AFRICANA STUDIES 455 Class, Gender, Ethnicity and Sexuality Instructor: Dr. Bonnie Reddick Email: breddick@mail.sdsu.edu Office Hours: By Appointment Only Office Location: Arts and Letters 369 COURSE DESCRIPTION This course examines the ways in which class, gender, ethnicity and sexuality converge and diverge to impact the lives of Africana people. The material will interrogate the unique experiences of both Black women and Black men from various positionallities. COURSE OBJECTIVES 1. Demonstrate verbally and in writing an understanding of the effects that class, gender, ethnicity and sexuality have on the lives of Black men and women. 2. Clearly distinguish verbally and in writing how such factors have similar and dissimilar realities. 3. Critically analyze research and theoretical perspectives of others that have written on these topics. 4. Creatively present the research of other scholars while critiquing the veracity of the scholarship’s value in the quest to better understand the nuances of Black reality. 5. Write and present a cohesive argument demonstrating knowledge of research COURSE GOALS 1. Critique the intersectionality of class, gender, ethnicity and sexuality by reading a variety of text. 2. Critically analyze how class, gender, ethnicity and sexuality shaped and informed by public policy by watching documentaries and films. 3. Elevate each student’s scholarly voice through rigorous and academic dialogue. REQUIRED TEXT 1. Collins, P.H., (2004). Black Sexual Politics: African Americans, Gender, and the New Racism. New York: Routledge. 2. Readings on Blackboard GRADING “Where I’m From” 5% Critical Autobiographical Portfolio 40% Critical Autobiographical Presentation 20% Quizzes 20% Attendance & Participation 15% TOTAL 100% A (95-100); A- (90-94); B+ (86-89); B (83-85); B- (80-82); C+ (76-79); C (73-75); C(70-72); D+ (66-69); D (63-65); D- (60-62); F (0-59) READING Reading is an important part of developing strong writing and critical thinking skills. Completion of all readings will be necessary for quizzes, homework, essays, and class discussions, and it should be completed before each class. “WHERE I’M FROM” Write an original poem or prose that describes your perspective on Class, Gender, Ethnicity and Sexuality. Submit it to turnitin.com by 4:00 PM on the due date, and be prepared to share it with your cohorts. In addition, include a copy in your autobiographical portfolio. CRITICAL AUTOBIOGRAPHICAL PORTFOLIO An autobiography is an introspective reflection of your life, and the events, people and circumstances that have had a part in shaping your worldview. You are emerging scholars. To that end, an academician is cognizant of the veracity of seminal and emerging scholarship on the subject matter that they are critiquing. In this case, through the course readings, documentaries, movies, and rigorous class discussions, you will reflect on how this scholarship comports with, diverges from, or awakens your understanding of class, gender, ethnicity and sexuality. Your introspective musings are dynamic, and as the semester progresses, it is my expectation that they will evolve. Your autobiographical musings are much more than writing about your personal experience. Rather, you will include what you’ve learned, properly integrating concrete detail from the scholarship we explore, into your writings. It is vitally important that you critique, question, and analyze the salient scholarship and how your life experience is shaped and informed by it. You may not agree with what you read, see, or hear, but I am asking that you remain open, question, and explore your disagreement, and then expound on it in your musings. Your autobiographical portfolio must contain the following: 3-5 pages that explore your perspective on class, gender, ethnicity, and sexuality before you engage in the texts for this course. This is an Africana Studies course. We will view the scholarship through an Afrocentric lens. For any students who are not Black, you are required to examine your perspective based on your experiences with Africana people. Some of the questions you should address are: how has your family dynamics shaped how you feel about being a middle-class, heterosexual, Black, female? How do you feel about racism, sexism, and classism? How specifically has your schooling experiences shaped how you feel about class, gender, ethnicity, and sexuality? How about the neighborhood you grew up in or your social relationships? How does what you view on television, the Internet, in magazines and books, or hear on the radio shape how you feel about class, gender, ethnicity and sexuality? Submit it to turnitin.com by the due date and include it in your portfolio. After each class, write an introspective reflection of your thoughts on the readings, class discussion, including any movies or videos, including citing specific examples, which are properly cited, from the readings to support your position. Each entry should have a title that reflects what was read and discussed that day. Each reflection should be a minimum of two (2) pages, but no more than four (4) pages. Each entry must use one of the concepts/ideologies that we’re discussing and apply it to a contemporary medium, i.e., television, news, or movie. The contemporaneous critique must be one page. You must make direct connections to the readings and properly cite them. Please note the course calendar for which medium to critique on the scheduled weeks. Your entries will be evaluated based on the veracity and authenticity of your argument, using specific concrete details and/or examples from the readings, discussion or media, each of which is properly cited; organization, cogency, and mechanics. I will do a mid-semester spot check on your portfolio. This check will be graded on number of entries and adherence to the project details. The due date is detailed on the course calendar. The Final submittal due date is detailed on the course calendar. CRITICAL AUTOBIOGRAPHICAL PRESENTATION Prepare a presentation that highlights 2-3 points that you’ve learned throughout the