Audiovisual Design Standards Audiovisual Design Standards October 2011 1 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards Table of Content Executive Summary ....................................................................................................................................... 4 More information .................................................................................................................................. 4 Review .......................................................................................................................................................... 4 1.1 Room design for learning and teaching spaces ......................................................................................... 4 1.1.1 Sight lines and screen-viewing distances ....................................................................................... 4 1.1.2 Vertical and horizontal projector placement .................................................................................. 5 1.1.3 Minimum projector brightness ...................................................................................................... 5 1.1.4 Minimum projector contrast ratio ................................................................................................. 6 1.1.5 Projector, display and screen aspect ratio...................................................................................... 6 1.1.6 Dual displays ................................................................................................................................. 6 1.1.7 Flat panel technology .................................................................................................................... 6 1.2 Acoustical design in learning and teaching spaces .................................................................................... 6 1.2.1 Acoustic performance ................................................................................................................... 6 1.2.2 Ambient sound levels .................................................................................................................... 7 1.2.3 Reverberation times...................................................................................................................... 7 1.3 Lighting design in learning and teaching spaces ........................................................................................ 8 1.3.1 Relevant lighting standards ........................................................................................................... 8 1.3.2 Lighting control and lighting zones ................................................................................................ 8 1.3.3 Ambient light spill on projector screen .......................................................................................... 8 1.3.4 Target light level ........................................................................................................................... 9 1.3.4 Occupancy sensing ........................................................................................................................ 9 1.3.5 Lighting control system and AV control system integration ............................................................ 9 1.4 Audio system design in learning and teaching spaces ............................................................................. 10 1.4.1 Audio replay and voice reinforcement ......................................................................................... 10 1.4.2 Speaker system selection and placement .................................................................................... 10 1.4.3 Audio mixing ............................................................................................................................... 11 1.4.4 Power amplifiers ......................................................................................................................... 11 1.4.5 Equipment installation ................................................................................................................ 11 1.4.6 Hearing augmentation and induction loops ................................................................................. 11 1.4.7 Grounding ................................................................................................................................... 12 1.4.8 Integration into EWIS .................................................................................................................. 12 1.5 Lecture recording systems...................................................................................................................... 12 1.5.1 Audio recording .......................................................................................................................... 12 1.5.2 Screen capture ............................................................................................................................ 13 1.5.3 Camera provision ........................................................................................................................ 13 1.5.4 Dual screen recording ................................................................................................................. 13 1.6 Whiteboards and writing surfaces .......................................................................................................... 14 1.6.1 Standard specifications and board height .................................................................................... 14 1.6.2 Multiple sliding boards ................................................................................................................ 14 1.6.3 Board lighting ............................................................................................................................. 14 1.7 Centralisation and structured cabling systems ........................................................................................ 14 1.7.1 Audiovisual centralisation approach ............................................................................................ 15 1.7.2 Centralisation exceptions ............................................................................................................ 15 1.7.3 Signal delivery and cabling .......................................................................................................... 15 1.7.4 UTP converters ........................................................................................................................... 16 1.7.5 Power management, climate control and risk mitigation ............................................................. 16 1.8 Specific room types ................................................................................................................................ 16 2 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.8.1 Lecture theatres (tiered teaching spaces) scope ........................................................................... 17 1.8.2 Class rooms (flat floor spaces) scope ........................................................................................... 18 1.8.3 Meeting rooms (videoconference rooms if required) scope ......................................................... 19 1.8.4 Flexible teaching spaces scope .................................................................................................... 19 1.9 Audiovisual equipment specifications .................................................................................................... 20 1.9.1 Projection screens ....................................................................................................................... 20 1.9.2 Data projectors – General minimum specification........................................................................ 20 1.9.3 Data projectors – Large venues (Auditoriums) ............................................................................. 21 1.9.4 Data projectors – Lecture theatres .............................................................................................. 21 1.9.5 Data projectors - Classrooms ....................................................................................................... 21 1.9.6 Flat panel displays....................................................................................................................... 22 1.9.7 Projector and flat panel mounts .................................................................................................. 22 1.9.8 Central controller ........................................................................................................................ 22 1.9.9 AV Control system interface (Touchpanel) ................................................................................... 23 1.9.10 Audio and video router ............................................................................................................. 23 1.9.11 Scalar ........................................................................................................................................ 23 1.9.12 Audio signal processing ............................................................................................................. 23 1.9.13 Speaker systems ....................................................................................................................... 24 1.9.14 Amplifiers ................................................................................................................................. 24 1.9.15 Lectern microphones ................................................................................................................. 24 1.9.16 Radio microphones ................................................................................................................... 24 1.9.17 Document cameras ................................................................................................................... 24 1.9.18 DVD/Blu-Ray players ................................................................................................................. 25 1.9.19 Desktop Computer .................................................................................................................... 25 1.9.20 Cabling and management .......................................................................................................... 25 1.9.21 Cable labelling........................................................................................................................... 25 1.9.22 Connector types ........................................................................................................................ 25 1.9.23 Equipment rack ......................................................................................................................... 26 1.10 Service Desk phone in learning and teaching spaces ............................................................................. 26 1.10.1 In-house phone ......................................................................................................................... 26 1.10.2 Outside of venue (at door) phone .............................................................................................. 26 1.11 Documentation .................................................................................................................................... 26 1.11.1 Construction drawings .............................................................................................................. 26 1.11.2 Post contract documentation .................................................................................................... 27 1.12 Testing, commissioning and handover .................................................................................................. 27 Glossary and Definitions .............................................................................................................................. 27 About this Document .................................................................................................................................. 29 Appendix 1 – UTAS AV Design Standards Metric Table ................................................................................. 29 Appendix 2 – Mobile Lecture Recording Solutions ........................................................................................ 45 Appendix 3 – Lectern Design ........................................................................................................................ 47 3 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards Executive Summary The purpose of this document is to set out the definition of Audiovisual (AV) Standards for the University of Tasmania (UTAS) and the application of those standards across all supported learning and teaching spaces. It specifies the standardisation and categorisation of audiovisual equipment, design standards, learning and teaching spaces and amenities available to all staff, students and associates. The objective of these standards is to define: • • • the minimum AV requirements for all learning and teaching spaces a framework to standardise AV technology and infrastructure to provide a means of identifying and upgrading, where required, any sub-standard learning and teaching spaces. All AV technology and infrastructure is to be of a standardised environment in all supported learning and teaching spaces. It is the purpose of this document to identify this standard and to provide a framework that all learning and teaching spaces are to adhere to. More information For further information, contact Frank Andrews: Email: frank.andrews@utas.edu.au Review In line with the Policy Development and Review Procedure (Section 3.1.14 Stage 14 – Review), this document will be reviewed in its entirety every three (3) years. Consideration for the review of this document will be governed by the mechanisms within the Policy Development and Review Procedure. Minor amendments, pertaining to the progression of technology and the redefining of technical terminology and specifications will occur every six (6) months and are undertaken as an operational requirement of AV Services, ITR. 1.1 Room design for learning and teaching spaces Room design is integral to providing a best practice solution for all learning and teaching spaces. It is recommended that at the project design stage all considerations of the following provisions are entered into, to produce the best possible solution for these spaces. This is the responsibility of the appropriate organisational unit who is accountable for the room design features in a given learning and teaching space. 