te s . The A rc G ates are an ariificially grown (but K ristiac) gate system ,
and like our S tar G ates are living conscious beings. U nlike our U niversal S tar G ates they do not rotate, but
stay in place as our U niversal S tar G ates rotate through them . This allow s for stabilization w ithin our
dam aged V eca S ystem .
The A rc G ates w ere put into our V eca as a stabilization force to help all the life form s and system s of our
V eca reconnect to the C osm ic C lock for ascension potential and out of harm s w ay from black hole
technologies. They help do this because they are a B ase-6 gate system . R egular S tar G ates are a B ase12 system , m eaning they have 12 sub-frequency bands in each dim ensional level. Life form s including
planets that do not have a full 12 sub-harm onic D N A accretion level in their shields can therefore travel
through the A rc G ates.
The A rc G ates also hold a specialized shields program that w hen activated allow s for full rapid activation of
the U niversal K rist Flam e B ody. This allow ed life form s protection w ithin the G o ld e n F le e c e B u ffe r F ie ld
(within the 13th Pillar Amoraea Flame) during the intense frequencies released in H etharo/H ethalon of
2003. The G olden Fleece B uffer H ost is the G o ld e n -S ilv e r O n e , com posed of 0-14 P ale Y ellow , 0-12
P ale S ilver and 0-8 G old M anA Trion-P re-Light C urrents.
O ur E ckaN eca entered S tarB urst on M ay 27, 2004 w hen the B ourgha B udhara W orm hole N etw ork
activated w ithin our planetary grids. Just as w e received buffered G olden Fleece frequency through the A rc
G ates during H etharo/H ethalon (M ay/A ugust 2003), w e also received protective frequencies from the
P olarian G ate S ystem and the R am a P assage during S tarB urst R esponse. The R a m a P a s s a g e is a
specialized passage netw ork w ithin the larger system of the P olarian M atrix G ate Interface, a netw ork that
can only be accessed and utilized on very special occasions such as S tarB urst. The R am a P assage
allow ed E arth to go through a H ost B uffered S tarB urst R esponse, through w hich R e d P u ls e progresses
slow ly one R euche P illar at a tim e, one per year, accom panied by sim ultaneous K ristiac P lanetary C rystal
B ody R ebirth and Tim e Leap A scension.
C o u n te r-R o ta tio n o f o u r P C M a n d P K A S y s te m s
In the period of S tarB urst w e are now in, there are counter-rotation spins that our P C M and P K A Q uadrants
m ove through w ithin our V eca S ystem . O ur V eca S ystem rotates w ithin the E cka S ystem , and our E cka
w ithin the E ckasha S ystem . These are S p h e re s w ith in S p h e re s , each sphere/system w ith its ow n spin,
w hich as a deflection from the larger system , w ould be counter to the spin of the larger system from w hich it
em erged.
W ithin our V eca S ystem (w hich spins C C W ) w e have 4 quadrants. O ur P C M density along w ith its P rim al
Light Fields m akes w hat is called one t-set (at right angles to each other like an L), w hile the P K A and
©A
& A D eane. 2010. All R ights R eserved; Part of the M C EO Freedom
Teachings®
Series.
69
th e ir P rim a l L ig h t F ie ld s m a k e u p a n o th e r L -S e t. T h e P C M L -S e t m o v e s in a C C W ro ta tio n th ro u g h th e C W
ro ta tin g P K A L -S e t.
A s th e y c ro s s th ro u g h e a c h o th e r, th e y w o u ld m o v e to g e th e r a s o n e C C W m o tio n
w ith in th e b ig g e r te m p la te o f th e C C W ro ta tin g V e c a B a s e S h ie ld . B e c a u s e o f th e c o u n te r-ro ta tio n o f o u r
P C M a n d P K A S y s te m s w ith in o u r V e c a B a s e S h ie ld , o u r C C W s p ira lin g P C M s y s te m m o v e d to th e
p o s itio n o f th e P K A S y s te m , a n d th e C W s p in n in g P K A S y s te m is c u rre n tly w h e re o u r P C M S y s te m u s e d to
b e . O n ly p a rt o f th e P K A S y s te m (its P rim a l L ig h t F ie ld s a n ~ dD im e n s io n -1 2 ) ro ta te d to th is n e w a x is , a s th e
P K A S y s te m fro m D im e n s io n 1 1 .5 o n d o w n fe ll in to b la c k h o le s ta tu s d u rin g H e th a ro 2 0 0 3 .
Our Eckasha and Our Parallel Eckasha
Le·eTOR·A and Le·AdOR·A Twin Flame Systems
W e h a v e a P a ra lle l E c k a s h a /E c k a
S y s te m
w ith in
a d iffe re n t E c k a s h a th a n o u r o w n , a n d w e a re
e n e rg e tic a lly c o n n e c te d to o u r tw in E c k a s h a S y s te m . If w e c a n c a ll to m in d th e fo u r E c k a s h a s th a t m a k e
u p o n e E c k a s h a -A (fro m th e G o d W o rld
M a p s ), w e c a n g e t a v is u a l o f o u r T w in
E ckasha.
O ur
E c k a /E c k a s h a S y s te m h a s th e L e -e T O R -A E c k a C e n te r F la m e a n d th e P a ra lle l E c k a /E c k a s h a h a s th e
L e -A d O R -A C e n te r F la m e .
T h e s e tw o fla m e s a re T w in F la m e s . O u r L e -e T O R -A h o ld s th e b a s e e le c tric
c h a rg e a n d is m a le , w h ile o u r p a ra lle l L e -A d O R -A h o ld s th e b a s e m a g n e tic c h a rg e a n d is fe m a le .
In
D e c e m b e r 2 0 0 4 , th e g ro u n d w o rk w a s la id fo r a lin k in g n e tw o rk b e tw e e n th e P o la ria n G a te S y s te m , T rin ity 3 2
a n d A rc G a te S y s te m s . T h is n e tw o rk w a s p u t in p la c e to p re p a re u s fo r S ta rB u rs t a n d th e m e rg in g o f o u r
E c k a w ith th e T im e L in e o f P a ra lle l E c k a , w h ic h is a m e rg in g o f th e T w in F la m e s .
W e h a v e a H u b S y s te m , c o m p ris e d o f th e In n e r D o m a in S y s te m s w h ic h ru n o n a d iffe re n t a x is th a n o u r
O u te r D o m a in S y s te m s .
T h e y ru n o n a d ia g o n a l a x is to o u r O u te r D o m a in G a te s , o n th e a n g le o f o u r
K a th a ra C e n te rs 9 a n d 4 . T h e re is a c o rre s p o n d in g H u b fo r e v e ry le v e l o f th e G o d W o rld s . O n e w a y to
v is u a liz e th e
Hub Worlds
is to s e e th e la rg e r H u b th a t th e tw o E c k a s h a s e m e rg e d o u t o f (b e tw e e n o u r
E c k a s h a a n d o u r P a ra lle l E c k a s h a ), lik e a p la te b e tw e e n o u r tw o s y s te m s w h ic h w e b o th s h a re . T h e H u b
W o rld s s ta y s ta tio n a ry a s th e O u te r D o m a in W o rld s o f o u r E c k a s h a s s p in th ro u g h th e m a n d th ro u g h e a c h
o th e r. J u s t a s w e w o u ld c h a n g e s id e s w ith o u r a n ti-p a rtic le u n iv e rs e fro m th e P K A (d u rin g o u r a s c e n s io n
p ro c e s s ), o u r E c k a /E c k a s h a S y s te m w o u ld a ls o c h a n g e s id e s w ith o u r P a ra lle l T w in S y s te m s to th e
o p p o s ite s id e o f th e p la te . T h is w o u ld n a tu ra lly o c c u r a t s p e c ific p o in ts in th e b ig T im e C y c le th a t is
S ta rB u rs t.
StarBurst,
b e c a u s e it w a s a c tiv a te d e a rly , is a
Time Cycle Acceleration
(a n d tim e le a p ) th a t is
m a n ife s tin g a s th e s e s y s te m s b e g in th e ir p h a s in g /m e rg in g in th e ir c o -jo in e d a s c e n s io n p ro c e s s .
T h e 6 -C y c le T im e S p ira l is th e c o re p a tte rn o f h o w E M tim e w a v e s m o v e , e le c tric a l w a v e s e x p a n d in g o u t,
a n d m a g n e tic w a v e s c o n tra c tin g in w a rd .
F o r e v e ry e x p a n d in g 6 -C y c le T im e S p ira l, th e re w o u ld b e a
c o rre s p o n d in g c o n tra c tin g 6 -C y c le T im e S p ira l, a n d e a c h tim e s p ira l c o rre s p o n d s w ith o n e o f th e tw o
E c k a s h a T w in S y s te m s .
This creates a 12-Cycle: 6 C y c le s e x p a n d in g o u t' a n d 6 C y c le s
on opposite sides of the Hub/plate to each other. T o g e th e r
in . E a c h 6 -C y c le S h ie ld is
c o n tra c tin g b a c k
th e y m a k e a fu ll
1 2 -C y c le .
L o o k in g a t th e T im e C y c le o f th e E c k a s h a B a s e S h ie ld , it w o u ld h a v e its 6 C y c le s o f E x p a n s io n , ju s t a s th e
E c k a o r V e c a S y s te m d o e s .
O n c e th e E c k a s h a h a s fu lly e x p a n d e d its h a rm o n ic s in to its S h ie ld C lo c k , it
w o u ld h a v e th e o p p o rtu n ity to m a k e a le a p to th e o th e r s id e o f th e p la te , w h e re it w o u ld h a v e 6 m o re c y c le s
(b u t) o f
contraction,
fo r a fu ll 1 2 -C y c le .
B e fo re its le a p , it w o u ld a lig n w ith th e C e n te r F la m e w ith in th e
E c k a s h a -A B a s e S h ie ld , m o v e th ro u g h th e C e n te r F la m e a n d flip to th e P a ra lle l E c k a s h a S y s te m o n th e
o th e r s id e o f th e p la te w h e re it w o u ld s ta rt its C o n tra c tio n 6 -C y c le .
M e a n w h ile , th e P a ra lle l E c k a s h a
S y s te m w o u ld flip to th is s id e (o u r s y s te m ) a n d b e g in its e x p a n s io n c y c le . S o th e re is a
Time Spiral
and a
32 T rin ity G a te s a re th e B a s e -3 G a te s .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
70
Counter-Time Spiral,ZYXWVUTSRQPONMLKJIHGFEDCBA
e a c h o n o p p o s ite s id e s o f th e p la te th a t a re n a tu ra lly c o n n e c te d to e a c h o th e r
th ro u g h th e ir C e n te r F la m e s .
T h is e x p e d ite d flip to th e p a ra lle l s y s te m o n th e o th e r s id e o f th e p la te is e x a c tly w h a t w a s o rig in a lly
E ckalV eca S y s te m s w h e n w e b e g a n o u r S ta rB u rs t C y c le . T h is is w h y u n iv e rs e s (if th e y a re
p la n n e d fo r o u r DCBA
K ris tia c ) a s th e y e x p a n d o u tw a rd w ill n o t c o n tin u e to e x p a n d in d e fin ite ly u n til th e y e x p lo d e , b u t w ill h a v e a
c o n tra c tio n c y c le a t th e e n d o f th e ir e x p a n s io n c y c le .
p e rp e tu a lly a n d is p a rt o f
T h is e x p a n s io n a n d c o n tra c tio n c y c le c o n tin u e s
the In-breath and Out-breath Cycle of Source.
StarFire and the Hub Worlds
B e c a u s e S ta rB u rs t w a s n o t a la rg e e n o u g h re s e t to p ro te c t th e E c k a s h a /E c k a le v e l fro m th e B u d h a ra
G ra v itro n te c h n o lo g ie s , S ta rF ire w a s in itia te d in th e ir g rid s (a n d th e re fo re o u rs ).
p a rt o f o u r C re a tio n C y c le (w ith in th e b ig g e r
S ta rF ire is a ls o a n a tu ra l
StarBorn Cycle o f th e C o s m ic L ig h t B o d y ), w h ic h w e w o u ld
n o rm a lly c y c le in to a fte r a n e x tre m e ly lo n g p e rio d o f tim e . W h e n S ta rF ire is a c tiv a te d e a rly , it is b e c a u s e
th e S ta r G a te s o f a s y s te m a re g o in g in to L o c k d o w n a n d th e T e m p la r is g o in g to c ra s h . S ta rF ire o p e n s u p
th e In n e r C o re C e n tra l S ta ff o f o u r L e -e T O R -A C h a m b e r w h ic h
W o rld s .
allows for stabilization fro m th e In n e r H u b
T h is o c c u rs in o rd e r to p re p a re fo r a s u d d e n le a p in s p a c e /tim e w h ic h ta k e s u s d ire c tly in to th e
M id d le D o m a in W o rld s .
T h e M id d le W o rld s e m e rg e o u t o f th e H u b In n e r W o rld s , w h ic h in tu rn e m e rg e o u t o f th e M o n a d ic C o re .
