MINISTRY OF HIGHER AND SECONDARY EDUCATION OF THE REPUBLIC OF UZBEKISTAN ALISHER NAVO’I TASHKENT STATE UNIVERSITY OF UZBEK LANGUAGE AND LITERATURE TRANSLATION THEORY AND PRACTICE FACULTY ENGLISH PHILOLOGY DEPARTMENT "Teaching creative writing " COURSE PAPER For the Course “Language Teaching Methodology” Group: Scientific advisor: 1 CONTENT Abstract…………………………………………………………………..3 Introduction………………………………………………………………4 Literature Review: The theoretical origins of Writing………………………………...5 The Evolution of Writing…………………………………………6 The Essentials of creative Writing………………………………..9 The Effectiveness of Writing……………………………………10 Principles of Writing…………………………………………….12 Methodology……………………………………………………………15 The Result………………………………………………………………18 Conclusion………………………………………………………………20 Reference………………………………………………………………..22 Appendix………………………………………………………………..23 2 Abstract Creative writing is one of the most enjoyable styles of writing for students. Not only does this allow students to explore their imaginations, but it also helps them structure their ideas and create writing they can be proud of. However, creative writing is a relatively difficult type of writing to teach and presents challenges for both new and seasoned teachers. Fortunately, however, with a little homework, teachers can better utilize their abilities to teach creative writing. 3 Introduction Generally, we write with a pen/pencil (handwriting) or a keyboard (typing). With a pen/pencil, we usually write on a surface like paper or a whiteboard. Keyboards are usually attached to typewriters, computers, or mobile devices. Speech recognition programs allow people who cannot see or use their hands to record their thoughts. To write clearly, it is essential to understand the underlying system of a language. In English, this includes knowing grammar, punctuation, and sentence structure. Vocabulary is also essential, as is correct spelling and formatting. A writer may write for pleasure or personal use, or for the readers of one or more people. The audience can be known (targeted) or unknown. Notes for learning purposes is an example of writing for yourself. Public blogging is an example of writing for an unknown audience. A letter to a friend is an example of writing for a targeted audience. Just like speaking, it's important to consider your audience as you write. There are different styles of writing, from formal to formal. Writing is a neuropsychological activity that involves cognitive and physical processes and uses writing systems to structure and translate human thoughts into persistent representations of human language. People. A writing system based on many of the same semantic structures as the language it represents, such as vocabulary and syntax, with an additional dependency on a symbology representing phonology and morphology. the morphology of that language. However, written language can take on characteristics that distinguish it from any other spoken language. The result of this activity, also known as "writing", and sometimes "text", is a series of linguistic symbols that are physically recorded, mechanically transferred, or represented by text. digital. The interpreter or text trigger is called a "reader". Writing systems themselves do not constitute languages (with the exception of computer languages); they are a means of representing language in a form that can be reproduced by others separated by time and/or space. While not all languages use a writing system, they can complement and extend the capabilities of spoken language by creating persistent forms of language that can be transmitted. (e.g., correspondence is written) and stored over time (e.g., a library or other public record). 4 Literature Review In this section, there are several various sides from which Teaching creative writing methods must be examined to determine its validity as a method for teachingcreative writing. They are 1) The theoretical origins of Writing ; 2) The Evolution of Writing; 3) The Essentials of creative Writing; 4) The Effectiveness of Writing; 5) Principles of Writing 1) The theoretical origins of Writing In the history of the development of writing systems in human civilizations, more complete writing systems preceded primitive writing, ideological or primitive sign systems (the symbols or letters that facilitate their memorization). Authentic text, in which the content of a linguistic utterance is coded so that other readers can reproduce, with some degree of accuracy, the exact utterance in writing, is a step forward. later. It differs from stub writing, which generally avoids encoding words and grammatical affixes, making it more difficult, if not impossible, to reconstruct the exact meaning intended by the writer. when the context is largely unknown. The earliest uses of writing in ancient Sumer were to record agricultural products and create contracts, but early writing was used for financial, religious, governmental, and legal purposes. These uses facilitated the dissemination of these social activities, the knowledge associated with them, and the expansion of centralized power. Writing later became the basis of knowledge institutions such as