Advertisers' Page: Get your supplies here April 2003 Advertising Information Volume 4, Issue 4 Submission Guidelines Mailing List The Great Polyzine Button Swap Adobe Acrobat version of this issue Previous Issues Reader's Gallery Donations Staff Guilds Final Results! Irish Red HIA (Hobby Industries Association) Show Trina Williams Mirror Image Cane Darlene Clark Swaps Events Wreath Project Links Austin Polymer Clay Guild Please visit the National Polymer Clay Guild. Polymer Clay Polyzine Copyright 2000-2002 Towson, MD ISSN# 1534-1038 43,000 women will die every year. Please click every day to help fund free mammograms. The Great Polyzine Button Swap Page 1 Irish Red For information on this swap, click on these links: Original Swap Page Month Two Tips and Links The Swap is done! Here are the buttons! Click on thumbnails for full-size image. Adeline* Alisa Raley Alison Curtin Amanda Miller Arline Vinson Asia* Babette Cox Barbara Banks Barbara Banks Barbara Banks Barbara Banks Barbara Banks Brenda Moldthan Brenda Moldthan Brenda Urquhart Brittany* Caitlyn* Carley* Cheryl Ross Christy Mack * Student 1 | 2 | 3 | 4 | Info HIA Revisited January 2003 By Trina Williams Advertisers' Page Advertising Information Submission Guidelines Mailing List Adobe Acrobat Click on images for larger picture and captions The Hobby Industry Association's (HIA) annual trade show is one of the largest in the world. It is like one giant craft store with all of the new products on display each year. Please refer to my article in the March 2002 Polyzine for more background information. version of this issue Editorial Previous Issues Contact Us Donations Staff Guilds This year members of the Orange County, CA and Las Vegas Polymer Clay Guilds were able to assist the Van Aken Company in showing the versatility of Kato Polyclay which was introduced at this show last year. Not only did we demonstrate the clay in the Van Aken booth, we also helped Lisa Pavelka and Donna Kato with classes available to HIA members. Each of these classes had about fifty people and we set up pasta machines, handed out supplies and assisted anyone who needed help. Swaps Events Links All of the helpers were outfitted in DKPC t-shirts and "diamond tiaras". The shirts were a little snug but we wore our tiaras everywhere. The phrase on the back is in reference to the fact that you get 3 oz. of Kato clay to 2oz. of the other brands for the same price. In Donna's class, which was from 8 - 10 in the evening, the students learned about mica shift and made a pendant from metallic clay. The projects in these classes are kept simple, as most of the participants, retailers, buyers, designers and wholesalers are new to polymer clay. The idea is to show them how fun and easy the product is to use so they will stock it in their store. So, after staying up late for Donna's class we were up and at 'em early the next morning for Lisa's class. Again there were about fifty participants and Lisa demonstrated a photo album using the Kato clay, the new texture sheets from Embossing Arts and Ranger Perfect Pearls. Meanwhile, back at the booth, the crowds gathered constantly. Michelle Ross, Klew, Donna, Lisa and assorted OC Guild members kept the place jumping. Many of us had our work nicely displayed. And on one of the days Carol Duvall was there taping for her upcoming HIA program. Also present were Judy Belcher and Gail Ritchie from the southern part of the U.S. Among the new items Donna is introducing are the rubber texture sheets made for her by Embossing Arts. Although the EA sheets are available for sale, Donna's designs, which are going to be double sided, are still in development. These are deeply cut 5 x7-unmounted rubber stamps. (At this writing Embossing Arts is going out of business but those in the know are hopeful another company will take up the line.) The two techniques which we are excited about are 1) Being able to get a wonderful mica shift pattern by using metallic clay, pressing it into the sheet and carefully slicing it off to reveal the design and 2) after the first layer is sliced off, adding a sheet of another color, rolling it on and then peeling it away so it lifts the first color out of the stamp and leaving a wonderful two color raised pattern. Another new product not yet available is Repel Gel, which you rub on the clay where you DON'T want it to bond. This enables you to make blade holders, cardholders, luggage tags, etc. without having to bake the two pieces separately and then gluing the edges. Last but not least is Donna's cute little T-blade. It is a short (4 inch) very thin blade for doing delicate slicing. This is available now everywhere the clay is sold. Home Mirror Image Cane By Darlene Clark, Colorado Advertisers' Page Advertising Information Submission Guidelines Mailing List Adobe Acrobat version of this issue Editorial Previous Issues Several years ago I made a cane and wrapped the components of the cane in translucent clay. I liked the effect and decided to try this cane again. Contact Us Donations Staff The new