8 Music Southeast Asian Music Music— Grade 8 Alternative Delivery Mode Quarter 1 — Module 1: Southeast Asian Music First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this book are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from their respective copyright owners. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education – Division of Gingoog City Division Superintendent: Jesnar Dems S. Torres, PhD, CESO VI Development Team of the Module Writer: Julita A. Lauroza Reviewer: Sherwin A. Cuerdo, EPS-MAPEH Jenny R. NAvarro, MAPEH Department Head Julita A. Lauroza Layout Artist: Joemar P. Valdevilla Management Team Chairperson: Jesnar Dems S. Torres, PhD, CESO VI Schools Division Superintendent Co-Chairperson: Conniebel C. Nistal, PhD Assistant Schools Division Superintendent Pablito B. Altubar, CID Chief Members: Sherwin A. Cuerdo, EPS-MAPEH Himaya B. Sinatao, LRMS Manager Jay Michael A. Calipusan, PDO II Mercy M. Caharian, Librarian II Printed in the Philippines by Department of Education – Division of Gingoog City Office Address: Brgy. 23, National Highway, Gingoog City Telefax: 088-328-0108 / 088328-0118 E-mail Address: gingoog.city@deped.gov.ph 8 Music Quarter 1 – Module 1: Southeast Asian Music Table of Contents What This Module is About ................................................................................................................. i What I Need to Know ............................................................................................................................ i How to Learn from this Module.......................................................................................................... i Icons of this Module ............................................................................................................................. ii What I Know..........................................................................................................................................iii Lesson 1: Vocal and Instrumental Music of Cambodia, Indonesia, Myanmar and Malaysia .................................................................................................... 1 What I Need to Know ................................................................................................ 1 What’s New…………….Activity 1: Play with Me ............................................ 1 What Is It……………….Cambodia ....................................................................... 3 What’s More……………Activity 2: Pinpeat Musician ................................... 4 What’s New…………….Activity 3: Listening to Indonesian Music …. .... 5 What Is It……………….Indonesia ........................................................................ 6 What’s More……………Activity 4: Compare and Contrast ......................... 8 What’s New…………….Activity 5: Listening to Myanmar Music ............. 8 What Is It……………….Myanmar ......................................................................... 9 What’s New…………….Activity 6: Listening to Malaysian Music ........... 11 What Is It……………….Malaysia …. .................................................................... 12 What’s More……………Activity 7: Song Analysis ........................................ 15 What I Have Learned…Activity 8: Concept Map ........................................... 16 What I Can Do…….…..Activity 9: Mr. and Ms. Southeast Asia 2020 ...... 16 Lesson 2: Vocal and Instrumental Music of Thailand, Laos, Vietnam and Singapore ...................................................................................................................................... 17 What’s In ...................................................................................................................... 17 What I Need to Know ................................................................................................ 17 What’s New…………….Activity 1: Listening to Thai Music ........................ 17 What Is It……………….Thailand .......................................................................... 18 What’s More……………Activity 2: Describe Me.............................................. 20 What’s New…………….Activity 3: Listening to Music of Laos …. ........... 20 What Is It……………….Laos .................................................................................. 21 What’s More……………Activity 4: Song Analysis ......................................... 22 What’s New…………….Activity 5: Listening to Vietnamese Music ........ 23 What Is It……………….Vietnam ........................................................................... 23 What’s More……………Activity 6: Song Analysis ........................................ 26 What’s New…………….Activity 7: Listen to the Music of Singapore … 26 What Is It…………….…Singapore ...................................................................... 27 What’s More……………Activity 8: Song Analysis ........................................ 28 What I Have Learned…Activity 9: Concept Map ........................................... 29 What I Can Do…….…..Activity 10: Post a Status .......................................... 29 Summary ............................................................................................................................................ 30 Assessment: (Post-Test) .............................................................................................................. 30 Key to Answers ................................................................................................................................ 