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LITERATURE IN THE NORMAN TIMES

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LITERATURE IN THE NORMAN TIMES
The Normans brought to England romances
—
love stories and
lyrical poems about their brave knights and their ladies.
The first English romances were translations from French. But later
on in the 12th century, there a
ppeared romances of Arthur, a legendary
king of Britain. In the 15th century Thomas Malory col
lected and
published them under the title
Sir Thomas Malory's Book of King
Arthur and of his Noble Knights of the Round Table.
The knights
gathered in King Arthu
r's city of Camelot f kaemiltrt]
.
Their meetings
were held at a round table, hence the title of the book. All the knights
were brave and gallant in their struggle against rob
bers, bad kings and
monsters. King Arthur was the wisest and most honest of them
all.
The townsfolk expressed their thoughts in fabliaus
[
'fasbliauz]
(funny stories about townsfolk) and fables. Fables were short sto
ries
with animals for characters and contained a moral.
Anglo
Saxon was spoken by the common people from the 5th till
th
e 14th century. The songs and ballads about harvest, mow
ing,
spinning and weaving were created by the country
folk, and were
learnt by heart, recited and sung accompanied by musical instruments
and dancing."
4.
Who collected and published the romances?
5.
Und
er what title did Thomas Malory collect the books?
6.
What was the book about?
7.
Where did the townsfolk express their thoughts?
8.
What was created by the country
folk?
9.
Say how the Norman Conquest affected English literature.
Vocabulary
accompany
[
э
'
клтрэга
]
^
сопровождать
legendary ['leapndgn]
а
легендарный
contain
[
кэп
Чет
]
v
содержать
mowing
['
тэшп
]
п
косьба
fable f'feibl]
n
басня
recite [rfsait] v
декламировать
fabliau [fae'blisu]
n
фабльо
romance [re'maens]
n
роман
gallant ['gsebnt]
а
храбрый
spinnin
g ['spmm]
n
прядение
hence [hens]
adv
отсюда
weaving ['wi:virj]
n
тканье
knight [nait]
л
рыцарь
wise [waiz]
а
мудрый
Questions and Tasks
1.
What stories did the Normans bring to England?
2.
What were the first English romances?
3.
What romances appeared in the 12th
century?
30
*
English Literature
in
the 14th Century
PRE
RENAISSANCE IN ENGLAND
The Norman kings made London their residence. The London
dialect was the central dialect, and it was understood throughout the
country. It was the London dialect from whic
h the national language
developed.
In the 14th century the English bourgeoisie traded with Flan
ders
(now Belgium)
.
The English sold wool to Flanders and the latter
produced the finest cloth. England wanted to become the centre of the
world market. Flemish
weavers were invited to Eng
land to teach the
English their trade. But feudalism was a serious obstacle to the
development of the country. In the first half of the 14th century France
threatened the free towns of Flanders, wish
ing to seize them. England
was afraid of losing its wool market.
A collision between France and England was inevitable. King
Edward III made war with France in
1337.
This war is now called the
Hundred Years' War because it lasted over a hundred years. At first
England was successful
in the war. The English fleet defeated the
French fleet in the Channel. Then the English also won battles on
land. B
\
it the ruin of France and the famine brought about a terrible
disease called the "pestilence"
.
It was brought over to England from
France
. The English soldiers called it the "Black Death"
.
By the year
1348
one
third of England's population had perished. The peasants who
had survived were forced to till the land of their lords.
As years went on, the French united against their enemy. As the
king needed money for the war, Parliament voted for extra taxes. The
increasing feudal oppression, cruel laws and the growth of taxes
aroused people's indignation and revolts broke out all over the country.
In
1381
there was a great uprising with Wat Tyler
at the head. The
rebels set fire to the houses, burnt valuable things, killed the king's
judges and officials. They demanded the aboli
tion of serfdom and
taxes, higher wages and guarantees against feudal oppression. But the
rebellion was suppressed, and
Wat Tyler was murdered.
Nothing made the people so angry as the rich foreign bishops of the
Catholic Church who did not think about the sufferings of the people.
The protest against the Catholic Church and the growth of national
feeling during the first ye
ars of the Great War found an echo in
literature. There appeared poor priests who wandered from one village
to another and talked to the people. They protested against the rich
bishops and also against all churchmen who were ignorant men and did
not want t
o teach the people anything.