1.1.1 Sight lines and screen-viewing distances Learning and teaching spaces at UTAS require the capability to display information by means of data projection and other display technology. Consideration and advice to the responsible organisational unit at the planning stage of allowable sight-lines and screen viewing distances is fundamental to the success of any learning and teaching space. Having these standards accepted and incorporated at the design stage forms a critical aspect to delivering an acceptable level of information display recognition by the viewer. Consideration must be given to the ability to view and interpret the information displayed from all areas of the learning and teaching space. These specifications form the nucleus of any design for learning and teaching spaces. The following guidelines on appropriate sight-lines and screen-viewing distances are to be considered when designing, refurbishing and upgrading any learning and teaching space: 4 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • The maximum viewing distance can be determined by the height of the screen, which will, in turn, determine the furthest allowable viewing position at a factor of 5.3. This is displayed as the following: Screen Height = the furthest allowable viewing position/5.3 • • • • • The minimum viewing distance is determined by the closest viewer position (at the front row, centre). This position shall not be any closer than twice the screen height at that position. The maximum allowable horizontal viewing angle will be no more than 45 degrees to the centre sight-line of the screen. The maximum allowable vertical viewing angle will be no more than 15 degrees to the centre of the display measured from the front centre viewing position. The bottom edge of the screen shall be no less than 1.3 metres above the floor. The minimum ceiling height will be determined by the maximum viewing distance rule and the screen height above the floor. In learning and teaching spaces existing geometry may prevent this specification from being met. Consideration will need to be given to determining the best outcome for sight-lines and screen-viewing distance when refurbishing. Special provisions to meet this standard may be needed. 1.1.2 Vertical and horizontal projector placement Careful consideration needs to be given to the placement of the projector. The placement of the projector is determined by the following guidelines: • • • • • • The vertical position of the projector must not obstruct the view of the screen for any viewer in that space. The vertical and horizontal placement should adhere to the projector manufacturer’s recommended vertical position. Use of key-stoning must be kept to a minimum. The placement of the projector must provide ease of access for the performance of maintenance and repairs. Consideration to reduce projection glare in lecturer’s eyes. UTAS approved security mount must be used. In existing learning and teaching spaces current geometry may prevent this specification from being met. Consideration will need to be made to determining the best outcome for the viewing of information on these displays and special provisions to this standard may need to be met. 1.1.3 Minimum projector brightness The recommended projector brightness is determined by screen size, which, in turn, is proportional to the venue size. The following guidelines are to be taken into consideration when deciding minimum projector brightness: • • The targeted projected Lux for small to medium sized venues, where screen sizes are no more than 3.5 metres diagonally, must be no less than 500Lux, preferably 600+ Lux. The target projected Lux for larger venues, where screen sizes are more than 3.5 metres diagonally, must be no less than 315Lux, preferably 500+ Lux. These specifications will help to determine the correct projector for the venue and will help to identify the ANSI Lumens specification for that projector. In larger venues, reduction in ambient light at and around the screen will need to be considered to reduce loss of projected Lux on the screen. This is addressed in the Ambient light spill on projector screen provision of this Standard. 5 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.1.4 Minimum projector contrast ratio Contrast ratios will allow for the legibility of information that is projected on the screen from all viewing angles within the learning and teaching space. The following guidelines outline the minimum required contrast ratio: • • • Text and numerals, when displayed on the projector screen, must meet an aspect ratio of 5:1. Photos, pictures and any graphical representation, when displayed on the projector screen, must meet a contrast ratio of 10:1. Videos must display on the projector screen at a contrast ratio of 25:1. These measurements are defined as the ratio between the measured values of incident light on the projection screen when outputting full field white and full field black. This takes into consideration all sources of light, both projected and ambient. 1.1.5 Projector, display and screen aspect ratio Due to the move away from 4:3 aspect ratios and the subsequent phasing out of the production and support of these devices, and the adoption of a high definition environment, the standard aspect ratio for displays in centrally-managed learning and teaching spaces will be a minimum of 16:9. 1.1.6 Dual displays Centrally-managed learning and teaching spaces are to incorporate dual displays where practical and where this requirement is stipulated in the design process. The following guidelines detail the requirements for dual displays implementation: • Dual projection with dual displays is a requirement for lecture theatres. Not all venues are able to meet these requirements and may need only one single projection, single image configuration. A variation to this provision can be sought from the project manager. 1.1.7 Flat panel technology Flat panel technologies can be implemented into small venues. These venues are defined by the Specific room types section of this standard. The following guidelines are to be followed for installation of flat panels: • • Placement is in accordance with all rules that govern the placement of projector screens, see Minimum projector brightness, Minimum projector contrast ratio, Vertical and horizontal projector placement, Sight lines and screen-viewing distances and Projector, display and screen aspect ratio. Flat panel technology is the preferred visual display in meeting rooms that perform videoconferencing functions. 1.2 Acoustical design in learning and teaching spaces Acoustical design is integral to providing a best practice solution. It is recommended that at the project design stage that an acoustic consultant be contracted to advise on and recommend the best possible solution. 1.2.1 Acoustic performance It is essential to the delivery of best acoustic performance that the acoustical design is considered when upgrading, refurbishing or designing any new or existing learning and teaching space. Acoustic performance in learning and teaching spaces must comply with the following Australian Standards: 6 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • AS/NZS 2107:2000 Acoustics – Recommended design sound levels and reverberation times for building interiors AS/NZS ISO 717.1:2004 Acoustics - Rating of sound insulation in buildings and of building elementsAirborne sound insulation. Acoustical performance must be measured using the Speech Transmission Index (STI). No learning and teaching space may score less than ‘good’ with an STI less than 0.6. The desired score for acoustical performance for any venue is ‘excellent’ with an STI of 1.0. The signal to noise ratio is to be kept to a minimum with a benchmark 25dB(A) to ensure audio intelligibility. 1.2.2 Ambient sound levels The level of ambient sound must be kept to a minimum. Conversely, a sound-dead room is to be avoided as well. Ambient noise generators such as air-conditioning units and mechanical delivery devices located near the learning and teaching space must be avoided or mitigated at best. Advice from the acoustic consultant must be adhered to in the design process of any new or existing space to deliver acceptable levels of ambient sound. The following guidelines detail the acceptable and best practice standards for ambient sound. The room types are defined as per the Specific Room Types section in this Standard: • • • • Room type: Lecture theatre (Tiered Teaching Spaces) must have a minimum ambient noise level of 45db(A) and a best practice level of 35dB(A) Room type: Classrooms (Flat Room Spaces) must have a minimum ambient noise level of 35db(A) and a best practice level of 30dB(A) Room type: Meeting Rooms (Videoconference/Board Rooms) must have a minimum ambient noise level of 40db(A) and a best practice level of 35dB(A) Room type: Flexible Teaching Spaces must have a minimum ambient noise level of 35db(A) and a best practice level of 30dB(A) 1.2.3 Reverberation times Reverberation and all associated audio anomalies such as standing waves, early and late reflections need to be considered. The following guidelines, as defined by the Australian Standard AS 2107-2000, are to be considered to mitigate reverberation issues in these spaces. These are meant as general guidelines only as the RT60 will vary depending on room size: • • • • Room type: 50 seat classrooms will have a maximum reverberation time of 1.0 second and a best practice level of 0.7 seconds. Room type: Lecture theatres will have a maximum reverberation time of 1.0 second and a best practice level of 0.7 seconds Room type: Flexible teaching spaces will have a maximum reverberation time of 0.6 seconds and a best practice level of 0.4 seconds Room type: Conference and meeting rooms will have a maximum reverberation time of 0.7 seconds and a best practice level of 0.6 seconds The reduction of shiny surfaces, the use of sound traps and the mitigation of box or rectangular rooms and regular surfaces will reduce the occurrence of standing waves and alleviate most reverberation issues. Reverberation is unavoidable but measures need to be in place to minimise its effect, especially where it makes the delivery of audio un-intelligible. Technology-based solutions are available to address these issues, such as a focussed sound field solution through the use of array-style speaker systems. These solutions can be implemented only in the case where no other option is available. 7 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.3 Lighting design in learning and teaching spaces It is recommended that at the project design stage a lighting consultant is contracted to advise and recommend the best possible solution. 1.3.1 Relevant lighting standards Lighting is governed by the Australian and New Zealand Standards - AS/NZS 1680 for Lighting (as amended) and the government and building codes. The sections of the standard that must be adhered to are as follows: • • • AS/NZS 1680.2.1:2008 (as amended) Interior and workplace lighting - Specific applications Circulation spaces and other general areas. AS/NZS 1680.2.2:2008 (as amended) Interior and workplace lighting - Specific applications - Office and screen-based tasks. AS/NZS 1680.2.3:2008 (as amended) Interior and workplace lighting - Specific applications Educational and training facilities. 1.3.2 Lighting control and lighting zones Lighting will need to be controlled centrally through the AV control system. This will require the zoning of particular lights on particular circuits to allow control of the lighting. The following points detail the guidelines to follow when considering the implementation of lighting that will be controlled and zoned by the AV control system in supported UTAS learning and teaching spaces. The number of lighting zones will be dependent on the room type: • • • • Front lights and board lights that spill directly onto the screen and white board respectively. Directional lighting to illuminate the lectern position or other front of house ‘task’ areas. This may incorporate the use of multiple lighting zones to cover larger venues front-of-house areas and/or ‘task’ areas. These lights will not produce any spill on to the screen and will have the ability to control the beam onto the specific intended area. Aisle, step and emergency lights for venues that have steps and/or aisles. This is a legislative requirement (General Fire Regulations 2000 S.R. 2000, No. 236) and must be part of the design. Room lights depending on the size and purpose of the room and may have multiple zones to configure the room with differing levels of illumination in different areas of that room. All the zones that are to be controlled by the AV control system can either have a dimmable or switching function depending on the role of the lighting and the size of the venue. Task-specific lighting may be switchable, whereas room lighting will need to be dimmable. It is the responsibility of the appropriate organisational unit to provide, on recommendation from the lighting consultant, the correct light fittings with the capacity and compatibility to be controlled by the AV control system. 1.3.3 Ambient light spill on projector screen An acceptable amount of ambient light on the projector screen is determined by the dimensions of the room, ambient illumination measured on the screen and the projected versus ambient light ratio. The following guidelines provide acceptable ambient light measurements: • • The amount of ambient illumination on the screen in small venues will be no more than 100Lux maximum. The amount of ambient illumination on the screen in large venues will be no more than 60Lux maximum. Consideration must be given to light-coloured chattels, furniture and flooring near projection screens. These may inadvertently reflect an unacceptable level of ambient light onto the screen. 8 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards Consideration must also be given to the location of light-generating devices such as computer screens and document cameras near the projection screens, as these too might inadvertently reflect and/or project an unacceptable amount of ambient light onto the screen. It is a requirement that a lighting consultant be engaged to provide the best solution for lighting. Computer modelling at the design stage is to be undertaken to determine if the lighting designs will or will not provide acceptable levels of spill light on the projection screen and the designs must be amended accordingly until these provisions are met. External ambient light sources need to be controlled. Blinds and/or curtains are to be used to control ambient light sources. Motorised blinds and/or curtains are to be installed in all venues and must be integrated into the AV control system. 