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conphil reviewer

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Art - The expression or application of human creative
skill and imagination, typically in a visual form such as
painting or sculpture, producing works to be
appreciated primarily for their beauty or emotional
power.
Purpose ng art/ gamit ng art
Art as a form of
• Self-expression (paintings, music, poetry, fashion, etc)
• Therapy
• Aesthetic- communicate beauty, investigate the
nature, essence, and purpose of arts aesthetic
• Inspiration
• Motivation
• Awareness
What is Contemporary Art? Is it similar with
Modern Art?
Contemporary- 1960 - still emerging produced by artists living today.
- is a fluid term and its use can change depending of
context
- the art of the present which is continuously in process
and in flux, and it was influenced by Social Realism
which started in the 70s
⁃ Contemporary Art is distinguishable from Modern Art
in historical, stylistic and cultural terms.
⁃ Contemporary Art is never fixed, but open to many
possibilities.
⁃To study and appreciate the contemporary is to
experience and understand art as a window to the
Philippine contemporary life.
Characteristic of Contemporary Art
Site-specific ⁃allows an artworks meaning to have a
direct relationship to a specific location where it is seen
or experienced. Changing the location of the work
would mean a change in the interpretation of its value
or meaning.
- Modern art is not the same as contemporary art,
although, they could share some characteristics,
sources and influences
Process-based ⁃ emphasizes how the artist starts not
with a final product in mind, but instead begins with the
development of a concept and then subsequently
proceeds with realizing the idea.
Modern - being up to date and technologically
advanced.
- 1880 - 1960 “traditional”
- Art that is current and new is also referred to modern
as opposed to "traditional" or "conservative"
Collaborative ⁃ the end product is created with the
involvement of two or more artists
Interactive ⁃recognizes how the audience has the
potential to change or add to the meaning of an
artwork. The work is then designed in a way that the
audience is asked or encouraged to interact with the
piece.
• Man in stairs (2000’s man in stairs Xyca Bacani)
• The contrast (1960’s the contrast HR Ocampo)
Arturo Luz - National Artist
⁃ produced paintings in 90’s and as well into 21st
⁃Hard-edged and abstract minimalist style
STYLISTIC OVERVIEW
⁃ Contemporary Art is never fixed, but open to many
possibilities.
⁃To study and appreciate the contemporary is to
experience and understand art as a window to the
Philippine contemporary life.
Neoclassic Art
- Modern Artists do not aim to copy and idealize reality.
- They change colors and flatten the picture instead of
creating illusions of depth.
• Depicts Reality as closely as possible and idealizes it,
beautiful and pastoral
• Is “academic” as it was and continues to be taught in
school (UP FINE ARTS) where Fernando Amorsolo and
Guillermo Tolentino are influential. Neoclassic Art
• The Palay Maiden, 1920 by Fernando Amorsolo
Modern Art
• Mora Girl, 1950 by Victorio Edades
Victoria Edades
- artist in modern art styles
⁃ Father of Philippine Modern Art
⁃ Initiating the Modern Art movement that challenged
the neoclassic style, which was dominant that time
• Modern Artists do not aim to copy and idealize reality.
• They change colors and flatten the picture instead of
creating illusions of depth.
Imelda Cajipe-Endaya
⁃is a social realist but the style and medium of
installation is markedly different.
-Aside from style, it is also very useful to know where
the artists are coming from and the circumstances of
making and disseminating their art.
Ibn Saud Salipyasin Ahmad - the wedding (2015)
example of contemporary art
⁃ Contemporary Art is distinguishable from Modern Art
in historical, stylistic and cultural terms.
• In art historical terms, we refer to art before the
coming of the first colonizers as Pre Conquest
• In stylistic terms, Indigenous, to emphasize the idea
that our ancestors have been making art even before
colonization.
• In cultural terms, as "Pre-colonial"
Was there art in the colonization or before
colonization?
-Yes,
Native Art forms before colonization period
Arts before we colonized
 Art before are everyday expressions and were
all integrated within rituals
Earliest forms of Theater/Rituals
• earliest forms of theater or rituals are artistic and
usually something to do with their traditions
• Art of the ancient filipinos were woven into the fabric
of the everyday life, they do mot refer to art as we do
today that is an expression of an individual seen largely
in museums and concrete halls. They did not distinguish
forms into different categories like music, theater,
Visual arts, etc.