Such poor priests were the poet William Langland and John
4
Wycliffe. They urged to fight for their rights. But the greatest writer of
the 14th century was Geoffrey Chaucer, who was the writer of the
new
class, the bourgeoisie.
He was the first to clear the way for realism.
Vocabulary
abolition Laebs'lifgn]
л
отмена
bishop ['bijbp]
л
епископ
collision
[
кэ
'11
зэп
]
л
столкновение
echo
['
екэи
]
л
отражение
famine ['fsemm]
л
голод
Flanders ['flaindaz]
л
Фландрия
Flemish ['flemij]
а
фламандский
force [fo:s]
v
заставлять
guarantee Lgasran'ti:]
v
гарантировать
32
33
ignorant ['ignsrent]
а
невежественный
indignation [^mdig'neifan]
n
возмуще
ние
,
негодование
inevitable [m'evitabl]
а
неизбежный
latter ['tets]
а
последний
obstacle ['obstakl]
л
препятствие
official
[s'ftjbl]
n
чиновник
;
служащий
oppression
[
э
'
рге
/
эп
]
л
угнетение
;
гнет
outcome
['autksm]
л
последствие
tax [tasks]
n
налог
threaten ['Gretn]
v
угрожать
throughout [9ru:'aut]
adv
повсюду
till [til]
v
обрабатывать
(
землю
),
пахать
urge
[
з
:
с
&]
v
побуждать
,
заставлять
wander
['wands]
v
бродить
weaver ['wirval
n
ткач
Questions and Tasks
1.
Describ
e the political situation of England in the 14th century.
2.
How did people react to growing feudal oppression?
3.
Talk about Wat Tyler's Rebellion and its outcome.
4.
What was the result of the protest against the Catholic Church?
5.
What did poor priests protest aga
inst?
6.
What do you know about the poets William Langland and John Wycliffe?
7.
Who was the greatest writer of the 14th century?
Geoffrey Chaucer
(1340
1400)
The most vivid description of the 14th century
England was given by Geoffrey Chaucer
[
'd3efn
'tfo:ss]. He was the first truly great writer in Eng
lish literature and is called the "father of English
poetry". Chaucer was born in London, into the
family of a wine merchant. His father had
connections with the court and hoped for a
courti
er'
s career for his son. At seventeen Ge
offrey became page to a lady at the court of
Edward III. At twenty, Chau
cer was in
France, serving as a squire. During
1373
and
the next few years Chaucer travelled much
and lived a busy life. He went to France,
made
three journeys to Italy. Italian literature
opened to Chaucer a new world of art. Chaucer's
earli
est poems were written in imitation of the French romances.
The second period of Chaucer's literary work was that of the Ital
ian
influence. To this period b
elong the following poems:
The House of
Fame, The Parliament of Fowls,
a poem satirizing Parliament,
The
Legend of Good Women
and others.
When Chaucer came back to England, he received the post of
Controller of the Customs in the port of London. Chaucer he
ld this
position for ten years. He devoted his free time to hard study and
writing. Later Chaucer was appointed "Knight for the Shire of Kent",
which meant that he sat in Parliament as a representa
tive for Kent.
He often had to go on business to Kent and
there he observed the
pilgrimages to Canterbury.
The third period of Chaucer's creative work begins in the year
1384,
when he started writing his masterpiece,
The Can
terbury Tales.
Chaucer died in
1400
and was buried in Westminster Abbey.
Chaucer was the
last English writer of the Middle Ages and the first of
the Renaissance.
Vocabulary
court [ko:t]
n
двор
короля
courtie
r
['
кэ
:
ф
]
п
придворный
esquire [is'kwaia]
n
оруженосец
pilgrimage ['pilgnmKfe]
n
паломни чество
Questions and Tasks
1.
Give the main facts of Chaucer's life.
2.
What were the sources of Chaucer's creative work?
3.
Speak about the three periods of Chaucer's creative
work.
4.
What is his masterpiece?
5.
When did Chaucer die?
6.
Where was he buried?