1.3.4 Target light level It is a requirement in learning and teaching spaces to have programmable lighting modes to accompany differing stages of room use. The following guidelines stipulate these modes and define what the lighting state is to be: • • • • Full - Full room lights. Entry and exit mode. 320-360 Lux. AV – Slightly dimmed room lights. Appropriate task areas lights on. Front lights off. Projection and note taking mode. Min light level 240 Lux. Dimm – Fully dimmed room lights. All other lights off. Projection mode. 60-80 Lux. Off – No room lights. No other lights except aisle and step lights. Presentation mode. 1.3.4 Occupancy sensing The lighting system must have the capability to monitor occupancy in the room and perform accordingly. The following guidelines details the lighting system actions required for differing states of occupancy detection: • • Full room lights when triggered. This desired state is stipulated as Full in the Target light level provision. Turn off all lighting when no motion is detected after 90mins as per energy management requirements. The occupancy sensing is complementary to the AV control system and is to be integrated into, and must be compatible with, the Building Management System (BMS) to trigger events controlled by this system such as climate control. 1.3.5 Lighting control system and AV control system integration Lighting systems must integrate into the AV control system, the BMS and the Emergency Warning and Information System (EWIS). These systems can interface either by a serial or IP interface. The following guidelines outline the necessary functionality and compatibility of the lighting control system: • • The AV control system must be able to control all lighting and light control devices such as blinds and curtains. The lighting control system must be able to trigger BMS settings such as occupancy sensing and climate control. Integration of the lighting control system is to be considered at the design stage for any new or existing learning and teaching space to allow for the proper selection of a system that will meet all of these guidelines. 9 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.4 Audio system design in learning and teaching spaces At all stages of design for learning and teaching spaces, audio system design is of critical consideration and will have to deliver the best audio solution for these spaces. Audio system design and all associated equipment implemented must comply with performance and installation standards defined by: • • • AS/NZS 60065:2003 & Amendment No. 1 (January 2008) Audio, video and similar electronic apparatus—Safety requirements. AS 60118.4-2007 Hearing Aids – Magnetic Field strength in audio-frequency induction loops for hearing aid purposes. Disability (Access to Premises – Buildings) Standards 2010. These standards will be complied with when considering the design, installation and maintenance of all audio systems. 1.4.1 Audio replay and voice reinforcement The capability of audio replay from all sources and voice reinforcement will be incorporated into larger classrooms and lecture theatres as set out in the Specific room type section in this standard. The following guidelines outline the requirements for audio replay and voice reinforcement: • • • • • Rooms that are classified as learning and teaching spaces are to incorporate a Digital Signal Processor (DSP) to allow for the dedication of the required outputs to MyMedia Service. Rooms classified only learning (tutorial) spaces will only require an Audio Relay capability. Voice reinforcement systems are to have at least four microphone input facilities. If there is a requirement for a hearing induction loop as specified in the Hearing augmentation and inductions loop provision, refer to the provision for details. Background sounds will be at least 20 decibels lower than foreground sounds, or approximately four times quieter than the foreground speech. Further technical specifications of the audio replay and voice reinforcement systems can be found in the Audiovisual equipment specification section of this standard. 1.4.2 Speaker system selection and placement Selection of speaker systems for implementation in learning and teaching spaces will vary from venue to venue depending on size and function. This relates to the actual audio design required to provide full audio coverage and high intelligibility of voice reinforcement to the listening area, for those spaces that require it. Provisions will need to be made at the acoustical design stage, with the assistance of computer modelling, to determine the correct number, the placement and technical specifications of the speakers to meet the requirements in this provision. The following is a set of guidelines that provide a framework to assist in the selection and placement of the speaker system: • • • • • • A targeted distribution of voice reinforcement at all listening positions at a minimum of 65dBA. A targeted distribution of audio replay at all listening positions at a minimum of 80dBA. Measurement of audio coverage is determined by the ANSI/INFOCOMM 1M-2009 Standard. Consideration of complementary speaker systems (distributed speakers or speaker arrays), depending on the venue’s geometry and acoustical performance to provide compliance with audio coverage requirements. A minimum of two Front of House (FOH) speakers in all venues. Zoning and speaker delay systems to be considered where there are issues with FOH and distributed speaker systems providing an unintelligible amount of delay variation to the listening position. 10 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards Further technical specifications of the speaker systems can be found in the Audiovisual equipment specification section of this standard. 1.4.3 Audio mixing All audio mixing will be performed by the specified range of Digital Signal Processors (DSP) as outlined in the Audiovisual equipment specification section of this standard depending on room type as outlined in the Specific room type section of this standard. The following guidelines outline the functionality, compatibility and capability that the DSP will need to comply with: • • • • • • • Must be programmable. Must provide network control capability. Must be able to communicate to the AV control system via an RS-232 or IP interface. Must provide the specified amount of inputs and outputs for that room specification. Must be able to perform audio dynamic processing, routing and mixing, a range of equalisation tasks, filtering and delay controls. All outputs need to be able to be independently controlled and have the above processing applied to them independent of all other outputs. Learning and teaching spaces that incorporate videoconference capability, will require the DSP to perform echo cancellation. Further technical specifications of the DSP can be found in the Audiovisual equipment specification section of this standard 1.4.4 Power amplifiers High quality power amplifiers that match the power requirements of the speaker system are to be implemented in all learning and teaching spaces. The following guidelines outline the requirements for power amplifiers: • • • 10dB headroom to handle peaks over unity gain to accommodate target audio replay requirements as stipulated by the Speaker system selection and placement provision in this Standard. Power amplifiers will carry a D class energy efficiency rating. The number of amplification channels is dependent on the number of speakers to be implemented in the venue. Further technical specifications of the power amplifier can be found in the Audiovisual equipment specification section of this standard. 1.4.5 Equipment installation All supported UTAS learning and teaching spaces audio systems will be installed in accordance with InfoComm AV Installation Handbook ‘The Best Practices for Quality Audiovisual Systems’ and in particular sections 2.9 and 2.10 of this reference, and in accordance with any other relevant Australian Standards. 1.4.6 Hearing augmentation and induction loops Section 3 (Situations Requiring Hearing Augmentation) of AS1428.5 (Communication for people who are deaf or hearing impaired) states that a meeting space of 100m2 or larger that includes a voice reinforcement system, must have a minimum of 80% of its floor space covered by an assistive listening system. The requirements for an induction loop are contained in AS60118-4. The following guidelines stipulate the hearing augmentation and induction loop requirements: • Induction loops must be installed in all rooms that have voice reinforcement systems. 11 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • The induction loop amplifiers must be able to monitor induction loops for faults and report back to the control system for fault flagging. Induction loops must be designed on a room-by-room basis with initial noise analysis being completed prior to design and the systems commissioned to appropriate legislative standard. 1.4.7 Grounding Audio systems are susceptible to interference caused by a range of issues that are a direct result of nongrounded equipment. The following guidelines outline the requirements for the grounding of equipment to mitigate nongrounded related audio interference: • • • • • • It is recommended that all audio equipment is connected to a single power supply with all equipment on a single phase with a star earthing arrangement. A technical earth is also appropriate in complex systems and is to be considered in the design phase. The equipment rack is to be grounded to provide a chassis earth for equipment. All equipment is to be of the balanced type for common mode rejection and reduction of interference from Radio Frequency (RF) and Electro Magnetic Interference (EMI) sources. Unbalanced equipment is to be used for short wiring runs. Balancing transformers are to be used to balance the signal on longer runs. This provision is to be implemented on all applicable AV equipment. 1.4.8 Integration into EWIS All audio systems will need to be integrated into the EWIS. Advice should be sought from appropriate stakeholder and/or organisational unit to recommend the appropriate actions the audio system will require taking in such events. The following is a guideline for emergency-initiated actions that an audio system should take: • • Mute all sound. Enable playback of alarms and/or announcements. The appropriate fire/electrical engineer responsible for the administration of the EWIS must be consulted and their recommendations must be followed. 1.5 Lecture recording systems Lecture recording services via MyMedia Service are installed in a number of learning and teaching spaces throughout UTAS. It is possible that additional venues will have this capability in the future. Therefore, all learning and teaching spaces that incorporate voice reinforcement should be designed with the intention of these recording services being implemented. 1.5.1 Audio recording All recordings from venues via MyMedia Service consist of an audio component. Audio is normally received from the venue through a number of feeds from various devices. The following guidelines outline the requirements for audio system capabilities in order to be able to provide appropriate services to MyMedia Service: • Professional line-level audio input with bare wire termination for direct wiring of stereo balanced (non-powered) or unbalanced audio (+4dBu/1.228Vrms/1.737Vpk signal) 12 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.5.2 Screen capture The majority of recording from venues via MyMedia Service contain screen capture (a visual feed + audio feed), that is typically captured from the data projector. This normally includes house computer screen, local (laptop) computer screen, document camera, and/or other similar content players. The following guidelines outline the current requirements for the video system capabilities to be able to integrate with MyMedia Service: • VGA feed in supported capture resolutions only o 800x600 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1024x768 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1280x700 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1280x720 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1280x768 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1280x800 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1280x1024 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1366x800 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1440x900 60Hz, 70Hz, 72Hz, 75Hz, 85Hz o 1680x1050 60Hz o 1920x1080 60Hz o 1920x1200 60Hz. The following guidelines outline the preferred requirements for the video system capabilities to be able to integrate with MyMedia Service: • • • Capture input resolutions from 640x480 to 1920x1200 (Scaled to the H.264 standard of 1088 maximum number of lines) All input aspect ratios supported Digital or analogue input via DVI-I connector, passively adaptable to VGA or HDMI input. 1.5.3 Camera provision MyMedia Service can also record a video feed (lecturer or other video content). The following guidelines outline the current minimal requirements for the camera capture capabilities for MyMedia Service: • • Analogue (composite) video input NTSC or PAL. The following guidelines outline the preferred requirements for the camera capture capabilities for MyMedia Service: • • • • Digital (HDMI) or Analogue (composite) video input NTSC or PAL Full Screen (4:3) standard definition input resolutions from QCIF to D1 Widescreen (16:9) high definition input resolution from 480p to 1080p. 1.5.4 Dual screen recording MyMedia Service can provide dual visual feed recording functionality. Currently it only facilitates a screen + video feed. From 2012 onwards dual screen recording will be possible. The use of dual visual 13 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards feed recordings is currently low, but requirements for this functionality (and AV equipment to support it) may increase in the future and hence be provided for. 1.6 Whiteboards and writing surfaces Though annotation capabilities via the AV control system is said to supersede whiteboards, it will still be a requirement to have writing surfaces and, as such, these should be viewed as complementary to annotation technology. 