Hannah Gadsby’s Oz – Full Series Credits
WRITTEN & PRESENTED BY
HANNAH GADSBY
-----DIRECTED & CO-WRITTEN BY
MATTHEW BATE
-----------PRODUCED BY
REBECCA SUMMERTON
-----EDITOR
DAVID SCARBOROUGH
COMPOSER & MUSIC EDITOR
BENJAMIN SPEED
-----ART HISTORY CONSULTANT
LISA SLADE
------
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Hannah Gadsby’s Oz – Full Series Credits
ARTISTS LIAM BENSON
DANIEL BOYD
JULIE GOUGH
ROSEMARY LAING
SUE KNEEBONE
BEN QUILTY
LESLIE RICE
JOAN ROSS
JASON WING
HEIDI YARDLEY
RAYMOND ZADA
INTERVIEWEES PROFESSOR CATHERINE SPECK
LINDSAY MCDOUGALL
-----PRODUCTION MANAGER MATT VESELY
PRODUCTION ASSISTANTS FELICE BURNS
CORINNA MCLAINE
CATE ELLIOTT
RESEARCHERS CHERYL CRILLY
ANGELA DAWES
RESEARCHER ABC CLARE CREMIN
COPYRIGHT MANAGEMENT DEBRA LIANG
MATT VESELY
CATE ELLIOTT
-----DIRECTOR OF PHOTOGRAPHY NIMA NABILI RAD
SHOOTING DIRECTOR DIMI POULIOTIS
SOUND RECORDISTS DAREN CLARKE
LEIGH KENYON
TOBI ARMBRUSTER
JOEL VALERIE
DAVID SPRINGAN-O’ROURKE
TEST SHOOT SOUND RECORDIST LACHLAN COLES
GAFFER ROBERTTO KARAS
GRIP HUGH FREYTAG
------
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Hannah Gadsby’s Oz – Full Series Credits
TITLES, MOTION GRAPHICS & COLOURIST
RAYNOR PETTGE
DIALOGUE EDITOR/RE-RECORDING MIXER PETE BEST
SOUND EDITORS EMMA BORTIGNON
SCOTT ILLINGWORTH
PUBLICITY STILLS JONATHAN VAN DER KNAPP
-----TOKEN ARTISTS MANAGING DIRECTOR KEVIN WHTYE
ARTIST MANAGER ERIN ZAMAGNI
TOKEN ARTISTS LEGAL & BUSINESS CAM ROGERS
AFFAIRS MANAGER
-----ARTWORK SUPPLIED BY:
Ann Mills
Art Gallery New South Wales
Art Gallery of Ballarat
Art Gallery of New South Wales
Art Gallery of South Australia
Australian War Memorial, Canberra
Bendigo Art Gallery
Bronwyn Wright
Chris Bell
David Olteneau
Garrie Maguire
Geelong Gallery
James & Barbara Jackson
Jill White
Manize Abedin
Margaret Stevenson-Meere
Mitchell Library, State Library Of New South Wales
National Gallery of Australia
National Gallery of Victoria, Melbourne
National History Museum, London
National Library Of Australia
National Portrait Gallery Canberra
Newcastle Art Gallery
Queen Victoria Museum & Art Gallery, Tasmania
State Art Collection, Art Gallery of Western Australia
State Library of New South Wales
State Library of Queensland
State Library of Victoria
The Kerry Stokes Collection
Viscopy Ltd
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Hannah Gadsby’s Oz – Full Series Credits
Liam Benson images courtesy of the artist
Daniel Boyd images courtesy of the Artist, Roslyn Oxley9 Gallery NSW,
Kalimanrawlins Art Gallery Victoria & National History Museum London
Grace Cossington Smith images courtesy of Ann Mills, National Gallery of
Victoria, National Portrait Gallery & Art Gallery of New South Wales, National
Gallery of Australia
John Glover statue courtesy of Peter Corlett OAM
Julie Gough images courtesy of the Artist, National Gallery of Australia & Bett
Gallery HobartArtis
Ludwig Hirschfeld Mack images courtesy of Chris Bell & National Gallery of
Australia
Sue Kneebone images courtesy of the Artist
t
Rosemary Laing images courtesy of the Artist & Tolarno Galleries, Melbourne
Bea Maddock images courtesy of the artist and National Gallery of Australia
Charles Meere images courtesy of Margaret Stevenson-Meere & Art Gallery of
New South Wales
‘Ned And Fatima’ image courtesy of Liam Benson & Manize Abedin
Adelaide Perry images courtesy of James and Barbara Jackson and National
Gallery of Australia
Margaret Preston images courtesy of Viscopy Ltd, Art Gallery New South Wales,
National Gallery of Australia
Ben Quilty images courtesy of the artist, Tolarno Galleries Melbourne and Jan
Murphy Gallery Brisbane
Hilda Rix Nicholas images courtesy of Australian War Memorial, Art Gallery of
South Australia & Bronwyn Wright
Joan Ross images courtesy of the artist, Michael Reid Gallery Sydney and Bett
Gallery Hobart
Jesse Traill images courtesy of Viscopy and Art Gallery New South Wales
Jason Wing images courtesy of the artist
Heidi Yardley images courtesy of the Artist & Jan Murphy Gallery Brisbane
Raymond Zada images courtesy of the Artist
Lindsay McDougall tattoo artwork courtesy of David Olteneau
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Hannah Gadsby’s Oz – Full Series Credits
-----ARCHIVAL FOOTAGE SUPPLIED BY
ABC Archival
Ronnie Chin
Film Australia Collection
Scott McDonald & Mill Street Productions
National Film And Sound Archive
Queen Victoria Museum & Art Gallery, Tasmania
-----THANKS TO:
JEN LALOR, JANE DEETH, ALAN JONES, SURAHN SIDHU
GREG MARSH, BELINDA HUMPHRIS, AMANDA DUTHIE
MELISSA JUHANSON & VIRON PAPADOPOULOS
STEVE BURROWS - STATE LIBRARY OF SOUTH AUSTRALIA,
TONY SCHUMAN - CAPTAIN JOLLEY’S PADDLE BOATS,
HENRIQUE - BELGIAN BEER CAFÉ ADELAIDE,
LISA SLADE - ART GALLERY OF SOUTH AUSTRALIA,
ALAN LLOYD – SAFC, MARK WELLS, PAUL HOGAN
MORAG DRAPER & DAVID FAGAN - THE TATTOO GALLERY,
KEVIN GREGG - THE EXETER HOTEL, STUART CRANE, TONY BELLINI,
REBECCA DRAYSEY & NICK DARVILL - ADELAIDE CITY COUNCIL,
LEWIS WHITTENBURY, BEAU WILLIAMS, JASPER, JENNIFER DOBBINS &
CAITLIN TAYLOR - NATIONAL GALLERY OF AUSTRALIA, NATIONAL CAPITAL
AUTHORITY, TOM VASEY & DENNIS STOCKMAN - AUSTRALIAN WAR
MEMORIAL, LOUISE WILLIAMS - PALIAMENT HOUSE, JULIE AKAMACIC AUSTRALIAN NATIONAL BOTANIC GARDENS,