34
35
perish ['penfl v
погибать
pestilence
['pestibns]
n
чума
rebellion [n'beljsn]
n
восстание
revolt [ri'vault]
n
восстание
serfdom ['s3:fdsm]
n
крепостное
право
suppress [sa'pres]
v
подавлять
survive
[sg'vaiv]
v
выжить
,
уцелеть
Geoffrey Chaucer
post [psust]
n
поет
,
должность
satirize ['saetaraiz]
v
высмеивать
shire [fara]
n
графство
source
[so:s]
n
источник
vivid ['vivid]
о
яркий
The Canterbury Tales
This is the greatest work of Chaucer in which his realism, iro
ny and
freedom of views reached such a high level that it had no equal in all
the Engl
ish literature up to the 16th century. That's why Chaucer was
called "the founder of realism". It is for the
Canterbury Tales
that
Chaucer's name is best remembered. The book is an unfinished
collection of stories in verse told by the pilgrims on their jou
rney to
Canterbury. Each pilgrim was to tell four stories. Chaucer managed to
write only twenty
four instead of the proposed one hundred and
twenty
four stories.
All his characters are typical representatives of their classes. When
assembled, they form one
people, the English people. Chaucer kept the
whole poem alive and full of humour not only by the tales themselves
but also by the talk, comments and the opinions of the pilgrims.
The prologue is the most interesting part of the work. It acquaints
the read
er with medieval society. The pilgrims are persons of dif
ferent
social ranks and occupations. Chaucer has portrayed them with great
skill at once as types and as individuals true to their own age. There is a
knight, a yeoman (a man who owned land; a farme
r)
,
a nun, a monk, a
priest, a"merchant, a clerk, a sailor, Chaucer himself and others, thirty
one pilgrims in all. The knight is brave, simple and modest. He is
Chaucer's ideal of a soldier. The nun weeps seeing a mouse caught in a
trap but turns her head
from a beggar in his "ugly rags". The fat monk
prefers hunting and good dinners to prayers. The merchant's wife is
merry and strong. She has red cheeks and red stockings on her fat legs.
The clerk is a poor philosopher who spends all his money on books.
E
ach of the travellers tells a different kind of story showing his own
views and character. Some are comical, gay, witty or roman
tic, others
are serious and even tragic.
In Chaucer's age the English language was still divided by dia
lects.
Chaucer wrote in
the London dialect, the most popular one at that time.
With his poetry the London dialect became the Eng
lish literary
language. Chaucer does not teach his readers what is good or bad by
moralizing; he was not a preacher. He merely paid
joi
*mi
Pilgr
ims on their journey to Canterbury
attention to the people around him; he drew his characters "ac
cording
to profession and degree", so they instantly became typi
cal of their
class.
Vocabulary
appoint [a'pomt]
v
назначать
assemble
[o'sembl]
v
собираться
career
[
кэ
'
пэ
]
п
карьера
comment
[
'knmsnt]
n
комментарий
,
толкование
degree [di'gri:]
n
положение
,
ранг
equal ['i:kwal]
а
равный
framework
['freimw3:k]
n
структура
instantly ['mstanth]
adv
немедленно
level ['levl]
n
уровень
medieval [^medi'i^sl]
а
средневековый
36
37
merely ['miali]
adv
только
,
просто
moralize ['rrrorelaiz] v
поучать
nun
[
плп
]
п
монахиня
pilgrim ['pilgrim]
n
паломник
prayer ['preis]
n
молитва
preacher
['pritfa]
л
проповедник
prologue
fprsulog]
n
пролог
rank [rserjk]
n
звание
;
ранг
trap [trsep]
n
капкан
weep
[wi:p]
v
(wept
)
плакать
yeoman
Пэитэп
]
п
иомен
,
фермер
Questions and Tasks
1.
Thanks to what work is Chaucer's name best remembered?
2.
Describe the framework of the
Canterbury Tales.
3.
Speak on the
characters'of the
Canterbury Tales
as typical representatives
of their time.
4.
Speak on the subject and form of the tales.
5.
Comment on the state of the English language at the beginning of the 14th
century and Chaucer's contribution to the development of the
English
language.
6.
Speak on Chaucer's place in English literature.
English Literature
in
the 15th Century
i
THE WARS OF THE ROSES
The death of Chaucer was a great blow to English poetry. It took
two centuries to produce a poet equal to him. The Hundred Yea
rs' War
ended, but another misfortune befell the country: a feudal war broke
out between the descendants of Edward III in the 15th century.