1.6.1 Standard specifications and board height The following guidelines outline the general specification of whiteboards and the optimal placement height above the floor: • • All writing surfaces are to be whiteboards with surfaces of enamel on steel. The bottom edge of the rear board will be no higher than 0.9 metres and no lower than 0.85 metres. 1.6.2 Multiple sliding boards There may be a requirement in some venues to have multiple sliding boards to allow for projection space when not in use. The following guidelines specify how multiple sliding boards are to be installed: • • The bottom edge of the rear board will be no higher than 0.9 metres and no lower than 0.85 metres. Multiple sliding boards will consist of no more than three boards. 1.6.3 Board lighting Board lighting is to be designed so that boards are able to be viewed and are legible from all viewing angles. The following guidelines set out the requirement for board lighting: • • • Board lighting to be zoned separately. No or little spill from this lighting shall impact on the projector screen and adversely affect the ambient lighting provision. Be able to provide 300Lux vertically without causing glare for the viewer. Please refer to the Lighting control and lighting zoning provision of this standard for further information about board lighting. 1.7 Centralisation and structured cabling systems All future design of new and redesign of existing learning and teaching spaces will adopt the centralisation approach for AV equipment and infrastructure. This relates to the removal of non-user interactive AV equipment from within the venue (usually under the lectern) to a Floor Communication Room (FCR) and the implementation of structured cabling systems. It is designed to utilise Unshielded Twisted Pair Technology (UTP) structured cabling and to communicate to AV equipment and devices via Internet Protocol (IP) or similar AV protocols. This will provide the following benefits to the AV infrastructure and function: • • • • • • Greater flexibility through the use of structured cabling systems and the ability for future expansion without the restraint of space. Greater security for AV equipment. Improved ability to integrate with other systems, audiovisual and non-audiovisual. Increase reliability of equipment e.g. cooling, dust reduction and power supply issues, including Uninterrupted Power Supply (UPS) in case of power outage. Ease of management for maintenance, upgrade servicing and auditing. Future proofing as in-field equipment takes on more of a plug and play approach towards interaction with AV equipment over the structured cabling system. 14 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • Meets sustainability requirements as less energy will be used where single devices can service multiple venues. This section is intended as a guide for the future of AV infrastructure at UTAS. The ideas discussed in this section cannot necessarily be matched with technology and/or current funding, however, the concept is to have in place the cabling so when the technology is available, costs are acceptable and funding available, the infrastructure is in place. 1.7.1 Audiovisual centralisation approach To accommodate a centralised approach, as many AV components as possible are to be locate within the FCR. The approach is to locate all non-user-interactive equipment within the FCR. This non-userinteractive equipment, to be located in the FCR, is detailed in the following guidelines: • • • • • • • Control processors Switchers Codecs DSP Lecture recording systems Audio mixers Amplifiers, if less than 30 metres to speakers. Standard AV equipment that requires direct user interaction such as projectors, display screens, content players and the house computer will be mounted according to normal conditions in each room. If an amplifier is more than 30 metres away from the speakers then the location of the amplifier will be either in the ceiling space on a custom bracket with a clearly marked access panel or, where there is a local AV rack present, mounted in that. 1.7.2 Centralisation exceptions Exceptions should only be authorised where one of the following conditions are present: • • • • Only intended as a temporary setup In a small building without a dedicated communications room In a single stand-alone AV space without IT infrastructure In a single small AV space within a building with little likelihood of any form of expansion unless via a full internal refurbishment project. All steps need to be taken to accommodate the need for AV centralisation but in some cases these exceptions can be made. 1.7.3 Signal delivery and cabling Signal delivery for centralised AV will run over structured communications cabling with the preferred method being UTP, incorporating the use of existing IP networks present in most venues. Structured cabling design needs to take into account any AV cabling requirements additional to traditional network communications including: • • • • • Patch panels within AV racks linking them to patch frames. Wall mounted outlets for field devices such as wall plates, displays and small racks with interactive devices or amplifiers. Floor box outlets used by laptops, microphones and amplifiers. Ceiling or in-ceiling mounted outlets for devices such as speakers, amplifiers, projectors and microphones. Cabling must meet stringent manufacturer standards to eliminate interference from external sources. 15 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards All outlets should be installed and terminated in accordance with the relevant structured cabling standards and are not required to be differentiated for AV use during installation as every outlet should be able to handle both AV and IP signals. 1.7.4 UTP converters The type of UTP converters chosen need to be matched between the transmitter and receiver ends for an optimised solution. The following guidelines are to be followed when considering UTP converters types: • • • • • • The ability to convey the signal over the distance to the centralised AV equipment and back to the venue without data or performance loss. Demonstrate a long life cycle and be compatible with emerging and future technology. Designed to be able to convert and carry audio, visual and control data from all sources. Demonstrate the ability to integrate with existing network infrastructure. Ability to carry high definition visual signals over the required distance to and from the FCR and local room without a discernable loss in data and/or performance. Incorporate auto skew elimination for visual data paths. The implementation of UTP structured cabling and the use of FCR requires the rack-mounted equipment (matrix switches/switches) to be UTP based. This will eliminate the requirement for the signals travelling back from the local room to be converted, processed and then re-converted back to the UTP protocol and sent back to the local room. 1.7.5 Power management, climate control and risk mitigation Due to the nature of AV centralisation it is possible to apply power management to all devices in-house. With the use of UPS, in the case of power outages, the venues that have centralised AV equipment can still deliver a service. This provides the added benefit in emergencies allowing the AV equipment that is incorporated into the EWIS to display appropriate advice to those venues. The follow considerations need to be taken into account when designing centralised AV installations to mitigate risk and incorporate power management: • • • • All AV equipment, in local room and in FCR, must be connected to a UPS and be able to deliver service in case of outage. Contractors who are responsible for the installation of the network infrastructure need to conform to the AV equipment and especially the UTP converter standards to deliver the appropriate level of service. AV equipment in the FCR needs to have a dedicated power circuit and not share this with any other non-AV devices. FCRs require cooling to mitigate the risk of overheating. As most IT node rooms meet this requirement, this should be taken into consideration if the introduction of AV equipment into these spaces exceeds the allowable operating temperatures. There is an inherent risk of the poor delivery of AV services to venues if manufacturer’s standards are not met when implementing centralised AV equipment. 1.8 Specific room types Learning and teaching spaces come in different sizes and shapes and serve different uses. The following section deals with the specific room types and the AV requirement for these spaces. The definitions of the room types conform to terminology used throughout UTAS, in particular timetabling, to reduce confusion over the specific room type and use. 16 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards In practical terms there are four room types: They are • • • • Lecture Theatres (Tiered teaching spaces) Classrooms (Flat room spaces) Meeting rooms (Videoconference rooms) and Flexible teaching spaces. These room types will be referenced against the UTAS terminology for teaching spaces. The following provisions are designed to identify the AV equipment for these spaces separately. 1.8.1 Lecture theatres (tiered teaching spaces) scope The AV system in lecture theatres must provide the following levels of functionality. Lectern and control: • • • • • • Fixed lectern as per UTAS standard Occupancy sensors Interactive AV control interface integrated with lighting, audio and visual devices Lectern light with separate control from AV control system Service Desk direct dialling phone Remote AV system monitoring. Lighting • • • Full control via the AV control system by user Separate control of lighting zones Automated control of lighting system to reflect differing projection states. IT and computing • • • • • Lectern-mounted computer with adjustable monitor and network connections Separate monitor for display of other sourced content (Document Camera, DVD, Videoconference) 2 x USB (minimum) ports for user interaction Laptop connection point, on lectern, incorporating power, video (VGA), audio (RCA) and Ethernet port Wireless network coverage. Projection and display • • • • • • Dual fixed projectors displaying minimum 10:1 Projectors are to be WUXGA Appropriate measures to secure projector Preview monitor screen (as stipulated in the IT and computing section of this provision) Video signal processing and switching Whiteboards. Content players and imaging devices • • • Multi format and multi zone content players for replay of video, DVD and audio sources Document camera AUX inputs for portable video equipment. Audio • • • • Voice reinforcement and program replay systems EWIS muting interface Lectern mounted gooseneck microphone Lapel microphone 17 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • • Handheld microphone Hearing Augmentation and Induction Loop Appropriate sound proofing measures. Recording • • • Lecture recording as per Lecture recording systems specification of this standard Image capture from all projected sources Desired (future) camera capture of lecturer. Videoconferencing • If required, should conform and meet the requirements of the Videoconference section and provisions of this standard. 1.8.2 Class rooms (flat floor spaces) scope Lectern and control • • • • • • Either fixed or moveable lectern with suitable cable management Occupancy sensors Interactive AV Control interface integrated with lighting, audio and visual devices Lectern light with separate control from AV control system Service Desk direct dialling phone Remote AV system monitoring. Lighting • • • Full control via the AV control system by user Separate control of lighting zones Automated control of lighting system to reflect differing projection states. IT and computing • • • • • Lectern mounted PC with adjustable monitor and network connections Separate monitor for display of other sourced content (Document Camera, DVD, Videoconference) 2 x USB (minimum) ports for user interaction Laptop connection point, on lectern, incorporating power, video (VGA), audio (RCA) and Ethernet port Wireless network coverage. Projection and display • • • • • • Dual fixed projectors displaying at least 16:9 aspect Projectors are to be HD (WXGA) Appropriate security measure to secure projector Preview monitor screen (as stipulated in the IT and Computing section of this provision) Video signal processing and switching Whiteboards (wall mounted or mobile). Content players and imaging devices • • Multi format and multi zone content players for replay of video, DVD and audio sources Document camera Audio • • • Voice reinforcement and program replay systems EWIS muting interface Lectern mounted gooseneck microphone 18 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • • Lapel microphone Hearing Augmentation and Induction Loop Appropriate sound proofing measures. Recording • • • Lecture recording as per lecture recording specification of this standard Image capture from all projected sources Desired (future) camera capture of lecturer. Videoconferencing • If required, should conform and meet the requirements of the Videoconference section and provisions of this standard. 1.8.3 Meeting rooms (videoconference rooms if required) scope Please refer to the Videoconference provision of this standard. 