32 References ......................................................................................................................................... 35 What This Module is about It’s more fun in the Philippines! These words remind us of our wonderful experience in studying Philippine music in our Grade 7 lessons. Truly we should be proud to be Filipinos for having a very rich culture especially in music and arts. We will now move on to our friendly neighbors in Southeast Asia. You will notice that our music is very similar to that of our neighbors. In this module, you will find different activities where you can learn and show your understanding of the basic concepts and principles of Southeast Asian music. You will also discover how people from the Southeast Asian countries express their feelings towards each other, towards the environment, and their history and beliefs through vocal or instrumental music. What I Need to Know At the end of this module, you should be able to: 1. listen perceptively to music of Southeast Asia (MU8SE-Ia-h-2) 2. analyze musical elements of selected songs and instrumental pieces heard and performed. (MU8SE-Ib-h-4) 3. explore ways of producing sounds on a variety of sources that would simulate instruments being studied. MU8SE-Ic-h-6) How to Learn from this Module To achieve the objectives cited above, you are to do the following: 1. Carefully read all the lessons. 2. Take your time on going thru each lesson. 3. Answer the pretest honestly; the purpose of the pretest is for you to determine your prior knowledge before going thru the lessons and activities. 4. If you have a hard time understanding the lessons and activities, please do take a break. Having breaks between lessons and activities will give you some space where you can absorb the lesson well. 5. You can use the internet if you need more information about the lesson. 6. Contact your subject teacher if you have some questions about the submission of your output. Icons of this Module i What I Need to This part contains learning objectives that Know are set for you to learn as you go along the module. What I know This is an assessment as to your level of knowledge to the subject matter at hand, meant specifically to gauge prior related knowledge What’s In This part connects previous lesson with that of the current one. What’s New An introduction of the new lesson through various activities, before it will be presented to you What is It These are discussions of the activities as a way to deepen your discovery and understanding of the concept. What’s More These are follow-up activities that are intended for you to practice further in order to master the competencies. What I Have Activities designed to process what you Learned have learned from the lesson What I can do These are tasks that are designed to showcase your skills and knowledge gained, and applied into real-life concerns and situations. 8 What I Know Activity 1: Guess Where I Belong (Pre-test) Direction: From the pictures of instruments, costumes, folk symbols, artworks, scenery and other aspects of culture of the Southeast Asian countries, identify the origin of the objects. Write your answers on your activity notebook. https://upload.wikimedia.org/wikipedia/commons/7/7e/Traditional_indonesian_instruments04.jpg https://www.sirinyas-thailand.de/wp-content/uploads/2017/05/White_Elephant_of_Thailand_Dressedcredit-Sodacan-wikimedia.org_.png https://www.vietvisiontravel.com/wp-content/uploads/2018/07/Vietnamese-Stringed-Instrument-DanDay.jpg https://thaiest.com/blog/national-costumes-of-southeast-asian-countries iii https://www.galatourist.asia/media/news/2006_khaen.jpg https://lh3.googleusercontent.com/proxy/c3PaNasrWDcLc4Uzfh7Cq_H4HBhnW2Kd3UmJ6Z gKs_WGLg7k1Pj_LvR-QhBvKLR-KS3xJlACI7etsXof3NSr_QCSr_5eqhkQDWlfPIpsByWfLzOKuA 5. https://pov-tc.pbs.org/pov/media/2003/thefluteplayer/thefluteplayer-ensemble-rthung-364x140.jpg https://www.worldatlas.com/webimage/flags/coat_of_arms/Brunei.png https://www.indochina.tours/wp-content/uploads/2017/10/Myanmar-national-dress.jpg https://www.musicendangerment.com/wp-content/uploads/2015/01/boys_400-e1423181957123.jpg iii Activity 2: Fasten Your Seatbelt Direction: You have 5 plane tickets to travel and ready to take adventure to Southest Asian countries. Bring with you with the map, name each ticket where you want to visit the most and give two reasons why you choose it. Write it on your activity notebook. Enjoy your vacation! iii Map of Southeast Asia Source: https://asiasociety.org/sites/default/files/styles/1200w/public/M/map_southeast_asia.jpg SOUTHEAST ASIAN COUNTRIES: 1. Brunei 2. Cambodia 3. Indonesia 4. Laos 5. Malaysia 6. Myanmar 7. Philippines 8. Singapore 9. Thailand 10.Timor-Leste 11.Vietnam Lesson 1 Vocal and Instrumental Music Of Cambodia, Indonesia, Myanmar and Malaysia What I Need to Kow Vocal music is music made specifically for voices. It may be performed with or without instruments while Instrumental music is made solely for instruments. What’s New Activity 1: Play With Me Direction: Look at each picture and try to identify how it is played. Try to remember the Hornbostel-Sachs classification of instruments that you learned in Grade 7. Is it an aerophone, chordophone, idiophone, membranophone, or an electrophone? 1. 1 2. 3. 4. 5. 2 6. 7. 8. 7. 9. 