ANNE WALSH, TED & THE MANAGEMENT OF HANGING ROCK RESERVE –
MACEDON RANGES SHIRE COUNCIL, FIONA ATHERSMITH - BANYULE CITY
COUNCIL,
PHIL HAHN - NATIONAL PARKS AND WILDLIFE SERVICE,
FAIRY BOWER FALLS, NSW GOVERNMENT – DEPARTMENT FOR ENVIRONMENT,
CLIMATE CHANGE & WATER, DOOTCH – ILLIWARA LOCAL ABORIGINAL LAND
COUNCIL, KELLY STONE - MUSEUM OF CONTEMPORARY ART AUSTRALIA
(MCA), MARY AINLEY & FIONA WALKER - CITY OF SYDNEY, TONY MECHAM COCO CUBANO PARRAMATTA, CATHERINE LEATHER - SUTHERLAND SHIRE
COUNCIL, JODIE WALKER - WAVERLEY COUNCIL,
VANESSA NIEUWENHUIS - SYDNEY HARBOUR FORESHORE AUTHORITY,
CHARLOTTE BARRY, TARA BOJDAK, CHRIS HENRY, BERNARD WHEATLEY
- BRIDGECLIMB, EDDIE CARMICHAEL, SUE CARMICHAEL, JOHN GARD MOTOR YACHT CLUB OF TASMANIA,
RICHARD MULVANEY & YVONNE ADKINS - QUEEN VICTORIA MUSEUM AND ART
GALLERY, LINDSAY HARWOOD - NORTH MIDANDS COUNCIL,
PETER CORLETT OAM, MARK WELLS, JANE DEETH,
IRINA PETROVSKY – THE GLOVER SOCIETY,
CAROL WESTMORE & RODNEY WESTMORE – PATTERDALE,
ALAN JONES, BEN QUILTY, PROFESSOR CATHERINE SPECK, DANIEL BOYD,
HEIDI YARDLEY, JULIE GOUGH, LES RICE, JOAN ROSS, LIAM BENSON,
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Hannah Gadsby’s Oz – Full Series Credits
LINDSAY MCDOUGALL, RAYMOND ZADA, SUE KNEEBONE, ROSEMARY LAING,
JASON WING, NICOLE KENNING & MARIA DAVIES - HEIDI MUSEUM OF
MODERN ART, NICK WRIGHT – PARRAMATTA CITY COUNCIL, TRAVIS
KELENDRA, SAM KING - KING CAMERA, DAVID TANG - PICTURE HIRE
AUSTRALIA, IAN LINTON - PSYCHOLITES, NIMA NABILI RAD – METAL GEAR
ABC ARCHIVAL - CLARE CREMIN & CLARE BARRETT
FILM AUSTRALIA COLLECTION - NAOMI WANNER
NATIONAL FILM AND SOUND ARCHIVE - ANGUS JOHNSTONE
QUEEN VICTORIA MUSEUM & ART GALLERY, TASMANIA
-----“Age of Hats” & “Trouble”
Written, composed & performed by Dr Piffle and the Burlap Band
"Dead Letter Office”, “Galt Sunrise”, “Flood”,
“She Knows”, “Six Miles” & “Skeleton Key”
Written, composed & performed by Chris Flanagan
"Broad Cast” & “Tingling Cheeks are Love”
Written, composed & performed by Jason Sweeney
"The Southern Cross Tattoo”
Written & composed by David Stephenson
Performed by Waiting for Guinness
“Celebration of a Nation” Bicentennial Ad 1988
Written & Composed by Les Gock
Lyrics by Tim Phillp & Fran Allen
-----PRODUCED WITH THE ASSISTANCE OF THE DEPARTMENT OF ENVIRONMENT,
CLIMATE CHANGE AND WATER, NEW SOUTH WALES
NO ENVIRONMENTAL DAMAGE WAS INCURRED ON LOCATION.
THE CONSERVATION VALUES OF THE AREAS HAVE BEEN PRESERVED
FILMED ON LOCATION AT MORTON NATIONAL PARK & NIELSEN PARK,
SYDNEY HARBOUR NATIONAL PARK
-----PRODUCED IN SOUTH AUSTRALIA
------
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Hannah Gadsby’s Oz – Full Series Credits
DEVELOPED AND PRODUCED WITH THE ASSISTANCE OF
THE SOUTH AUSTRALIAN FILM CORPORATION
-----PRODUCED IN ASSOCIATION WITH THE ABC
EXECUTIVE PRODUCERS
MANDY CHANG
KATH EARLE
HEAD OF ARTS
KATRINA SEDGWICK
------
©2014 CLOSER PRODUCTIONS
SOUTH AUSTRALIAN FILM CORPORATION
AUSTRALIAN BROADCASTING CORPORATION
------
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Hannah Gadsby’s Oz – Full Series Credits
FULL ARTWORK LISTINGS
In order of appearance
Purchased 1893
Photo: AGNSW
832
Episode One
Frederick McCubbin
Australia 1855 – 1917
On the wallaby track, 1896
oil on canvas
Arthur Streeton
1867 Australia – 1943
The selector's hut (Whelan on the
log) 1890
oil on canvas
76.7 x 51.2 cm
National Gallery of Australia,
Canberra
Tom Roberts
Australia, 1856 - 1931
A break away!, 1891
Corowa, New South Wales and
Melbourne, Victoria
Elder Bequest Fund 1899,
Art Gallery of South Australia,
Adelaide
Tom Roberts
Australia, 1856 - 1931
The Golden Fleece, 1894
oil on canvas
Frederick McCubbin
Australia 1855 – 1917
Bush sawyers, 1910
oil on canvas
Arthur Streeton (b.1867, d.1943)
Fire's on 1891
oil on canvas, 183.8 x 122.5cm
Art Gallery of New South Wales
Hilda Rix Nicholas
A man, 1921
Oil on canvas
92 x 75 cm
Australian War Memorial
© Bronwyn Wright
Walter Withers
Born England 1854, Arrived
Australia 1883, Died 1914
The Drover, 1912
oil on canvas
Frederick McCubbin
Down on his luck 1889
oil on canvas
114.5 x 152.5 cm
State Art Collection, Art Gallery of
Western Australia
Purchased 1896
Sidney Nolan
1917 Australia – England 1992
Ned Kelly 1946
Enamel paint on composition board
90.8 x 121.5cm
National Gallery of Australia,
Canberra
Gift of Sunday Reed 1977
oil on canvas
192.2 x 265.4 cm
National Gallery of Victoria,
Melbourne
Gilbee Bequest, 1902 (119-2)
Liam Benson
A Christian Country, 2011
Photograph
C type print
assisted by Steven Cook
61 x 91cm
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Sue Kneebone
A cautionary Tale of
Overconfidence, 2008
Giclee Print
© Sue Kneebone
Courtesy the artist
Jason Wing
Wing Dynasty, 2009
digital print on metallic paper,
edition 1/5
84 x 119cm
Photograph by Adam Hollingworth
Image courtesy the artist
© Jason Wing
Tom Roberts
Australia, 1856 - 1931
Bailed Up, 1895
oil on canvas
Liam Benson & Manize Abedin
Ned and Fatima, 2006
photograph
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson & Manize Abedin
E. Phillips Fox
Landing of Captain Cook at Botany
Bay, 1770 1902
Rosemary Laing
Jim
C Type photograph
(H) 110 x (L) 237.5 cm
2010
© Rosemary Laing
Joseph Lycett ca. 1775-1828
engraver
The Sugarloaf Mountain, near
Newcastle, New South Wales. 1824.