• Everyday expressions were all intigrated within rituals
that marked significant moments in a community's life
like planting and harvesting, rights of passage, funerary
ceremonies, weddings among others
• Aside from communal functionality of indigenous art
creative forms such as pottery, weaving, carving, metal
work, and jewelry also embody aesthetic technological
and ritual balues that exist in various forms with the
present.
• Functionality nya is for the community
• Yung communality/communal functionality nung mga
rituals nila, before hindi nila ito kinoconsider as art
forms pero tau ngayon, since performative itong mga
rituals nila sa panahon natin ngaun sa kasalukuyan,
konoconsider na natin itong mga performances nato na
performative art
2. Kinabua of Mandaya ⁃ performs swooping
movements imitating the movements of eagle.
1. Mayvanuvanua (Batanes) -ritual that opens the
fishing season of dibang (flying fish)
2. Cañao or Kanyaw (Cordillera Administrative Region
- officiated by a shaman or mumbaki. It involves animal
sacrifice where the entrans are read through a process
of divination.
- performed either for healing, to announce the birth of
the child, birthday, wakes, wedding, and burial
ceremonies
5. Talip (Ifugaos) ⁃ courtship dance mimetic of the
movements of wild fowls
3. Kashawing (Lake Lanao of Mindanao)- ritual to
ensure abundance during rice planting and harvesting.
4. Tagbanwa (Palawan) ⁃shamans go into a trance
amidst ritual chanting and dancing and are believed to
be taken over the goddesses themselves.
3. Banog-banog of the Higaonon and B'laan ⁃ courtship
dance that portrays the flight of the birds
4. Man manok (Bago Tribe) ⁃ dance that dramatizes
three roosters who compete against one another to be
able to get the attention of a hen, Lady Lien.
6. Inamong of Matigsalugs and Kadaliwas (T'boli) ⁃
represent the comedic movements of monkey
7. Tinikling (Tagalog) ⁃ evocative of the movements of
the crane balancing itself on stilt-like legs or flitting
away from the clutches of bamboo traps
Bakit ginagaya yung movement ng animals?
• Our ancestors just like all others in the world during
those times were hunter gatherers, before there were
cities and large monuments, the pre-colonial filipino
hunted food and game that were shared among
members of a community in a gathering where they
told stories about the hunt
Ethnic Musical Instruments
• When they conduct rituals, usually accompanied with
instruments
• they imitated the movements of animals that they
hunt, this mark the early beginning of theater or play
acting and when they learned to add drum beating and
attach rhythm to their movements, they had given birth
to music and dance
CARVING
1. Kudyapi - a three stringed guitar
2. Hagabi (Ifugao)
⁃wooden bench that marks the socio-economic status
of the owner
2. Kulintang - an array of bossed gongs
1 .Bulul (Cordillera)
⁃granary god that plays important role in ritual
⁃anthropomorphic bull appears in containers bowls and
spoons
- mas masagana yung ani pag may mga rituals sila na
ginagawa with the bulul.
3. Gansa - flat gong
4. Agong - a large bossed gang
Native Art forms before colonization period
Native Dance Forms
1. Pangalay (Sulu) ⁃ mimetic dance of seabirds
On the other hand, Christianized communities in Paete
Laguna and Betis Pampanga are known for carving
santos. In the Southern Philippines curvilinear
decorations called the okir are employed in
woodcarving.
3. Sarimanok
- is the stylized design of a bird holding a fish in rect its
beak and/or standing on a base in the shape of a fish.
- Sarimanok is a mythical creature
pigments or yung pangkulay sa hinahabi nila, they
extract colors from clay, roots, and leaves of plants.
4. Naga - has the form of an elaborate mythical serpent
or dragon ewith a vigorous S-curve and numerous
curvilinear motifs to suggest its scales.
5. Pako rabong - is a stylized growing fern with a broad
base gracefully tapering upwards.
- The sarimanok and naga are found in the panolong,
the extended floor beam, and the interior beams and
posts of the large sultan's house called torogan.
Manunggul Jar
- The Manunggul Jar, excavated in Manunggul Cave
Lipunan Point Palawan is dated to the late Neolithic
Period (890-710). It has two anthropomorphic or human
forms atop the lid.
• Nagpapakita ito ng mga paniniwala ng mga sinaunang
tao na nanirahan dto sa pilipinas, may konsepto na sila
ng life after death kaya may mga ganyan na silang burial
practices
• Yung dalawang namamangka sa manunggul jar, is
interpreted as a methapor, of travel to the afterlife (yun
daw ang maghahatid sa kaluluwa sa kabilang buhay)
• Palayok yung mga ginagamet paren hanggang ngayon,
for cooking
• Banga and tapayan, for storing water
-In later years pottery would become more and more
associated with objects for daily use, such as the
palayok (clay pot) for cooking, and the banga and
tapayan (clay pot) for storing liquids. In Vigan ilocos the
making of burnay pottery continues as a lively tradition.