libraries, schools, universities, and scientific research and discipline. Along with these uses came the proliferation of genres, which often initially contained signs or reminders of social situations and uses, but the social meanings and implications of genres. Categories often become more latent as the social functions of these genres become more and more recognizable. as in the examples of money, currency, financial instrument and now digital currency. Some notary signs, used in conjunction with animal images, may have been dated to Paleolithic Europe as early as 35,000 BC and may be the first inscriptions: a A number of symbols are used in combination to convey seasonal behavioral information for hunted animals. The origin of the script is often attributed to the early pottery period of the Neolithic period, when clay tablets were used to record quantities of specific livestock or goods. These tokens were originally printed on the surface of a round 5 clay envelope and then stored in it. After that, the tokens were gradually replaced by flat boards, on which symbols were written with a stylus. Actual writing was first recorded in Uruk, towards the end of the 4th millennium BC, and shortly thereafter in various parts of the Near East. It has long been thought that writing was invented in a single civilization, a theory called "mononatal". Scholars believe that all writing originated in ancient Sumer (in Mesopotamia) and from there spread around the world through cultural contagion. a system that worked, passed down by merchants or merchants commuting between geographies. However, the discovery of writings from ancient Mesoamerica, far from Middle Eastern sources, proves that writing was invented many times over. Scholars now recognize that writing may have developed independently in at least four ancient civilizations: Mesopotamia (between 3400 and 3100 BC), Egypt (about 3250 BC), China (1200 BC). and the lowlands of Mesoamerica (about 500 BC). 2) The Evolution of Writing Symbolic communication systems differ from writing systems. With writing systems, one often needs to understand something about the relevant spoken language in order to understand the text. In contrast, symbolic systems, such as information signs, paintings, maps, and mathematics, usually do not require prior knowledge of the spoken language. Every human community has a language, a trait that is considered by many to be the innate and defining condition of the human race (see Origin of language). However, the development of writing systems and their partial replacement of traditional oral information systems has been sporadic, uneven, and slow. Once established, entire writing systems change more slowly than their spoken systems and often retain features and expressions that no longer exist in spoken language. A typical "write proto-to-true" system follows a common series of development stages: Visual writing system: glyphs (simplified images) represent objects and concepts directly. Within this framework, the following sub-steps can be distinguished: Mnemonic: glyphs mainly as a reminder. 6 Hieroglyphs: glyphs that directly represent an object or concept such as (A) chronology, (B) records, (C) contact information, (D) totems, titles and names, (E) religion, (F) customs, (G) history and (H) biography. Ideologies: Diagrams are abstract symbols that directly represent an idea or concept. Transition system: the diagram refers not only to the object or idea it represents, but also to its name. Phonetic system: Diagram refers to the spoken sound or symbol, and the shape of the graph is unrelated to its meaning. This resolves into the following sub-steps: Verbal: the graph (logogram) represents the whole word. Syllable: grapheme represents a syllable. Alphabetical order: grapheme represents a basic sound. The most famous pictorial writing systems of early pictograms or mnemonic symbols are: Jiahu symbol, engraved on tortoise shell at Jiahu, c. 6600 BC Vinča symbol (Tărtăria board), c. 5300 BC Ancient Indus script, c. 3100 BC In the Old World, writing systems actually evolved from Neolithic writing into the Early Bronze Age (4th millennium BC). Bronze Age text Writing appeared in many different cultures during the Bronze Age. Examples include Sumerian cuneiform, Egyptian hieroglyphs, Cretan hieroglyphs, Chinese script, Indus script, and Central American Olmec script. Chinese writing probably developed independently of Middle Eastern writing around 1600 BC. PreColumbian Mesoamerican writing systems (including the Olmec and Mayan scripts) are generally thought to be of independent origin. The first true alphabetic writing is believed to have been developed around 2000 BC for the Semitic workers of the Sinai by essentially giving the Egyptian hieroglyphic hieroglyphs Semitic values. (see History of the Proto-Sinaitic Alphabet and Alphabet). The Geʽez writing system of Ethiopia is considered Semitic. He may be of semi-independent origin, derived from the Sudanese Meroitic script. Most other alphabets in the world today have evolved from this innovation, many either adopting the Phoenician alphabet or being directly inspired by its design. In Italy, about 500 years