Aquatint etching, hand coloured.
Sheet: 26.1 x 36.1
Plate: 23.0 x 32.3
Image: 17.1 x 27.0
Inscribed: printed in the plate
margins, l.l. "I.Lycett, Delt et
Execute."; lower c. "THE SUGAR
LOAF MOUNTAIN,/Near New Castle,
/New South Wales./ London,
Published Octr.1, 1824, by J.
Souter, 73, St. Pauls Church Yard."
Courtesy the Kerry Stokes
Collection
Jason Wing
Between Two Worlds, 2012
Kimber Lane, Haymarket
Jason Wing
None Left Turn and No Rights Turn,
2012
digital print on metal plate
70 x 35cm each
John Webber R.A.
Birth Date: c.1752
Portrait of Captain James Cook RN
oil on canvas
W Bradley
Sydney Cove, Pt Jackson. 1788
State Library New South Wales
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Hannah Gadsby’s Oz – Full Series Credits
John William Lancashire, d.
1807?
View of Sydney taken from the
Rocks on the western side of the
Cove, ca. 1803, drawn by John
William Lancashire
watercolour on paper
33 x 48 cm
Dixson Galleries, State Library of
New South Wales
Lewin, J. W. (John William),
1770-1819
Male and female red kangaroo in a
Liverpool Plains landscape, ca 1819
oil painting
37.5 x 62.8 cm
Call: ML 852
Digital Order: a128861
Courtesy Mitchell Library, State
Library of New South Wales
Lewin, J. W. (John William),
1770-1819
[Platypus], 1810
watercolour & gouache drawing
43.8 x 54.3 cm.
Inscriptions : Signed & dated at
lower right "I. W. Lewin New South
Wales / 1810" Notes: Donor
acknowledgment cited on frame.
Source : Bequeathed by Miss Helen
Banning.
Call: ML 1364
Digital Order: a928146
Courtesy Mitchell Library, State
Library of New South Wales
Richard Browne, 1771-1824
Insects – Collected and arranged by
Thomas Skottowe Esqr. The
drawings by T.R. Browne NSW
Newcastle New South Wales
Watercolour drawing
Call: PXA 555
Courtesy Mitchell Library, State
Library of New South Wales
Sydney Bird Painter
Item 01: [Masked lapwing], ca 1792
watercolour with gum arabic on
wove paper with a J Whatman
watermark
57.4 x 43.4 cm
Natural size -- inscribed beneath
image in ink traced over pencil
28 -- on reverse at upper right
corner in ink
Call: ML 1364
Digital Order: a928146
Courtesy Mitchell Library, State
Library of New South Wales
Artist Unknown
A non-descript BIRD found at
BOTANY BAY, n NEW SOUTH
WALES. Taken from a drawing made
on the spot, 1791
line engraving
8 x 10 1/2 in.
Call: SSV* / Bird Aus / 3
Courtesy Mitchell Library, State
Library of New South Wales
Sydney Bird Painter
A young Mount Pitt Bird - natural
Size [Petrel], ca. 1792
watercolour
Call: PXD 680 / 3
Digital Order: a1763003
Courtesy Mitchell Library, State
Library of New South Wales
Artist Unknown
Parrot from the Mountains of New
Holland [crimson Rosellas] (c 1800)
watercolour drawing on wove paper
41.2 x 50.5 cm
Call: V / 30
Digital Order: p2_00009
Courtesy Mitchell Library, State
Library of New South Wales
Artist Unknown
Boobook Owl, ca. 1790s
watercolour
Call: PXD 1098 / VOL. 2
Digital Order: a5304011
Courtesy Mitchell Library, State
Library of New South Wales
Lewin, J. W. (John William),
1770-1819
Acacia
Call: PXC 304/d
Digital Order: a633004
Courtesy Mitchell Library, State
Library of New South Wales
James Newton
Sidney Parkinson, 1784
George Raper (1769 – 1797)
Macropus giganteus, eastern gray
kangaroo and Xanthorrhoea sp.,
grasstree, c1789
watercolour and ink
Courtesy Raper Collection, National
History Museum, London
George Raper (1769 – 1797)
Southern cassowary, Casuarius
casuarius, 1792
watercolour
Courtesy Raper Collection, National
History Museum, London
Port Jackson Painter
A woman of New South Wales
cureing the head ache [between
1788 and 1797]
21.7 x 34.2 cm
Watling Drawing – no. 62
Courtesy First Fleet artwork
collection, National History Museum,
London
Port Jackson Painter
Portrait of Balloderree [between
1788 and 1797]
28.7 x 21.5 cm
Watling Drawing - no. 58
Courtesy First Fleet artwork
collection, National History Museum,
London
Port Jackson Painter
Mr. White, Harris and Laing with a
party of Soldiers visiting Botany Bay
Colebee at that place, when
wounded [ca. 1790 or 1797?]
26.6 x 42.8 cm
Watling Drawing – no. 25
Courtesy First Fleet artwork
collection, National History Museum,
London
Port Jackson Painter
The Governor making the best of his
way to the Boat after being
wounded with the spear sticking in
his Shoulder [ca. 1790?]
27.4 x 45.1 cm
Watling Drawing – no. 23
Courtesy First Fleet artwork
collection, National History Museum,
London
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Hannah Gadsby’s Oz – Full Series Credits
Port Jackson Painter
Untitled scene, with aborigines
attacking a sailor, [between 1788
and 1798]
20.2 x 31.8 cm
Port Jackson Drawing – no. 44
Courtesy First Fleet artwork
collection, National History Museum,
London
Daniel Boyd images courtesy of the
Artist, Roslyn Oxley9 Gallery NSW &
Kalimanrawlins Art Gallery Victoria
Daniel Boyd
Up in Smoke Tour, 2012
Daniel Boyd
We Call Them Pirates Out Here,
2006
oil on canvas
H 226 W 276 D 3.5cm
Museum of Contemporary Art,
Australia
Joseph Lycett
Inner view of Newcastle c1818
oil on canvas
59.6 x 90.0cm
Purchased with assistance from the
National Art Collections Fund,
London UK 1961
Newcastle Art Gallery collection
Joseph Lycett ca. 1775-1828
engraver
Salt Pan Plain, Van Diemens Land.