semester. Where did you start? Where are you now? Your presentation cannot exceed 10 minutes. QUIZ I may give a quiz at the beginning of class. The quiz may be True/False, short fill ins, multiple choice and/or short essays. ATTENDANCE AND PARTICIPATION Attendance is crucial to your success in this class. I record attendance every day. If you arrive after I have taken attendance, it is your responsibility to come up to me at the end of class and change your absence to a tardy. No absence will be changed after the day you come late. Active participation in class discussions and activities is an essential part of this class. You can do your part by coming to class on time, remaining alert, and being willing to ask questions and share ideas. You should also keep in mind that participating in an inappropriate manner or refusing to participate in class activities will considerably lower your course grade. Many students refrain from commenting during class discussions out of fear that they will give the wrong answer or say something embarrassing. I encourage each of you to risk sharing opinions that you are not entirely sure of. Since none of the readings can be said to have a “perfect” interpretation, your comments can only assist the class in its primary goal of critically exploring the ideas presented in the various texts we will read. TARDINESS/LEAVING EARLY Unless you have made prior arrangements with me, you are expected to be in class on time and remain until class is over. Unexcused incidents of leaving early will be counted as an absence for that day. Arranging with me to arrive late or leave early should be the exception not the rule. Note: Excessive tardies will significantly reduce your course grade. CHEATING/PLAGARISIM “Cheating shall be defined as the act of obtaining or attempting to obtain credit for academic work by the use of dishonest, deceptive, or fraudulent means. Examples of cheating include, but are not limited to (a) copying, in part or in whole, from another’s test or other examination; (b) discussing answers or ideas relating to the answers on a test or other examination without the permission of the instructor; (c) obtaining copies of a test, an examination, or other course material without the permission of the instructor; (d) using notes, cheat sheets, or other devices considered inappropriate under the prescribed testing condition; (e) collaborating with another or others in work to be presented without the permission of the instructor; (f) falsifying records, laboratory work, or other course data; (g) submitting work previously presented in another course, if contrary to the rules of the course; (h) altering or interfering with the grading procedures; (i) plagiarizing, as defined; and (j) knowingly and intentionally assisting another student in any of the above. 2.2 Plagiarism shall be defined as the act of incorporating ideas, words, or specific substance of another, whether purchased, borrowed, or otherwise obtained, and submitting same to the University as one’s own work to fulfill academic requirements without giving credit to the appropriate source. Plagiarism shall include but not be limited to (a) submitting work, either in part or in whole, completed by another; (b) omitting footnotes for ideas, statements, facts, or conclusions that belong to another; (c) omitting quotation marks when quoting directly from another, whether it be a paragraph, sentence, or part thereof; (d) close and lengthy paraphrasing of the writings of another; (e) submitting another person’s artistic works, such as musical compositions, photographs, paintings, drawings, or sculptures; and (f) submitting as one’s own work papers purchased from research companies. Academic and Punitive Sanctions: Cheating and plagiarism in connection with the academic program at The University may warrant two separate and distinct courses of disciplinary action that may be applied concurrently in response to a violation of this policy: (a) academic sanctions, such as grade modifications; and (b) punitive sanctions, such as probation, suspension, or expulsion. Academic sanctions are concerned with the student’s grades and are the responsibility of the instructor involved. Punitive sanctions are concerned with the student’s records and status on campus and shall be the responsibility of the University President or designated representative. The Coordinator of Judiciary Procedures shall be the President’s representative in matters of student discipline.” http:/senate.sdsu.edu/policy/pfacademics.html ACCOMMODATION OF DISABILITY If you are a student with a disability and believe you will need accommodations for this class, it is your responsibility to contact Student Disability Services at (619) 594-6473. To avoid any delay in the receipt of your accommodations, you should contact Student Disability Services as soon as possible. Please note that accommodations are not retroactive, and that accommodations based upon disability cannot be provided until you have presented your instructor with an accommodation letter from Student Disability Services. OTHER COURSE POLICIES 1 Treat other students and me with respect. Students are expected to refrain from behavior that interferes with the learning of other students. 2. Come to class prepared. If you are absent, you are still responsible for completing the readings and any homework assigned during your absence. 3. Complete all work on time. Readings and any other assignments are to be completed prior to class. Refer to the course calendar for due dates. Additional assignments are due as directed, when assigned. Late assignments will not be accepted. 4. Except during group work, only one person at a time may address the class. You are expected to listen attentively and refrain from conversation while another person is speaking. 5 No cell phones, pagers, or other electronic equipment may be operated in class. Please do not use text messaging during class. If you use a laptop to take notes, please do not surf the Internet during class. 6. The Course Calendar is tentative and is subject to change.