T h e s e M id d le a n d In n e r W o rld s h o ld th e p e rfe c tio n o f th e O rig in a l In te n tio n o f S o u rc e th a t c a n n o t b e
d is to rte d , b e c a u s e in th e H u b a n y d is to rtio n im m e d ia te ly m a n ife s ts its e lf a s in s ta n t s p a c e d u s t. S ta rF ire is
th e p o in t in th e tim e c y c le , th a t if w e c a n h o ld th e fre q u e n c ie s n e c e s s a ry to liv e in s u c h a s y s te m ; w e w ill b e
a b le to m a k e a v e ry b ig T im e . L e a p b a c k to th e Jhardon of Edon 33 w ith in th e M id d le W o rld s o f G o d S o u rc e ; a p la c e w h e re m a n y o f u s h a v e a n c ie n t b u t c lo s e fa m ily w a itin g to g re e t u s h o m e .
P rio r to S ta rB u rs t a n d S ta rF ire , w e w e re tra v e llin g a p a th o f a s c e n s io n th a t to o k u s v e rtic a lly u p th e S ta r
G a te s .
T h e a s c e n s io n p a th th ro u g h th e S ta r G a te S y s te m (S G S ) c a n b e p ro g re s s iv e a n d s lo w , o r it c a n
e n ta il le a p s th ro u g h T im e L in e s a lo n g th e w a y o f o u r a s c e n t.
o th e r s id e o f th e H u b in to o u r P a ra lle l E c k a S y s te m .
S ta rB u rs t re p re s e n ts a v e ry b ig le a p to th e
W h e n S ta rF ire in itia te s , it b e c o m e s a v e ry fa s t,
in te n s e th ro u g h th e c e n te r ro u te th a t ta k e s u s in to th e M id d le a n d In n e r D o m a in s .
T h is is a q u ic k p a th
in w a rd to w a rd th e C o re , ra th e r th a n th e s lo w e r p a th v e rtic a lly a n d th e n in w a rd to th e C o re o f C re a tio n ,
w h ic h is k n o w n a s o u r
fast track EVAC Path
(o u t o f th e w a y o f b la c k h o le fa ll).
StarFire Cycle and Expedited TakEyon Cycle Reset
StarFire Cycle e n ta ils th e a s s e m b ly (w ith in o u r D N A T e m p la te s ) o f 1728 Keys of Edon, w h ic h a re
n e c e s s a ry fo r a s c e n s io n in to th e M id d le E d o n ic W o rld s . K e y s a re s p e c ific e n c ry p tio n fre q u e n c y p a tte rn s
g e n e ra te d th ro u g h th e p u ls in g o f o u r 1 s t L ig h t U n it, c a lle d th e
Tauren. P u ls in g is w h e n th e T a u re n p u lls in to
th e C e n te r P a rtikE (P K E ) S p h e re , a n d a s it d o e s it s p a rk s to b u ild k e y s w h ic h b u ild T a K E y o n s , w h ic h
c re a te s a T a K E y o n F ie ld a n d th e n p o p s th ro u g h th e C re a tio n C e n te r P o in t,
Diamond Door (B a ckflo w ) in to
S o u rc e , a n d c o m e s b a c k o u t (B a ckflo w R e tu rn ) o n a d iffe re n t a x is a s a
n e w C re a tio n C ycle w ith in th e
StarBorn Cycle (S ta rF ire is th e
7 th
a x is o f th e S ta rB o rn C y c le ).
E v e ry tim e th e T a u re n p u ls e s it g e n e ra te s s e ts o f k e y s b a s e d o n g ro u p in g s o f 1 2 .
O n c e 1 7 2 8 k e y s a re
144 TakEyons. A s th e
T a k E y b n C y c le c o m p le te s th e E d o n G a te s o p e n a n d th e S o la r/P la n e ta ry Krystal Ascension Spiral
g e n e ra te d w ith in th e S ta rF ire C re a tio n C y c le , th e y c o n tin u e to a s s e m b le in to
33
T estam ents-of-O utrageous
©A
R enew al-R evelations
- T reasures of the T ow er
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
& the
P a rt o f th e M e E D F re e d o m
S ecret G arden. [P ro d u c t C o d e : T S G /S D V D j
T e a c h in g s ®
S e rie s .
71
releases from the Tauren Living Light Seed. This releases the SRQPONMLKJIHGFEDCBA
F o u r W in d s of C r e a tio n : first the A tm ic
W in d s of Ah-at-aah A a n d A a h -L A E A '; then the K ry s -ta -L A K e th e r ic C o r e W in d s . Finally, the A -D a -M a
E th e r ic E te r n a l W in d from the Diamond Door releases. All of this occurred during the April 2006 Phoenix
W orkshop ( T w o M o o n s R is in g ) . These W inds represent the return of the K ry s ta l A s c e n s io n S p ira l, which
is our direct link back to Source. The Four W inds are also the E te r n a l S p a r k P u ls e C u r r e n ts that become
the EM waves that form the fabric of creation (space/time).
In January of 2006 we progressively initiated StarFire one Pillar at a time starting from Dimension
down, one every 8 months which would have culminated in 2015 with the completion of all 12
StarFiring and with activation of Ecka Pillar 13. As of April of 2006, we initiated E x p e d ite d T a k e y o n
R e s e t 9 years and 2 months early (due to an amplification of the BeaST/Threshold technologies
ThE-tan Black Hole Races).34
12 on
Pillars
C y c le
of the
fo r fu rth e r s tu d y : V o y a g e r s - T h e S e c r e ts of A m e n ti, V o lu m e 2; D a n c e fo r L o v e ,
Phoenix 2002; F o r b id d e n T e s ta m e n ts of R e v e la tio n , Ireland 2003; D a n c e fo r J o y , Greece May 2003; T h e
C o s m ic C lo c k R e s e t, Phoenix 2003; S e c r e ts of th e Y u g a s , Dublin, November 2003; T h e K e th r a d o n
A w a k e n in g , India, January 2005; T h e E th r a d o n A w a k e n in g , Morocco, May 2005;, W h is p e r s of th e
R a s h a R e is h A , Phoenix 2005; F e s tiv a l of L ig h ts , UK 2006; T r e a s u r e s of th e T o w e r a n d th e S e c r e t G a r d e n J e w e ls of 1 sLC r e a tio n , " R e s to r a tio n of th e L ig h t- F a n ta s tic " & R e c la im in g th e K E Y S to th e S a c r e d G a r d e n ,
Tenerife 2006; and T w o M o o n s R is in g , Phoenix 2006.
R e c o m m e n d a tio n s
"Understanding the Time Cycles of the Cosmic Clock begins with understanding Cosmic Creation itself, as
'time' is one integral part of the W holeness that is Source. Through understanding the reality of the Cosmic
Divine Blueprint, we can begin to comprehend and awaken our tangible, indelible, eternal, direct and
.
personal relationship to God." ( C o s m ic C lo c k R e s e t, 2 0 0 3 )
"There is a purpose, plan and intelligent design inherent to, behind and within all Creation. W e each exist
as an intimate, integral and blessed part of a meaningful Cosmic, Universal, Galactic, Planetary, and
Personal Divine Order. All creation takes place within the Consciousness of God, and thus separation from
God can only exist as the illusion of limited perception and forgetfulness of our Original Source." ( C o s m ic
C lo c k R e s e t, 2 0 0 3 )
of L ig h t C e le b r a tio n - T h e S ta r F ir e C y c le & th e R e - b ir th of th e O r ig in a l A m e n ti R e s c u e M is s io n . [Product Code:FOL
2006/2DVDj
34 F e s tiv a l
©A
& A Deane, 2010, All Rights Reserved; Part of the MeEO Freedom Teachings®
Series.
72
E le m e n ts o f D is c o v e ry P a rt 4 : T h e K ry s ta l R iv e r P ra y e r
W h a t is th e K ry s ta l R iv e r P ra y e r? ZYXWVUTSRQPONMLKJIHGFEDCBA
"".It's
th e s o u n d to n e s in th e firs t a u d ib le la n g u a g e in th is m a trix , w h ic h is A n u h a z i.
A n u h a z i is w h a t
c re a te s th e S E -U r p illa rs . W h e n y o u s a y it in E n g lis h y o u g e t a little b it o f it, a n d y o u c a n p ic k u p o n th e
saying
s o u n d fre q u e n c ie s o f th o s e p illa r fre q u e n c ie s , b u t it's in th e
o f th e A n u h a z i la n g u a g e th a t a llo w s
e m a n a tio n o f th e p re c is e v ib ra tio n s th a t w ill d ra w in th e p ro p e r fre q u e n c ie s in to th e In d ig o S h ie ld , a n d in to
y o u r o w n S h ie ld w h e n y o u s p e a k th e m ... "
(Speaker
1,
FOL 2007)
T h e w o rd K ry s t3 5 a n d th e te a c h in g s a b o u t th e K ry s t a re a b o u t C o re C re a tio n M e c h a n ic s . T h e y a re a b o u t
C o re S o u n d T o n e s . T h e s e a re F irs t C o re C re a tio n L a n g u a g e s . T h e firs t to n e s , v ib ra tio n s th a t b e c a m e
m a n ife s t in a u d ib le fo rm , s tru n g to g e th e r c a rry in g m e a n in g b e c a m e w o rd s . T h e s e s o u n d to n e s a re th e
o rig in o f la n g u a g e .
M a n y o f th e w o rd s a re in a la n g u a g e c a lle d
Anuhazi.
B e c a u s e w e a re d e a lin g w ith
C o u n c ils th a t a re a b o v e th e 1 5 -D im e n s io n a l C o u n c ils fro m th is p a rtic u la r T im e M a trix , w e h a v e a b o u t 6
d iffe re n t la n g u a g e s o n -lin e n o w .
W e a re g e ttin g tra n s la tio n s fro m th e E ie y a n i a n d o th e r re c e n t g ro u p s
c a lle d th e th e E y a n A , th e A d o n A a n d th e H a a h T U rs . (Speaker
1, Phx 2005)
W h e n y o u s p e a k o u tw a rd ly , y o u a re c re a tin g o u te r s o u n d w a v e s th a t c re a te fre q u e n c y g rid s th a t a re
s ta n d in g w a v e s th a t "h o ld in th e a ir."
W e a re c re a tin g a s ta n d in g w a v e s e t, a S E -U r S e t, b y u s in g th is
p a rtic u la r s e q u e n c e o f w o rd s . T h e K r y s ta l R iv e r P r a y e r w a s e n tr u s te d to u s b y th e C o u n c ils o f th e
K r y s t in 2 0 0 7 . T h e fre q u e n c ie s th a t flo w fro m th e P ra y e r a re a ll e m b ra c in g , p ro v id in g u s th e to o ls to tru ly
c o -c re a te a n d c o n n e c t w ith th e v e ry c o re o f o u r b e in g . T h e K ry s ta l R iv e r P ra y e r
brings forth
a p o w e rfu l
fre q u e n c y ; a n e n tru s tm e n t to th e K ry s tic R a c e s h e re o n E a rth to d ire c t a n d u s e fo r h e a lin g a n d c le a rin g .
F re q u e n c y is C o n s c io u s , A w a re a n d h a s id e n tity ; w e to o a re c o m p o s e d o f c o n s c io u s u n its o f fre q u e n c y .
We
are in c a m a te
le v e ls o f c o n s c io u s fre q u e n c y .
T h is s e c tio n p ro v id e s a d ire c tio n to w h e re w e a re w ith in th e a n a to m y o f th e G o d W o rld s , th e C o u n c ils th a t
s e e d e d u s , w h o th e y re p re s e n t a n d o u r F a m ily T re e o f C o n s c io u s n e s s .
It p ro v id e s a ro a d m a p in to th e
a p p lic a tio n o f th e K ry s ta l R iv e r P ra y e r fo r c o n s e c ra tio n , h e a lin g , s e ttin g s a fe s p a c e a n d c le a rin g .
& F re q u e n c y
1 5 -D im e n s io n a l T im e M a trix
D o m a in s
U n d e rs ta n d in g th e im p o rta n c e o f th e fre q u e n c y b ro u g h t fo rth b y th e K ry s ta l R iv e r P ra y e r, re q u ire s a n
a w a re n e s s a n d c o m p re n e h s io n o f w h e re w e a re c u rre n tly lo c a te d w ith in th e 1 5 -D im e n s io n a l T im e M a trix
a n d G o d W o rld a n a to m y , a lo n g w ith th e fre q u e n c y b a n d s in w h ic h p o rtio n s o f o u r id e n tity re s id e .
D im e n s io n s a n d D e n s itie s
I
H a rm o n ic U n iv e rs e s a n d F re q u e n c y B a n d s .