have passed from the beginning of the ancient Italic alphabet to Plautus (about 750-250 BC), and in the case of the Germanic peoples, the corresponding period is similar, from the Elder Futhark's first inscription to the first text. like the Abrogans (c. 200–750 C.E.). Cuneiform 7 The original Sumerian writing system derives from a system of clay cards used to represent goods. By the end of the 4th millennium BC, this had evolved into a method of record keeping, using a circular stylus printed on soft clay at different angles to record numbers. This was gradually supplemented by visual writing using a pointed stylus to indicate what was being counted. In the 29th century BC, writing, at first for writing only, using a cuneiform stylus (hence the term cuneiform) evolved to include phonetic elements, gradually replacing round stylus and pointed stylus circa 2700-2500 BC. Around 2600 BC, cuneiform began to represent syllables in the Sumerian language. Eventually, cuneiform became a general-purpose writing system for symbols, syllables, and numbers. From the 26th century BC, this writing system was adapted into the Akkadian language, and from there into other languages, such as Hurrian and Hittite. Inscriptions similar in form to this writing system include the scripts of Ugaritic and Old Persian. Egyptian hieroglyphs The written word was crucial to the maintenance of the Egyptian empire, and literacy was concentrated among the educated elite. authorities. Geoffrey Sampson has stated that Egyptian hieroglyphs "became a little after the Sumerian script, and, perhaps [were] invented under the influence of the Sumerian script", and that "possibly the general idea of expressing acquire the words of a written language brought to Egypt from Sumerian Mesopotamia". Despite the importance of the early Egyptian-Mesopotamian relationship, due to the lack of direct evidence, "no definitive decision has been made as to the origin of hieroglyphics in ancient Egypt". Instead, it is emphasized and argued that "evidence for such a direct influence is still slim" and that "a very plausible argument can also be made for the independent development of written in Egypt". Since the 1990s, carvings have been discovered at Abydos, dating from 3400 to 3200 BC. AD, may challenge the classical idea that Mesopotamian symbolism predates Egypt's, although Egyptian writing appears abrupt at this time, whereas Mesopotamia has a The evolutionary history of the use of symbols in tokens dates back to around 8000 BC. These carvings, found in tomb U-J in Abydos, were written on ivory and were likely trademarks for other goods found in the tomb. Egyptian scholar Gamal Mokhtar argues that the inventory of hieroglyphic symbols is derived from "the fauna and flora used in the symbols [basically] African" and "links As far as writing is concerned, we have found that a purely Nilotic origin, hence Africa, is not only not excluded, but perhaps reflects 8 reality" although he recognized that the local circumstances The rule of Egypt makes it a receptacle for much influence. 3) The Essentials of creative Writing Introduce key elements of the story. Great literary works share elements between genres. For your students to excel at creative writing, they need to know the basics of storytelling. Therefore, you need to spend time focusing on the essentials of the art of storytelling. Focus instructional time on teaching: Topic. The theme of a story is the main message or idea behind it. Setting. The setting of a story is the place or time in which it takes place. The script. Plot is the entire story, narrative, or sequence of events. characterization. Characteristic is how a character or person in a story is explained or introduced to the reader. Conflict and dramatic action. Conflict and dramatic action are the main events of the story. These events are often tense or exciting and are used to engage the reader. Encourage students to engage the reader. While creative writing is an exercise in expressing one's creativity through writing, the trick to good creative writing is to make it truly engaging and engaging for the reader. The more compelling the story, the more creative the work will be overall. Explain how your students, as writers, can appeal to the humanity of their readers. A great way to do this is for them to explore character development. By developing the characters in their stories, readers will engage with the story. Discuss the triggers that draw the reader into an effective story. Most good stories start with a problem, which is solved by solving or ending the story. Encourage students to create a compelling issue that will engage the reader in the first pages of a short story or novel. Explain the importance of tone and atmosphere. Let your students know how important it is to have interesting settings with an engaging tone and atmosphere. The tone and atmosphere are basically the "feel" of the story. This is important for creating a compelling and balanced story. By establishing the tone and mood of a story, the author establishes their attitude towards the theme and mood of the story. 