3 What Is It Activity 1 shows the different instruments of Southeast Asian counties. In this lesson, it will focus on the vocal and instrumental music of Southeast Asian countries particularly in Cambodia, Indonesia, Myanmar and Malaysia. Let’s take a look first in Cambodia! CAMBODIA Cambodia is one of the most beautiful countries in Southeast Asia. It is also known as Kâmpŭchéa. It was the center of the Khmer (Cambodian) kingdom of Angkor, a great empire that dominated Southeast Asia for 600 years. Their music gained a world-wide reputation in the 1960s until the dramatic political problems in Cambodia. Cambodian court music is roughly similar to that of Java, Indonesia. They feature choruses with large orchestras based on struck keys and gongs. The Pinpeat is a Cambodian musical ensemble or an orchestra that usually accompanies ceremonial music of the 4royal courts and temples. Music is always part of their court dances, masked plays, shadow plays, and religious ceremonies. This group is similar to the Piphat ensemble of Thailand and usually consists of nine or ten instruments. 1. Skorthom – two big drums similar to Japanese (membranophone) 2. Samphor – a double-headed drum played with hands (membranophone) 3. Chhing – finger cymbals (idiophone) 4. Oneat – xylophones (idiophone) 5. Kongvong – gong circles (idiophone) What’s More Activity 2: Pinpeat Musician Direction: Visit www.youtube.com and type in the links to watch video clips of Pinpeat. After watching the performances, answer the questions found on the next page. Write your answers in your notebook. 5 https://www.youtube.com/watch?v=2tYa-N6cKGY https://www.youtube.com/watch?v=Vx5VzphVxRs 1. In 3-5 sentences, describe how the Pinpeat musicians play their instruments. 2. How many instrument players were needed to form the Pinpeat? 3. Are there instruments made of wood or metal? You can also visit the following web pages for additional reference: http://www.istov.de/htmls/cambodia/cambodia_start.html https://en.wikipedia.org/wiki/Cambodian_music http://www.keosambathmusic.com/index.htm What’s New Activity 3: Listening to Indonesian Music Direction: Listen/watch to the examples of traditional instrumental of vocal music of Indonesia. For those who don’t have an access to the internet, you can turn on your radio. Scheduled time of airing will be announced. Answer the guide questions that follows. Indonesia: The Gamelan Music of Indonesia https://www.youtube.com/watch?v=c1AiCTJ9t8g&feature=share 6 Based on the videos, answer the guide question in your activity notebook. 1. What is your impression about the music you have heard? 2. What instruments are used in the music samples? (based your answer in Hombostel-Sach Classification of Instruments) 3. What mood of feelings does it express? 4. How do the instruments help express the mood of the piece? 5. Is the song fast, slow or does the tempo vary? What Is It In the activity above you have listened the music from a particular country in Southeast Asia. If Cambodia has the Pinpeat ensemble, do other Southeast Asian countries have their own musical ensembles? Let’s find out! Let’s continue the ride and explore the beauty of Indonesian music. INDONESIA Borobudur Temple https://www.indonesia-tourism.com/blog/wp-content/uploads/2019/12/Borobudur-Temple-Sunrise-e1553916223163.jpg Indonesia is an archipelago in Southeast Asia comprising approximately 17,500 7 is the world's fourth most populous country islands. With over 238 million people, Indonesia and is the fourth biggest nation of the world. Through interaction with other cultures such as Indian, Arabic, Chinese, and European, a wide range of musical styles has been developed. Today, the contemporary music of Indonesia is popular not only in the region but also in the neighboring countries. There are two basic kinds of Indonesian music scale: Slendro – five (5) equidistant tones in octave Peloq – heptatonic (7) tone scale with semi tone Both vocal and instrumental music in Indonesia use slendro and peloq scales. Polyphonic stratification kind of melody is a result of hocket / Interlock. Interlocking is a common technique used in gong ensembles. Irama – is an Indonesian term for tempo Gamelan https://www.homages.cae.wisc.edu/~jjordan/images/gamelan3.jpg The Gamelan or Gamelan orchestra is the most popular form of music in Indonesia. There are many types of Gamelan but the famous Javanese and Balinese Gamelan are the most famous. It contains a variety of instruments such as metallophones, xylophones, kendang and gongs, bamboo flutes, bowed and plucked strings. Vocal music is used as ornamentation of the Gamelan. It is as important as Gamelan. 1. Pesindhen is a female soloist singer who sings with a Gamelan. 2. Gerong refers to the unison male chorus that sings with the Gamelan. 8 REMEMBER: *Karawitan is the term for every kind of Gamelan music in Java. *Gamelan orchestras – are used to accompany dances, songs, and Wayang Kulit - are believed to possess supernatural powers - consider their instruments sacred, therefore stepping over the instrument is a sign of disrespect - musicians bow before playing the instruments to show respect What’s More Activity 4: Compare and Contrast Direction: Gamelan is very popular in Indonesia. It is quite similar to the kumintang ensembles of the Philippines. On your activity notebook, make a Venn diagram that can describe both musical ensembles. GAMELAN in Indonesia KUMINTANG in the Philippines BOTH 9 What’s New Activity 5: Listening to Myanmar Music Direction: Listen/watch to the examples of traditional instrumental of vocal music of Myanmar. For those who don’t have an access to the internet, you can turn on your radio. Scheduled time of airing will be announced. Answer the guide questions that follows. Myanmar: ““Full Moon Night - Burmese Harp”” https://www.youtube.com/watch?v=CpoUHOCPaNw&feature=share Based on the videos, answer the guide question in your activity notebook. 