When the English were completely driven out of France by
1453,
the Yorkists took up arms against the Lancastrians, a
nd in
1455
the
Wars of the Roses began.
It was a feudal war between the big barons of the House of Lancas
ter, wishing to continue the war with France and to seize the lands of
other people thus increasing their land possessions and the lesser
barons and m
erchants of the House of York, who wished to give up
fighting in France as it was too expensive for them (The Yorkists had a
white rose in their coat of arms, hence the name of the war)
.
When the Wars of the Roses ended in
1485
Henry VII was pro
claimed Ki
ng of England. The reign of the Tudors was the begin
ning
of an absolute monarchy in England, and at the same time it helped to
do away with feudal fighting once and for all.
39
Vocabulary
befall [bf foil] vjbefell; befallen)
случаться
lesser ['lesa]
а
мелкий
coat of arms ['ksutav'aimz]
n
герб
proclaim [pra'kleim]
v
объявлять
;
про
descendant [di'sendsnt]
n
потомок
возглашать
Lancastrian [laen'kEestnan]
n
сторон
Yorkist ['p:kist]
n
сторонник
Йоркской
ник
Ланкастерской
династии
династии
Questions and Tasks
1.
What misfortune befell England in the 15th century?
2.
When did the Wars of the Roses begin?
3.
Talk about the reasons for the war.
4.
When did the war end?
5.
Who was proclaimed King of England?
6.
What was the reign of the Tudors for Englan
d?
Folk
Songs and Ballads
Though there was hardly any written literature in England in the
15th century, folk poetry flourished in England and Scot
land. Folk
songs were heard everywhere. Songs were made up for every occasion.
There were harvest songs, mow
ing songs, spin
ning and weaving songs,
etc.
The best of folk poetry were the ballads. A ballad is a short
narrative in verse with the refrain following each stanza. The re
frain
was always one and the same. Ballads were often accompa
nied by
musical instr
uments and dancing. They became the most popular form
of amusement. Some ballads could be performed by several people
because they consisted of dialogues.
There were various kinds of ballads: historical, legendary, fan
tastical, lyrical and humorous. The b
allads passed from genera
tion to
generation through the centuries
—
that's why there are several
versions of the same ballads. So about
305
ballads have more than a
thousand versions.
The most popular ballads were those about Robin Hood.
The art of printi
ng did not stop the development of folk
songs and
ballads. They continued to appear till the 18th century when
40
they were collected and printed. The common people of Eng
land
expressed their feelings in popular ballads.
Vocabulary
flourish
['
АлпГ
]
v
про
цветать
refrain [n'frem]
n
припев
generation [^djem'reijbn]
n
поколение
stanza ['staenza]
n
строфа
narrative ['naeretrv]
n
повествование
version ['v3:Jsn]
п
вариант
occasion
[
э
'
кегзэп
]
п
случай
Questions and Tasks
1.
What poetry flourished in England in the 1
5th century?
2.
What kind of songs were there?
3.
What was the best of folk poetry?
4.
What is a ballad?
5.
Why could some ballads be performed by several people?
6.
What kinds of ballads were there?
7.
Explain why there are several versions of the same ballads.
8.
What were t
he most popular ballads?
The Robin Hood Ballads
England's favourite hero, Robin Hood, is a partly legendary, partly
historical character. The old ballads about the famous out
law say that
he lived in about the second half of the 12th century, in the times
of
King Henry II and his son Richard the Lion
Heart. Society in those
days was mainly divided into lords and peasants. Since the battle of
Hastings
(1066)
the Saxons had been op
pressed by the Normans. In
those days many of the big castles belonged to robb
er
barons who ill
treated the people, stole chil
dren, took away the cattle. If the country
folk resisted, they were either killed by the barons or driven away, and
their homes were destroyed. They had no choice but to go out in bands
and hide in the woods
; then they were declared "outlaws" (outside the
pro
tection of the law).
The forest abounded in game of all kinds. The Saxons were good
hunters and skilled archers. But in the reign of Henry II the
41
numerous herds of deer were proclaimed "the king's de
er" and the
forests "the king's forests". Hunting was prohibited. A poor man was
cruelly punished for killing one of those royal animals. This was the
England of Robin Hood about whom there are some fifty or more
ballads.