9 Tone can be positive, neutral or negative. The mood can be dark, happy, or not. Descriptive words like "darkness" or "sunshine" can help set both tone and mood. Promote the use of positive verbs. While a student can be a great writer, without using active verbs their story can be dry and unconvincing. To overcome this, you should ask your students to use active verbs throughout their stories. Active verbs are a great way to bring stories to life. Active verbs are used to express actions in a story. Active verbs are often a better alternative to the passive, as they help keep your writing clear and concise for the reader. For example, instead of writing "The cat was chased by the dog", your students could write "The dog chased the cat". Let students choose their topic. The first step in guiding students through the writing process is to allow them to choose their topic. Choosing their topic will allow your students to master their writing and use their own creative energy to craft a compelling story. Ask your students to brainstorm ideas that they really care about. If you need to limit the general topic, make sure your students have plenty of time in the general topic of the assignment. Never assign specific topics or force students to write. It will weaken the whole process. Ask your students to write a flexible plan. After your students have decided on a topic, ask them to create a general, flexible outline for their story. This outline will serve as a guide for them to write their story. Because the outline is flexible, it will guide the children without limiting their creativity. As: Let your students know that the plan is not binding. They don't have to follow it in the later stages of the writing process. Tell your students that parts of their plans should be written very generically. Have your students create multiple outlines or outlines that go in different directions (about plot and other narrative elements). The more avenues your students explore, the better. 4) The Effectiveness of Writing 10 Writing is not easy and is perhaps the most complex and difficult skill in language learning (Harmer, 2007; Hyland, 2002). It requires many devices such as complex grammatical equipment, stylistic skills, mechanical skills, careful vocabulary selection, and judgment skills (Hedge, 2005). Writing is also complex because it involves psychology, linguistics, and cognition (Byrne, 1995). In addition, many students are reluctant to participate enthusiastically in writing activities (Harmer, 2007). Foreign language writers often face a significant challenge in developing their writing skills (Evans et al., 2010). The main challenge for teachers when teaching writing is to see that learners learn from their previous mistakes and achieve fluency and accuracy in writing (Hemmati & Soltanpour, 2012). Writing has become a widely studied topic around the world over the past few decades. Writing a text requires students to understand what they want to write, why it is written in a particular way, and what form their final text will be in. Students at all educational levels are required to write a text, whether simple or even more complex. For example, undergraduate students must write summaries after reading the text (van Ockenburg et al., 2019). When students read an original text, they need to determine what information fits their purpose and is important enough to include in their summary text. One of the documents that students have to write is an essay. They have to write an argumentative text to complete the daily task or thesis (Hasani, 2016). Although writing argumentative texts is said to be a common task for college students, it is quite challenging (Deane & Song, 2015). Students often encounter problems such as writing incomplete arguments, failing to confirm argument elements, writing arguments that aren't clear, not having enough evidence to support the argument, and not understanding or responding to points of view. other (Hasani, 2016). College students also face other challenges when it comes to writing academic texts, including psychological problems with writing, such as a lack of confidence and lack of enthusiasm (Harmer, 2007). ). Self-esteem is considered as one of the factors affecting students' writing ability. Indeed, dual self-esteem can bring about successful cognitive or affective activity through attitudes of approval or disapproval and can indicate the extent to which individuals believe they are capable, meaningful, successful and worthy (Brown, 1994). Classroom writing activities should be clearly designed to develop students' writing habits in order to motivate them, build confidence, and adhere to writing (Harmer, 2007). Teachers should provide plenty of encouragement in 11 meaningful contexts, peer involvement, main text, helpful commentary, as well as guidance during the writing process (Hyland, 2002). Due to the difficulties in achieving writing, many techniques have been used by teachers. This study investigates two writing techniques, namely, Reflective Learning Portfolio (RLP) and Dialogue Journal Writing (DJW). Both techniques attempt to develop reflective practice through social interaction. RLP is an instructional technique used to teach