T im e M a tric e s a re a rra n g e d u p o n a p a tte rn o f 1 5 d iffe re n t b u t in te rw o v e n P a rtik i P h a s in g rh y th m s . E a c h o f
th e 1 5 rh y th m s o f P a rtik i P h a s in g c re a te s o n e d im e n s io n . A d im e n s io n is a s e t p a tte rn o f fla s h -lin e
s e q u e n c e s o r a c y c le o f s in g u la r P a rtik i P h a s in g rh y th m s th a t c o n ta in s w ith in it 1 2 s m a lle r rh y th m s o f P a rtik i
P h a s in g . E a c h d im e n s io n re p re s e n ts o n e s c a la r fre q u e n c y
b a n d c o n ta in in g 1 2 s m a lle r s u b -fre q u e n c y
b a n d s . A d im e n s io n re p re s e n ts a fu ll fre q u e n c y b a n d o r re p e a tin g c y c lic s e q u e n c e o f "fla s h in g o n a n d o ff"
s c a la r-w a v e
p o in ts w ith in
a
m o rp h o g e n e tic
fie ld .· T h e
m o rp h o g e n e tic
fie ld s c a la r
g rid
s tru c tu re
d im e n s io n s ta k e s th e fo rm o f 1 5 -D im e n s io n a l M a tric e s . T h e 1 5 d im e n s io n s a re g ro u p e d in to s e ts o f
d im e n s io n s e a c h , fo rm in g 5 s e ts o f
3
of
3
d im e n s io n a l re a lity fie ld s c a lle d H a rm o n ic U n iv e rs e s . T h e 1 5
d im e n s io n s c o m p o s in g th e 5 H a rm o n ic U n iv e rs e s to g e th e r re p re s e n t o n e T im e M a trix S y s te m . E a c h
35 F ro m w h ic h th e w o rd "C h ris tia n " w a s ta k e n .
© A & A D e a n e . 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a ri o f th e
M e EO
F re e d o m
T e a c h in g s ®
S e rie s .
73
d im e n s io n is c o m p o s e d o f 1 2 s u b -fre q u e n c y b a n d s , o r s h o rte r c y c le s o f th e "fla s h in g o n a n d o ff' o f s c a la rw a v e p o in ts , w h ic h e x is t a s p a rt o f th e lo n g e r c y c le o f th e fu ll d im e n s io n a l fre q u e n c y b a n d .
W ith in o u r
1 5 -D im e n s io n a l T im e M a trix w e h a v e 5 id e n titie s w h ic h a re p a rt o f o u r F a m ily T re e o f C o n s c io u s n e s s :
D e n s ity -1 , In c a rn a te S e lf; D e n s ity -2 , S o u l S e lf; D e n s ity -3 , O v e r S o u l S e lf; D e n s ity -4 , A v a ta r S e lf; a n d
D e n s ity -5 , R is h i S e lf. BA
Where are we now?
The Veca - Our 15-Dimensional Time Matrix JIHGFEDCBA
T M lI tr ..< Q I .r .I O F N :T S
'''''
" '- h l ~ · 1
O u r 1 5 -D im e n s io n a l T im e M a trix is k n o w n a s a
Veca.
• • • • ( . r n ! : o I• • , . 'I i 'I J ''''W . M . r j >
1 I 'U o " . \
; , 1 > 0 1 '. · 1
The V eca as
w ith e v e ry th in g in c re a tio n is fo rm e d o n a K a th a ra G rid . E a c h p o in t o n
th e K a th a ra G rid re p re s e n ts U n iv e rs a l S ta r G a te s . S ta r G a te s a re
re a lity fie ld s v e ry m u c h lik e E a rth .
w ith in th is s tru c tu re .
T h e H a rm o n ic U n iv e rs e s e x is t
In th e fig u re to th e rig h t, a n a rro w p o in ts to th e
lo c a tio n o f E a rth a n d h e r s o la r s y s te m in D N -1 . E a rth is lo c a te d w ith in
3 , c a lle d U rth a .
U n iv e rs a l S ta r G a te KJIHGFEDCBA
"S in c e o u r E a rth is in s id e o f th e la rg e r s ta r b o d y , ju s t a t a d iffe re n t
a n g u la r ro ta tio n o f p a rtic le s p in to U rth a , it m e a n s if y o u g o u p
v e rtic a lly , a t s o m e p o in t y o u 're g o in g to ru n in to U rth a 's s u rfa c e , ju s t
lik e w e h a v e a s u rfa c e c ru s t! It a ls o m e a n s o u r p la n e t is e m b e d d e d a t
th e C o re o f U rth a . Urtha is Universal Star Gate 3 a n d E a rth is rig h t in th e c e n te r o f it; b u t w e h a v e a c c e s s
to th a t b e c a u s e o u r c o re s a re lin k e d . W h e n a p la n e t, w h e n a Hosting Star is p u t in to a n o th e r s ta r b o d y , its
s h ie ld is p u t in to a la rg e r s ta r b o d y , a n d th e n its fie ld s a re tu rn e d o n a n d th e p la n e t w o u ld m a n ife s t in th e re .
It is d o n e th ro u g h lin k in g th e C o re G a te s w h e re th e P ra n a S e e d is . T h is im p lie s th a t if w e g o u p in E a rth 's
a tm o s p h e re , e v e n tu a lly w e 'll ru n in to w h e re th e A u ro ra F ie ld is , a n d e v e n tu a lly w e 'll g o p a s t th a t a n d ru n
in to w h a t's in s id e o f U rth a , e v e n tu a lly ru n in to U rth a 's
c ru s t, a n d e v e n tu a lly U rth a 's a tm o s p h e re th a t w o u ld
b e o u t th e re ."
(P h o e n ix A u g u s t 2 0 0 7 )
The Ecka/Veca
O u r V e c a is k n o w n a s a P C M (M a g n e tic V e c a ). T h e re
is a ls o a P K A (E le c tric V e c a ) w h ic h is re fe rre d to a s
th e P a ra lle l V e c a w ith th e ir c o rre s p o n d in g s o u n d a n d
lig h t fie ld s .
T h e s e 4 V e c a s re s id e w ith in a n E c k a
w h ic h lik e o u r V e c a , h a s 5 H a rm o n ic U n iv e rs e s w ith
1 5 d im e n s io n s .
T h e s e a re a ls o re a lity fie ld s in w h ic h
w e h a v e m e m b e rs o f o u r e x te n d e d F a m ily T re e o f
C o n s c io u s n e s s .
C o lle c tiv e ly th e V e c a a n d E c k a a re
re fe rre d to a s a n E c k a iV e c a , a n d th e y re s id e w ith in a n
E c k a s h a ."
36
S e e p a g e 4 1 o f th is h a n d b o o k fo r m o re o n th e E c k a N e c a .
© A & A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M C E O F re e d o m
T e a c h in g s ®
S e rie s .
74
Structure of the Outer God-WorlddcbaZYXWVUTSRQPONMLKJIHGFEDCBA
"In the E cka m aps w e have four V eca Q uadrants, one E cka C ore S ystem . T hey exist w ithin a larger
structure that's called an E ckasha S ystem . T he E ckasha has larger S tar G ates. T hese are off the charts as
far as w hat w e can see right now , as far as w hat science can find up there. T hese are so far out there;
there is nothing that can photograph them , as
far as these larger gates that go w ith the
E ckasha level. T hen there's a larger structure
that this is part of, w here you have four
E ckashas, each w ith their E ckaN eca S ystem
inside. Y ou have four E ckashas, and this is
called the E ckasha-A . H ere w e have four
E ckasha-A s that form the external body of
S ource." (Phoenix April 2007)
God Worlds of the Cosmos
"T he C osm ic G od S eed form s the E ckashaA ah (D ow nstep-1), the E ckasha-A (D ow nstep2), and the E ckasha (D ow nstep-3) C ore,
H igher and M iddle G od W orlds. T he U niversal
G od S eed (D ow nsteps 7-12) form s the
clusters of 7 H igher and 7Low er H eavens of
the Low er G od W orld U niversal V eca T im e
S ystem s." (Phoenix April 2007)
M iddle~ ~
Inner
C ore
~~~
/~
O u te r
A dorA /
I
\
{ V eca
~----
~ ~ r~ u te r
/)
/
C o re
In n e r
M iddle
O u te r
T here are 4 E ckasN ecas inside an E ckasha; 4
E ckashas inside of an E ckasha-A ; and there are 4
E ckasha-A s inside of an E ckasha-A ah. A ll of these
G od W orlds are form ed from specific frequency
patterns w hich create reality fields in w hich the
m any aspects of our Family Tree of Consciousness
reside.
.
-, <, _ - .....o !Ii_ .//
Where are we going to?
" ... our petitions as Indigos and A zurites from this
system , those w ho can get on the K rystal," are
being offered the opportunity to reincarnate through
the A quaF arE to go back into the E dons, so they
don't have to incarnate back out in the O uter
D om ains ... " (FOL 2007)
37 "-:.
get on the K rystal" refers to the anchoring and integration of the K rystal R iver frequencies.
©A
& A D eane, 2010, A ll R ights R eserved; P art of the M eE O Freedom Teachings®
S eries,
75
W e h a v e le a rn e d th a t th e re is a c o u n te r-ro ta tin g V e c a S y s te m o n th e o th e r s id e o f o u r s y s te m w h ic h is
k n o w n a s th e
O u te r V e c a s .
AdorA;
w e a re o n th e
EtorA
s id e . T h e s e c y c le th ro u g h e a c h o th e r a n d a re re fe rre d to a s th e LKJIHGFEDCBA
O u r In c a rn a te S e lf (u s n o w ) re s id e s w ith in th e E to rA O u te r V e c a , D e n s ity -1 . T h e re a re
a n o th e r th re e b o d ie s to th e O u te r V e c a ; th e re is a M id d le V e c a , In n e r V e c a a n d C o re V e c a .
T h e C o re is
re fe rre d to a s th e E to n . T h e In n e r is re fe rre d to a s th e A d o n . T h e M id d le is re fe rre d to a s th e E d o n . T h e
O u te r is re fe rre d to a s th e R a d o n .
Collectively the Eton, Adon and Edon are referred to as the "Hubs."
T h e H u b s re m a in s ta tio n e ry w h ile th e E to rA a n d A d o rA O u te r R a d o n V e c a s s p in a ro u n d th e H u b s a n d
c y c le th ro u g h e a c h o th e r.
In o rd e r to g e t to th e E c k a y o u w o u ld h a v e to m o v e fro m th e O u te r V e c a to th e
M id d le , In n e r a n d C o re in o rd e r to m o v e in to th e E c k a . O u r p a th o f a s c e n s io n ta k e s u s fro m th e E to rA
O u te r R a d o n V e c a to th e In n e r E d o n V e c a . T h is is th e b e g in n in g o f o u r a s c e n s io n p a th b a c k h o m e .
Preparing for Ascension into the Edons
W e u s e s p e c ific , d ire c te d fre q u e n c y to p re p a re o u r B io -S p iritu a l a n a to m y fo r o u r a s c e n s io n jo u rn e y in to th e
E d o n s . A s w e c o n s c io u s ly d o th is fro m o u r In c a rn a te le v e l, w e a re a c c re tin g fre q u e n c y a n d b rin g in g p a rts o f
o u rs e lv e s fro m o u r 1 5 -D im e n s io n a l T im e M a trix h e re in to m e rg e r w ith o u r In c a rn a te S e lf in D e n s ity -1 . It is
o n ly w ith in O e n s ity -1 th a t w e h a v e th e p o te n tia l to a s c e n d . A c c re tin g fre q u e n c y is a g ra d u a l p ro c e s s . W e
h a v e w o rk e d w ith th e M a h a ric , K e e -R a -S h A , E c k a -H e lio ta lic , E c k a s h a -H e lio ta lic
F e b ru a ry 2 0 0 6 , w e h a v e b e e n p re p a rin g
fre q u e n c ie s , a n d s in c e
o u r b io -s p iritu a l a n a to m y fo r a s c e n s io n
in to th e E d o n s b y
c o n s c io u s ly w o rk in g w ith In n e r L ig h t fre q u e n c y fro m th e H u b s . T h e K ry s ta / R iv e r is a v e l}' p o w e rfu l In n e r
L ig h t fre q u e n c y w h ic h p re p a re s o u r B io -S p iritu a l a n a to m y fo r p a s s a g e th ro u g h to th e E d o n s .
The Eckasha-Aah
The
O u te r
G o d -W o rld s ,
th e
E c k a s h a -A a h , w h e re o u r fie ld s
of
c o n s c io u s n e s s
c re a te d
AdorA
CCW
Body
fro m
th e
D o m a in s
re s id e ,
a re
In n e r L ig h t
o ~ th e
E to n s
(C o re ),
Adons
(In n e r)
and
Edons
(M id d le ).
These
In n e r
D o m a in s a re c o lle c tiv e ly k n o w n
a s th e H u b s . T h e E c k a s h a -A a h
is re fe rre d to a s th e E U K B o d y
(E u k a th a ris ta B o d y ), th e O u te r
L ig h t B o d y , th e
E to rA
Radon
B o d y a n d th e re is a ls o a n o th e r o n e ru n n in g a t a d iffe re n t a n g le re fe rre d to a s th e
A d o rA R a d o n B o d y . O u r E c k a s h a -A a h
is k n o w n a s th e E to rA a n d th e " c o u n te r
ro ta tin g E c k a s h a -A a h is k n o w n a s th e A d o rA . T h e E to rA a n d A d o rA , s p in a ro u n d
th e H u b s a n d c y c le th ro u g h e a c h o th e r.