1.8.4 Flexible teaching spaces scope Lectern and control • • • • • • • • Either fixed or moveable lectern with suitable cable management Entry and Exit switches and/or occupancy sensors Interactive AV control interface integrated with lighting, audio and visual devices Lectern light with separate control from AV control system Alternative AV control points throughout the space to allow flexibility within the space Ability to zone areas for audio and visual presentations throughout the venue Service Desk direct dialling phone Remote AV system monitoring. Lighting • • • • Full control via the AV control system by user Separate control of lighting zones Automated control of lighting system to reflect differing projection states The ability to accommodate zoned teaching areas within these spaces. IT and computing • • • • • Lectern mounted computer with adjustable monitor and network connections 2 x USB (minimum) ports for user interaction Laptop connection point, on lectern, incorporating power, video (VGA), audio (RCA) and Ethernet port Wireless network coverage Incorporation of ‘pod’ computer units throughout the space that are mobile and are able to be connected into the AV system via wall mounted connection points. Projection and display • • • • • • Fixed projectors displaying at least 16:9 aspect ratio and with at least a minimum of 1080p resolution Number of projectors and location throughout the space are defined by the design of the space Ability to project from different zones, sources and content Appropriate security measure to secure projectors Projector to automatically switch between 4:3 to 16:9 as required Video signal processing and switching 19 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • Whiteboards (wall mounted or mobile). Content players and imaging devices • • • Multi format and multi zone content players for replay of video, DVD and audio sources Document camera(s) AUX inputs for portable video equipment. Audio • • • • • • • • Voice reinforcement and program replay systems EWIS muting interface Ability to zone audio in different teaching areas of this space Lectern mounted gooseneck microphone Lapel microphone Handheld microphone Hearing Augmentation and Induction Loop (if required) Appropriate sound proofing measures. Recording • • • Lecture recording as per lecture recording specification of this standard Image capture from all projected sources Desired (future) camera capture of lecturer. Videoconferencing • If required, should conform and meet the requirements of the Videoconference section and provisions of this standard. 1.9 Audiovisual equipment specifications The following outlines a standardised list of equipment and specifications for AV equipment in learning and teaching spaces. Due to the rapid change of technology this list should be considered as minimum requirements when deciding on equipment. This section is open to amendments and may change in accordance with the normal review process. 1.9.1 Projection screens The following guidelines outline the minimum requirements for projection screens: • • • • Screen to be matt white fibreglass surface, with 50mm black boarder. All screens to be in 16:10 format unless noted. Where the geometry of the room will accommodate, fixed frame screens are the preference. Tutorial rooms may require chain drive screens and motorised screens are required where the screen is over 100” size or cannot be accessed by the user. Motorised screens are to be top roller type up to 200”, for over 200” a bottom roller is also required. Special application screens may be required for special purpose spaces that will include high gain or rear projections surfaces. In these cases it is up to the discretion of the project manager to provide advice on the implementation of these projection surfaces. 1.9.2 Data projectors – General minimum specification The following guidelines are minimum requirements for any data projector deployed in any learning and teaching space. • Suitable for permanent installation and continuous use 20 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • • • • • • Minimum Native resolution of WXGA Minimum Light output equal to 5000 lumens Contrast ratio of at least 550:1 Lamp life typically 2000 hours or better Vertical and horizontal lens shift RS-232 control Lamp and filter change/cleaning for a ceiling mounted unit must be possible without dismounting or altering the pan and tilt. With emerging technology and the move towards structured cabling systems, it is desired, but not mandatory that the data projector has an inbuilt UTP converter. Due to existing learning and teaching space geometry, it is not always possible to work within the boundaries of this provision. There may be a need to employ different solutions that will still deliver the desired level of service from the data projector. Special provisions can be made to meet these requirements. The following provisions detail the requirements and specifications for data projectors in particular venues. 1.9.3 Data projectors – Large venues (Auditoriums) The projector for large venues must meet the following minimum requirements: • • • • • • • • Minimum of 6500 ANSI lumen Full high definition chip set WUXGA (1920 x 1200) Full range of lenses Multiple lamps for redundancy Minimum contrast ratio of 2000:1 Minimum lens shift of +/- 40% vertical , +/- 10% horizontal Minimum Inputs ; RGBHV/YPbPr ( 5 x BNC) , VGA (HD15), DVI-D, S-Video and composite video RS232 controllable. The specifications are designed as a minimum; in very large spaces the requirements will be greater. 1.9.4 Data projectors – Lecture theatres The projector for lecture theatres must meet the following minimum requirements: • • • • • • • • Minimum of 6000 ANSI lumen Full high definition chip set WUXGA (1920 x 1200) Full range of lenses Multiple lamps for redundancy Minimum contrast ratio of 2000:1 Minimum lens shift of +/- 40% vertical , +/- 10% horizontal Minimum Inputs ; RGBHV/YPbPr (5 x BNC) , VGA (HD15), DVI-D, S-Video and composite video RS-232 controllable 1.9.5 Data projectors - Classrooms The projector or proposed solution must meet the following specification: • • • • • Minimum of 3500 ANSI lumen WXGA definition chip set or equivalent Large zoom range to accommodate a range of throw distances Minimum contrast ratio of 400:1 Minimum lens shift of +/- 40% vertical , +/- 10% horizontal 21 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • • Minimum Inputs; RGBHV/YPbPr , VGA , DVI-D, S-Video and composite video Long lamp life preferred <5000hrs RS-232 controllable. 1.9.6 Flat panel displays Flat panel displays are only to be deployed as per the Specific room type provision of this standard. This is mainly concerned with meeting rooms and videoconference rooms. Where there is a requirement for flat panel displays outside of these specific room types, an exception to that provision can be considered on a case-by-case basis. Guidelines for the specifications of flat panel displays: • • • • • • • • Screen size to comply with sightlines and viewing distance rules, as stipulated in the Room design for learning and teaching spaces section of this standard. Minimum resolution of 1080p Minimum aspect ratio of 16:9 Flat panels are to be commercial grade panels suitable for installation and continuous use Preference is for LCD type Flat panels monitors Plasma screens are to be used only where there are no static images to be displayed Flat panel displays are able to be wall mounted RS-232 controllable. 1.9.7 Projector and flat panel mounts Guidelines for specifications of projector and flat panel mounting systems: • • • • Projector mounts to be standardised on a quality range and to be adequate for the weight and application. Brackets for projectors and flat panel screens are to be standardised as much as practicable. The locks are to be standardised for common keying. Flat panel brackets range to be standardised on a quality range and to be adequate for the weight and application. 1.9.8 Central controller The controller will perform the controlling functions for the following devices: • • • • • • • • • • • Projector 1 (or display) Projector 2 (or display) Video and audio router DSP unit(s) Lighting presets DVD player Image windowing layout if separate unit Videoconference codec if applicable Lecture capture device Projection screens Curtains if applicable Guidelines for minimum specification requirements for central controllers: • • • • Configurable RS-232 / RS-422 / RS-485 Serial ports Relays IR/Serial ports Digital I/O ports 22 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • Network Connectivity There are no values given to the specified number of I/O ports for the controller. These are minimum requirements and the required available I/O ports will be dictated by the system design and the standard equipment list. 1.9.9 AV Control system interface (Touchpanel) AV control system user interface must meet the following minimum requirements: • Integrate with the central controller for full control of system devices The standard AV Control System User interface is standardised for specific room types and can be found in the Standard Equipment List supplementary to this standard. 1.9.10 Audio and video router Guidelines for minimum specifications of the video and audio router: • • • • • • • • 8 x 6 matrix switcher for VGA 2 x 2 matrix switcher for composite video and S-video 14 x 6 matrix switcher for stereo audio Composite video and S-video transcoding scalar Audio input gain and attenuation Audio output volume adjustment and muting Remote monitoring and control RS-232 control ports. 1.9.11 Scalar Guidelines for minimum specifications of the scalar: • • • • • • • • • Inputs: Composite video on BNC, S-video on 4-pin mini DIN Outputs: Scaled RGB output on 15-pin HD Scales composite video and S-video sources RGB output rates from 640x480 to 1366x768 Auto switching between inputs Frame rate conversion Picture controls for brightness, contrast, colour, tint, detail, horizontal and vertical positioning and sizing 3:2 NTSC and 2:2 PAL pull down detection RS-232 serial control. 1.9.12 Audio signal processing Guidelines for minimum functionality and specifications of the Audio signal processor: • • • • • • • • • • 10 balanced mic/line inputs 6 balanced mic/line outputs Ethernet port for software configuration/control RS-232 serial for remote control Mix, route, combine, EQ, delay, control Ability to select, view and calibrate Dynamics: leveller, comp/limiter, ducker, ANC Routers: 2x1 ~ 32x32 Delays: 0 ~ 2000 ms Line level <0.006% 23 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • • • • • • Mic level <0.05% Maximum Gain (mic input to line output): 66dB Line level input <-80dB Mic level input <-75dB Sampling Rate: 48kHz A/D - D/A Converters: 24-bit Phantom Power. 1.9.13 Speaker systems Please refer to the Speaker system selection and placement provision of this standard. 1.9.14 Amplifiers Please refer to the Power amplifiers provision of this standard. 1.9.15 Lectern microphones Guidelines for specifications of lectern: • • • • • Gooseneck microphone with selection of interchangeable capsules XLR connector 5-pin Cardioid pick up pattern Frequency response within 20-20,000Hz S/N ratio (A weighted). 1.9.16 Radio microphones Requirements for radio microphones - handheld and lapel microphones only: • • • • • • • • • • • System package with different transmitter options Belt pack system for receiver Frequency agile with frequency range Rugged construction Automatic frequency setup Wideband FM transmission Audio outputs to be balanced Automatic squelch adjustment Frequency lockable Battery level indicator Minimum 8 hour battery life. 1.9.17 Document cameras Minimum requirements for document cameras: • • • • • • • • Minimum resolution of 1024 x768 Minimum frame rate of 20fps 6 x zoom (optical) Top light Flexible gooseneck mounting Auto white balance and focus ability Analogue VGA output format RS-232 controllable. 24 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.9.18 DVD/Blu-Ray players Minimum requirements for DVD/Blu-Ray Players: • • • • IR Controllable Consumer grade device Multi region Playback capability: CD, CD-R/RW, VCD, DVD, DVD+/-RW, MP3, WMA and JPEG. 1.9.19 Desktop Computer Minimum requirements for Desktop Computers: • • • • • • Minimum Output Resolution: 1024 x 768 Preferred output resolution: 1920 x 1200 Dedicated minimum graphics: 512 MB Dual DVI output 4 GB RAM Integrated sound 1.9.20 Cabling and management All cabling types are to be chosen for purpose and conform to best practice. Installation of all cabling including factors such as bend radius and cable management must conform to manufacturer specification. Coaxial: • • • • 75 ohm cabling including RGBHV, YUV, S-Video and Composite Crimp or compression connectors and tools are to be the items specified by the cable manufacturer only. Strain relief boots are to be used on all terminations. Coaxial cabling type to be used for recommended distances (dependent on bandwidth) only. Audio line level cabling: • • • Installation type cabling to be single pair, 100% shield (foil type) cable with drain wire Audio flexible cable is to be star quad flexible braided cable. Speaker cable is to be double insulated multi strand style. 1.9.21 Cable labelling All cable ends must be clearly labelled, with a self-laminating label between 50-100mm back from connector or termination. The label shall duplicate the equipment connection details and show source, destination and cable ID number. 1.9.22 Connector types Video/RGBHV: • • Pre-moulded HD-15 to BNC-F adapters should be used where RGBHV cable connects to VGA HD-15 connectors on equipment. Field soldered VGA terminations are not to be used. Audio: • Commercial grade connectors to be used throughout for balanced (XLR, TRS) and unbalanced (RCA, TS) connections. Phoenix: 25 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • Phoenix connectors with extended flat cable clamp areas are to be used. Bare wire terminations are not to be solder tinned. Serial/Data/D-Connectors: • • • D connectors should have plastic, clip-together back shells with integral cable clamp and thumbscrews. RJ-45 connectors should match the cable type (solid/stranded) and shall have boots. Pre-moulded Cat5 cables are to be used for short runs. 1.9.23 Equipment rack An IEC 19” 14 RU equipment rack is required in each appropriate area to house the main audiovisual equipment. Minimum requirements: • • • • • 600mm deep unit. Open frame style. Cable management, rack trays and rack power are to be provided. All rack screws are to be black and cage nuts are to be 8mm. Black washers are to be used for all equipment. 1.10 Service Desk phone in learning and teaching spaces A phone will be made available for all learning and teaching spaces. The following provisions deal with the requirements and criteria for the implementation of Service Desk phones in these spaces. There are two types of installation as discussed below. 1.10.1 In-house phone An in-house phone is to be installed where an in-house computer is present in the learning and teaching space. The following guidelines are to be met when installing the phone: • • To be installed on the lectern or as close as practical to the AV or IT equipment in the venue. Locked down to call only University internal numbers. 1.10.2 Outside of venue (at door) phone An outside of venue phone is to be installed where there is a centrally controlled (Security) locking system on the venue door. The following guidelines and criteria are to be met when installing these types of phones: • • To be installed next to the door or as close as practical. Locked down to call only University internal numbers. 