writing that consists of a set of student work that demonstrates their efforts, progress, and achievements while writing (Corley & Zubizarreta, 2012). Meanwhile, DJW is a teaching technique consisting of a written dialogue between a teacher and a student (Gebhard, 2006). Thus, selfesteem is an assessment of personal worth expressed in an individual's attitude towards himself (Brown, 2000). Previous studies have shown that the reflective learning portfolio allows students to adapt to classroom situations, promote reflective thinking, and improve their writing (Farahian & Avarzamani, 2018; Khodadady , 2012; Reyes-Chua et al., 2020; Sulistyo et al., 2020). Meanwhile, Dialogue Journal Writing improves students' writing ability and improves students' motivation to write English texts (Foroutan & Noordin, 2012; Liao & Wong, 2010; Rokni & Seifi, 2013). 5) Principles of Writing Teachers may need to change techniques and even classroom layouts to engage all students in writing. To engage students in interactive writing, teachers will need to teach in an authentic way that meets the needs of all students (Jordan, 2009). According to Ruddell and Unrau (2004), a number of interactive components affect a writer's ability to understand a text. Beliefs and prior knowledge influence the writer's construction of meaning. It includes both emotional and cognitive conditioning. Influencing conditions include writing motivation, attitudes towards the article and its content, position of the writer, and sociocultural values and beliefs. The reflective learning portfolio (RLP) is a part of reflective learning that focuses on the context and the learning process (O'Donoghue, 2010). This writing technique encourages students to learn in a problem-solving environment that challenges their knowledge and encourages them to think about what they know and determine if their knowledge is specific and sufficient. depth or not based on the content of the courses (Hemmati & Sultanpour, 2012). The portfolio should include student involvement in content selection, selection criteria, and evidence 12 of student self-reflection. It encourages continuous reflection and collaboration, focusing on selective evidence of learning (Hemmati & Soltanpour, 2012), allowing students to self-assess and track their progress over time (Zubizarreta). , 2009). Furthermore, the portfolio can be in different forms, such as written documents, electronic displays or other creative projects (Zubizarreta, 2008). A study by Sabooni and Salehi (2015) showed that students' correct writing performance was improved by using a reflective learning portfolio. The second technique for teaching writing is dialogue writing (DJW). DJW is a written conversation between two parties, the teacher and the student (Gebhard, 2006). This technique encourages students to write about one or more topics of their choice, and the teacher writes individual responses. Dialogue Dialogue is a written interaction between a teacher and a student that focuses on meaning rather than form. It is a way to improve students' language skills, course content, and communication in written English (Peyton, 1993). In addition, DJW is one of the techniques that helps students improve their writing through meaningful interaction. It has been used in educational contexts to promote students' writing skills, improve reading comprehension, and help students retain content knowledge. In addition, DJW is also used to build classroom community, teacher-student relationships, as well as students' selfperception and self-confidence (Trites, 2009). Writing is one of the skills in English that requires learners to communicate in English in written form, that is, by writing something down. Harmer (2007) argues that teaching writing focuses on the product of the writing or the writing process itself. Meanwhile, Linse and Nunan (2005) say that writing is a combination of process and product. Influencing factors such as selfesteem, motivation, anxiety, and attitudes can have both positive and negative effects (Brown, 2000). In recent years, the importance of affective factors such as self-esteem has attracted interest in language learning due to their significant effects on foreign or second language learning. Self-esteem is often considered an evaluative part of self-concept (Blascovich & Tomaka, 1991). People with high self-esteem are highly motivated to seek and achieve a high level of self-esteem, protecting and enhancing it through their thoughts and actions (Rossouw, 2010). In contrast, low self-esteem is often seen as a threat that people are motivated to avoid and is often dysfunctional. People with high self-esteem benefit from an accurate description of themselves and are more confident in their view of themselves. Self-esteem is a psychological 13 factor that is positively related to students' writing ability (Fahim & Rad, 2012). The importance of self-esteem as a determinant of motivation should not be underestimated. The role of self-esteem is used in students as an aspect of motivation to help them demonstrate their writing ability. Students' writing performance is significantly affected by their self-esteem (Khansir & Abdolahi, 2014). Students with high self-esteem have been shown to have high writing abilities. In contrast, students with low self-esteem experienced more writing problems (Fahim & Rad, 2012). Furthermore, Swärd (2012) explains that there is a relationship between students' self-esteem and their writing ability. Students who scored high on the self-esteem questionnaire also had high written test scores and high academic scores. 