From the Radon into the Edon
T h e C o re , In n e r a n d M id d le G o d W o rld s e x p a n d o u t in to th e O u te r G o d W o rld s ,
a n d th e O u te r G o d W o rld is w h e re w e re s id e o n th e E to rA s id e .
F ro m th e O u te r
G o d W o rld w e a re a s c e n d in g in to th e In n e r G o d W o rld . E a c h o f th e G o d W o rld s
a ls o h a s th e ir in n e r a n d o u te r s tru c tu re s a n d th e s e s tru c tu re s e x is t a ll th e w a y u p to
th e E c k a s h a -A a h le v e l. T h is is im p o rta n t a s w e w ill b e in tro d u c in g th e C o u n c ils o f
b o th th e In n e r a n d O u te r G o d W o rld s .
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
76
Source of the Krystal River
The powerful Krystal River frequencies are available here in Density-1. It is the com bined frequency of 3
Krystal Spirals of 3 Eckashas; the Aquareion Eckasha, the Aquinos Eckasha and the W EsalA Eckasha.
These three Eckashas are referred to as the FEDCBA
T ri-M a trix C o -o p e ra tiv e . The Krystal River Frequency is a
loving entrustm ent given to us here to help all life form s on this planet for healing, clearing and Bio-Spiritual
Ascension into the Hubs.
Krystal River Councils, the Tri-M atrix Krystal River Co-operative
The Tri-M atrix Co-operative carries the codes within their DNA to activate 3 Krystal Spirals or the 3
Eckashas (m entioned above) into o n e very powerful Krystal River Frequency. The Tri-M atrix Co-operative
has been established for over 450 billion years; it h e ld th e s e c re t K e y s to th e K ry s ta l R iv e r u n til s u c h tim e
w h e n d is h a rm o n ie s ru n n in g th ro u g h th e p la n e ta ry g rid s re a c h e d
a
c ritic a l p o in t a n d re n d e re d th e H u b s in -
The Co-operative knew this
tim e would com e. In January 2007, a group of Tri-M atrix Co-operative Indigos and Angelic Hum ans
activated and anchored the Krystal River into the Planetary Grids. The Krystal River bent back the reversed
frequencies that would have closed our last gate to the Hubs.
a c c e s s ib le , re m o v in g th e p o te n tia l o f a s c e n s io n fo r life fo rm s o n th is p la n e t.
Now that the Krystal River has been anchored into Density-1, it can be used for advanced bio-regenesis in
addition to giving us the potential to be Hub-Passage-Capable; not only to be able to travel through our
Aquinos Hubs, but also through the Hub passages that connect to the Aquareion M atrix in both the EtorA
and AdorA Dom ains. The Aquareion Races within the adjacent parallel Eckasha were the leaders in this
initiative. The initiative was to create a Hub-Passage-Capable Krystiac Krystal River Aquareion lineage
within the organic Krystiac Race lines of the Outer Dom ains of the 3 system s; th is w a s th e ir w a y to b e o f
s e rv ic e to th e K ry s t.
"The Aquareion M atrix Races decided that their m anifest existence would feel m ost m eaningful to them if
they could be in service where it was needed m ost, and they saw that place as being where they were
assisting races who still had Kryst potential, to still have the option of ascending." (P e ru 2 0 0 7 )
Tri-Matrix
Cooperative
Aquareian M atrix
Councils
Location
KrystalA Council
Core Councils
Aquious ColIndl
Inner {Adan} Eckasha
AquaFarE Cooncil
M iddle (Edon) Eckasha
Aquari CO Unc~
Out", (Radon) Eckasha
W EsalA M atrix
KryslaJA Council
Core Councils
Aquari Council
Outer (Radon) Eckasha
Aquinas M atrix
KrystalA Council
Core Councils
He'ah- rUr Council
Inner (AdOll) Eckasha·A
EyanA (Aquari Coding)
AdorA (RadOJl) Eckasha
AdenA (Aquari Coding)
AdorA (Radon) Eckasha
Beyeni Founder Races
(Aquari Coding)
ElorA EckaIVeca
Density 5/ Density 4
Aurora Council
01 ElorA Veca Edon /Radon
01 AdorA Veca Edon !Radon
Bhendi Council
(Aquari Coc:flllg)
01 Veca Edon
Angelic Hum ans
(Aquari Coding)
D1 Veca Radon
Indigos
(Aqua" Ceding)
01 Veca Radon
The Aquareion Races plan of Service was through
hybridization of their Hub Races in the Outer Radonic
EckaNeca Dom ains of their Aquareion, our Aquinos, and
the W EsalA M atrices. This provided the gene code to
enable the organic Krystic Races to pass through the
gates of not just their EckaNeca Hubs but also from Hubto-Hub.
"The Aquari Race lines were expanded from their
Aquareion hom e m atrix in the Parallel Adjacent Eckasha
into the W EsalA M atrix of the Adjacent Eckasha and into
the AdorA and EtorA Ecka-Veca System s of our
Eckasha,
creating·· "H u b -P a s s a g e -C a p a b le "-w h ic h
m anes they can pass through the gates that are not only
from the Outer Dom ains and the M iddle Dom ains, they
could also pass through the gates of the Inner Hub
Dom ains. So they can pass from Hub to Hub, not just
Outer Dom ain to Outer Dom ain or M iddle to M iddle
Dom ain. They can actually go through all the way into
the Hub gates if necessary, creating the Hub-Passage-
© A & A Deane, 2010, All Rights Reserved; Part of the MCEO Freedom Teachings® Series.
77
C a p a b le K rystia c K rysta l R ive r A q u a re io n lin e a g e w ith in th e o rg a n ic K rystia c R a ce lin e s o f th e O u te r
D o m a in s o f th e 3 syste m s. S o th e A q u a ri lin e s th a t ca rrie d th is ca p a city w e re se e d e d in to th e th re e
(1 2 T , C la s s 2 )
m a trice s, th e E cka -V e ca S yste m s o f th e th re e m a trice s." UTSRQPONMLKJIHGFEDCBA
T h e A q u a ri R a ce s h yb rid ize d w ith o u r V e ca F o u n d e r R a ce s, th e E lo h e i, S e ra p h e i a n d B ra h a ra m a , w ith in
o u r E to rA a n d A d o rA E cka -V e ca S yste m s 4 5 0 b illio n ye a rs a g o . T h e A n g e lic H u m a n s a n d In d ig o s o n
p la n e t ca rry th e A q u a ri C o d in g . T h e A q u a ri R a ce s a lso h yb rid ize d w ith th e O u te r D o m a in ra ce s o f th e
W E sa lA M a trix. A t so m e p o in t w ith in o u r h isto ry A q u a ri R a ce s w ith in th e W E sa lA M a trix cro sse d o ve r in to
U rth a , D e n sity-1 . T h e se ra ce s a re kn o w n a s th e Bhendi Races.
T h e H a 'a h - T U r a re b o th a F o u n d e r a n d G u a rd ia n R a ce fro m th e E cka sh a -A In n e r A d o n M o n a d ic H u b le ve l
o f C re a tio n w h o a re a ssistin g K rystic R a ce s in to th e A sce n sio n C ycle s. 38 T h e H a 'a h -T U r C o u n cils a re fro m
th e In n e r H u b (A d o n ) E cka sh a -A o f o u r A q u in o s M a trix. T h e H a 'a h -T U rs co m m u n ica te th e M o n a d ic
T e a ch in g s a n d T e ch n o lo g ie s re q u ire d fo r A s c e n s io n in to th e H u b s o n b e h a lf o f th e U n s p o k e n O n e s , th e
K rysta lA C o u n cils. W h e n V e rtica l A sce n sio n th ro u g h th e O u te r D o m a in s w a s n o lo n g e r a n o p tio n , it w a s
th e H a 'a h - T U r w h o in te rve n e d to h e lp th e K rystic R a ce s.
T h e H a 'a h -T U r lo vin g ly C o m m a n d th e M o n a d ic G a te S yste m s (G a te s to th e H u b s). B y re le a sin g ce rta in
fre q u e n cie s th e y e n a b le d o u r O u te r R a d o n d o m a in s to h a ve a cce ss to th e g a te s th a t ta ke u s in to th e H u b s,
g ivin g u s th e g ift o f In n e r A sce n sio n th ro u g h th e H u b s. D u rin g th e 2 0 0 5 P h o e n ix W o rk s h o p th e H a 'a h -T U r
g a ve u s th e H u b p rim o rd ia l s o u n d to n e s th a t o p e n e d th e g a te s in to D e n sity-1 , th e p la n e ta ry g a te s, a n d o u r
o w n p e rs o n a l g a te s, m a kin g u s H u b -a b le . T h e se so u n d to n e s a re Urn-Aah-UN a n d Ka-Ra-Ya-Sa-Ta-Ha-
La ... a-DUr
u m -e t a -D U r.3 9
Veca RA-sha-ELHub Activation - Entering the Flame of RA-sha-LE
T h e R A -sh a -E L is o u r le ve l o f id e n tity w ith in th e V e ca E d o n le ve l. T h is te ch n iq u e lin ks yo u to yo u r E d o n ic
Id e n tity, a g ift fro m th e H a 'a h -T U r. T h e H a 'a h -T U r h a ve e n co u ra g e d u s to " g e t re a l" a n d ta ke a h a rd lo o k a t
th e w a y w e live o u r live s a n d o u r a b ility to lo ve o u rse lve s a n d o th e rs. T h e H a 'a h T U r e n co u ra g e u s to G e t
R e a l a n d B e C o n s c io u s ly A -L -I-E -N !
8 .w a ke ; b o vin g ; In vin cib le ; fn ig m a tic; tio b le . T h e H a 'a h -T U rs a lo n g
w ith a ll th e C o u n cils e n co u ra g e u s a t a ll tim e s to lo o k a t w a ys in w h ich w e ca n stre n g th e n th e g ro u p sh ie ld
b y e m b o d yin g th e 1 2 A ttitu d e s a n d R e sp o n sib ilitie s o f M a ste ry. T h e se a re a va ila b le o n th e E -g ro u p s, via
w e e kly e m a ils th a t e n a b le u s to g ro w p e rso n a lly a n d co lle ctive ly a s a s w e e m b o d y th e A & R s.4 o
AdonA and EyanA Councils
S o u rce d o w n ste p s Its co n scio u sn e ss th ro u g h o u t th e E cka sh a -A a h F irst G o d W o rld a n d a ll th e w a y d o w n
in to th e lo w e r h e a ve n s, a n d it is w h e n w e g e t to th e E cka sh a E to rA a n d A d o rA S yste m s th a t S o u rce
C o n scio u sn e ss ta ke s o n th e id e n tity o f th e E ya n A a n d th e A d o n A C o u n cils. T h e E ya n A a re fro m o u r E to rA
E cka sh a a n d th e A d o n A a re fro m th e A d o rA E cka sh a . It 'w a s th e se C o u n cils th a t g ifte d u s th e "Phone
Home - Dialing Code" (D ia l U p ) in N o ve m b e r 2 0 0 4 . T h e " P h o n e H o m e - D ia lin g C o d e " g ive s u s a
d e d ic a te d K ry s tia c C o m m u n ic a tio n L in e to re a ch th ro u g h fro m o u r E cka to th e A d o rA E cka sh a a n d A d o rA
E cka G o d W o rld s.
38
(A O D o f th e A d o n A C o u n c il o n b e h a lf o fth e
E -C o u -S h a - T A C o u n c il, N o v e m b e r 2 1 2 0 0 4 )
C re a tio n o f th e H u b s a n d th e H a 'a h -T U r w e re in itia lly in tro d u ce d d u rin g th e M o ro cco W o rksh o p
& T h e A s h a lu m C h a m b e r, E th e ric G a te w a y to th e S ta rs . [P ro d u ct C o d e : E A W /8 D V D /S ]
2 0 0 5 , T h e E th ra d o n
A w a k e n in g
39
T h e se ca n b e fo u n d in th e M C E O P so n n B o o k. [P ro d u ct C o d e : P S O N N /B o o k]
40 A ttitu d e s
& R e sp o n sib ilitie s
©A
o f M a ste ry [L in k: h ttp ://w w w .a zu rite p re ss.co m /a ttitu d e s_ re sp o n sib ilitie s.h tm l]
& A D eane, 2010, A ll R ights R eserved; P art of the M e E O F reedom
T eachings®
S eries.