1. What is your impression about the music you have heard? 2. What instruments are used in the music samples? (based your answer in Hombostel-Sach Classification of Instruments) 3. What mood of feelings does it express? 4. How do the instruments help express the mood of the piece? 5. Is the song fast, slow or does the tempo vary? What Is It In the activity above you have listened the music from a particular country in Southeast Asia. So, Cambodia has the Pinpeat ensemble while Indonesia has the Javanese and Balinese Gamelans. However, the Indonesian Gamelans have singers performing with them. Do other Southeast Asian countries have singers as well as their musical ensembles? Let’s read on. 10 Myanmar https://thumbs.dreamstime.com/b/shwedagon-pagoda-located-yangon-myanmar-91740190.jpg Myanmar was known as Burma until 1989. The country’s name was officially changed by the military government that took over in 1988. Early civilization in Myanmar dates back to the 1st century with archaeological evidences of the Pyu Kingdoms of Thayekhittaya (Sri Ksetra), Beithano (Visnu), and Hanlin. The music of Myanmar (or Burma) has similarities with many other musical traditions in the region, including Chinese music and Thai music, probably because its longest land border is shared with China. The Hsaing Waing is Myanmar’s traditional folk music ensemble. It is made up mainly of different gongs and drums as well as other instruments depending on the nature of the performance. Myanmar’s musical instruments are categorized into two types, the loud sounding and soft sounding. The loud sounding instruments are performed in open-air ensembles at ceremonies and festivals. Most of the Hsaing Waing instruments belong to the loud sounding category. Other instruments in the Hsaing Waing are the: 1. Hne 2. Chauk Ion Pat -a double reed pipe -a set of 8 tuned drums 11 2. Maung Hsaing 4. Pat Waing -larger bronze gongs in a -a set of 21 drums in a circle rectangular frame 5. Kyi Waing 6. Siand Wa -small bronze gongs in a circular -bell and clapper frame For more formal and classical performances that are performed indoors, the ensemble may be accompanied by the saung gauk (13string angular harp with soft sound) the national instrument of Myanmar, the pattala (Burmese xylophone), or the piano and violin, both introduced during colonial rule. 12 Myanmar not only has musical ensembles but also an extensive collection of classical songs called the Mahagita. These songs are divided into different types like the oldest repertoires, royal court music, songs of longing, horses’ dance songs, worship songs for Burmese spirits, and songs of sorrow and music adapted from Ayutthaya and the Mon people. The saung gauk usually accompanies these songs. What’s New Activity 6: Listening to Malaysian Music Direction: Listen/watch to the examples of traditional instrumental of vocal music of Malaysia. For those who don’t have an access to the internet, you can turn on your radio. Scheduled time of airing will be announced. Answer the guide questions that follows. Malaysia: “TRADITIONAL Malay Music - Malay Jungle” https://www.youtube.com/watch?v=lj2Ehv21VGQ&feature=share Based on the videos, answer the guide question in your activity notebook. 1. What is your impression about the music you have heard? 2. What instruments are used in the music samples? (based your answer in Hombostel-Sach Classification of Instruments) 3. What mood of feelings does it express? 4. How do the instruments help express the mood of the piece? 5. Is the song fast, slow or does the tempo vary? What Is It You have listened the music from a particular country in Southeast Asia form the previous activity. This time, I will take you to another destination where you are about to witness a country which is rich in culture. 13 Malaysia Pahang State Mosque https://i.pinimg.com/originals/77/75/6d/77756dc1c4ed6635f6a4ba2435533f46.jpg Malaysia is a constitutional monarchy in Southeast Asia. It is divided into two regions: 1. West Malaysia – also known as Peninsular Malaysia 2. East Malaysia – consists of thirteen states and three federal territories. Chinese and Indian cultural influences made their mark when trade began in the country. Trading also increased when immigrants flocked to Malaysia. The country is multi-ethnic and multi-cultural, which plays a large role in developing their culture. The constitution declares Islam the state religion while protecting freedom of religion. Malaysian music is largely based around percussion instruments. It has multi-cultural influence and is believed to have originated in the KelantanPattani region with a mixture of Indian, Chinese, Thai, and Indonesian influences. The music of Malaysia may be categorized into two types: 1. Classical and Folk music emerged during the pre-colonial period and still exists in the form of vocal, dance, and theatrical music. 2. Syncretic or Acculturated music developed during the postPortuguese period (16th century). It contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese, and Western musical and theatrical sources. 