cane was made from a Skinner blend. I cut the cane into four pieces then put back together. I found I got a great mirror image effect. Here are the results of the new cane. Guilds Swaps Events Links Supplies: ● ● ● ● ● KatoPolyclay® clay: Magenta, ultra blue, white, and translucent or other high contrast colors pasta machine Kato NuBlade® Blade Roller Ruler Step Two: Roll up the Skinner blend from one graded edge to the other (not a bull's eye). Make a reverse reduction. Press ends in with your hand. Repeat until the Skinner blend is 4" long. Step Three: Cut into four equal parts of one inch each. Stretch each piece into a log so the color is graduated. Step Four: Wrap each log in translucent clay that you run through the pasta machine at a number five. I also make other canes to compliment the colors. I made a bull's eye cane with the blue and white. You can make other logs if you need more contrast in your colors. I sometimes add a white log. Wrap any new logs with translucent clay. You can use any number of logs for this cane. I used twenty-five logs for this cane. Step Five: Start stacking according to the picture. Colors can be stacked however you like. Just use contrast when stacking the colors. At this point you will see if you need more logs of contrasting colors. Begin squeezing the log together. Make a square log. Be sure to keep your lines on the outside of the cane straight. Your logs in the cane will not stay square, but that's all right. Reduce the cane to ½ inch. Step Six: Cut the reduced cane into four equal pieces, keeping the lines on outside of the cane straight. Stretch each piece into a log so the color is graduated. Step Seven: To make the mirror cane image, put the four cane back together, making sure the lines on the outside of the cane match. You can add a lot of variety to this cane, by adding additional canes, such as the bull's eye or stripped cane to the stack or maybe some canes you all ready have. Have fun! Darlene Clark, Woodland Park, Colorado by Marty Woosley Darlene and her husband Ralph retired to Woodland Park, Colorado two years ago where they enjoy nature's beauty. She has worked with clay about 10 years. Darlene has sold her work in Corpus Christi, TX, Breckenridge, Cripple Creek, and Woodland Park., Colorado. After starting a guild in Corpus Christi she taught classes there. She has always done some kind of craft along with oil painting until she found polymer clay. Darlene is a member of the Denver Polymer Guild and the newly organized Colorado Springs Polymer Guild. I have known Darlene for several years and her ability to create and experiment with polymer is an inspiration to me. Darlene can be reached for comments at DWClark1@aol.com. Step One: Begin with a Skinner blend of the three colors with white in the middle. Use a double layer of clay to make your blend. April 2003 Wreath Project Austin Polymer Clay Guild Button Wreath Click here for pictures of the Austin Wreath Project How the Wreath Project Works: Any member of a guild or other clay group becomes interested in one or more of the proposed wreath projects and offers the idea to that group. A vote is then taken on which project to do. One or two people are designated as collectors of the items to go onto the wreath. This person or people is responsible for collecting items, names to go with the items and getting them safely to the meeting or Clay Day to assemble the wreath. The group will decide what type of wreath to use, and there are no limits to the type of materials used, and where the funds for materials will come from. Any member may donate or make a wreath to be used, or the group as a whole may delegate funds to be used from a treasury or take up a collection. The article is not hard to write. We will even help you write it. Remember who assembled the wreath, take pictures of this happening, include minor and major disasters, funny stories and the like. Group pictures are welcome. Individual pictures of the items are recommended, but we can take them from several large, high quality images of the finished wreath if necessary. If you would like to include a tutorial on the assembly of the wreath, that would be very appropriate and welcome! Once the wreath is assembled, it is up to each guild to decide what will be done with it. Suggestions: raffle at group meeting, enter into a fair or show, make it a door prize at a holiday gathering, donate it to a charity, auction on eBay for group funds, or donate it to Polyzine to be sold! Here are the themes I will be proposing for 2003: March (Austin Guild) Buttons April Eggs OR Flowers May Mother's Day OR Tea Party June Shoes Taken Baltimore July Quilt August Hawaiian OR Sweet 16 September For Teacher OR Dollhouse October Fall Leaves OR Halloween November Winter Veggies OR Thanksgiving December Snowflakes OR Chanukkah South Texas Any month that says "Proposed" is in process at a guild. Month specified refers to the month that the article is due to Polyzine. If you have a group that would be interested in particpating, email IR.