78
The EieyaniZYXWVUTSRQPONMLKJIHGFEDCBA
T h e E ie y a n i a re b o th a F o u n d e r a n d a G u a rd ia n R a c e w h o w e re firs t s e e d e d in to o u r E to rA E c k a S y s te m
b y th e E y a n A C o lle c tiv e 9 5 0 b illio n y e a rs a g o . A ro u n d 9 5 0 b illio n y e a rs a g o th e y s e e d e d in to D e n s ity 5 a n d
D e n s ity 4 w ith in o u r E to rA V e c a , fo rm in g th e
F o u n d e rs d o w n -s te p p e d th e ir c o n s c io u s n e s s
Elohei, Seraphei
and
Braharama
F o u n d e rs R a c e s .
The
in to th e lo w e r d e n s itie s o f o u r V e c a , o u t o f w h ic h m a n y ra c e
lin e s s u c h a s th e p re s e n t d a y In d ig o a n d A n g e lic H u m a n ra c e s o f E a rth e v o lv e d .
"T h e E ie y a n i a re fro m o u r s id e o f th is T im e M a trix . T h e y a re in w h a t is c a lle d th e E c k a C o re , w h ic h is th e
C o re M a trix o u t o f w h ic h th is p a rtic u la r 1 5 -D im e n s io n a l T im e M a trix e m e rg e s . S o th e y 're k in d o f lik e th e
p a re n ts o f th e E lo h e L T h e F o u n d e rs R a c e s in o u r 1 5 -D im e n s io n a l T im e M a trix w e re c re a te d b y th e E ie y a n i
E c k a R a c e s a n d b y th e ir tw in ra c e s w h ic h a re in w h a t is c a lle d th e P a ra lle l E c k a . T h is is w h e re w e h a v e th e
w o rd th e
AdonA
a n d th e ir a ffilia te d ra c e s ."
(FOL, Jan 2008)
Our Connection to the Councils
O u r F a m ily T re e o f C o n s c io u s n e s s e x te n d s b e y o n d th e 1 5 D im e n s io n a l T im e M a trix o f o u r V e c a .
P a rts o f
are
u s in th e
o u r c o n s c io u s n e s s e x te n d in to th e C o u n c ils th a t b o th s e e d e d a n d h y b rid iz e d w ith u s . T h e y
fu tu re , a n d w h e n w e u s e th e c o m m a n d s fo r th e C o u n c ils in th e K ry s ta l R iv e r P ra y e r w e a re c a llin g o n th o s e
p a rts o f o u rs e lv e s .
C u m -s a -A '-H O
D U r-e -T A '-ta
e n -ta -H U 'm U N -K ry s ta L A (U N -K ris -ta -L A ')
C u m -s a -A '-H O
D U r-e -T A '-ta
A q u io u s (A h -Q W E '-u s )
C u m -s a -A '-H O
D U r-e -T A '-ta
A q u a F a rE (A h -Q W a -F a h -rE ')
C u m -s a -A '-H O
D U r-e -T A '-ta
A q u a ri (A h -Q a ir-E lJ )
C u m -s a -A '-H O
D U r-e -T A '-ta
H a 'a h -T U r
C u m -s a -A '-H O
D U r-e -T A '-ta
AdonA'
C u m -s a -A '-H O
D U r-e -T A '-ta
E yanA '
C u m -s a -A '-H O
D U r-e -T A '-ta
E ie y a n i' M a 'a H o c -e t-A
C u m -s a -A '-H O
D U r-e -T A '-ta
o o -S h a ' L A '-z u n d U R h o -s z e t'-T A (K ry s tia c C o u n c ils o f th e R o s e tta s )
C u m -s a -A '-H O
D U r-e -T A '-ta
U te -A u ro ra A ' (O O t- a h -R O '-ra ')!
"T h e E ie y a n i lo o k a t u s w ith g re a t h u m o r a n d re s p e c t b e c a u s e w e a re th e p a rt o f th e ir c o n s c io u s n e s s th a t
to o k o n th e m u ta tio n . W e c a m e d o w n in th e d e n s itie s a n d le t it h a p p e n to u s . S o th e re is a h u g e a m o u n t o f
re s p e c t fro m th e E ie y a n i to w a rd u s . T h e y lo o k a t u s a s th e c o u ra g e o u s p a rts o f th e m s e lv e s th a t c h o s e to
g o in to th e d ire c t lin e o f fire a n d ta k e it o n . W e a re th e o n e s w h o to o k o n th e g re a te s t ris k s . T h a t is w h y
th e y a re s o c o m m itte d to h e lp in g u s g e t o u t.
Eternal.
The
H u m a n C o lle c tiv e ,
W e c a m e in to th is w ith lo v e a n d to ta l k n o w in g th a t
th e E ie y a n i C o lle c tiv e s ,
th e
In d ig o C o lle c tiv e s ,
had enough
life is
fa ith
in
th e m s e lv e s . T h e y k n e w th a t th e y c o u ld c o m e in a n d ta k e o n th e w o rs t o f it a n d th e y k n e w th a t th e re w o u ld
b e s o m e th a t w o u ld fa ll.
H o w e v e r, th e y k n e w it w a s w o rth it. T h e y k n e w th e y h a d th e p o w e r to re a w a k e n ,
to h e a l it a n d th e n , o n ly th e n if th e y to o k o n th e m u ta tio n ,
h e a le d it w ith in th e m s e lv e s ,
w o u ld th e y
u n d e rs ta n d it e n o u g h to g o o u t a n d try to h e a l a n y th in g re m a in in g fro m th e fa lle n m a tric e s th a t m ig h t b e
a b le to b e h e a le d . T h e y a ls o n e e d e d to u n d e rs ta n d h o w b e in g s c o u ld a c t th e w a y th e y d id . H o w th in g s
c o u ld b e v io le n t to w a rd s e a c h o th e r b e c a u s e th a t w a s a fo re ig n c o n d itio n to A n g e lic H u m a n s a n d In d ig o s .
S o , th e re is a le s s o n th a t w e a ll a g re e d w e n e e d e d to le a rn b e c a u s e w e ju s t d id n 't u n d e rs ta n d w h a t fa lle n
c o n s c io u s n e s s w a s o r w h a t it m e a n t,"
(Bermuda 2002)
Our Connection to the Krystal River Frequency
T h e A q u a ri k n e w th e re w o u ld c o m e a tim e w h e n th e y w o u ld n e e d to a s s is t th e K ry s tic R a c e s w ith in th e
O u te r R a d o n s . 4 5 0 b illio n y e a rs a g o th e y c ro s s e d o v e r th ro u g h th e H u b s in to o u r A q u in o s M a trix a n d
©A
& A D e a n e , 2 0 1 0 . A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
79
h y b r id iz e d w ith F o u n d e r R a c e s in D e n s ity - 4 , e n a b lin g th e A q u a r i g e n e c o d e to b e c a r r ie d in to th e lo w e r
d e n s ity le v e ls . T h is is w h y s o m e o f th e p r e s e n t d a y In d ig o s a n d A n g e lic H u m a n s c a r r y A q u a r i C o d in g .
In d ig o s a n d A n g e lic H u m a n s w ith A q u a r i C o d in g c a r r y th e k e y s to a c tiv a te a n d a n c h o r th e K r y s ta l R iv e r in to
th e p la n e ta r y g r id s , w h ic h n o w m a k e s th is p o w e r fu l fr e q u e n c y a v a ila b le to a ll'
The 2007 Call to the Indigos and Angelic Humans with Aguari Coding
'T h e r e w a s a c a ll p u t o u t. O n e o f th e r a c e lin e s fr o m th e A q u io u s M a tr ix th a t h a v e b e e n th e G u a r d ia n s o f
th is w h o le p r o je c t fo r a v e r y lo n g tim e a r e c a lle d th e A q u a r i R a c e s o r th e B h e n d i- A q u a r i R a c e s . T h e y p u t
out a
call for the awakening of the Aquafereion Shield,
b e c a u s e th e s ta te o f th a t v e r y lo n g - a g o d r a m a is
r e a c h in g its e n d s ta te n o w ." VUTSRQPONMLKJIHGFEDCBA
(F O L 2 0 0 7 )
The Aurora Councils
" O n e o f th e b e s t k e p t s e c r e ts in O e n s ity -1 in th is V e c a is th e A u ro ra F o rc e ... "
(S h a s ta 2 0 0 6 )
" T h e re is a fie ld o f e n e rg y th a t w a s g iv e n a s a g ift a lo n g tim e a g o - th e A u ro ra fie ld - s e t o f fre q u e n c ie s th a t
a llo w E a rth b e in g s to e n c ry p t in to U rth a 's g rid s . T h e A u ro ra r a c e s c a m e fro m th e In n e r H u b s a n d s e t a n
im p rin t th a t w o u ld a llo w fo r in te rfa c e b e tw e e n U rth a a n d E a rth b e in g s ."
(S h a s ta 2 0 0 6 )
'T h e A u ro ra fie ld w ill ru n n a tu ra lly a s p a rt o f th e K ris tia c e le m e n ta l p h a s e fro m U rth a , a n d it w ill a llo w u s to
b rin g in th e L ig h ts o f A u ro ra s tro n g e r th a n w e e v e r h a v e b e fo re .
to s e n d b a c k o u r n a tu ra l e n c ry p tio n a s it p ro g re s s iv e ly
W e w ill b e a b le to u s e th e L ig h ts o f A u ro ra
h e a ls , in to U rth a , s o w e w ill p ro g re s s iv e ly
b u ild
o u rs e lv e s in to U rth a ; a n d w e w ill le a rn h o w to , a s tra in in g c o n tin u e s , h o w to m o v e o u r c o n s c io u s n e s s firs t
w ith o u r R a S h a L A E b o d ie s in to th a t s p a c e , w h e re w e c a n g o g e t it, a n d th e n e v e n tu a lly w e w ill le a rn h o w to
b rin g o u r b o d ie s th ro u g h .
JJ
(F O L 2 0 0 6 )'
" N o w , in U rth a c o re , w e a re g o in g to d ra w in th e lig h ts o f A u ro ra , w h ic h a re
lig h ts th a t a re th e fie ld b e tw e e n E a rth a n d U rth a . In h a le th e m in . JJ
a b e a u tifu l
p a le b u t n e o n ty p e
(F O L 2 0 0 6 )
E a r th is h o s te d in to U r th a 's S h ie ld . U r th a r e s id e s in th e E d o n ic le v e ls . E a r th r e s id e s in th e R a d o n ic le v e ls .
A n a tu r a l p r o c e s s fo r a s c e n s io n w o u ld b e fo r th e o u te r R a d o n ic le v e ls to p u ll b a c k in to th e E d o n ic le v e ls ;
th is p r o c e s s is r e fe r r e d to a s
StarFire.
D u e to e v e n ts in th e R a d o n s , S ta r F ir e fo r E a r th w a s n o t g o in g to
h a p p e n . U r th a w o u ld S ta r F ir e , p u llin g b a c k in to th e n e x t le v e l, le a v in g E a r th in th e O u te r R a d o n s , lo s in g h e r
a s c e n s io n p o te n tia l.
(P h o e n ix A u g u s t 2 0 0 7 )
T h e A u r o r a C o u n c ils a r e K r y s tic G u a r d ia n b e in g s th a t c a m e in fr o m th e a d ja c e n t E c k a s h a W E s a lA M a tr ix in
o r d e r to a s s is t s h o u ld e v e n ts in o u r R a d o n s p r e v e n t E a r th fr o m b e in g p u lle d b a c k in to th e In n e r E d o n
D o m a in s .
T h e y c r o s s e d o v e r in to U r th a b e fo r e th e F a ll o f T a r a . ( 5 5 0 M Y A ) T h e A w o ra
to a llo w fo r th e fin a l e v a c u a tio n .
The
Aurora Force
R a c e s c a m e h e re
(S h a s ta 2 0 0 6 )
p u t a p la n in p la c e to g ift E a r th a n d h e r life fie ld s w ith S ta r F ir e p o te n tia l. T h e A u r o r a
C o u n c ils c a n s h a p e - s h ift in to a n y fo r m a n d h a v e c r e a te d a fie ld w h ic h c o n n e c ts th e E a r th S h ie ld to U r th a 's
S h ie ld , e n a b lin g p o r tio n s o f E a r th a n d h e r life fie ld to p a s s in to U r th a 's E d o n ic le v e ls . T h e r e a r e g a te s
s y s te m s th a t in te r fa c e fr o m U r th a 's A u r o r a F ie ld h e r e in to E a r th . A s w e g o th r o u g h th e s e g a te s w e w ill b e
" R id in g th e S tre a m o f A u ro ra L ig h t in to th e E d o n s ."
(S h a s ta 2 0 0 6 )
" W e n o w C o m m a n d w ith th e E n tru s te d P o w e rs o f A u ro ra L ig h t."
(K ry s ta / R iv e r P ra y e r)
T h e A u r o r a p o te n tia l th a t w a s p u t in to th is p la n e t a n d S ta r G a te s 4 , 3 , 2 a n d 1 ( th e o n ly S ta r G a te s th a t
h a v e th e A u r o r a p o te n tia l) g iv e s u s th e a b ility to p ic k u p th e U r th a E n c r y p tio n e v e n if w e w e r e s e e d e d h e r e
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O
F re e d o m
T e a c h in g s ®
S e rie s .