14 Malaysian Musical Instruments Musical instruments of Malaysia are greatly associated with their culture and roots. Due to colonization, the stages of development of Malaysian instruments are great. They share some common features with Indian musical instruments. After the colonization of Malaysia by the British, the musical development was influenced by Western music. Musical Ensembles and Types of Performances in Malaysia 1. Agung and Kulintang This is a gong-based musical ensemble commonly used in funerals and weddings in East Malaysia. This type of ensemble is similar to the kulintang of the Philippines, Brunei, and Indonesia. themalaysiantimes.com 2. Kertok This is a musical ensemble from the Malay Peninsula that consists of xylophones played rhythmically in swiftly traditional and Malay functions pelancongan-terengganu.blogspot.com 15 3. Dikir Barat This is a type of musical form that is important to Malaysia’s national culture. It is performed by singing in groups and often in a competitive manner usually with percussion instrumental accompaniment or sometimes without instruments at all. agefotostock.com 4. Silat Melayu This is a form of martial art that is similar to t’ai chi. It originated in the Malay Peninsula since the Christian Era and is a mixture of martial arts, dance, and music usually accompanied by gongs, drums, and Indian oboes. 16 flickr.com What’s More Activity 7: Song Analysis Direction: Describe how the musical elements reflect the culture of Malaysia. Copy the table below in your activity notebook. You may refer the song from Activity 6. Musical Elements Description that reflects Indonesian culture TIMBRE DYNAMICS RHYTHM MELODY FORM What I Have Learned Activity 8: Concept Map Direction: Create a concept map that shows the vocal and/or instrumental music of a given country specified in this lesson (Cambodia, Indonesia, Myanmar and Malaysia). the You need to create four concept maps (one concept map per country). Use concept map below as your guide. 17 CAMBODIA What I Can Do Activity 9: Mr. and Ms. Southeast Asia 2020 Direction: Assuming that you are one of the Top 3 finalists of Mr. and Ms. Southeast Asia 2020. You will be given a final question. Write your answer in your activity notebook. FINAL QUESTION: “If you will be given a chance to write a song, what would it be and why?” 18 Lesson 2 Vocal and Instrumental Music Of Thailand, Laos, Vietnam and Singapore What’s In We have learned in Lesson 1 about the vocal and instrumental music of other Southeast Asian countries. That is, Cambodia, Indonesia, Myanmar and Malaysia. When it comes to their culture, it varies in accord to their beliefs. Sometimes, it has categorization wherein they fall into value and great meaning. Each country has their own music ensembles and similar of how unique their style of music are. In this lesson we will discuss the other half of the countries that are not mentioned in the previous discussion and give importance of their vocal and instrumental music. What I Need to Know Through this lesson, you will discover the music ensembles of the remaining Southeast Asian countries. These are Thailand, Laos, Vietnam and Singapore. You will listen to their music and analyze its musical instruments being used in the performance. What’s New Activity 1: Listening to Thai Music Direction: Listen/watch to the examples of traditional instrumental of vocal music of Thailand. For those who don’t have an access to the internet, you can turn on your radio. time of airing will be announced. Answer the guide questions that follows. Thailand: “Traditional Thai Music “ 19 Scheduled https://www.youtube.com/watch?v=SXXK4P2Ogs0&feature=share Based on the videos, answer the guide question in your activity notebook. 1. What is your impression about the music you have heard? 2. What instruments are used in the music samples? (based your answer in Hombostel-Sach Classification of Instruments) 3. What mood of feelings does it express? 4. How do the instruments help express the mood of the piece? 5. Is the song fast, slow or does the tempo vary? What Is It Activity 1 shows your appreciation through listening to a song from Thailand. And let me welcome you to “Land of the Free”, Thailand! `Sawadeekha! THAILAND Thailand’s National Symbol (Elephant) https://www.sirinyas-thailand.de/wp-content/uploads/2017/05/White_Elephant_of_Thailand_Dressed-credit-Sodacan-wikimedia.org_.png 20 Siam is the old name of Thailand. It is known for being the sole nation in Southeast Asia that has never been ruled by a Western power. It is for this reason that the country is also called “Muang Thai,” which means “Land of the Free.” History and geography indicates that Thai music is a conglomeration of Asian influences. Its musical principles and elements are basically derived from Chinese music, while its musical instruments are inspired from the Indian and Indonesian strings and gongchimes. The Thais combined and adapted these to their culture and created their own unique music. Thai folk music consists of simple songs with simple melodic lines. Its main focus in singing is the articulation of the text rather than the style or technique of execution. Songs of Thailand have inherently poetic lyrics which allow a singer or performer to easily define the melodic lines. It provides the singer the opportunity to improvise song text to suit the given occasion. The interpretation of a singer gives meaning to the sacred and spiritual essence of songs with free rhythm while melodies may either be interpreted or written in the high or low register with long or short durations. THREE PRIMARY INSTRUMENTAL ENSEMBLES IN THAILAND 1. Piphat It is a mid-sized orchestra that is performed in either outdoor style with hard mallets or indoor style with padded mallets. This ensemble has different types but the highly ornate one is traditionally associated with funerals and cremation ceremonies. Other versions of the piphat ensemble are used to accompany specific forms of traditional Thai drama such as the large