1.11 Documentation As part of any works undertaken in supported learning and teaching spaces, full and complete drawings must be submitted and recorded for the purpose of these works. 1.11.1 Construction drawings Contractors are to prepare and submit shop drawings before commencing manufacture or installation. These are to be prepared using AS1102 Drafting Standard symbols with a legend. Drawings to include: • • • • • Audio schematic Video schematic Control schematic Room layout - detailing cable runs, conduits and equipment location Room elevation 26 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards • • Rack layout All custom-built structures, penetrations. 1.11.2 Post contract documentation Contractors are to supply the documentation outlined below. As-Built drawings (Supplied in soft and hard copy) to include: • • • • • • • • Audio schematic Video schematic Control schematic Room layout - detailing cable runs, conduits and equipment location Room elevation Rack layout All custom built structures, penetrations Schematics to include device model and description, cable numbers, cable types and device input/output connection. AV Control System coding: • • Touch panel files All relevant files. Inventory details are to include: • • • • Make and Model and equipment function Serial number University bar code number Warranty expiry date. Installation manuals to include: • • • • • • • Contact details of responsible parties Service contact details As-built drawings Description of installation including system descriptions Operating instructions Maintenance procedures All equipment operating manuals are to be provided online. 1.12 Testing, commissioning and handover Commissioning is to be arranged to verify the operation of all equipment items and each system. Commissioning will be attended by the University’s representative and signed off. All equipment is to be tested and a written test report is to be submitted for each system. Format for each test required is to be approved by the University prior to testing. Glossary and Definitions A/D - D/A Analogue to Digital – Digital to Analogue ANSI American National Standards Institute BMS Building Management System Codec Video/Audio Coder/Decoder DSP Digital Sound Processor 27 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards DVD Digital Video Disc EWIS Emergency Warning and Information System FCR Floor Communication Room FM Frequency Modulation FOH Front of House H.264 standard A standard for video compression IEC International Electro technical Commission, an international standards organization dealing with electrical, electronic and related technologies IP Internet Protocol IR Infra Red IT Information Technology LCD Liquid Crystal Display Lux Unit of luminance measuring luminous power per area MyMedia Service UTAS Lecture Recording System NTSC Colour encoding system (National Television System Committee) Ohm Unit of electrical resistance PAL Colour encoding system (Phase Alternating Line) QCIF Quarter Common Intermediate Format RCA Audio Connector (Radio Corporation of America) RS-232 Recommended Standard 232 (Serial Port) RT60 Time required for reflections of a direct sound to decay by 60db below the level of the direct sound S/N Ratio Signal to noise ratio Standing Wave A sound wave that remains in a constant position STI Speech Transmission Index Unity Gain Where both input and output are at the same voltage level and impedance UPS Uninterrupted Power Supply UTP Unshielded Twisted Pair VGA Video Graphics Array WUXGA Widescreen Ultra Extended Graphics Array WXGA Widescreen Extended Graphics Array XGA Extended Graphics Array XLR Type of audio connector References InfoComm AV Installation Handbook ‘The Best Practices for Quality Audiovisual Systems’ ANSI/INFOCOMM 1M-2009 Standard AS 60118.4-2007 Hearing Aids – Magnetic Field strength in audio-frequency induction loops for hearing aid purposes. 28 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards AS/NZS 1680 for Lighting (as amended) and the government and building codes AS/NZS 2107:2000 Acoustics – Recommended design sound levels and reverberation times for building interiors AS/NZS 60065:2003 & Amendment No. 1 (January 2008) Audio, video and similar electronic apparatus— Safety requirements. AS/NZS ISO 717.1:2004 Acoustics - Rating of sound insulation in buildings and of building elementsAirborne sound insulation. AS1102 Drafting Standard Australian Standard AS 2107-2000 Building Code of Australia Disability (Access to Premises – Buildings) Standards 2010. About this Document Title Version Version date Status Revision information Authors Editors Editors UTAS Audiovisual Design Standards 1.0 July, 2011 Approved 3 years from approval Frank Andrews Melanie Pittard Marina Lobastov Revision History Draft Release date 1 July 2011 2 August 2011 3 February 2012 Comments Draft for proof Draft for review Draft for consideration by endorsing committee Guideline Approval Status of version Responsible Officer Name Date Approved Chief Information Officer John Parry Februaury 2012 Appendix 1 – UTAS AV Design Standards Metric Table ROOM XXX, XXX BUILDING (XX.XXXXArchibus) - University of Tasmania, XXXCAMPUSXXX LOCATION Organisation Site Room Name Address 29 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards Google Map Room phone number Room capacity Room Usage Room type AV Design Standards Provision 1.1.0 ROOM DESIGN FOR TEACHING AND LEARNING SPACES 1.1.1 Sight Lines and Screen Viewing Distances User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.1.1 The maximum viewing distance can be determined by the height of the screen which will in turn determine the furthest allowable viewing position at a factor of 5.3 1.1.1 The minimum viewing distance is determined by the closest viewer position. This position shall not be any closer than twice the screen height at that position. 1.1.1 The maximum allowable horizontal viewing angle will be no more than 45 degrees to the centre sight line of the screen. 1.1.1 The maximum allowable vertical viewing angle will be no more than 15 degrees to the centre of the display measured from the front centre viewing position 1.1.1 The bottom edge of the screen shall be no less than 1.3 metres above the floor. 1.1.1 The minimum ceiling height will be determined by the maximum viewing distance rule and the screen height above the floor 1.1.2 Vertical and Horizontal Projector Placement User Requirement Statement 1.1.2 The vertical position of the projector shall not obstruct the view of the screen for any viewer in that space 1.1.2 The vertical and horizontal placement should adhere to the projector’s manufacturer recommended vertical position 1.1.2 Use of key stoning shall be kept to a minimum 1.1.2 The placement of the projector shall provide ease of access to be able to perform maintenance and repairs 1.1.2 Consideration to reduce projection glare in lecturer’s eyes. 1.1.2 UTAS approved security mount must be used. 1.1.3 Minimum Projector Brightness User Requirement Statement 1.1.3 The targeted projected Lux for small to medium sized venues, where screen sizes are no more than 3.5 metres diagonally, must be no less than 500Lux, preferably 600+ Lux. 1.1.3 The target projected Lux for larger venues, where screen sizes are more than 3.5 metres diagonally, must be no less than 315Lux, preferably 500+ Lux 1.1.4 Minimum Projector Contrast Ratio User Requirement Statement 1.1.4 Text and numerals when displayed on the projector screen will need to meet an aspect ratio of 5:1 1.1.4 Photos, pictures and any graphical representation when displayed on the projector screen will need to meet an aspect ratio of 10:1 1.1.4 Videos will need to be able to display on the projector screen at a ratio of 25:1 1.1.5 Projector, Display and Screen Aspect Ratio 30 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.1.5 The standard aspect ratio for displays in UTAS supported teaching and learning spaces will be a minimum of 16:9 1.1.6 Dual Displays User Requirement Statement Not all venues are capable or are mandated to meet these requirements and may need only one single projection, single image configuration. A variation to this provision can be sought 1.1.6 Dual projection with dual displays is a requirement for lecture theatres. 1.1.7 Flat Panel Technology User Requirement Statement The acoustical performance of teaching and learning spaces shall be measured using the Speech Transmission Index (STI) 1.1.7 Placement is in accordance with all rules that govern the placement and implementation for projector screens 1.2.0 ACOUSTICAL DESIGN IN TEACHING AND LEARNING SPACES 1.2.1 Acoustic Performance User Requirement Statement The acoustical performance of teaching and learning spaces shall be measured using the Speech Transmission Index (STI) 1.2.1 No teaching and learning space will score less than ‘good’ with a STI less than 0.6 1.2.1 The desired score for acoustical performance for any venue is ’excellent’ with a STI of 1.0 1.2.1 The signal to noise ratio is to be kept to a minimum with a benchmark 25dB(A) to ensure audio intelligibility 1.2.2 Ambient Sound Levels User Requirement Statement 1.2.2 Room type: Lecture theatre (Tiered Teaching Spaces) will have a minimum ambient noise level of 45db(A) and a best practice level of 35dB(A) 1.2.2 Room type: Classrooms (Flat Room Spaces) will have a minimum ambient noise level of 35db(A) and a best practice level of 30dB(A) 1.2.2 Room type: Meeting Rooms (Video Conference/Board Rooms) will have a minimum ambient noise level of 40db(A) and a best practice level of 35dB(A) 1.2.2 Room type: Flexible Teaching Spaces will have a minimum ambient noise level of 35db(A) and a best practice level of 30dB(A) 1.2.3 Reverberation Times User Requirement Statement 1.2.3 Room type: >50 seat classroom - Will have a maximum reverberation time of 1.0 second and a best practice level of 0.7 seconds 1.2.3 Room type: Lecture theatre - Will have a maximum reverberation time of 1.0 second and a best practice level of 0.7 seconds 1.2.3 Room type: Flexible Teaching Spaces - Will have a maximum reverberation time of 0.6 seconds and a best practice level of 0.4 seconds 1.2.3 Room type: Conference and meeting rooms - Will have a maximum reverberation time of 0.7 seconds and a best practice level of 0.6 seconds 1.3.0 LIGHTING DESIGN IN TEACHING AND LEARNING SPACES 1.3.1 Relevant Lighting Standards 31 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards User Requirement Statement Lighting is governed by the Australian and New Zealand Standards AS/NZS 1680 for Lighting (as amended) and the relevant government and building codes How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.3.2 Lighting Control and Lighting Zones User Requirement Statement 1.3.2 Front lights and board lights that spill directly onto the screen and white board respectively 1.3.2 Directional lighting to illuminate the lectern position or other front-of-house ‘task’ areas. This may incorporate the use of multiple lighting zones to cover larger venues front of house areas and/or ‘task’ areas. These lights will not produce any spill on to the screen and will have the ability to control the beam onto the specific area that it is intended 1.3.2 Aisle, step and emergency lights for venues that have steps and/or aisles and require this type of lighting. This is a legislative requirement and will be part of the design for the sort of venue that requires it. 1.3.2 Room lights depending on the size and purpose of the room and may have multiple zones to configure the room with differing levels of illumination in different areas of that room 1.3.3 Ambient Light Spill on Projector Screen User Requirement Statement 1.3.3 The amount of ambient illumination on the screen in small venues will be no more than 100Lux maximum 1.3.3 The amount of ambient illumination on the screen in large venues will be no more than 60Lux maximum 1.3.4 Target Light Levels User Requirement Statement It is a requirement in teaching and learning spaces to have programmable lighting modes to accompany differing stages of room use 1.3.4 Full – Full room lights. Entry and exit mode. 320-360 Lux. 1.3.4 AV – Slightly dimmed room lights. Appropriate task areas lights on. Front lights off. Projection and note taking mode. Min light level 240 Lux. 1.3.4 Dimm – Fully dimmed room lights. All other lights off. Projection mode. 60-80 Lux. 1.3.4 Off – No room lights. No other lights except aisle and step lights. Presentation Mode. 1.3.5 Occupancy Sensing User Requirement Statement 1.3.5 Full room lights when triggered. This desired state is stipulated as Full in the Target Light Level provision 1.3.5 Turn off all lighting when no motion is detected after 90 minutes as per energy management requirements. 1.3.6 Lighting Control System and AV Control System Integration User Requirement Statement 1.3.6 The ability for the AV control system to control all lighting and light control devices such as blinds and curtains 1.3.6 The ability for the Lighting Control System to trigger Building Management System events such as occupancy sensing and climate control 1.4.0 AUDIO SYSTEM DESIGN IN TEACHING AND LEARNING SPACES 1.4.1 Audio Replay and Voice Reinforcement 32 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.4.1 Rooms that are classified teaching spaces are to incorporate a Digital Signal Processor (DSP) to allow for the dedication of the required outputs to MyMedia Service 1.4.1 Rooms classified only learning (tutorial) spaces will only require an Audio Relay capability 1.4.1 Voice reinforcement systems are to have at least four microphone input facilities 1.4.1 Background sounds will be at least 20 decibels lower than foreground sounds, or approximately four times quieter than the foreground speech 1.4.2 Speaker System Selection and Placement User Requirement Statement 1.4.2 A targeted distribution of voice reinforcement at all listening positions of a minimum of 65dBA 1.4.2 A targeted distribution of audio replay at all listening positions of a minimum of 80dBA 1.4.2 A consideration of complimentary speaker systems (distributed speakers or speaker arrays), depending on the venue’s geometry and acoustical performance to provide compliance with audio coverage requirements 1.4.2 A minimum of two Front of House (FOH) speakers in all venues 1.4.2 Zoning and speaker delay systems to be considered where issues with FOH and distributed speakers systems providing an unintelligible amount of delay variation to the listening position 1.4.3 Audio Mixing User Requirement Statement The following guidelines outline the functionality, compatibility and capability that the DSP will need to comply with: 1.4.3 Will need to be programmable 1.4.3 Will need to provide network control capability. 