80
w ith o u t it. It m e a n s th e A n g e lic H u m a n s h a v e a c h a n c e to g e t o u t; it m e a n s th e In d ig o s h a v e a c h a n c e to
g e t o u t, a lo n g w ith o th e r life fo rm s (p la n ts , a n im a ls , e tc .).
Summary:
Y o u c a n o n ly S ta rF ire fro m th e p la c e th a t y o u c a m e fro m .
M o s t o f u s d id n o t c o m e fro m
D e n s ity -1 . T h e A u ro ra F o rc e p ro v id e s u s w ith th e p o te n tia l to p ic k u p th e U rth a E n c ry p tio n .
It p ro v id e s th e
b o n d in g o f tw o s h ie ld s , U rth a a n d E a rth . CBA
W e carry the Aurora Force in our gene code; it is th e K ry s tic
A to m ic F ie ld w ith in u s a n d a n e n tru s tm e n t fro m th e K ry s ta lA C o re C o u n c ils , o n e o f th e b e s t k e p t s e c re ts in
D e n s ity -1 .
T h e A u ro ra
F o rc e e x is ts w ith in th e a to m s a n d m o le c u le s o f th is p la n e t, a n d th e K ry s tic E le m e n ta l
C o m m a n d c o m e s th ro u g h th e a c tiv a tio n o f th e A u ro ra F o rc e . T h e E le m e n ta l C o m m a n d o f U rth a is s tro n g e r
th a n E a rth 's , th u s o ffe rin g th e p o te n tia l to c o -c re a te w ith th e K ry s tic E le m e n ta l C o m m a n d o n E a rth . T h e
A u ro ra F o rc e is a b le to te m p e r w h a t is h a p p e n in g w ith th e e le m e n ts o f E a rth . It is th e A u ro ra J re q u e n c ie s
th a t e x c ite th e in n e r a n d o u te r a tm o s p h e re o f th is p la n e t to a llo w H e lio ta lic L ig h t to e m e rg e . Heliotalic Light
is the light that we will be able to ride into the Oensity-1 Edons.
Bhendi Councils
T h e re a re 3 B h e n d i R a c e s :
a h -M A '-J h a
("B lu e D ra g o n s "
-
E -S h a -N U '-a
("G o ld D ra g o n s "
-
A q u a tic -b ird -b lu e -h u m a n id )
W in g e d -lio n -b ip e d -h u m a n id )
R a -th a -jh e n -tU
("P u rp le D ra g o n s "
-
B re a th e ria n -w h ite -h u m a n id )
T h e B h e n d i a re G u a rd ia n s o f th e A u ro ra F o rc e a n d th e g a te s b e tw e e n h e re a n d U rth a a n d h a v e a s s is te d
th e A n g e lic H u m a n s m a n y tim e s d u rin g E a rth 's d ra m a s . T h e B h e n d i R a c e s o rig in a lly w e re A q u a ri K ry s tic
R a c e s fro m th e a d ja c e n t E c k a s h a , th e W E s a lA M a trix , w h o c ro s s e d o v e r in to o u r Veca S y s te m a n d
h y b rid iz e d w ith th e F o u n d e rs fro m th is Veca. T h e y a ls o c ro s s e d o v e r in to U rth a . T h e A q u a ri th a t c ro s s e d
o v e r in to U rth a b e c a m e k n o w n a s th e B h e n d i a n d a re G u a rd ia n s o f th e g a te s y s te m s b e tw e e n h e re , U rth a
a n d o f th e A u ro ra F o rc e .
Gold and Purple Dragons:
"T h e re a re a ls o th e E -S h a -N U '-a R a c e s , w h ic h a re th e W in g e d L io n p e o p le .
T h e c lo s e s t in s c i-fi th a t I'v e e v e r s e e n w a s th e 'B e a u ty a n d th e B e a s t'4 1 s e rie s (th e y h a d a h o m in id lio n
m a n n a m e d V in c e n t a n d h e w a s g o rg e o u s ). T h e y c o rre s p o n d w ith th e
o n e s th a t c o rre s p o n d w ith th e
Purple Dragons,
Gold Dragons.
T h e n th e re a re th e
w h ic h a re th e R a -th a -jh e n , a n d th e y c a ll th e m th e W h ite
G e n ie s . T h e y a re h o m in id a g a in , b u t th e y 're v e ry tra n s lu c e n t-lik e , p a le , p a le w h ite , a n d th e y c h a n g e c o lo rs
w ith th e ir e m o tio n s a n d h a v e th e R is h i E y e s a ffe c t. S o m e h a v e h a ir, s o m e d o n 't. T h e y h a v e a te n d e n c y o f
h a n g in g o u t a s e ith e r o rb s o r s p a rk le s o f lig h t o r n o t h o ld in g th e ir fu ll h o m in id fo rm , b u t th e y u s e it w h e n
e n g a g in g w ith p e o p le w h o w o u ld re s p o n d to th a t fo rm .
It is th e ir c o re fo rm . If th e y u s e th e ir c o re fo rm ,
th a t's w h a t th e y w o u ld lo o k lik e w h e n th e y a re m a n ife s t. B u t th e y s p e n d lo ts o f tim e -n o t b e in g m a n ife s t a n d
flo a tin g a ro u n d lik e c o n s c io u s a ir." (12 Tribes- Tribe 3)
Blue Dragons:
"N o w y o u h a v e th e u n d e rw a te r c itie s . T h e m o v ie , "T h e A b y s s ," is th e c lo s e s t th in g to
h in tin g a t th is in fic tio n th a t I'v e e v e r s e e n . T h e re w a s a p a rt in th e m o v ie w h e re th e g u y g o t lo s t d o w n in
th is b ig a b y s s /c ra c k , d o w n in th e o c e a n flo o r. T h e y w e re in a s u b m a rin e , a n o th e y a ll th o u g h t h e w a s g o in g
to d ie a n d b e g o n e a n d th e w h o le b it.
B u t, a t th e e n d th e re w e re th e m o s t a m a z in g c re a tu re s , a n d th e y
w e re th e c lo s e s t th in g th a t I'v e s e e n th a t re s e m b le a p a rtic u la r lin e o f th e A u ro ra R a c e s . T h e y re m in d m e
o f th e o n e s th a t a re re fe rre d to a s th e
Blue Dragons,
w h ic h a re n 't d ra g o n s a t a ll. T h e y a re a q u a b ird s .
T h e y a re u n d e rw a te r b ird s , e x c e p t th e y d o n 't h a v e fe a th e rs . T h e y h a v e c a p e -lik e w in g s . T h e th in g s th a t
th e y d e s ig n e d a s th e frie n d ly lo v in g E T s fro m d o w n u n d e r in th a t m o v ie w e re th e c lo s e s t th in g to th e s e , to
th e a c tu a l b io lo g ie s o f th e A u ro ra B lu e s o r th e B h e n d i B lu e s , a s I call them that I'v e s e e n . A c tu a lly th e
41
Beauty
& the
Beast re fe rs to a D is n e y s e rie s .
©A
&A
Deane,
2010.
A ll R ig h ts R e s e rv e d ; P a rt o f th e M C E O F re e d o m
T e a c h in g s ® S e rie s .
81
B h e n d i B lu e s a re m o re h u m a n lo o k in g . T h e y h a v e m o re h o m in id s h a p e th a n th e o n e s y o u s e e in th e
m o v ie , b u t it's w o rth re n tin g th e v id e o ju s t to s e e th e e x p e rie n c e o f th e m ." IHGFEDCBA
(P h o e n ix A u g u s t 2 0 0 7 )
T h e E n tru s tm e n t
" . .. th e In d ig o S h ie ld is th e o n ly th in g le ft o n th e p la n e t th a t c a n ru n K ry s ta l. W e a re h o ld in g th e K ry s ta l H o s t
h e re fo r th e p la n e t. N o t m e a n d A z a n d M a c ...a ll o f u s a s a c o lle c tiv e o f In d ig o C h ild re n a re h o ld in g a n y
a s c e n s io n p o te n tia l le ft th a t is o n th is p la n e L "
S o m e th in g
to P o n d e r:
(F O L 2 0 0 7 )
C o n s id e r fo r y o u rs e lv e s w h a t th is s ta te m e n t fro m th e K ry s ta l R iv e r P ra y e r re a lly
m e a n s to y o u a n d h o w y o u m a y u s e it: "W e n o w D e c la re in E te rn a l S a n c tific a tio n
L A N D ...a n d A ll w ith in (o r "b o d y "
or "c irc u m s ta n c e "
th is P L A C E , th is
in h e a lin g a p p lic a tio n s )."
W rite y o u r th o u g h ts d o w n ... c 1 e a rly s ta te y o u r in te n tio n a n d th e n re c ite th e K ry s ta l R iv e r P ra y e r w ith
re n e w e d p a s s io n a n d p la c e th e in te n tio n in to th is p a rt o f th e K ry s ta l R iv e r P ra y e r a s a c irc u m s ta n c e ..
T h e P s o n n o f A u ro ra
" T h e P s o n n o f A u ro ra b e g in s th e a c tiv a tio n o f w h a t is c a lle d th e A u ro ra L ig h t F ie ld . T h e P s o n n o p e n s th e
A u ro ra F ie ld re c e iv e rs in y o u r b o d y ."
(S h a s ta 2 0 0 6 )
In M a y 2 0 0 6 a t M o u n t S h a s ta d u rin g th e M C E O G rid -K e e p e rs C o n c la v e , w e w e re a w a k e n e d to th e A u ro ra
F o rc e .
It w a s d u rin g th is w o rk s h o p th a t w e w e re g ifte d w ith th e P s o n n o f A u ro ra .
T h e la n g u a g e u s e d in
T h e s e a re d ire c t c o g n itio n la n g u a g e s .
th is b e a u tifu l p s o n n is a h y b rid la n g u a g e o f A q u a ri a n d A n u h a z i.
T h e y o p e n u p lik e s p h e re s w ith p ic tu re s in th e m ; lik e d ire c t c o g n itio n , " ju s t-k n o w in g " in fo rm a tio n c o m e s .
T h e P s o n n o f A u ro ra is , in a c tu a lity , a c o n tin u a tio n o f th e K ry s ta l R iv e r P ra y e r.
A g u a ri a n d A n u h a z i V e rs io n V e rs e 1
T h e P s o n n o f A u ro ra - V e rs e 1
e- T e -
B E ...... T O
Ta
e t-A
,
Jha-
Na- TA
O O -e t
e- T e -
B E ...... T O
E - Sha - Neu
DE Sa - La
eN
ME
Ta
OOT
B ie n
OA
T h e la s t lin e is a ls o k n o w n a s a C o m m a n d L in e .
U n s h a k e a b le
C o n v ic tio n
T ra n s c e n d e n t
S ta te .
©A
Sha LA
T a -L u s
ah
LA
...
HE
sO N O ah K A e
It tra n s la te s a s : " I S ta te a n d A ffirm
th e w ill to b e A S th e E te rn a l K ry s ta r
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
eTh' - A
A - OUR A
LAoA
A
e t-A
TA - OUR
e n -'te s h
S a -N e u -e n
J h a ... e n
Ta
en - Aah
el, -
Is h - m a - ta
Ta
P a rt o f th e M e E O
F re e d o m
w ith A b s o lu te
B o d y in th e S u N u a h K A e K ry s te d
T e a c h in g s ®
S e rie s .
82
A g u a r i a n d A n u h a z i V e r s io n V e r s e 2
T h e P s o n n o f A u ro ra - V e rs e 2
L a -V a
U n -Is h
O O R -T U -U M
L a -V a
E s -n a -V A
En - Tesh
U n -Is h
DA- Sha-
-m a
de-
Ka-
LE
D O - e t-A
S h a -d a -A
Kae'
en - Tesh
A L L -U R -e A
Jha - en
La
A-
neu
T A - is h - m a
B ie n
ah' - HE
LE
Ta' A
UR
D A -S a -
LA - TO
Ta' A
Ho- en - sa
M E- TaN E -fa -
- ma
ReO
NA
DE'
Reu - Dha - LA
S u m m a r y TSRQPONMLKJIHGFEDCBA
T h is fin a l s e c tio n o f th e E le m e n ts o f D is c o v e ry h a n d b o o k o ffe rs a q re a te r u n d e rs ta n d in g o f th e o rig in s o f
K ry s ta l R iv e r P ra y e r, a n in tro d u c tio n to p a rts o f o u r h is to ry a n d th e ra c e s th a t s e e d e d u s . W e to u c h e d o n
th e im p o rta n c e o f a c tiv e ly e m b o d y in g th e s o u n d s , to n e s a n d fre q u e n c ie s o f th e K ry s ta l R iv e r P ra y e r a n d
th e P s o n n o f A u ro ra in y o u r d a ily life . A n d fin a lly , w e re -d is c o v e r o u r c o n n e c tio n w ith in o u r e v e r e x p a n d in g
fa m ily tre e o f c o n s c io u s n e s s .