shadow puppet theatre (nang yai) and the khon dance drama. www.pianofortephilia.blogspot.com 21 2. Khrueang Sai It is an orchestra that combines some of the percussion and wind instruments of the Piphat with an expanded string section. This group is primarily used for indoor performances and for the accompaniment of stickpuppet theater. https://centerforworldmusic.org/wpcontent/uploads/2016/11/khrueangsaipii-chawaa-at-Chula.jpg 3. Mahori This ensemble is traditionally played by women in the courts of Central Thailand and Cambodia. Because of this, instruments for this ensemble are historically smaller. However, regular-sized instruments are used today. A vocalist performing with the Mahori is usually accompanied by the so sam sai. What’s More Activity 2: Describe Me Direction: Observe and listen of the three primary instrumental ensembles of Thailand. Answer the following table below: Music Ensemble Distinctive Characteristics Piphat Khrueang Sai Mahori 22 What’s New [ Activity 3: Listening to Music of Laos Direction: Listen/watch to the examples of traditional instrumental of vocal music of Laos. For those who don’t have an access to the internet, you can turn on your radio. Scheduled time of airing will be announced. Answer the guide questions that follows. Laos: “Music of 2018 WWD Laos opening performance - Khaen, Ra Nat, Phin, Kong” https://www.youtube.com/watch?v=aTpnv7POQjA&feature=share Based on the videos, answer the guide question in your activity notebook. 1. What is your impression about the music you have heard? 2. What instruments are used in the music samples? (based your answer in Hombostel-Sach Classification of Instruments) 3. What mood of feelings does it express? 4. How do the instruments help express the mood of the piece? 5. Is the song fast, slow or does the tempo vary? What Is It Listening to the songs of other neighborhood countries gives appreciation and amazement of how they create their own unique songs and you are witness how these differ from one another. Your journey is not yet finsihed. Let’s take a look to Laos! 23 LAOS Pha That Luang https://architectureofbuddhism.com/books/wpcontent/uploads/2014/08/Phat-That-Luang-2.jpg This country is an independent state of Southeast Asia and officially known as Lao People’s Democratic Republic. It is formerly part of the Indochinese Union, also known as French Indochina. Wat Pha That Luang, Vientiane is one of its famous landmarks. The classical music and dance of Laos is highly influences by India, Cambodia, and Thailand. Themes are drawn from Hindu mythology, the Buddhist Jataka tales, and local legends. The royal entourage of Lao kings traditionally included musicians, and a typical orchestra improvised songs with sets of tuned gongs, xylophones, a bamboo flute, and other wind instruments. The Lao orchestra can be divided into two categories: 1. Sep Nyai – This is similar to the Piphat of Thailand with instruments that are strictly percussive but also integrates the use of an oboe. 2. Sep Noi – This is also known as the Mahori of Thailand. However, it incorporates the use of several khene which is a large bamboo mouth organ and is the most popular folk music instrument of Laos. Traditional music, called Mor lam, is largely based around the khene. 24 https://hubpages.com/entertainment/KheneThe-Mouth-Organ-of-Laos https://live.staticflickr.com/4111/5078658 065_5f6c1a0cef_b.jpg What’s More Activity 4: Song Analysis Direction: Describe how the musical elements reflect the culture of Laos. Copy the table below in your activity notebook.You may refer your answer in Activity 3 in this lesson. Musical Elements Description that reflects Indonesian culture TIMBRE DYNAMICS RHYTHM MELODY FORM 25 What’s New Activity 5: Listening to Vietnamese Music Direction: Listen/watch to the examples of traditional instrumental of vocal music of Vietnam. For those who don’t have an access to the internet, you can turn on your radio. Scheduled time of airing will be announced. Answer the guide questions that follows. Vietnam: “Hoàng Thuỳ Linh - Để Mị Nói Cho Mà Nghe | Official Music Video” https://www.youtube.com/watch?v=JAhdeizXpaQ&feature=share Based on the videos, answer the guide question in your activity notebook. 1. What is your impression about the music you have heard? 2. What instruments are used in the music samples? (based your answer in Hombostel-Sach Classification of Instruments) 3. What mood of feelings does it express? 4. How do the instruments help express the mood of the piece? 5. Is the song fast, slow or does the tempo vary? What Is It It looks like most of the countries in Southeast Asia have a lot of similarities in their musical instruments and types of music performed. Their musical influences are similar to one another as well. What about the other Southeast Asian countries that we have not yet discussed? Is there influences happened in their style of music or originally composed and created by their own? Let’s see if the last two countries to be discussed have the same similarities to the other countries. 