14 Methodology A semi-experimental design was used in this study to answer the research questions. The semi-experimental design was carried out through a 2x2 factorial design to explore some of the salient qualities of the effectiveness of the students' reflective learning portfolio and dialogue journaling; ability to write with different self-esteem. Since the study design was semi-experimental, the study used quantitative tools to collect data. Among the types of non-probability sampling techniques, purposeful sampling has been chosen. Participants The participants in this study were 62 students enrolled in two writing groups, ranging in age from 18 to 23. Each group was made up of thirty-one students. The students are all native speakers of Bahasa Indonesia. Two classes are treated differently: the first experimental group is treated with RLP technique and the second experimental group is treated with DJW. As this study also addressed student self-esteem, students in each group were classified into groups with high and low self-esteem, which were determined by managing students using a selfesteem scale questionnaire. Rosenberg Self-Esteem (RSES). Students with high self-esteem were highly motivated, more confident, and did well in school, while students with low self-esteem were unsure of themselves and did poorly in school. Instrument Data collection tools include writing student self-esteem tests and questionnaires. All tools have been tried in the previous semester. The characteristics of the test students were similar to those of the actual participating students - fourth semester students of the university's English department. Validity and reliability were also calculated using SPSS. To assess the students' writing proficiency, the researchers used a written test. In this test, students must write a short essay consisting of four paragraphs. The test was administered to students in each experimental group before treatment (pre-test) and after treatment (post-test). To grade writing, two independent faculty members are selected as reviewers of student writing. This rating scale is based on Cohen (1994). It includes content, organization, language used, grammar, and mechanics. The questionnaire used to measure students' self-esteem is an available questionnaire developed by 15 Rosenberg (1965) called the Rosenberg Self-Esteem Scale (RSES). The Rosenberg Self-Esteem Scale consists of a ten-question instrument scored on a four-point feedback system. It reflects a two-dimensional structure: positive self-image (items 1, 3, 4, 7. 10) and negative self-image (items 2, 5, 6, 8 and 9). It asked participants to indicate how much they agree with a range of statements about them. Among the many self-esteem assessment tools, the Rosenberg Self-Esteem Scale (RSES) remains the most popular and widely adopted measure because its simplicity has encouraged its translation into many languages. Schmitt & Allik, 2005). Information on acceptable reliability (internal consistency and retest) and validity (convergence and discrimination) is available for the Rosenberg Self-Esteem Scale. The Rosenberg Self-Esteem Scale has been translated into 28 languages in 53 countries (Schmitt & Allik, 2005). This includes Italian, Persian (Khansir & Abdolahi, 2014) and Bahasa Indonesia. The Rosenberg Self-Esteem Scale reflects a two-way structure: a positive self-image (items 1, 3, 4, 7. 10) and negative self-image (items 2, 5, 6, 8 and 9). Data collection Two phases of data collection were carried out to answer the research questions. The first stage is preparation for teaching writing using RLP and DJW. The researchers then prepare lesson scenarios for each class based on the academic writing curriculum of the research university. Researchers also prepare tools for research. During this time, phase two is implementing writing techniques, including data collection activities, such as pre-test and post-test administration, and distribution of the RSES questionnaire. During the first week, the participants took a written test to collect data on the writing performance of the participating students. Then, RSES (Rosenberg SelfEsteem Scale) was also distributed to them to collect data on their self-esteem. From the second to the fourteenth week, the participants of the two treatment groups, namely the RLP class and the DJW class, had one meeting per week. Each lesson lasts 100 minutes. The first experimental group was taught using RLP and the second group was taught using DJW. There are six steps to implementing RLP technique in Class A. The first step is to write a draft, the second step is to self-assess, the third step is to write a second draft, the fourth step is to get feedback from teachers and peers. , the