[picture],
Published by J. Souter 1824
print : aquatint with hand colouring
23.4 x 33.0 cm. approx.
Accession no(s)
30328102131561/45
Courtesy State Library of Victoria
Joseph Lycett ca. 1775-1828
engraver
VIEW OF CAPTAIN PIPER'S NAVAL
VILLA, at Eliza Point, near Sidney,
[i.e. Sydney] New South Wales.
[picture],
print : aquatint with hand colouring
23.5 x 33.0 cm.
Accession no(s) 30328102131561/7
Courtesy State Library of Victoria
Joseph Lycett ca. 1775-1828
engraver
The residence of John McArthur Esq
near Parramatta, New South Wales,
1823
London
M.J.M. Carter AO Collection 2004
Art Gallery of South Australia,
Adelaide
Joseph Lycett ca. 1775-1828
engraver
View of Wilberforce on the banks of
the River Hawkesbury, New South
Wales
Published by J. Souter, Feb.1, 1825.
1 print : aquatint, hand col.
23.2 x 33 cm.
Identifier: nla.pic-an7690918
Courtesy National Library of
Australia
Joan Ross images courtesy of the
Artist, Michael Reid Gallery Sydney
& Bett Gallery Hobart
Joan Ross
The claiming of things, 2012
Video
Joan Ross
BBQ this Sunday, BYO, 2011
Video
Joseph Lycett ca. 1775-1828
engraver
The residence of Edward Riley, Esq.,
Wooloomooloo near Sydney,
N.S.W., 1825
Joseph Lycett ca. 1775-1828
engraver
View on the Macquarie River, Van
Diemens Land, Near the Ford at
Argyle Plains. [picture]
Published by J. Souter 1825
print : aquatint with hand colouring
23.3 x 33.0 cm. approx.
Accession no(s)
30328102131561/47
Courtesy State Library of Victoria
Bea Maddock
born 1934 Australia
Terra Spiritus...with a darker shade
of pale 1993-98
Sheet 1
stencil print, printed in hand-ground
Launceston ochre from multiple
hand-cut mylar stencils; letterpress
text blind printed; hand-drawn
script
plate-mark 28.4 x 76 cm
sheet 28.4 x 76 cm
overall 28.4 x 3952 cm
National Gallery of Australia,
Canberra
Gordon Darling Australasian Print
Fund 1998
Bea Maddock
born 1934 Australia
Terra Spiritus...with a darker shade
of pale 1993-98
Sheet 51
stencil print, printed in hand-ground
Launceston ochre from multiple
hand-cut mylar stencils; letterpress
text blind printed; hand-drawn
script
plate-mark 28.5 x 76 cm
sheet 28.5 x 76 cm
overall 28.5 x 3952 cm
National Gallery of Australia,
Canberra
Gordon Darling Australasian Print
Fund 1998
John Glover 1767-1849
Natives at a Corrobory, under the
Wild Woods of The Country [River
Jordan below Brighton, Tasmania]
ca. 1835
oil on canvas
77 x 114cm
Call: ML 154
Digital Order: a928309
Courtesy Mitchell Library, State
Library of New South Wales
Peter Corlett
John Glover (statue), 2002-3
bronze, 1.1 times lifesize, Fieldstone
base
John Glover Society inc., Evandale,
Tasmania
John Glover 1767–1849
Self portrait 1792–1793
oil on canvas
10
Hannah Gadsby’s Oz – Full Series Credits
66.3 x 51.2 cm
QVM.1901.FP.42
Courtesy Queen Victoria Museum
and Art Gallery
John Glover 1767–1849
The Last Muster of the Tasmanian
Aborigines at Risdon, 1836
oil on canvas
Courtesy Queen Victoria Museum
and Art Gallery
John Glover 1767–1849
Natives on the Ouse River, Van
Diemen's Land
, 1838
oil on canvas
John Glover 1767–1849
Launceston and the river Tamar,
circa 1832
oil on canvas
John Glover 1767–1849
At Matlock - mist rising, 1814
oil on canvas
John Glover 1767–1849
Patterdale landscape with cattle,
circa 1833
oil on canvas
John Glover 1767–1849
The bath of Diana, Van Diemen's
Land, 1837
oil on canvas
George Frankland
Governor Davey's Proclamation to
the Aboriginies, 1816 [c. 18281830]
1 oil Paintings on huon pine board,
rectangular in shape with rounded
corners and hole at top centre for
suspension
35.7 x 22.6 x 1 cm
Purchased from J.W. Beattie, May
1919
Call: SAFE / R 247
Digital order: a928138
Courtesy Mitchell Library, State
Library of New South Wales
John Glover 1767–1849
Mount Wellington and Hobart Town
from Kangaroo Point, 1834
Painting, oil on canvas
76.2 h x 152.4 w cm
Framed 995 h x 1750 w x 115 d
mm ; weight 20 kg
Nerissa Johnson Bequest Fund
2001. Tasmanian Museum and Art
Gallery and National Gallery of
Australia.
Accession No: NGA 2001.207
John Glover 1767–1849
Blue Mountain parrots from Sydney,
1832
Painting, oil on canvas
73.0 h x 63.0 w x 8.0 d cm
Rex Nan Kivell Collection: The
National Gallery of Australia and the
National Library of Australia
National Gallery of Australia,
Canberra
Accession No: NGA TEMP.11245
John Glover 1767–1849
Mr Robinson's house on the
Derwent, Van Diemen's Land,
c.1838
oil on canvas 48.2 h x 98.0 w cm
Purchased 2005
National Gallery of Australia,
Canberra
Accession No: NGA 2005.218
Benjamin Law
Trucaninny, wife of Woureddy, 1836
Hobart, Tasmania, Australia
Sculpture, cast plaster, painted
Technique: cast plaster, painted
Primary Insc: Signed and dated
across rear of bust support column '
B.LAW.SCULP./.../A.D. 1836.'
Inscribed 'TRUCANINNY./WIFE OF
WOURADDY./.../HOBART TOWN./...'
66.0 h x 42.5 w x 25.7 d cm
Purchased 1981
National Gallery of Australia,
Canberra
Accession No: NGA 81.3042
Benjamin Law
Woureddy, An Aboriginal Chief of
Van Dieman's Land, 1835
Hobart, Tasmania, Australia
Sculpture, plaster, paint
Technique: cast plaster, painted
Primary Insc: Signed and dated
across rear of bust support column
'B.LAW.SCULPT./.../ 1836'. s
Secondary inscriptions: Inscribed
across rear of bust support column
'WOUREDDY./AN/ABORIGINAL
CHIEF/ OF V.D.L./.../HOBART
TOWN./.../.'