26 VIETNAM Thien Mu Pagoda https://vietnamdiscovery.com/wp-content/uploads/2020/01/Thien-Mu-pagoda-inHue-huedaytour.com_.jpg Vietnam is officially known as the Socialist Republic of Vietnam. This country is located on the eastern coast of the Indochinese Peninsula. Vietnamese music (nhạc Việt Nam) refers to the ethnic music that originated from the "Kinh" people of Vietnam. This term is also used to address the music of any of the numerous ethnic minorities including the Montagnard, Degar, Tay, Cham, and others. Although Vietnam is geographically part of Southeast Asia, ten centuries of rule by the Chinese to the north have made the culture much closer to Far East than to its Southeast Asian neighbors. Thus, early music theory was either based upon or adapted to the prevailing Chinese theory, and the majority of instruments used in the royal court were of Chinese origin. On the other hand, other influences can be seen with the ethnic minorities, such as the Chàm or Montagnard peoples. This is possibly due to interaction with the other countries of Southeast Asia. Vietnamese music shows signs of Indian influences, noticeable in improvisation preludes of chamber music (known as rao in the South and dao in the north) as well as usage of onomatopoeia in drum playing. Traditional and Folk Music Vietnamese traditional music can be separated into a few major categories, divided predominantly by the way in which were used in the people's cultural lives. 27 Categories of Vietnamese Music vietnamonline.com 1. Imperial Court Music – The most popular of this kind is the Nha nhac that was popularly performed during the Tran Dynasty to the Nguyen Dynasty. This form of classical music is also performed in honor of the gods and scholars in temples. Other classical music falling into this category includes the Dai Nhac (“great music”) and the Tieu Nhac (“small music”) which was performed as chamber music for the king. 2. Folk Music – This category is extremely diverse because it includes music performed both indoors and outdoors. Performers of this category are also diverse. They may be professional musicians down to the blind artists in the streets who perform to earn their living. Vietnamese folk music are performed in different occasions depending on its sub-category. It may be performed in musical theaters, streets, courtship rituals, and ceremonies for invoking spirits. They are sometimes also influenced by Western elements. Some Vietnamese music only makes use of female singers and some have both male and female singers. 3. Religious and Ceremonial Music – This is the music performed in religious rituals or at funerals. What’s More Activity 6: Song Analysis Direction: Describe how the musical elements reflect the culture of Vietnam. Copy the table in your activity notebook. You may refer your answer in Activity 5. 28 Musical Elements Description that reflects Indonesian culture TIMBRE DYNAMICS RHYTHM MELODY FORM What’s New Activity 7: Listening to the Music of Singapore Direction: Listen/watch to the examples of traditional instrumental of vocal music of Singapore. For those who don’t have an access to the internet, you can turn on your radio. Scheduled time of airing will be announced. Answer the guide questions that follows. Singapore: “Singapore Traditional Melody” https://www.youtube.com/watch?v=U8jS_Ef2hEY&feature=share 29 Based on the videos, answer the guide question in your activity notebook. 1. What is your impression about the music you have heard? 2. What instruments are used in the music samples? (based your answer in Hombostel-Sach Classification of Instruments) 3. What mood of feelings does it express? 4. How do the instruments help express the mood of the piece? 5. Is the song fast, slow or does the tempo vary? What Is It The previous activity tells us how we explore different counties in Southeast Asia by listening to their unique style of music as well as recognizing the instrument used in a particular song. And Singapore is on our list! Relax and let us visit where Merlion is famous for. SINGAPORE Merlion 30 The Republic of Singapore is an independent republic in Southeast Asia, comprised of one main island and about 50 small adjacent islands off the southern tip of the Malay Peninsula. About three-fourths of the people of Singapore, known as Singaporeans, are Chinese, but there are significant Malay and Indian minorities. Singapore’s cultural life reflects its colonization by the British Empire and its diverse population. Being the melting pot of different cultures in Asia, folk music of this country reflects the culture and traditions of specific groups. The ethnic groups which made a prominent place in the musical world of Singapore have been Chinese, Indian Malays, and Tamils. Other minority Asian ethnic groups which have also made a mark in the folk culture of Singapore are the Cantonese, Hokkien, and Malay Bangwasan. Through the years, the music industry in Singapore grew having Westerninfluenced performances by the Singapore Symphony Orchestra as well as ethnic music performances mainly by the Singapore Chinese Orchestra. Other performing groups with Malay and Indian influence are still prevalent until today What’s More Activity 8: Song Analysis Direction: Describe how the musical elements reflect in the culture of Singapore.Copy the table below in your activity notebook. You may refer your answer to the song you have listened from Singapore in the previous activty. Musical Elements Description that reflects Indonesian culture TIMBRE DYNAMICS RHYTHM 31 MELODY FORM Congratulations! You are done with the first module. That’s Southeast Asian music! Isn’t it amazing how rich their culture is? Aren’t you proud that our country is part of this Asian region? You are on your way in our next point of destination. Brace yourself as we take another challenging yet enjoyable journey! What I Have Learned Activity 9: Concept Map Direction: Create a concept map that shows the vocal and/or instrumental music of a given country specified in this lesson (Thailand, Laos, Vietnam and Singapore). You need to create four concept maps (one concept map per country). Use the concept map in the next page as your guide. THAILAND 32 What I Can Do Activity 10: Post a Status Instructions: 1. Visit the www.facebook.com and create account. If you have already an account, login immediately. 