fifth step writes the final project and the sixth reflects on the completion of the final project. From meetings 16 two through fourteen, the RLP class took a 20-minute break at the end of each meeting to write in a journal reflecting the lesson. Reflection logs include a description of the course, what they have learned, and whether their personal growth has been improved by the situation. Participants were asked to save all of their work, including worksheets made in class, notes kept after feedback on teacher feedback, draft essays, homework assignments. home and school record templates. Meanwhile, the DJW technique was done in class B in four steps. The first phase is planning, the second is writing, the third is editing, and finally the final version is collected by the participating students. Each session in the DJW class also has about 20 minutes of recess at the end of the lesson. In this class, the participants had to write a dialogue diary for their teacher. Participants were asked not to worry about grammar or spelling and to freely express their thoughts and feelings. After the lesson is over, the teacher reads what the students wrote and makes comments in their diary. Finally, after all groups had learned to use RLP and DJW techniques, an essay test was administered as a post-test to assess the success of the participants' writing. Participants. Data analysis The next step after data collection is data analysis. The writing scoring scale used is based on Cohen (1994). It includes content, organization, language used, grammar, and mechanics. Data obtained from participating students' writing scores and responses to closed-ended questions were analyzed by statistical analysis via SPSS. Data from participants' writing scores were further analyzed using parametric tests. This parametric test is used because it is assumed that the written form of the variance of scores in the population is normally distributed (Gall et al., 2007). Before using inferential statistics to test the hypothesis, the data were analyzed using descriptive statistics and prerequisite tests, normality, and homogeneity were also performed. 17 The result Students with high self-esteem Before calculating the inferential analysis, the researchers applied pre-test analysis to test the normality and uniformity of variance. Based on the Kolmogorov Smirnov test, which was performed to test the normality of the writing scores of students with high self-esteem who studied by RLP, the pvalue before the test of the students was 0.91. Since the p value (0.91) > 0.05, the pre-test distribution is normal. The p-value after the student's test is 0.48. Since the p value (0.48) > 0.05, the distribution of the trial is normal. Based on the homogeneity test, the distribution of variance in the pre-test written achievement scores of students with high self-esteem in the RLP class was homogeneous. Indeed, the significant value is 0.30 > 0.05. Meanwhile, the distribution of variance of post-test written achievement scores of students with high self-esteem in the RLP class was homogeneous. Indeed, the significant value is 0.49 > 0.05. Descriptive analysis also showed that the N-Gain score of the students taking the RLP was 0.67. This shows that implementing ASD for students with high selfesteem is effective (right object). To determine if the RLP implementation was effective in teaching students with high self-esteem, the researchers analyzed the students' pre- and post-test data with an independent sample test. . Based on the results of the analysis, it was found that Sig. (double-sided) = 0.00<0.05. In other words, implementing RLP can significantly improve the writing ability of students with high self-esteem. Students with low self-esteem The researchers applied pre-test analysis to check the normality and uniformity of variance before calculating the inferential analysis. Based on the Kolmogorov Smirnov test, which was performed to test the normality of the writing scores of students with low self-esteem who studied by RLP, the p-value before the test of the students was 0.65. Since the p value (0.65) > 0.05, the distribution of the trial is normal. The p-value after the student's test is 0.99. Since the p value (0.99) > 0.05, the distribution of the trial is normal. Based on the homogeneity test, the distribution of variance in the pre-test written achievement scores of students with low self-esteem in the RLP class was homogeneous. Indeed, the significant value 18 is 0.30 > 0.05. Meanwhile, the distribution of variance of post-test written achievement scores of students with low self-esteem in the RLP class was homogeneous. Indeed, the significant value is 0.49 > 0.05. To determine whether RLP implementation affects the writing ability of students with low self-esteem, the researchers used a paired t-test and analyzed the data using SPSS. The analysis showed that the N-Gain score for students who took an RLP degree was 0.43. This shows that implementing RLP for students with low self-esteem is effective (right object). To determine if the RLP implementation was effective in teaching students with high self-esteem, the researchers analyzed the students' pre- and post-test data with an independent sample test. . Based on the results of the analysis, it was found that Sig. (bilateral) = 0.03<0.05. In other words, implementing RLP can significantly improve the writing ability of students with low self-esteem. 