Robin Hood
Robin Hood is a brave
outlaw. In Sherwood Forest near Not
tingham
there was a large band of outlaws led by Robin Hood. He came from a
family of Saxon land owners, whose land had been seized by a Norman
baron. Robin Hood took with him all his family and went to the forest.
The
ballads of Robin Hood tell us of his
adventures in the forest as an outlaw. Many Saxons joined him there.
They were called "the merry men of Robin Hood".
Robin Hood was strong, brave and clever. He was much cle
verer,
wittier and nobler than any nobleman.
He was the first in all
competitions. Robin Hood was portrayed as a tireless enemy of the
Norman oppressors, a favourite of the country folk, a real cham
pion of
the poor. He was generous and tender
hearted and he was always ready
to respond to anybody's
call for help. His worst ene
mies were the
Sheriff of Nottingham, the bishop and greedy monks. He always
escaped any trouble and took revenge on his enemies. Robin Hood was
a man of a merry joke and kind heart.
The ballads tell us of Robin Hood's friends
—
of Little John who
was ironically called "little" for being very tall; of thejolly fat Friar
Tuck who skilfully used his stick in the battle. Their hatred for the
cruel oppressors united them and they led a merry and free life in
Sherwood Forest.
The ball
ads of Robin Hood gained great popularity in the sec
ond
half of the 14th century when the peasants struggled against their
masters and oppressors. The ballads played an important role in the
development of English poetry up to the 20th century. They becam
e so
popular that the names of their authors were forgotten.
Vocabulary
abound [a'baund]
v
изобиловать
archer
['aitja]
n
стрелок
из
лука
avoid [s'void]
v
избегать
band [baend]
n
отряд
,
группа
crude
[kra:d]
а
грубый
gain [gem]
v
добиться
game
[geim]
n
дичь
generous ['gemras]
а
великодушный
herd [h.3:d]
n
стадо
ill
treat
['il'tiit] v
дурно
,
жестоко
об
ращаться
jolly
['
<%
D
!
I
]
а
веселый
42
43
mainly ['memli]
adv
главным
образом
outlaw ['autlo:]
n
изгнанник
proclaim [pre'kleim]
v
объявлять
;
про
возглашать
prohibit [prs'hibit] v
запрещать
resist [n'zist] v
сопротивляться
resp
ond [ns'ptmd]
v
отозваться
revenge [rf vend^]
n
месть
take
revenge
отомстить
tender
hearted ['tendg'haitid]
а
доб
рый
;
отзывчивый
Questions and Tasks
1.
What did the old ballads say about
the time Robin Hood lived?
2.
Describe the conditions of the Saxons after the Norman Conquest.
3.
What family did Robin Hood come from?
4.
What kind of man was he?
5.
Who were his worst enemies?
6.
Who were his friends?
7.
How was Robin Hood portrayed in the ballads?
8.
When d
id the ballads of Robin Hood gain great popularity?
!
English Literature
I
in the
1
6th Century
Henry VII was proclaimed King of England after the Wars of the
Roses ended. Most of the great earls had killed one another in these
wars and Henry VII was able
to seize their lands without difficulty and
give them to those who had helped him to fight for the Crown.
Thousands of small landowners appeared in England. They called
themselves "squires". The squires let part of their estates to farmers
who paid rent fo
r the use of this land. The farmers, in their turn, hired
labourers to till the soil and tend the sheep. The peasants in the villages
had land and pastures in common.
By the reign of Henry VIII (son of Henry VII) trade had expand
ed.
Trading companies spra
ng up and ships were built fitted to cross the
ocean.
The English bourgeoisie strove for independence from other
countries. The independence of a country is associated with the
Old English (Anglo-Saxon) Period (450–1066)
* Middle English Period (1066–1500
* The Renaissance (1500–1660)
* The Neoclassical Period (1600–1785)
* The Victorian Period (1832–1901)
The Romantic Period (1785–1832)
* The Edwardian Period (1901–1914)
* The Georgian Period (1910–1936)
* The Modern Period (1914– period-1914)
* The Postmodern Period (1945 postmodern-period-1945)
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