2. From the previous activities, you have listened different music from different countries of Southeast Asia. Among all the songs you have heard, choose one. 3. Choose the best line of the song that touches your heart. 4. Copy the original lyrics of the chosen line and it’s translation. 5. Write a status of appreciation, a reason why did you choose that particular line in the song. 6. Your post should be written in any language you are comfortable to use (Visayan, English and FIlipino) 7. Limit your post to maximum of 5 sentences ONLY.. 8. Attach #AppreciateSoutheastAsianMusic as a validity of your submission. 9. Failure to attach the hashtag, your submission will not be counted. Likes, comment and share are not necessary for the higher points.. Summary The music of Southeast Asia has been present since the 2nd to 3rd Century BC. Music is an important part of their lives because they use it for rituals, ceremonies, courting, and entertainment. Instruments in Southeast Asia can be classified according to the HornbostelSachs classification. Most of the instruments are percussive with an exception of some aerophones and chordophones. Each country’s musical instruments and even some songs are somewhat similar to each other due to their history of trading and migration. 33 Songs from Southeast Asia commonly use pentatonic (5-tone) scales or heptatonic (7-tone) scales 34 Assessment: (Post-Test) Direction: Choose the correct answer. Write only the letter of your answer. 1. What is the most popular form f music in Indonesia? a. Gamelan c. Pesidhen b. Gerong d. Kertok 2. What Cambodian musical ensemble or an orchestra that usually accompanies ceremonial music of the royal courts and temples? a. Gamelan b. Piphat b. Pinpeat d. Samphor 3. How the musical instruments categorized in Myanmar? a. Through sounds c. through performance b. Through classification d. through prayers 4. What type of musical ensembles of Malaysia is similar to the kulintang of the Philippines, Brunei and Indonesia? a. Piphat c. Gamelan b. Samphor d. Agung 5. What kind of orchestra is Piphat? a. Combines of percussion and qind instrument b. traditionally played by women in the court c. performed in outdoor style with hard mallets or indoor style of podded mallets d. performed by singing in group 6. What country of Southeast Asia officially known as Lao Peoples’ Democratic Republic? a. Cambodia c. Laos b. Malaysia d. Singapore 7. What classification of music in Vietnam performed in religion and ceremonial music? 35 a. Religions and Ceremonial Music b. Imperial Court Music c. Folk Music d. Dai Nhac 8. Which of the following has 5 equidistant tones in octave? a. Pelog c. Pasidhen b. Slendro d. Gerong 9. What do you called a female soloist singer who sings with a Gamelan? a. Pesidhen c. Gerong b. Karawitan d. Slendro 10. Which of the following pinpeat ensemble instrument double headed drum played with hand? a. Oneat c. Chhing b. Kongvong d. Samphor 36 References Centerforworldmusic.org, “Khrueang Sai Pii Chawaa at Chula”, Acessed June 20, 2020, https://centerforworldmusic.org/wp-content/uploads/2016/11/khrueangsai-pii-chawaa-atChula.jpg Galatourist.asia, “Khaen” Accessed June https://www.galatourist.asia/media/news/2006_khaen.jpg 20, 2020, Hubpages.com, “Khene The Mouth Organ of Laos” Acessed June 20, 2020, https://hubpages.com/entertainment/Khene-The-Mouth-Organ-of-Laos Indochina.tours, “Myanmar National Dress”, Acessed June 20, 2020, https://www.indochina.tours/wp-content/uploads/2017/10/Myanmar-national-dress.jpg Indonesia-tourism.com, “Borobudur Temple Sunrise”, Accessed June 20, 2020, https://www.indonesia-tourism.com/blog/wp-content/uploads/2019/12/BorobudurTemple-Sunrise-e1553916223163.jpg Keosambathmusic.com, “Vietnamese Stringed Instrument Dan Day, Acessed June 20, 2020, https://www.vietvisiontravel.com/wp-content/uploads/2018/07/VietnameseStringed-Instrument-Dan-Day.jpg Seasite.niu.edu, “Mahori Ensemble”, Acessed June 20, 2020, http://www.seasite.niu.edu/thai/music/classical/thaiensemble/mahori_ensemble.htm Sirinyas, “White Elephant of Thailand”, Accessed June 20, 2020, https://www.sirinyasthailand.de/wp-content/uploads/2017/05/White_Elephant_of_Thailand_Dressed-creditSodacan-wikimedia.org_.png Vietnamdiscovery.com, “Thien Mu Oagoda in Hue”, AcessedJune 20, 2020, https://vietnamdiscovery.com/wp-content/uploads/2020/01/Thien-Mu-pagoda-in-Huehuedaytour.com_.jpg Wikipedia.org, “Cambodian Music”, https://en.wikipedia.org/wiki/Cambodian_music Wikipedia.org, “Music of Cambodia”, http://en.wikipedia.org/wiki/Music_of_Cambodia 37 Accessed Accessed June June 20, 21, 2020, 2020, Wikipedia.com, “Music of Myanmar”, http://en.wikipedia.org/wiki/Music_of_Myanmar Wikipedia.org, “Music of Laos, http://en.wikipedia.org/wiki/Music_of_Laos Wikipedia.org, “Music of Thailand”, http://en.wikipedia.org/wiki/Music_of_Thailand Acessed Acessed Accessed June June June 21, 21, 21, 2020, 2020, 2020, Wikipedia.org, “Traditional Indonesian Instrument”, Accessed June 20, 2020, https://upload.wikimedia.org/wikipedia/commons/7/7e/Traditional_indonesian_instrumen ts04.jpg 38 For inquiries and feedback, please write or call: Department of Education – Division of Gingoog City Office Address: Brgy. 23, National Highway,Gingoog City Telefax: 088 328 0108/ 088328 0118 E-mail Address: gingoog.city@deped.gov.ph