1.4.3 Will need to be able to communicate to the AV controls system via a RS232 or IP interface 1.4.3 Perform audio dynamic processing, routing and mixing, a range of equalisation tasks, filtering and delay controls 1.4.3 All outputs need to be able to be independently controlled and have the above processing applied to them independent of all other outputs 1.4.3 Teaching and learning spaces that incorporate video conference capability, will require the DSP to perform echo cancellation 1.4.4 Power Amplifiers User Requirement Statement 1.4.4 10dB headroom to handle peaks over unity gain to accommodate target audio replay requirements as stipulated by the Speaker System Selection and Placement provision in this Standard 1.4.4 Power amplifiers will carry a D class energy efficiency rating 1.4.4 The number of amplification channels is dependent on the number of speakers to be implemented in the venue 1.4.5 Equipment Installation User Requirement Statement All supported UTAS teaching and learning spaces audio systems will be installed in accordance with InfoComm AV Installation Handbook ‘The Best Practices for Quality Audiovisual Systems’ and in particular sections 2.9 and 2.10 of this reference, and in accordance with any other relevant Australian Standards. 1.4.6 Hearing Augmentation and Induction Loops 33 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.4.6 Induction loops are to be installed in all rooms that have voice reinforcement systems 1.4.6 The induction loop amplifiers are to be able to monitor induction loops for faults and report back to the control system for fault flagging 1.4.6 Induction loops are to be designed on a room by room basis with initial noise analysis being completed prior to design and the systems are to be commission to appropriate legislative standard 1.4.7 Grounding User Requirement Statement 1.4.7 It is recommended that all audio equipment is connected to a single power supply with all equipment on a single phase with a star earthing arrangement 1.4.7 A technical earth is also appropriate in complex systems and is to be considered in the design phase 1.4.7 The equipment rack is to be grounded to provide a chassis earth for equipment 1.4.7 All equipment is to be of the balanced type for common mode rejection and reduction of interference from Radio Frequency (RF) and Electro Magnetic Interference (EMI) sources 1.4.7 Unbalanced equipment is to be used for short wiring runs 1.4.7 Balancing transformers are to be used to balance the signal on longer runs 1.4.8 Integration into EWIS User Requirement Statement All audio systems will need to be integrated into the EWIS 1.4.8 Trigger - Mute all sound 1.4.8 Trigger - Enable playback of alarms and/or announcements 1.5.0 LECTURE RECORDING SYSTEMS 1.5.1 Audio recording User Requirement Statement 1.5.1 Professional line-level audio input with bare wire termination for direct wiring of stereo balanced (non-powered) or unbalanced audio (+4dBu/1.228Vrms/1.737Vpk signal) 1.5.2 Screen Capture User Requirement Statement The following guidelines outline the preferred requirements for the video system capabilities to be able to integrate with the MyMedia Service: 1.5.2 Capture input resolutions from 640x480 to 1920x1200 (Scaled to the H.264 standard of 1088 maximum number of lines) 1.5.2 All input aspect ratios supported 1.5.2 Digital or analog input via DVI-I connector, passively adaptable to VGA or HDMI input 1.5.3 Camera Provision User Requirement Statement The following guidelines outline the current minimal requirements for the camera capture capabilities for MyMedia Service: 1.5.3 Digital (HDMI) or Analog (composite) video input 1.5.3 NTSC or PAL 1.5.3 Full Screen (4:3) standard definition input resolutions from QCIF to D1 1.5.3 Widescreen (16:9) high definition input resolution from 480p to 1080p 34 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.6.0 WHITEBOARDS AND WRITING SURFACES 1.6.1 Standard Specifications and Board Height User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.6.1 All writing surfaces are to be whiteboards with surfaces of enamel on steel 1.6.1 The bottom edge of the rear board will be no higher than 0.9 metres and no lower than 0.85 metres 1.6.2 Multiple Sliding Boards User Requirement Statement 1.6.2 The bottom edge of the rear board will be no higher than 0.9 metres and no lower than 0.85 metres 1.6.2 Multiple sliding boards will consist of no more than three boards 1.6.3 Board Lighting User Requirement Statement 1.6.3 Board lighting to be zoned separately 1.6.3 No or little spill from this lighting shall impact on the projector screen and adversely affect the ambient lighting provision. 1.6.3 Multiple sliding boards will consist of no more than three boards 1.7.0 CENTRALISATION AND STRUCTURED CABLING SYSTEMS 1.7.1 Audiovisual Centralisation Approach User Requirement Statement 1.8.0 SPECIFIC ROOM TYPES 1.8.1 Lecture Theatres (Tiered Teaching Spaces) Scope User Requirement Statement 1.8.1 Lectern and Control • Fixed lectern as per UTAS standard • Entry and Exit switches and/or occupancy sensors • Interactive AV Control interface integrated with lighting, audio and visual devices • Lectern light with separate control from AV control system • Service Desk direct dialling phone • Remote AV system monitoring 1.8.1 Lighting • Full control via the AV controls system by user • Separate control of lighting zones • Automated control of lighting system to reflect differing projection states 1.8.1 IT and Computing • Lectern mounted PC with adjustable monitor and network connections • Separate monitor for display of other sourced content (Document Camera, DVD, Video Conference) • 2 x USB (minimum) ports for user interaction • Laptop connection point, on lectern, incorporating power, video (VGA), audio (RCA) and Ethernet port. • Wireless network coverage 35 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.8.1Projection and Display • Dual fixed projectors displaying 10:1 at least • Projectors are to be WUXGA • Appropriate security measure to secure projector • Preview monitor screen (as stipulated in the IT and Computing section of this provision) • Video signal processing and switching • Whiteboards 1.8.1 Content Players and Imaging Devices • Multi format and multi zone content players for replay of video, DVD and audio sources • Document camera • AUX inputs for portable video equipment 1.8.1 Audio • Voice reinforcement and program replay systems • EWIS muting interface • Lectern mounted gooseneck microphone • Lapel microphone • Handheld microphone • Hearing Augmentation and Induction Loop (if required) • Appropriate sound proofing measures 1.8.1 Recording • Lecture recording as per lecture recording specification of this standard (Ref:) • Image capture from all projected sources • Desired (future) camera capture of lecturer 1.8.1 Video Conferencing • If required, should conform and meet the requirements of the Video Conference section and provisions of this standard 1.8.2 Class Rooms (Flat Floor Spaces) Scope User Requirement Statement 1.8.2 Lectern and Control • Either fixed or moveable lectern with suitable cable management • Entry and Exit switches and/or occupancy sensors • Interactive AV Control interface integrated with lighting, audio and visual devices • Lectern light with separate control from AV control system • Service Desk direct dialling phone • Remote AV system monitoring 1.8.2 Lighting • Full control via the AV controls system by user • Separate control of lighting zones • Automated control of lighting system to reflect differing projection states 1.8.2 IT and Computing • Lectern mounted PC with adjustable monitor and network connections • Separate monitor for display of other sourced content (Document Camera, DVD, Video Conference) • 2 x USB (minimum) ports for user interaction • Laptop connection point, on lectern, incorporating power, video (VGA), audio (RCA) and Ethernet port. • Wireless network coverage 36 Audiovisual Design Standards (July, 2011) How requirement is met Assessment Audiovisual Design Standards 1.8.2 Projection and Display • Dual fixed projectors displaying at least 16:9 aspect • Projectors are to be WXGA • Appropriate security measure to secure projector • Projector to automatically switch between 4:3 to 16:9 as required • Preview monitor screen (as stipulated in the IT and Computing section of this provision) • Video signal processing and switching • Whiteboards (wall mounted or mobile) 1.8.2 Content Players and Imaging Devices • Multi format and multi zone content players for replay of video, DVD and audio sources • Document camera • AUX inputs for portable video equipment 1.8.2 Audio • Voice reinforcement and program replay systems • EWIS muting interface • Lectern mounted gooseneck microphone • Lapel microphone • Handheld microphone • Hearing Augmentation and Induction Loop (if required) • Appropriate sound proofing measures 1.8.2 Recording • Lecture recording as per lecture recording specification of this standard • Image capture from all projected sources • Desired (future) camera capture of lecturer 1.8.2 Video Conferencing • If required, should conform and meet the requirements of the Video Conference section and provisions of this standard 1.8.3 Meeting Rooms (Video Conference Rooms if required) Scope User Requirement Statement How requirement is met Assessment How requirement is met Assessment 1.8.3 Please refer to the Video Conference provision of this standard 1.8.4 Flexible Teaching Spaces Scope User Requirement Statement 1.8.4 Lectern and Control • Either fixed or moveable lectern with suitable cable management • Entry and Exit switches and/or occupancy sensors • Interactive AV Control interface integrated with lighting, audio and visual devices • Lectern light with separate control from AV control system • Alternative AV control points throughout the space to allow flexibility within the space • Ability to zone areas for audio and visual presentations throughout the venue • Service Desk direct dialling phone • Remote AV system monitoring 1.8.4 Lighting • Full control via the AV controls system by user • Separate control of lighting zones • Automated control of lighting system to reflect differing projection states • The ability to have accommodate zoned teaching areas within these spaces 1.8.4 IT and Computing • Lectern mounted PC with adjustable monitor and network connections • 2 x USB (minimum) ports for user interaction • Laptop connection point, on lectern, incorporating power, video (VGA), audio (RCA) and Ethernet port. • Wireless network coverage • Incorporation of ‘pod’ PC units throughout the space that are mobile and are able to be connected into the AV system via wall mounted connection points 37 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.8.4 Projection and Display • Fixed projectors displaying at least 16:9 aspect ratio with at least a 1080p resolution • Number of projectors and location throughout the space are defined by the design of the space • Ability to project from different zones, sources and content • Appropriate security measure to secure projectors • Projector to automatically switch between 4:3 to 16:9 as required • Video signal processing and switching • Whiteboards (wall mounted or mobile) 1.8.4 Content Players and Imaging Devices • Multi format and multi zone content players for replay of video, DVD and audio sources • Document camera(s) • AUX inputs for portable video equipment 1.8.4 Audio • Voice reinforcement and program replay systems • EWIS muting interface • Ability to zone audio in different teaching areas of this space • Lectern mounted gooseneck microphone • Lapel microphone • Handheld microphone • Hearing Augmentation and Induction Loop (if required) • Appropriate sound proofing measures 1.8.4 Recording • Lecture recording as per lecture recording specification of this standard • Image capture from all projected sources • Desired (future) camera capture of lecturer 1.8.4 Video Conferencing • If required, should conform and meet the requirements of the Video Conference section and provisions of this standard. 1.9.0 LECTURE RECORDING SYSTEMS 1.9.1 Projection Screens User Requirement Statement How requirement is met Assessment How requirement is met Assessment 1.9.1 Screen to be matt white fibreglass surface, with 50mm black boarder. All screens to be in 16:10 format unless noted 1.9.1 Where the geometry of the room will accommodate, fixed frame screens are the preference 1.9.1 Tutorial rooms may require chain drive screens and motorised screens are required where the screen is over 100” size or cannot be accessed by the user 1.9.1 Motorised screens are to be top roller type up to 200”, for over 200” a bottom roller is also required 1.9.2 Data Projectors – General Minimum Specification User Requirement Statement 1.9.2 Suitable for permanent installation and continuous use 1.9.2 Minimum Native resolution of WXGA 1.9.2 Minimum Light output equal to 5000 lumens 1.9.2 Contrast ratio of at least 550:1 1.9.2 Lamp life typically 2000 hours or better 1.9.2 Vertical and horizontal lens shift 1.9.2 RS232 control 1.9.2 Lamp and filter change/cleaning for a ceiling mounted unit must be possible without dismounting or altering the pan and tilt 38 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.9.3 Data projectors – Large Venues User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.9.3 Minimum of 6500 ANSI lumen 1.9.3 Full high definition chip set WUXGA (1920 x 1200) 1.9.3 Full range of lenses 1.9.3 Multiple lamps for redundancy 1.9.3 Minimum contrast ratio of 2000:1 1.9.3 Minimum lens shift of +/- 40% vertical, +/- 10% horizontal 1.9.3 Minimum Inputs ; RGBHV/YPbPr (5 x BNC) , VGA (HD15), DVI-D, S-Video and composite video 1.9.3 RS232 control 1.9.4 Data Projectors – Lecture Theatres User Requirement Statement 1.9.4 Minimum of 6000 ANSI lumen 1.9.4 Full high definition chip set WUXGA (1920 x 1200) 1.9.4 Full range of lenses 1.9.4 Multiple lamps for redundancy 1.9.4 Minimum contrast ratio of 2000:1 1.9.4 Minimum lens shift of +/- 40% vertical , +/- 10% horizontal 1.9.4 Minimum Inputs ; RGBHV/YPbPr ( 5 x BNC) , VGA (HD15), DVI-D, S-Video and composite video 1.9.4 RS232 control 1.9.5 Data Projectors – Classrooms User Requirement Statement 1.9.5 Minimum of 3500 ANSI lumen 1.9.5 Full high definition chip set WXGA (1920 x 1200) 1.9.5 Large zoom range to accommodate a range of throw distances 1.9.5 Minimum