75.0 h x 48.3 w x 27.0 d cm
Purchased 1981
National Gallery of Australia,
Canberra
Accession No: NGA 81.3041
John Glover
Britain/Australia, 1767 – 1849
A corroborre of natives in Mills
Plains, 1832
Deddington, Tasmania
Morgan Thomas Bequest Fund 1951
Art Gallery of South Australia,
Adelaide
John Glover 1767–1849
Patterdale farm, circa (1840)
oil on canvas
John Glover 1767–1849
My Harvest Home, 1835
oil on canvas
John Glover
Britain/Australia, 1767 – 1849
A View of the artist's house and
garden, in Mills Plains, Van
Diemen's Land, 1835
Deddington, Tasmania
Morgan Thomas Bequest Fund 1951
Art Gallery of South Australia,
Adelaide
Julie Gough images courtesy of the
Artist, National Gallery of Australia
& Bett Gallery Hobart
Julie Gough
The Chase, 2008
Sculpture, Assemblage, leather, tea
tree wood and steel pins
Installation 97.0 h x 182.0 w x 52.0
d cm
Purchased 2008
Accession No: NGA 2008.812
The Chase detail images by Jack
Bett Photography
11
Hannah Gadsby’s Oz – Full Series Credits
Ben Quilty images courtesy of
the Artist, Tolarno Galleries
Melbourne & Jan Murphy Gallery
Brisbane
Ben Quilty
The Shower, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Ben Quilty
Griggs, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Ben Quilty
White Man, 2012
oil on linen
170 x 160cm,
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Ben Quilty
Myuran, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Ben Quilty
Bondi, 2013
Oil on linen
150 x 170 cm
Image courtesy Ben Quilty
Ben Quilty
Self portrait in a red cap, 2013
Oil on linen
130 x 110 cm
Image courtesy Ben Quilty
46.0 x 60.9 cm
National Gallery of Victoria,
Melbourne
Felton Bequest, 1943
Ben Quilty
The Groom, 2012
Oil on linen
180 x 170 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Margaret Preston
(Australia; England; France, b.1875,
d.1963)
Self portrait, 1930
oil on canvas, 61.3 x 51.1 cm
Art Gallery of New South Wales
Gift of the artist at the request of
the Trustees 1930
© Margaret Rose Preston Estate.
Licensed by Viscopy
Photo: AGNSW
© AGNSW 937
Ben Quilty
Survivor, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Ben Quilty
Fairy Bower Rorschach, 2012
Oil on linen
240 x 550 cm, 8 panels
Collection The Art Gallery of New
South Wales
Image courtesy the artist
Tom Roberts
Australia, 1856 - 1931
The Opening of the First Parliament
of the Commonwealth of Australia
by H.R.H. The Duke of Cornwall and
York (later H.M. King George V),
May 9, 1901 / The Big Picture, 1903
oil on canvas
Tom Roberts
born England 1856, arrived
Australia 1869, lived in Europe
1881–85, 1903–19, died 1931
The artists’ camp 1886
oil on canvas
Sue Kneebone
For better or for worse, 2009
Giclee Print
© Sue Kneebone
Courtesy the artist
114.5 x 152.5 cm
State Art Collection, Art Gallery of
Western Australia
Purchased 1896
Frederick McCubbin
Australia 1855 – 1917
Bush sawyers, 1910
oil on canvas
Tom Roberts
Australia, 1856 - 1931
The Golden Fleece, 1894
oil on canvas
Arthur Streeton
1867 Australia – 1943
The selector's hut (Whelan on the
log) 1890
oil on canvas
76.7 x 51.2 cm
National Gallery of Australia,
Canberra
Episode Two
George Stubbs
Self Portrait, 1781
Tom Roberts
Australia, 1856 - 1931
A break away!, 1891
Corowa, New South Wales and
Melbourne, Victoria
Elder Bequest Fund 1899,
Art Gallery of South Australia,
Adelaide
George Stubbs
The Kongouro from New Holland
(The Kangaroo), 1772
oil painting
Frederick McCubbin
Australia 1855 – 1917
On the wallaby track, 1896
oil on canvas
Frederick McCubbin
Down on his luck 1889
oil on canvas
Grace Cossington Smith
Australian 1892–1984
The Bridge in-curve 1930
John Webber R.A.
Birth Date: c.1752
Portrait of Captain James Cook RN
oil on canvas
12
Hannah Gadsby’s Oz – Full Series Credits
tempera on cardboard
83.6 x 111.8 cm
National Gallery of Victoria,
Melbourne
Presented by the National Gallery
Society of Victoria, 1967
Jane Sutherland
Obstruction, Box Hill, 1887
oil on canvas
Collection: Art Gallery of Ballarat
Purchased, L.J. Wilson Bequest
Fund, 1976
Tom Roberts
Australia, 1856 - 1931
The Opening of the First Parliament
of the Commonwealth of Australia
by H.R.H. The Duke of Cornwall and
York (later H.M. King George V),
May 9, 1901 / The Big Picture, 1903
oil on canvas
Frederick McCubbin
Australia 1855 – 1917
Violet and Gold, 1911
oil and canvas
Tom Roberts
Australia, 1856 - 1931
Smike Streeton age 24, 1891
oil on canvas
Frederick McCubbin
Australia 1855 – 1917
Self-portrait, 1886
oil on canvas
Tom Roberts
Australia, 1856 - 1931
Wood splitters, 1886
oil on canvas
Arthur Streeton
Australia 1867–1943, lived in
England 1897–1919
‘The purple noon's transparent
might’ 1896
oil on canvas
123.0 x 123.0 cm
National Gallery of Victoria,
Melbourne
Purchased, 1896
Arthur Streeton (b.1867, d.1943)
'Still glides the stream, and shall for
ever glide', 1890
oil and canvas
Tom Roberts
born England 1856, arrived
Australia 1869, lived in Europe
1881–85, 1903–19, died 1931
The artists’ camp 1886
oil on canvas
46.0 x 60.9 cm
National Gallery of Victoria,
Melbourne
Felton Bequest, 1943
Tom Roberts
Australia, 1856 - 1931
Self-portrait, 1924
oil on canvas
Arthur Streeton (b.1867, d.1943)
Fire's on, 1891
oil on canvas, 183.8 x 122.5cm
Art Gallery of New South Wales
Frederick McCubbin
Australia 1855 – 1917
A Sunday afternoon, c1886
oil and canvas
Purchased 1893
Photo: AGNSW
832
Tom Roberts
born Great Britain 1856, arrived in
Australia 1869, died 1931
Shearing the rams 1888-90
oil on canvas on composition board
122.4 x 183.3 cm
National Gallery of Victoria,
Melbourne
Felton Bequest, 1932
Ben Quilty
Golden Soil, Wealth For Toil., 2004
oil on canvas