R e c o m m e n d a t io n s
f o r f u r t h e r s t u d y : VUTSRQPONMLKJIHGFEDCBA
T h e K a th a ra B io -S p iritu a l H e a lin g S y s te m - L e v e l 2 In tro d u c tio n ,
D u b lin , J u ly 2 0 0 1 ; A rc P ro je c t
F o u n d a tio n , P h o e n ix A p ril
MCED
G rid -K e e p e rs
K ry s ta r A w a k e n in g ,
&
&
E ie y a n i M e n to rs h ip
P ro g ra m , B e rm u d a
2 0 0 2 ; K a th a ra
L e v e ls
2 '-3
L o n g B e a c h , C A M a y 2 0 0 4 ; W h is p e rs o f th e R a s h a R e is h A , P h o e n ix 2 0 0 5 ;
C o m m u n io n
C o n c la v e , S h a s ta 2 0 0 6 ; F e s tiv a l o f U g h t 2 0 0 7 , P h o e n ix 2 0 0 7 ; T h e
P h o e n ix , A p ril 2 0 0 7 ; R e v e la tio n s
O f T h e 'D h a L A -L U m a ',
P h o e n ix , A u g u s t 2 0 0 7 ;
C o u n c il T ra n s m is s io n , 2 1 N o v e m b e r 2 0 0 4 .
" O n th e K ris tic p a th , y o u n e v e r s u rre n d e r th e h ig h e s t id e a l, a n d th a t is rid in g th e K ry s ta l. N o w , w e n e e d to
le a rn to rid e th e K ry s ta l R iv e r, w h ic h a re th re e E c k a s h a le v e l K ry s ta l S p ira ls th a t ru n to g e th e r a s o n e v e ry
s tro n g , v e ry p ro te c tiv e , K ris t c u rre n t. "
©A
(F O L 2 0 0 7 )
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
83
T h e
A q u a r e io n
fo r
K ry s ta l
K ry s ta l
R iv e r
P A R T ·1 :
GFEDCBA
U m · s a '· T A
R iv e r
P ra y e r
A c tiv a tio n
a n d
R e i - h a - V A '- a h
a n d
In v o c a tio n
A m p lific a tio n
U N - K r y s · t a '- L O
T h e K r y s ta l R iv e r P r a y e r (S a n c tific a tio n )
( R e i - h a - V A '- a h
U N · K r y s - t a '- L O
ZYXWVUTSRQPONMLKJIHGFEDCBA
m e a n s -R E -h a '-V A '-a h = F lo w in g R iv e r U N -K ry s -ta -L O = m a d e o f K ris tia c
E te rn a lly L iv in g C ry s ta l o f th e O N E S o u rc e ; to g e th e r = "R iv e r o f F lo w in g K ry s ta l" o r th e "K ry s ta l R iv e r")
D E -v a ' e n - T U r' -A
R e i-h a -V A '-a h
E -R h a '-H O
E '-S ta -e n -ta O
U N -K ry s -ta '-L O
e -T e -n a
e -T U - T O '- R A
S E '-v a b le n '-A
H a '-V A
e n -c h a '-h A
N U '-v O -e t-T A
e n -T a -rO
O O U r-tU - e n -K a 'L A
D A -h E -N E '-v a
A -s a -L a h '-s O
e n -D U -e 'th ra
D o n A q u a ri
D A -h E -U 'r-tO
tra -D E '-L h a
U r-e n -T a '-R O
d e '-H a 'a h -T U r
C u m -s a -A '-H O
D U r-e -T A '-ta e n -ta -H U 'm U N -K ry s ta L A (U N -K ris -ta -L A ')
C u m -s a -A '-H O
D U r-e -T A '-ta A q u io u s (A h -Q W E '-u s )
C u m -s a -A '-H O
D U r-e -T A '~ ta A q u a F a rE (A h -Q W a -F a h -rE ')
C u m -s a -A '-H O
D U r-e -T A '-ta A q u a ri (A h -Q a ir-E ")
C u m -s a -A '-H O
D U r-e -T A '-ta
C u m -s a -A '-H O
D U r-e -T A '-ta A d o n A '
H a 'a h -T U r
C u m -s a -A '-H O
D U r-e -T A '-ta
E yanA '
C u m -s a -A '-H O
D U r-e -T A '-ta
E ie y a n i' M a 'a H o o -e t-A
C u m -s a -A '-H O
D U r-e -T A '-ta o o -S h a ' L A '-z u n d U R h o -s z e t'-T A (K ris tia c C o u n c ils o f th e R o s e tta s )
C u m -s a · A ' · H O D U r · e · T A ' · t a U t e · A u r o r A ' (O O t- a h -R O '-rA ')!
(K ris tia c C o u n c ils o f th e A u ro ra -G u a rd ia n s o f th e S p a n n e r G a te s )
B h e n d i - D u r 'O
- a h - M A '- J h a
U te -A u ro rA
(O O t- a h -R O '-rA ')
(A h -Q E -o n )
A q u e io n
(U rth a -A q u a fa rE "B lu e D ra g o n s " -A q u a tic -b ird -b lu e -h u m a n id )
E - S h a - N U '- a U t e · A u r o r A (O O t- a h -R O '-rA ')
(U rth a -A q u a fa rE "G o ld D ra g o n s "- W in g e d -lio n -b ip e d -h u m a n id )
B h e n d i - H a '- L A
B h e n d i-R a -M A '
R a -th a -jh e n -tU
U te -A u ro rA
A q u e io n
(O O t- a h -R O '-rA ')
(A h -Q E -o n )
,
A q u e io n
(A h -Q E -o n )
(U rth a -A q u a fa rE "P u rp le D ra g o n s "- B re a th e ria n -w h ite -h u m a n id )
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
84
B ring forth now the K rystal R iver of E ternal 1 st C reation
B ring forth now the H ealing W aters of the E dons U m shaddhi
B ring forth now the G entle W ind-song of the S acred Y unasun
(C entral S un of the Y unasai Inner D om ain S eed-A tom )
B ring forth here the R adiant S tarlight of the E ternally S tarB orn
Let the K rystal R iver flow unto m y doorstep
Let the K rystal R iver cleanse and heal m y S oul
M ay the K rystal R iver Love-song A ll-em bracing
E m erge now from m y K rysted K rystal C ore to softly call m e H O M E !
(R epeat 3xs)
D E -va' en-TU r'-A
E '-S ta-en-taO
R ei-ha-V A '-ah U N -K rys-ta'-LO
(R epeat 3xs)
A shalum -Ta- E ckasha D U r
P A R T-2: DCBA
R e i - h a - V A '- a h
U N - K r y s - t a '- L O
E I-e m -e n -tl
e n -E -v o -K I
T h e K r y s ta l R iv e r E le m e n ta l C o m m a n d In v o c a tio n
K ristiac S anctification
and S alvage-R ite of R eclam ation
U N - K r y s - t a '- L O m eans -R E -ha'-V A '-ah =Flow ing R iver U N -K rys-ta-LO = m ade of K ristiac
E ternally Living C rystal of the O N E S ource; together = "R iver of Flow ing K rystal" or the "K rystal R iver")
( R e i - h a - V A '- a h
(for K r y s t a l R iv e r S t r e a m A c t iv a t io n , Location C learing & H ealing Facilitation)
(N O TE : " T h e K r y s t a l R i v e r P r a y e r ( S a n c t i f i c a t i o n ) U m - s a '- T A R e i - h a - V A '- a h U N - K r y s - t a '- L O " m ust
be used d ir e c t ly p r io r to this E lem ental C om m and Invocation or this Invocation w ill sim ply D O N O TH IN G at
all ..)
In the nam e of the M elchizedek C loister, E m erald O rder,
H oly O rder of the Y unasai, S acred H ouse of O N E
In
In
In
In
the
the
the
the
We
We
We
We
We
nam e
nam e
nam e
nam e
call
call
call
call
call
of
of
of
of
upon
upon
upon
upon
upon
the
the
the
the
the
the
the
the
the
C ouncils of K rystalA ' (C ore D om ain C ouncils)
C ouncils of K rystal R iver (E ckasha R adonic-E donic-A donic Tri-M atrix C o-operative)
C ouncils of A urora (Tri-M atrix R aces of A quareion)
M ashaya-H ana C ouncil of A quafereion
K ristiac
K ristiac
K ristiac
K ristiac
K ristiac
©A
P ow ers of the S ha-A ' D a a-m oor (E ternal W ind-S ong-jah-sas/gases/air)
P ow ers of the Jha-et' -A D ur-a (E ternal Flam e of D ivine Fire-vapours/fire)
P ow ers of the A ah-Q uA '-el (E ternal W ater Flow -fluids/liquids/w aters)
P ow ers of the et-a-LA 'a K rystalA ' (E ternal Foundation S tone-en-tara-ferm a/solids)
P ow ers of the E -Ta-U r' S ha-LA ' (E ternal Fire-Ice- E thers 1 51- R adiation)
& A D eane, 2010, All R ights R eserved; Part of the
M e EO
Freedom
Teachings®
Series.
85
(*N o te : "C o m m a n d " m e a n s c o -c re a tiv e ly d ire c t w ith G o d -S o u rc e )
W e n o w C o m m a n d * w ith th e e n tru s te d P o w e rs o f A u ro ra L ig h t,
W e n o w In v o k e th e E te rn a l K ry s te d S u n ...
to c o -c re a te , R e le a s e a n d R e n e w th is P L A C E (c a n b e a lo c a tio n , b e in g o r c irc u m s ta n c e in
s p a c e -tim e m a n ife s ta tio n )
W e n o w D e c la re in E te rn a l S a n c tific a tio n
....
T h is P L A C E , th is L A N D (o r "b o d y " o r "c irc u m s ta n c e " in h e a lin g a p p lic a tio n s ), a n d A ll w ith in , ....
In to th e K ris tia c P ro te c tio n
h e re -in s e t. .....
... .th a t th e S p irit o f U rth a -S a la R is e , th e P o w e r o f U rth a -S a ta H e a l, a n d th e W is d o m o f U rth a -S a la h e re
w ith in P re s id e , in th e n a m e o f th e E te rn a l K ris t o f 1 sLC re a tio n a n d b y th e D iv in e V e h ic le o f th e
VA'-ah UN-Krys-ta'-LO
In
Co-creative
(K ry s ta l R iv e r).
K ris t E m b ra c e , w ith A b s o lu te
A n d O N L Y in A b s o lu te
Rei-ha-
H u m ility , A b s o lu te
L o v e a n d A b s o lu te
F o re · g iv in g ,
S e rv ic e to th e E te rn a l K ris t a n d IT 's E v e r-L o v in g H e a lin g D e v o tio n to A L L · L lF E
EVERYW HERE,
W e B A N IS H N O W fro m th is S a c re d P L A C E ...
a ll th a t is u n w illin g to re c e iv e th e A b s o lu te C le a n s in g o f th e K ry s ta lA ',
w ith in th e C o v e n a n ts
o f D iv in e R ig h t O rd e r a n d D iv in e R ig h t T im in g , a s O N L Y E te rn a l G o d -S o u rc e
can know .
In L o v in g K ris tia c
S e rv ic e w e o ffe r R e le a s e a n d H o s t A rra n g e m e n t
to A ll th o s e p re s e n t w h o m a re in
n e e d a n d s e e k to H E A L w ith in th e S a c re d C le a n s in g F ie ld o f U rth a -S a la a n d th e E te rn a l D iv in e F lo w s
o fth e
Rei-ha-VA'-ah UN-Krys-ta'-LO.
In K ris tia c R e v e re n c e , J o y a n d G ra titu d e fo r th e U n c e a s in g L o v e a n d M e rc y o f th e O N E · S O U R C E M o s tD iv in e , w e E N D N O W a n d C O M P L E T E th is K ris tia c S a n c tific a tio n
a n d S a lv a g e R ite o f R e c la m a tio n ....
In th e n a m e o f th e O N E · T R U E · S O U R C E · G O D - E T E R N A L ("G o d -S o u rc e ")
In th e n a m e o f th e K R IS T · D IV IN E ("th e E te rn a l K ris t")
In th e n a m e o f th e
Rei-ha-VA'-ah UN-Krys-ta'-LO ( K ry s ta l
R iv e r) .....
In th e n a m e o f th e C o u n c ils o f K ry s ta lA ' (C o re D o m a in C o u n c ils )
In th e n a m e o f th e C o u n c ils o f K ry s ta l R iv e r (E c k a s h a R a d o n ic -E d o n ic -A d o n ic T ri-M a trix C o -o p e ra tiv e )
In th e n a m e o f th e C o u n c ils o f A u ro ra (T ri-M a trix R a c e s o f A q u a re io n )
In th e n a m e o f th e M a s h a y a · H a n a C o u n c il o f A q u a fe re io n
In th e n a m e o f th e M e lc h iz e d e k C lo is te r, E m e ra ld O rd e r,
H o ly O rd e r o f th e Y u n a s a i, S a c re d H o u s e o f O N E
A n d in th e n a m e o f
(y o u r c o m m o n o r s p iritu a l n a m e s p o k e n )-th e E te rn a lly K ris tia c "I A M T H IS I
AM.