TEXTILES
- According to Respicio "textile weaving has a long
history, Philippine ethnolinguistic groups have a rich
textile weaving tradition"
- Textiles are not only functional they also impart
knowledge about people's belief systems: the reverence
for spirits and nature, criteria for beautiful and the
society's sociopolitical structure.
- In traditional weaving, the fibers are gathered from
plants like cotton, abacca, pineapple leaves, while
- Weaving techniques are also applied in creating tools
for agricultural purposes
Woven Textiles
1. Pis syabit ⁃ a headpiece woven by Tausug of Sulu
2. Malong ⁃ it has exquisite tapestry panels called
langkit woven by the Maranao of Lanao Del Sur
3. Tepo Mat ⁃ a colorful double layered mat of Sama of
Tawi-Tawi made of pandan leaves
4. Ovaloid Baskets ⁃ made of nito and bamboo are used
as a head sling to carry harvest
5. Bubo ⁃ fish traps made of sturdy bamboo strips in
the llocos region.
TATOOS
⁃ shared by Southeast Asia and New Zealand other
ethnolinguistic groups that practices tattooing are
Kalinga, Kankanay, Ibaloy and Ifugao.
- Tinawag na "Islas De pintados" kase yung mga tao dun
ay may mga tatoo
Functions
• Aesthetic function, Tatoos were values Because it was
believed to protect the individual evil spirits.
• Considered as badge of maturity and bravery.
JEWELRY
• Aside from bodily inscriptions , jewelry is also believed
to make the wearer more attractive to the opposite sex
and as much also considering pleasing to the gods
- the T'boli in particular are known for wearing brass
chains bells and colorful beads.
Lotoans ⁃ betel nut boxes of various shapes
Brass Kendi and Gadur - used in ceremonies and are
cherished as status symbols or as heirloom pieces
1. Brass Kendi- lalagyan ng tubig
2. Gadur- is a container, ginagamet pag regalo, lalagyan
ng regalo doon sa family ng ikakasal
What are the main beliefs of Islam and how these
beliefs influence the way art is made
and interpreted or How art is influenced by Islam?
• Filipino muslims recognized that they belong to an
UMA or a community of believers central to the Islamic
faith is the doctrine of tawhid or Unity with God
• This belief emphasizes the impermanence of nature
and the incomprehensible greatness of the Divine
being.
• In Islamic art , we can observe how artists are
influenced by the notion of the Tawhid.
• Interior of the mosques are covered with elaborate
patterning in the form of reliefs to draw the attention
away from the concrete object or away from human
forms and nature toward the contemplation of the
Divine.
• Divine unity is expressed through abstract forms and
patterns that compel that believer to engage in mental
concentration.
• All islamic buildings must be Oriented toward Mecca
(Holy place)
• Bulbous dome which is characteristic of Islamic
architecture
Madrasa
- an educational institution offering instruction in
Islamic subjects including, but not limited to.
- religious/islamic school that facilitated the teaching of
arabic writing
•
•
•
•
•
•
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Tausug
Maranao
Maguindanao
Yakan
Samal
Badjao
Some areas in Palawan
1. Interior of mosques are covered with elaborate
patterning in the form of reliefs.
2. Parts of the Mosque like the mihrab or niche and the
Qibla wall are oriented toward the west
3. The courtyard or Ka'bah a black shrine believed to be
built by Prophet Muhammad himself
Panolong - an elaborately carved protusion akin to a
wing attached to the torogan.
- Luhul or canopy that takes inspiration from the tree of
life
Islam - Gained significant grounding in Sulu as early as
13th century.
Souther Philippines mas dominant ang Islam
- Islam was said to have gained significant grounding in
Sulu.
⁃Notion of Tawhid or Unity with God emphasizes the
impermanence of nature and the incomprehensible
greatness of the divine Being.
- Sayyid Abubakar of Arabia married Princess
Piramisuli, daughter of Rajah Baguinda.
- Abubakar succeeded the throne and established the
Sultanate of Sulu
Quran - also romanized Qur'an or Koran, is the central
religious text of Islam, believed by Muslims to be a
revelation from God.
- Islam was already well entrenched in Southern
Philippine where it continues to be culturally dominant.
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