contrast ratio of 400:1 1.9.5 Minimum lens shift of +/- 40% vertical , +/- 10% horizontal 1.9.5 Minimum Inputs ; RGBHV/YPbPr (5 x BNC) , VGA (HD15), DVI-D, S-Video and composite video 1.9.5 Long lamp life preferred <5000hrs 1.9.5 RS232 control 1.9.6 Flat Panel Displays User Requirement Statement 1.9.6 Screen size to comply with sightlines and viewing distance rules, as stipulated in the Room Design for Teaching and Learning Spaces section of this standard 1.9.6 Minimum resolution of 1080p 1.9.6 Minimum aspect ratio of 16:9 1.9.6 Flat Panels are to be commercial grade panels suitable for installation and continuous use 1.9.6 Preference is for LCD type Flat panels monitors 1.9.6 Plasma screens are to be used only where there are no static images to be displayed 39 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.9.6 The flat panel displays are able to be wall mounted 1.9.6 RS232 controllable 1.9.7 Projector and Flat Panel Mounts User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.9.7 Projector mounts to be standardised on a quality range and to be adequate for the weight and application 1.9.7 Brackets for projectors and flat panel screens are to be standardised as much as practicable 1.9.7 The heavy duty range is to be used for larger projectors 1.9.7 The locks are to be standardised for common keying 1.9.7 Flat panel brackets range to be standardised on a quality range and to be adequate for the weight and application 1.9.8 Central Controller User Requirement Statement The Controller will perform the following controlling functions: 1.9.8 Projector 1 (or display) 1.9.8 Projector 2 (or display) 1.9.8 Video and audio router 1.9.8 DSP unit(s) 1.9.8 Lighting presets 1.9.8 PIR sensing 1.9.8 DVD player 1.9.8 Image windowing layout if separate unit 1.9.8 Video conference codec 1.9.8 Lecture capture device 1.9.8 Projection screens 1.9.8 Curtains if applicable 1.9.8 Environmental control if applicable 1.9.8 Configurable RS-232 / RS-422 / RS-485 Serial ports 1.9.8 Relays 1.9.8 IR/Serial ports 1.9.8 Digital I/O ports 1.9.8 Network Connectivity: AxLink, ICSNet and Ethernet (TCP/IP) 1.9.9 AV Control System Interface (Touchpanel) User Requirement Statement 1.9.9 Integrate with the Central Controller for full control of system devices 1.9.10 Audio and Video Router User Requirement Statement 1.9.10 8 x 6 matrix switcher for VGA 1.9.10 2 x 2 matrix switcher for composite video and S-video 1.9.10 14 x 6 matrix switcher for stereo audio 1.9.10 Composite video and S-video transcoding scalar 1.9.10 Audio input gain and attenuation 40 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.9.10 Audio output volume adjustment and muting 1.9.10 Remote monitoring and control 1.9.10 RS-232 control ports 1.9.11 Scalar User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.9.11 Inputs: Composite video on BNC, S-video on 4-pin mini DIN 1.9.11 Outputs: Scaled RGB output on 15-pin HD 1.9.11 Scales composite video and S-video sources 1.9.11 RGB output rates from 640x480 to 1366x768 1.9.11 Auto switching between inputs 1.9.11 Frame rate conversion 1.9.11 Picture controls for brightness, contrast, colour, tint, detail, horizontal and vertical positioning and sizing 1.9.11 3:2 NTSC and 2:2 PAL pull down detection 1.9.11 RS-232 serial control 1.9.12 Audio Signal Processing User Requirement Statement 1.9.12 10 balanced mic/line inputs 1.9.12 6 balanced mic/line outputs 1.9.12 Ethernet port for software configuration/control 1.9.12 RS-232 serial for remote control 1.9.12 Mix, route, combine, EQ, delay, control 1.9.12 Ability to select, view and calibrate 1.9.12 Dynamics: leveller, comp/limiter, ducker, ANC 1.9.12 Routers: 2x1 ~ 32x32 1.9.12 Delays: 0 ~ 2000 ms 1.9.12 Line level <0.006% 1.9.12 Mic level <0.05% 1.9.12 Maximum Gain (mic input to line output): 66dB 1.9.12 Line level input <-80dB 1.9.12 Mic level input <-75dB 1.9.12 Sampling Rate: 48kHz 1.9.12 A/D - D/A Converters: 24-bit 1.9.12 Phantom Power 1.9.15 Lectern Microphones User Requirement Statement 1.9.15 Gooseneck microphone with selection of interchangeable capsules 1.9.15 XLR connector 1.9.15 Cardioid pick up pattern 1.9.15 Frequency response within 20-20,000Hz 1.9.15 S/N ratio (A weighted) 41 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.9.16 Radio Microphones User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.9.16 System package with different transmitter options 1.9.16 Belt pack system for receiver 1.9.16 Frequency agile with frequency range 1.9.16 Rugged construction 1.9.16 Automatic frequency setup 1.9.16 Wideband FM transmission 1.9.16 Audio outputs to be balanced 1.9.16 Automatic squelch adjustment 1.9.16 Frequency lockable 1.9.16 Battery level indicator 1.9.16 Minimum 8 hour battery life 1.9.17 Document Cameras User Requirement Statement 1.9.17 Minimum resolution of 1024 x768 1.9.17 Minimum frame rate of 20fps 1.9.17 6 x zoom (optical) 1.9.17 Top light 1.9.17 Flexible gooseneck mounting 1.9.17 Auto white balance and focus ability 1.9.17 Analogue VGA output format 1.9.17 RS232 controllable 1.9.18 DVD/Blu-Ray Players User Requirement Statement 1.9.18 IR Controllable 1.9.18 Consumer grade device 1.9.18 Multi region 1.9.18 Playback capability: CD, CD-R/RW, VCD, DVD, DVD+/-RW, MP3, WMA and JPEG 1.9.19 Desktop Computer User Requirement Statement 1.9.19 Minimum Output Resolution: 1024 x 768 1.9.19 1.9.19 1.9.19 1.9.19 Preferred output resolution: 1920 x 1080 Dedicated minimum graphics: 512 MB Dual DVI output Integrated sound 1.9.20 Cabling and Management User Requirement Statement 42 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.9.20 Coaxial: • 75 ohm cabling including RGBHV, YUV, S-Video and Composite • Crimp or compression connectors and tools are to be the items specified by the cable manufacturer only. • Strain relief boots are to be used on all terminations. • Coaxial cabling type to be used for recommended distances (dependent on bandwidth) only. 1.9.20 Audio line level cabling: • Installation type cabling to be single pair, 100% shield (foil type) cable with drain wire • Audio flexible cable is to be star quad flexible braided cable. • Speaker cable is to be double insulated multi strand style 1.9.21 Cable Labelling User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.9.21 All cable ends must be clearly labelled 1.9.21 Self-laminating label between 50-100mm back from connector or termination 1.9.21 The label shall duplicate the equipment connection details and show source, destination and cable ID number 1.9.22 Connector Types User Requirement Statement 1.9.22 Video/RGBHV: • Pre-moulded HD-15 to BNC-F adapters should be used where RGBHV cable connects to VGA HD-15 connectors on equipment. • Field soldered VGA terminations are not to be used 1.9.22 Audio: • Commercial grade connectors to be used throughout for balanced (XLR, TRS) and unbalanced (RCA, TS) connections. 1.9.22 Phoenix: • Phoenix connectors with extended flat cable clamp areas are to be used. Bare wire terminations are not to be solder tinned 1.9.22 Serial/Data/D-Connectors: • D connectors should have plastic, clip-together back shells with integral cable clamp and thumbscrews. • RJ-45 connectors should match the cable type (solid/stranded) and shall have boots. • Pre-moulded Cat5 cables are to be used for short runs 1.9.23 Equipment Rack User Requirement Statement An IEC 19” 14 RU equipment rack is required in each appropriate area to house the main audiovisual equipment 1.9.23 600mm deep unit 1.9.23 Open frame style 1.9.23 Cable management, rack trays and rack power are to be provided. 1.9.23 All rack screws are to be black and cage nuts are to be 8mm. 1.9.23 Black washers are to be used for all equipment 1.10.0 SERVICE DESK PHONE IN LEARNING AND TEACHING SPACES 1.10.1 In-house Phone User Requirement Statement An in-house phone is to be installed where there is a minimum of an in-house PC present in the learning and teaching space. 1.10.1 The phone will be locked down to call only a pre-determined numbers, namely, UTAS internal numbers. 1.10.1 The phone is to be installed on the lectern or as close as practical to the supported AV or IT equipment in the venue 43 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.10.2 Outside of Venue (At Door) Phone User Requirement Statement How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment How requirement is met Assessment 1.10.2 The phone is to be installed next to the door or as close as practical 1.10.2 The phone will be locked down to call only a pre-determined numbers, namely, UTAS internal numbers. 1.11.0 DOCUMENTATION 1.11.1 Construction Drawings User Requirement Statement Contractors are to prepare and submit shop drawings before commencing manufacture or installation. These are to be prepared using AS1102 drafting standard symbols, provided with a legend. 1.11.1 Audio schematic 1.11.1 Video schematic 1.11.1 Control schematic 1.11.1 Room layout - detailing cable runs, conduits and equipment location 1.11.1 Room elevation 1.11.1 Rack layout 1.11.1 All custom built structures, penetrations 1.11.2 Post Contract Documentation User Requirement Statement 1.11.2 As Built Drawings (Supplied in soft and hard copy) to include: • Audio schematic • Video schematic • Control schematic • Room layout - detailing cable runs, conduits and equipment location • Room elevation • Rack layout • All custom built structures, penetrations • Schematics to include device model and description, cable numbers, cable types and device input/output connection. 1.11.2 AV Control System coding: • Touch Panel files • All relevant files 1.11.2 Inventory details are to include: • Make and Model and equipment function • Serial number • University bar code number • Warranty expiry date 1.11.2 Installation Manuals to include: • Contact details of responsible parties • Service contact details • As built drawings • Description of installation including system descriptions • Operating instructions • Maintenance procedures • All equipment operating manuals are to be supplied 1.12.0 TESTING, COMMISIONING AND HANDOVER 1.12.0 TESTING, COMMISIONING AND HANDOVER User Requirement Statement 44 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 1.12.0 Commissioning is to be arranged to verify the operation of all equipment items and each system. Commissioning will be attended by the University’s representative and signed off. All equipment is to be tested and a written test report is to be submitted for each system. Format for each test required is to be approved by the University prior to testing. Appendix 2 – Mobile Lecture Recording Solutions This section is designed to provide advice on mobile Lecture Recording devices that can be procured and implemented, at a faculty or school level. It also specifies the minimum requirements when MyMedia Services considers the deployment of Lecture Recording solutions, either hardware or software based, into Locally Managed Learning Spaces. Mobile Lecture Recording Kits Option 1: Portable audio only recording This can be achieved by stocking a range of easy to use MP3 recording devices. These can be used for recording ‘presenter only’ voice. Using this method tends to result in poorer recording quality especially if left on the desk. Using a lanyard to ensure device stays in close proximity to the presenter can provide better results and allow presenter freedom to move freely around the venue. Recommended audio recording devices: • • Apple IPod with inbuilt microphone or external microphone such as the Blue Mikey for IPod. Any MP3 recording device that records audio files in an MP3 format (AAC or brand specific file formats are not supported). Option 2: Audio + screen recording This can be achieved through use of a laptop with the Echo360 Personal Capture software installed and configured. In addition to the laptop, a suitable microphone will also be required. Laptop minimum specifications: • Computer hardware minimum: Dual Core 1.8 GHz, 2GB Ram, 20GB HD free, USB Ports x4, 10/100 network interface, Windows 7 Operating System Recommended microphones: • • Blue Snowball microphone: A freestanding microphone providing good all round coverage in a small room. This microphone is able to pick up group discussions when used in suitable environments. XTag lapel microphone: A lapel based wireless microphone that allows user to move freely within room, whilst still providing audio clarity. Option 3: Audio + screen + user recording This can be achieved through the use of a laptop with a current version of the Echo360 Personal Capture software installed and a recommended webcam (details below). 45 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards Laptop minimum specifications: • Computer hardware minimum: Dual Core 1.8 GHz, 2GB Ram, 20GB HD free, USB Ports x4, 10/100 network interface, Windows 7 Operating System Recommended webcams: • • Logitech Quickcam Pro 9000 Blue Eyeball Camera Outfitting LMLS Rooms with MyMedia Recording Capabilities Option 1: Classroom Capture software solution, providing audio + screen capture Minimum requirements: • • • • Computer hardware minimum: Dual Core 1.8 GHz, 2GB Ram, 20GB HD free, USB Ports x4, 10/100 network interface, Windows 7 Operating System Echo360 Capture Software USB Microphone (Blue Microphone or XTag Lapel) Input from UTAS Learning Services Staff (MyMedia Service) Option 2: MyMedia Capture Appliance installation Minimum Requirements: • • • Appropriate AV infrastructure adhering to UTAS AV guidelines Input from UTAS ITR AV staff on appropriate infrastructure MyMedia Capture Appliance (hardware) 46 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards Appendix 3 – Lectern Design The following section outlines the requirements for standardised lecterns throughout CMLS. All CMLS lecterns are to be of the standardised design as outlined in the following drawings: 47 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 48 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 49 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 50 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 51 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 52 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 53 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 54 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 55 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 56 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 57 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 58 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 59 Audiovisual Design Standards (July, 2011) Audiovisual Design Standards 60 Audiovisual Design Standards (July, 2011)