140.0 x 200.0cm stretcher
Art Gallery NSW
Image courtesy Ben Quilty
Ben Quilty
The Shower, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Arthur Streeton (b.1867, d.1943)
Australia Felix, 1907
Mount Macedon, Victoria
Morgan Thomas Bequest Fund 1920
Art Gallery of South Australia,
Adelaide
Ben Quilty
Griggs, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Arthur Streeton (b.1867, d.1943)
Golden summer, Eaglemont, 1889
oil on canvas
Ben Quilty
White Man, 2012
oil on linen
170 x 160cm,
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
William Smith
Loggers at their camp in the Bunya
Moutains, 1912
Photograph
Image No: 7868-0001-0010
Accession Number: 7868
Courtesy John Oxley Library, State
Library of Queensland
Artist Unknown
Two timber workers felling a tree on
the Atherton Tableland, 1890-1900
Photograph
Image No: 24043
Courtesy John Oxley Library, State
Library of Queensland
Ben Quilty
Myuran, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Ben Quilty
Bondi, 2013
Oil on linen
150 x 170 cm
Image courtesy Ben Quilty
Ben Quilty
13
Hannah Gadsby’s Oz – Full Series Credits
Self portrait in a red cap, 2013
Oil on linen
130 x 110 cm
Image courtesy Ben Quilty
Ben Quilty
The Groom, 2012
Oil on linen
180 x 170 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Ben Quilty
Survivor, 2012
Oil on linen
170 x 160 cm
Image courtesy Ben Quilty and
Tolarno Galleries, Melbourne
Tom Roberts
Australia, 1856 - 1931
The Golden Fleece, 1894
oil on canvas
Clara SOUTHERN
Australian 1860–1940
An old bee farm c.1900
oil on canvas
69.1 x 112.4 cm
National Gallery of Victoria,
Melbourne
Felton Bequest, 1942
Jane R. PRICE
English 1860–1948, worked in
Australia 1880–1948
Sydney Harbour by night c.1910
oil on canvas
32.4 x 49.1 cm
National Gallery of Victoria,
Melbourne
Purchased, 1954
May VALE
Australian 1862–1945
The orchard c.1904
oil on canvas
48.8 x 74.4 cm
National Gallery of Victoria,
Melbourne
Purchased, 1971
Jane SUTHERLAND
Scottish 1853–1928, emigrated to
Australia 1864
After Autumn Rains, circa 1893
oil on canvas
Sutherland, Margaret Ada, 18971984.
Photograph Portrait of Jane
Sutherland
SCRAPBOOK OF FAMILY
MEMBORABILIA, CA. 1897-CA.
1984. [MANUSCRIPT].
Call Number: 14 MS_ -- MC 6, DR 3
/ BOX 3490/8
Box Number: MS 12688 MC 6, DR 3
Courtesy State Library of Victoria
Jane SUTHERLAND
Scottish 1853–1928, emigrated to
Australia 1864
The mushroom gatherers c.1895
oil on canvas
41.8 x 99.3 cm
National Gallery of Victoria,
Melbourne
Gift of Dr Margaret Sutherland,
1972
Jane Sutherland
Obstruction, Box Hill, 1887
oil on canvas
Collection: Art Gallery of Ballarat
Purchased, L.J. Wilson Bequest
Fund, 1976
Sue Kneebone
For better or for worse, 2009
Giclee Print
© Sue Kneebone
Courtesy the artist
Sue Kneebone
A cautionary Tale of
Overconfidence, 2008
Giclee Print
© Sue Kneebone
Courtesy the artist
Sue Kneebone
The co-existence of comfort and
threat, 2010
Giclee Print
© Sue Kneebone
Courtesy the artist
Sue Kneebone
Saintly Sinners, 2009
Giclee Print
© Sue Kneebone
Courtesy the artist
Sue Kneebone
For better or for worse, 2009
Giclee Print
© Sue Kneebone
Courtesy the artist
Angelfire 2009-10
bones, ceramic, cloth
Naturally Disturbed Installation
© Sue Kneebone
Courtesy the artist
Original photographs including
Yardea (Station name) and Bailey
family provided courtesy Sue
Kneebone
Frederick McCubbin
Australia 1855–1917
The Pioneer, 1904
oil on canvas
Frederick McCubbin
Australia 1855–1917
A Bush Burial, 1890
oil on canvas
Courtesy the Geelong Gallery
Frederick McCubbin
Australia 1855–1917
Lost, 1886
oil on canvas
Frederick McCubbin
Australia 1855–1917
Lost, 1907
oil on canvas
134.6 x 199.0 cm
National Gallery of Victoria,
Melbourne
Felton Bequest, 1941
Dd103306
Sue Kneebone
Copper Kingdom 2013
© Sue Kneebone
Courtesy the artist
Heidi Yardley images courtesy of
the Artist & Jan Murphy Gallery
Brisbane
Sue Kneebone
Heidi Yardley
14
Hannah Gadsby’s Oz – Full Series Credits
Everything Begins and Ends, 2010
Oil on board
38 x 35cm
Image courtesy the artist and Jan
Murphy Gallery Brisbane
A man, 1921
Oil on canvas
92 x 75 cm
Australian War Memorial
© Bronwyn Wright
Heidi Yardley
Shadows and tall Trees, 2010
Oil on board
58 x 58cm
Image courtesy the artist and Jan
Murphy Gallery Brisbane
Hilda Rix Nicholas
The pink scarf, 1913
oil on canvas
80.5 x 65cm
Gift of Mrs Roy Edwards through the
Art Gallery of South Australia
Foundation 1993
Art Gallery of South Australia,
Adelaide
© Bronwyn Wright
Heidi Yardley
Farewells, Promises, 2010
Oil on board
58 x 45cm
Image courtesy the artist and Jan
Murphy Gallery Brisbane
Heidi Yardley
The Rapture, 2010
Oil on board
58 x 42cm
Image courtesy the artist and Jan
Murphy Gallery Brisbane
Heidi Yardley
You Must Learn to Love Someone
Else, 2010
Oil on board
58 x 50cm
Image courtesy the artist and Jan
Murphy Gallery Brisbane
Please note: the production
apologises for the incorrect titling of
Heidi’s collection of work Gift For
The Darkness (referred to as
Darklands in the program)
Hilda Rix Nicholas
Photo of Hilda Rix Nicholas & Major
George Matson Nicholas at
Buckingham Palace
Courtesy Bronwyn Wright
Hilda Rix Nicholas
Pro Humanitate
© Bronwyn Wright
'Painting Ghosts' Prof. Catherine
Speck (p. 59)
Grace Cossington Smith
(Australia, b.1892, d.1984)
Reinforcements: troops marching
circa 1917
oil on paper on hardboard, 23.7 x
21.5 cm
Art Gallery of New South Wales
Purchased 1967
Photo: AGNSW
© Estate of Grace Cossington Smith
OA5.1967
Grace Cossington Smith
(Australia, b.1892, d.1984)
Self-portrait 1948
oil on cardboard
Collection: National Portrait Gallery,
Canberra
Purchased 2002