(R e p e a t 3 tim e s )
T a A 'jh a - in 'ta D O '-A
C lo s e w ith 3 ro u n d s o f th e P s o n n o f A u ro ra
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
86
P s o n n o f A u ro ra V e rs e 1
1. BE
e - Te -
TO
E x p re s s e d N o w
& in
T a ZYXWVUTSRQPONMLKJIHGFEDCBA
et-A
(a s "s u ffix " h e re m e a n s w h a t's b e fo re it "T o B e " o r "Is
th is p la c e )
"T h e S ile n t S tre n g th o f E te rn a l G ra c e " - - - - "E x p re s s e d N O W a n d in th is p la c e "
2. J h a
00 -
- Na - TA
e t'
TaA
(B rin g s ) .... "L o v in g c o m fo rt, p e a c e fu l s o la c e " (in fa c e o n "D is h a rm o n y , s u ffe rin g , s p iritu a l c h a lle n g e " ... "a s c o n d itio n m a y b e
o r is in p re s e n t e x p e rie n c e "
3. B E
e- T e -
TO
et-A
Ta
"T h e S ile n t S tre n g th o f E te rn a l G ra c e " - - - - "E x p re s s e d N O W a n d in th is p la c e "
4. E -
Sha - Neu
e n -A a h
Sha LA
(B rin g s ) .... "P e rp e tu a l R e n e w a l" ... "B y th e m e a n s o r w a y o f' .... "E te rn a l L iv in g L ig h t"
5. Is h
- m a - ta
e L -e N
"A S to ic , N o b le S ta n c e ... "I w ill h o ld "
6 .0 E
OUR
eTh' • A
("in re la tio n s h ip to o r c o n te x t o f')
(IN ) ... " a p p ro p ria te o r p e rfe c t B e a rin g " ... "in c o n te x t o f th e C irc u m s ta n c e a ro u n d m e "
en· 'te s h
S a -L a
"T h e p o w e r o f m y B u rn in g P a s s io n "
7. S a
TA-
A -O U R
A
(to ) B e e n a c te d o r b ro u g h t fo rth th ro u g h " ... "S p iritu a l L o v e , R e v e re n c e , L o v in g R e s p e c t"
- Neu - en
LA·
''T h e u n k n o w n o r u n c e rta in c irc u m s ta n c e : ...
"w ill b e m e t w ith "
Ta-
L u s ...
"C a lm B ra v e ry , S e lf-R e fle c tiv e C la rity /g re a t p a tie n c e &
to le ra n c e "
J h a ... e n
oA
"In L o v in g h u m ility , g e n tle n e s s a n d H a rm le s s n e s s " ..,~
8. M E
Ta
sO
oA
"A b s o lu te , U n s h a k e a b le ... C o n v ic tio n "
"A ffirm a tio n o r S ta te m e n t"
I Com m and
ah
LA
"a s th e w ill, th e m e a n s .... (a n d )
B ie n
L a s t L in e
OOT
NO
HE
"th e W a y o f S a fe P a s s a g e " ...
ah
KAe
"T h e w ill to " ... "B e in g in fu lly K ris te d e x is te n c e
L in e :
" I S ta te a n d A ffir m w ith A b s o lu te U n s h a k e a b le C o n v ic tio n th e w ill to b e A S th e E te r n a l K r y s ta r B o d y
in th e S u N u a h K A e K r is te d T r a n s c e n d e n t S ta te ."
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E O F re e d o m
T e a c h in g s ®
S e rie s .
87
Som ething to Ponder:
W hat do the following words m ean to you?
"Silent Strength of Eternal Grace"
"Appropriate or Perfect Bearing"
"Stoic and Noble"
"The W ay of Safe Passage"
"Absolute Unshakeable Conviction"
"Being in a fully Krysted Existence"
©A
A & A Deane, 2010, All Rights Reserved; Part of the MeEO Freedom Teachings® Series.
88
P sonn of A urora V erse 2
1.
L a-V a
'th e E te rn a l K ry s t B lo o d la v a /lo v e
2. O O R -
F lo w
" a t o n c e s to ic
TU - UM
& n o b le "
" a s c u rre n tly e x is tin g c o n d itio n "
en - T esh
" F ills n o w , c o m p le te ly th is v e s s e l"
DA- Sha - LE
" to b e b ro u g h t fo rth th ro u g h "
3. L a-V a
" th e w ill o f R e is h a lE
u n -Ish -m a
'th e E te rn a l K ry s t B lo o d la v a /lo v e
4. E s -
T a'A ZYXWVUTSRQPONMLKJIHGFEDCBA
u n -Ish -m a
F lo w
n a - vA
E d o n ic s p iritu a liz e d
" a t o n c e s to ic & n o b le "
" a s c u rre n tly e x is tin g c o n d itio n "
de - Ka - LE'
I
" a b s o lu te ly s ta te d
" o f S p iritu a lis e d K a lA
112M 11/2S
S ta te "
a ffirm e d in a c tio n ... c o m p le te ,
(K a la
fe rtiliz a tio n "
c o n s u m m a te d , b irth e d "
a c tiv a tio n & 'O -G ' tu rn a ro u n d p o in t)
D O -et-A
" in u n s h a k a b le c o n v ic tio n
" I (m y ) jo u rn e y o n w a rd to G o d -S o u rc e "
e x p re s s e d n o w & in th is p la c e "
... (a n d )
6. N E -fa-K ae'
e n - T esh
" (to ) e n te r in to K ry s te d
" b e e n a c te d o r b ro u g h t
E x is te n c e "
fo rth th ro u g h ... "
7a.
S h a- d a-A
" H a rm o n y , jo y , c o -re s o n a n c e
& a b s o lu te m a n ife s ta tio n
P o w e r"
=
% K ry s ta r
re u n itin g p o la ritie s
5. M E -T a-U R
S h a lA "
T a'A
H o - en - sa
" is n o w e n g a g e d to ...
213M 11/3S
A L L - U R -.eA
" th e A llu re a , 1 s t E y e o f G o d "
A
DA - Sa - La
" B y th e p o w e r o f m y W ill to "
R eO
n eu
" b e c o m e fu lly e n g a g e d ,
" E te rn a l K ry s te d S p irit"
e m b ra c e d , a t o n e w ith ,
& re n e w e d b y m y ...
7b. Jh a -
en
TA - ish - m a
" In lo v in g h u m ility ,
G e n tle n e s s
&
NA - DE'
" in s to ic a n d n o b le "
" p e rs o n a l in te n tio n & p a s s io n a te d e s ire "
h a rm le s s n e s s "
8 .* * L A - T O
B ien
" B y th e w a y o f lo v in g
" a ffirm a tio n o r
s tre n g th "
s ta te m e n t"
ah ' - H E
" m y s a fe p a s s a g e
th ro u g h "
R eu - D h a- L A
" E te rn a l,
" D o o rw a y o r
K ry s te d
w in d o w o f
S p irit
L ig h t"
D o m a in "
(D o o rw a y o f L ig h t in to th e
E te rn a l K ry s te d D o m a in )
O p en s th e L u n a D h aL A R eish a V eil an d 1 st , L a H e d e S ala D N · 2 S ala S o lar P assag e & related
flo w s.
**
©A
& A D e a n e , 2 0 1 0 , A ll R ig h ts R e s e rv e d ;
P a rt o f th e M e E D F re e d o m
T e a c h in g s ®
S e rie s .
89
)
\
Something to Ponder:
W h a t d o th e fo llo w in g w o rd s u n d e r "V e rs e 2 " m e a n to y o u ?
"T h e E te rn a l K ry s t B lo o d / L a v a L o v e F lo w "
"T h e W ill o f th e R e is h a L E E d o n ic S p iritu a lis e d 2 /3 M / 1 /3 :S S h a lA " 42
"Is n o w e n g a g e d to re -u n itin g p o la ritie s , fe rtiliz a tio n "
"T h e A llu re a , firs t E y e o f G o d "
"E te rn a l K ry s te d S p irit"
W e re c e iv e d th is lin e tra n s la tio n a fte r w e h a d a p re lim in a ry u n d e rs ta n d in g o f th e
Krystar Cycle
a n d th e
o p tio n o f re tu rn w h e re y o u re tu rn a s a fu lly K ry s te d B e in g in th e S u N u a h K A e s ta te , It o c c u rs a fte r y o u
h a v e c o m e o u t a n d m a n ife s te d o n c e , g o n e th ro u g h th e A d a s h i C y c le s h o m e , a n d th e n c o m e o u t fu lly
m a n ife s t a s a K ry s te d B e in g ,
42
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S
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V o ya g e rs V o lu m e -2 , S e cre ts o f A m e n ti, 2 0 0 1 . cbaZYXWVUTSRQPONMLKJIHGFEDCBA
K a th a ra L e ve ls 2-3 F o u n d a tio n - "A w a ke n in g th e
L ivin g L o tu s" H e a lin g F a cilita tio n T h ro u g h C rysta l
B o d y A lig n m e n t, Long Beach, CA, 2004.
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3 /1 1 DVD/6CDT 1 M )
(VV-2/B)
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S e cre ts o f th e M e lch ize d e ks & G u a rd ia n Races,
T h e K e th ra d o n A w a ke n in g : S ta rb u rst P il/a r-1 3 a n d
th e G ifts o f R a m a , India January 2005. (1KA/6DVD-
HB)
Septem ber 1999. (EP/2DVD)
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T e m p la te ) S cie n ce W orkshop & Handbook, NYC
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U n sp o ke n O n e s, th e H a a h T U rs a n d th e H u b ,
Phoenix,
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2000. (KS/DVD+HB)
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In itia tive , Decem ber 2000. (SAS/M +FG)
T h e E th ra d o n A w a ke n in g & T h e A sh a lu m C h a m b e r,
E th e ric G a te w a y to th e S ta rs, M orocco, M ay/June
2005. (EAW /8DVD/S)
K a th a ra B io -S p iritu a l H e a lin g S yste m ® L e ve l-1
W o rksh o p & C o u rse M a n u a l w ith In tro d u ctio n to th e
K a th a ra B io -H e a lin g S yste m ® L e ve l-2 .
F e stiva l o f L ig h ts C e le b ra tio n , T h e S ta rF ire C ycle a n d
th e R e b irth o f th e O rig in a l A m e n ti R e scu e M issio n ,
(KA-1 M /2DVD-3CD)
London 2006. (FOL-2006/2DVD)
M e ch a n ics
o f M a n ife sta tio n ,
Sarasota,
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2001. (M M /6DVD)
Te sta m e n ts-o f-O u tra g e o u s-R e n e w a l-R e ve la tio n s
2 0 0 6 T re a su re s o f th e T o w e r & th e S e cre t G a rd e n ,
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In tro d u ctio n to th e "A rc P ro je ct" & E ie ya n i M e n to rsh ip
P ro g ra m , Berm uda, July 2002. (PC-1/9DVD)
Two
M oons
R isin g ,
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C o n d e n se d P re se n ta tio n o f D a n ce fo r L ife
fo r L o ve 2 - p lu s - S e cre ts o f M e ta tro n .
1 & D a n ce
England,
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G rid -K e e p e rs
C o m m u n io n
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June 2002. DFL-UKl18CD)
Shasta, CA, M ay 2006. (CCAl5DVD/3CDT)
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M a ste ry, G re e ce , M ay 2002. (DFL2/6DVD)
S a cre d S e xu a lity & T h e A rt o f D ivin e R e la tio n sh ip D ivin e C o u p lin g -In tim a tio n s, E xp lo ra tio n s & C o sm ic
Part Three of a three part series.
C o n n e ctio n .
D a n ce fo r Jo y P a rt 1, Paxos, M ay 2003. (DFJ/8DVD)
Virginia Beach, Oct 2006.
T h e S cie n ce a n d S p iritu a lity o f C re a tio n , Seattle,
2003.
(SSC/6DVD+HB)
F o rb id d e n T e sta m e n ts o f R e ve la tio n , Dublin, Ireland,
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C ycle ,
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F e stiva l of L ig h t 2 0 0 7 - T ra n sce n d in g th e T o w e rs of
T h re sh o ld ; th e C rysta l R ive r U n io n , a n d th e A rc of
A q u a ri, Phoenix, January 2007. (FOL2007/3-DVD)
T h e K rysta r A w a ke n in g a n d S ta rF ire M a p s a n d S o la r
G a te s, P ra n a S e e d a n d th e A q u a le n e S u n , Phoenix,
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April 2007. (KASAl4DVD/2CDT)
R e ve la tio n s O f T h e 'D h a L A -L U m a : T ra n sfig u ra tio n of
th e K ryst & th e 'K a L E -H a ra ' C e le b ra tio n .
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