19 Conclusion According to Denise Schmandt-Besserat, writing originated with the counting and cataloging of agricultural products, followed by economic transactions involving the products. The government tax list follows. Written records have become essential for the accumulation and accounting of the assets of individuals, state and religious institutions as well as business transactions, loans, inheritance and property. With such documentation and accounting, it became more possible to accumulate wealth, as well as the power that accompanies wealth, especially for the benefit of royalty, the state, and religions. Contracts and loans aided the growth of long-distance international trade with accompanying import-export networks, supporting the rise of capitalism. Paper money (first appeared in China in the 11th century C.E.) and other financial instruments based on writing, initially in alphabetical form, later evolving into specialized genres, to interpret transaction and collateral (personal, bank or government) with value inherent in the document.[69] With the growth of economic activity in the late Middle Ages and the Renaissance in Europe, complex methods of accounting and value calculations emerged, such calculations were documented and explained in the manual. Subsequent incorporation of companies has increased the documentation related to the organization, management, distribution of activities and the maintenance of registers. Economic theory itself only began to develop in the late 18th century thanks to the works of theorists such as François Quesnay and Adam Smith. Even the concepts of economy and national economy are established through their texts and the texts of their colleagues. Since then, economics has evolved into a field with many authors contributing to the professional literature and governments collecting data, formulating policy, and creating institutions to govern and promote them. boost their economy. Diedre McCloskey examined the rhetorical strategies and discourse construction of modern economic theory. Graham Smart took an in-depth look at how the Bank of Canada uses text to collaborate on economic data-driven policy and then to communicate strategically with stakeholders. The identification of sacred religious texts or scriptures, often believed to be of divine origin, systematized distinct belief systems attached to specific divine texts and became the basis of modern religious concepts. The copying and dissemination of these texts became associated with these canonical religions and their popularity, and thus the focus of conversion. These sacred 20 books create an obligation for believers to read or follow the teachings of the priests or caste of priests responsible for reading, interpreting, and applying these texts. Well-known examples of such scriptures are the Torah, the Bible (with various collections of Old and New Testament books), the Quran, the Vedas, the Bhaghavad Gita, and the Scriptures, but there are many texts. more religious version. through the stories of different religions, many of which are still in use today. These texts, by virtue of their circulation, tend to advocate general guidelines for moral and ethical conduct, at least for all members of the religious community, but often the This is considered applicable to everyone, as in the Ten Commandments. 21 References 1. Association of Writing Programs, Vol 11, No 1, Available at http://www.textjournal.com.au/. (accessed 13 January 2009). Gray, C. and J. Malins 2004 2. Visualizing Research: A guide to the research process in art and design. Hants, England; Burlington, USA: Ashgate Publishing Company, Ltd. 3. Haseman, B. 2007 'Tightrope Writing: Creative Writing Programs in the RQF Environment', TEXT: The Journal of the Australian Association of Writing Programs, Vol 11, No 1, Available at http://www.textjournal.com.au/. (accessed 13 January 2009). 4. Hofstadter, D. R. 1979 Gödel, Escher, Bach: an Eternal Golden Braid. London: The Harvester Press Ltd, Pengin Books 1981. 5. Housel, R. 2007 „My truth - women speak cancer‟ PhD Thesis, School of English, 6. Sydney: University of New South Wales. Kroll, J. 2002 „ 7. Creative Writing as Research and the Dilemma of Accreditation: How do we prove the value of what we do?‟ TEXT: The Journal of the Australian 8. Association of Writing Programs, Vol 6, No 1, Available at http://www.textjournal.com.au/. (accessed 16 December 2009). 9. Magee, P. 2006 'Strange directions for future research (cultural studies as creative writing)', TEXT: The Journal of the Australian Association of Writing Programs, Vol 10, No 2, Available at http://www.textjournal.com.au/. (accessed 13 January 2009). Nelson, C. 2009 'Best practice? 10.The problem of peer reviewed creative practice research', TEXT: Journal of Writing and Writing Courses, Available at http://www.textjournal.com.au/. (accessed 19 April 2009). 22 Appendix 23 24