© Estate of Grace Cossington Smith
Grace Cossington Smith
(Australia, b.1892, d.1984)
The sock knitter, 1915
oil on canvas, 61.6 x 50.7 cm
Art Gallery of New South Wales
Purchased 1960
Photo: AGNSW
© Estate of Grace Cossington Smith
OA18.1960
Grace Cossington Smith
(Australia, b.1892, d.1984)
The curve of the bridge, 1928-1929
oil on cardboard, 110.5 x 82.5 cm
Art Gallery of New South Wales
Purchased with funds provided by
the Art Gallery Society of New
South Wales and James Fairfax AO
1991
Photo: AGNSW
© Estate of Grace Cossington Smith
1.1991
Jessie Traill (Australia, b.1881,
d.1967)
Building the Harbour Bridge IV: the
ants' progress, November 1929
from the series Building the Harbour
Bridge, 1929
etching , paper, 39.8 x 25.2 cm
Art Gallery of New South Wales
Purchased 1975
Photo: AGNSW
© Jessie Traill Estate
201.1975
Grace Cossington SMITH
Australian 1892–1984
The Bridge in-curve 1930
tempera on cardboard
83.6 x 111.8 cm
National Gallery of Victoria,
Melbourne
Presented by the National Gallery
Society of Victoria, 1967
NGV
© Estate of Grace Cossington Smith
Gwen Barringer
Australia, 1882 -1960
Sydney Harbour Bridge from North
Sydney, c. 1932, Adelaide
South Australian Government Grant
1984
Art Gallery of South Australia,
Adelaide
Margaret Preston (Australia;
England; France, b.1875, d.1963)
Sydney Bridge circa 1932
woodcut, printed in black ink, hand
coloured with gouache on cream
Japanese laid paper, 19 x 23.2 cm
Art Gallery of New South Wales
Purchased 1964
Photo: AGNSW
© Margaret Rose Preston Estate
DA30.1964
Licensed by Viscopy
Adelaide Perry
1891 Australia – 1973
The Bridge, October 1929, 1930
linocut, printed in black ink, from
one block printed image
32.8 x 44.5 cm
15
Hannah Gadsby’s Oz – Full Series Credits
National Gallery of Australia,
Canberra Gift of John Brackenreg
1978
© Adelaide Perry
Jessie Traill
1881 Australia – 1967
The great arch, 1932
etching and aquatint, printed in
sepia ink, from one plate
plate-mark 27.8 x 25.1 cm
sheet 37.8 x 33.6 cm
National Gallery of Australia,
Canberra Purchased 2007
© Estate of Jessie Traill.
Licensed by Viscopy
Margaret Preston
1875 Australia – 1963
Flying over the Shoalhaven River,
1942
oil on canvas 50.6 x 50.6 cm
National Gallery of Australia,
Canberra
Purchased 1973
© Margaret Rose Preston Estate.
Licensed by Viscopy
Margaret Preston
(Australia; England; France, b.1875,
d.1963)
Self portrait, 1930
oil on canvas, 61.3 x 51.1 cm
Art Gallery of New South Wales
Gift of the artist at the request of
the Trustees 1930
© Margaret Rose Preston Estate.
Licensed by Viscopy
Photo: AGNSW
© AGNSW 937
(Australia; England; France, b.1875,
d.1963)
Australian legend, number 2: The
terrible story, circa1957
colour woodcut on tan laid Japanese
paper,
29.4 x 29 cm
Art Gallery of New South Wales
Gift of W.G. Preston, the artist's
widower 1967
Photo: AGNSW
© Margaret Rose Preston Estate.
Licensed by Viscopy
DA61.1967
Tom Roberts
1856 England – Australia 1931
An Australian native, 1888
oil on canvas
127.2 x 76.2 cm
National Gallery of Australia,
Canberra
Purchased through the Joseph
Brown Fund 1979
Grace Cossington Smith
Neutral Bay, New South Wales,
Australia 1892 – Sydney, New
South Wales, Australia 1984
The Bridge in building, 1929
Painting, oil on pulpboard
75.0 h x 53.0 w cm
Framed 884 h x 664 w x 47 d mm
National Gallery of Australia,
Canberra
Gift of Ellen Waugh 2005
© Estate of Grace Cossington Smith
Jason Wing
An Australian government initiative,
2010
digital photograph on metallic fuji
flex paper
150 x 100cm each
Photograph by Adam Hollingworth
Image courtesy the artist
© Jason Wing
Liam Benson & Manize Abedin
Ned and Fatima, 2006
photograph
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson & Manize Abedin
Liam Benson
Ocha Envy, 2004
video
lyrics by Banjo Patterson
Courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Episode Three
Rosemary Laing
Jim
C Type photograph
(H) 110 x (L) 237.5 cm
2010
© Rosemary Laing
John Glover 1767–1849
At Matlock - mist rising, 1814
oil on canvas
Tom Roberts
born Great Britain 1856, arrived in
Australia 1869, died 1931
Shearing the rams 1888-90
oil on canvas on composition board
122.4 x 183.3 cm
National Gallery of Victoria,
Melbourne
Felton Bequest, 1932
Arthur Streeton
1867 Australia – 1943
The selector's hut (Whelan on the
log) 1890
oil on canvas
76.7 x 51.2 cm
National Gallery of Australia,
Canberra
Ken Done
Australian Flag Design
© Ken Done
Frederick McCubbin
Down on his luck 1889
oil on canvas
114.5 x 152.5 cm
State Art Collection, Art Gallery of
Western Australia
Purchased 1896
Charles Alphonse Doudiet
Swearing allegiance to the
“Southern Cross”, 1854
watercolour, pen and ink
Charles Meere (b.1890, d.1961)
Australian beach pattern, 1940
oil on canvas, 91.5 x 122 cm
Art Gallery of New South Wales
Purchased 1965
© Charles Meere Estate
Photo: AGNSW
OA20.1965
Max Dupain
1911 Australia – 1992
Margaret Preston
16
Hannah Gadsby’s Oz – Full Series Credits
Rescue & resuscitation I, Manly
1940s
Image courtesy Jill White
Inverted Southern Crucifix
Tattoo
Courtesy Lindsay McDougall
Max Dupain
1911 Australia – 1992
Surf race start, 1940
gelatin silver photograph printed
image
27.3 x 32.3 cm
National Gallery of Australia,
Canberra
Purchased 1982
Ludwig Hirschfeld Mack
1893 Germany – Australia 1965
Desolation, Internment camp, Hay,
N.S.W. 1940-41
woodcut, printed in black ink, from
one block
printed image 21.8 x 13.1 cm
sheet 31.8 x 25.6 cm
National Gallery of Australia,
Canberra
Gift of Olive Hirschfeld 1979
© Hirschfeld Mach Estate
Max Dupain
1911 Australia – 1992
Sunbaker, 1937
gelatin silver photograph printed
image
38.6 x 43.4 cm sheet 52.8 x 55 cm
National Gallery of Australia,
Canberra
Purchased 1976
Max Dupain
1911 Australia – 1992
At Newport Baths, 1952
gelatin silver photograph printed
image
45 x 40 cm
National Gallery of Australia,
Canberra
Purchased 1976
Unknown maker
The flag of the Southern Cross
(Eureka Flag), 1854
wool & cotton
Collection: Art Gallery of Ballarat
Gift of the King family, 2001
David Olteneau
Rosemary Laing and artworks
by Rosemary Laing - courtesy
Tolarno Galleries, Melbourne
Rosemary Laing
Studio Working Drawings
© Rosemary Laing
from the 2004 series to walk on a
sea of salt
Rosemary Laing
After Heysen
C Type photograph
(H) 110 x (L) 252 cm
2004
© Rosemary Laing
Rosemary Laing
welcome to Australia
C Type photograph
(H) 110 x (L) 224 cm
2004
© Rosemary Laing
Rosemary Laing
5:10 am, 15th December 2004
C Type photograph
(H) 85 x (L) 169.5 cm
2004
© Rosemary Laing
Rosemary Laing
and you can even pay later
C Type photograph
(H) 85 x (L) 140 cm
2004
© Rosemary Laing
from the 2010 series leak
Rosemary Laing
Aristide
C Type photograph
(H) 110 x (L) 223 cm
2010
© Rosemary Laing
Rosemary Laing
Jim
C Type photograph
(H) 110 x (L) 237.5 cm
2010
© Rosemary Laing
Jason Wing
Captain James Crook, 2013
(incorrectly titled in program as
Australia Was Stolen By Armed
Robbery)
Bronze
60 x 60 x 30cm
Photograph by Garrie Maguire
Image courtesy the artist
© Jason Wing
Jason Wing
Year of the Snake, 2007
Image courtesy the artist
© Jason Wing
Jason Wing
An Australian government initiative,
2010
digital photograph on metallic fuji
flex paper
150 x 100cm each
Photograph by Adam Hollingworth
Image courtesy the artist
© Jason Wing
Jason Wing
Self portrait, 2009
cement and acrylic paint
120 x 20cm
Photograph by Jason Wing
Image courtesy the artist
© Jason Wing
Jason Wing
Between Two Worlds, 2012
Kimber Lane, Haymarket
Jason Wing
Parramatta River Dreaming, 2010
Spray paint on aluminium,
147x230cms
Photograph by Jason Wing
Image courtesy the artist
© Jason Wing
Jason Wing
Wing Dynasty, 2009
digital print on metallic paper,
edition 1/5
84 x 119cm
Photograph by Adam Hollingworth
Image courtesy the artist
© Jason Wing
17
Hannah Gadsby’s Oz – Full Series Credits
Jason Wing
Grandfathers, 2009
(Incorrectly titled in program as 2
Pops)
Photograph by Adam Hollingworth
Image courtesy the artist
© Jason Wing
Raymond Zada
Racebook, 2011
Image courtesy the artist
© Raymond Zada
Jason Wing
ABC (Aboriginal Born Chinese),
2007
Image courtesy the artist
© Jason Wing
Liam Benson
A Christian Country, 2011
Photograph
C type print
assisted by Steven Cook
61 x 91cm
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Jason Wing
Tree change, 2013
Jason Wing
None Left Turn and No Rights Turn,
2012
digital print on metal plate
70 x 35cm each
Jason Wing
Migration
Image courtesy the artist
Jason Wing
I am Flora and Fauna, 2010
Jason Wing
Image courtesy the artist
© Jason Wing
Jason Wing
Walk all over me, 2010
digital print on paper
400 x 200cm overall
Image courtesy the artist
Additional photography of Jason
Wing by Ashley Wing
Liam Benson images courtesy the
artist & Artereal Gallery NSW
Liam Benson
Mrs Boss Slays the Malevolent
Scoundrel, 2011
Photograph
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
Mrs Boss Slays the Malevolent
Scoundrel, 2011
Video
Courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
The Bowerbird Queen, 2012
(photograph by Jasmine Robertson)
Pigment in ink on cotton rag paper
Edition of 5
80 x 80cm and 146.5 x 146.5cm
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
Coat Of Arms, 2009
photograph
C type print
61 x 91cm
Exhibition: Head On Photo Festival
(2011)
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson & Manize Abedin
Ned and Fatima, 2006
photograph
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson & Manize Abedin
Liam Benson
I BELIEVE IN YOU, 2006
photograph
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
Glitterface, 2010
C Type print
assisted by Noami Oliver
61 x 91cm
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
Jail mate, 2010
C Type print
assisted by Naomi Oliver
61 x 91cm
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
The Flag, 2011
photograph
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
Ocha Envy, 2004
video
lyrics by Banjo Patterson
Courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
Untitled [Jesus], 2008
photograph
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
Liam Benson
The Opal Queen, 2012
(photography by Jasmine
Robertson)
Pigment in ink on cotton rag paper
Edition of 5
80 x 80cm and 146.5 x 146.5cm
Exhibition: Motherland (2012)
Image courtesy the artist & Artereal
Gallery NSW
© Liam Benson
John Glover 1767–1849
My Harvest Home, 1835
oil on canvas
18
Hannah Gadsby’s Oz – Full Series Credits
Tom Roberts
Australia, 1856 - 1931
The Opening of the First Parliament
of the Commonwealth of Australia
by H.R.H. The Duke of Cornwall and
York (later H.M. King George V),
May 9, 1901 / The Big Picture, 1903
oil on canvas
Daniel Boyd images courtesy of the
Artist, Roslyn Oxley9 Gallery NSW &
Kalimanrawlins Art Gallery Victoria
Daniel Boyd
We Call Them Pirates Out Here,
2006
oil on canvas
H 226 W 276 D 3.5cm
Museum of Contemporary Art,
Australia
Joan Ross
The claiming of things, 2012
Video
Courtesy of the Artist, Michael Reid
Gallery Sydney & Bett Gallery
Hobart
John Glover
Britain/Australia, 1767 – 1849
A corroboree of natives in Mills
Plains, 1832
Deddington, Tasmania
Morgan Thomas Bequest Fund 1951
Art Gallery of South Australia,
Adelaide
Sue Kneebone
For better or for worse, 2009
Giclee Print
© Sue Kneebone
Courtesy the artist
19