Comparative Studies

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Comparative Studies

• Avesani et al 1995 ; Hirschberg&Avesani 1997

• Production studies comparing English, Italian and Spanish speakers (4 per language) and then English and Italian

• Potentially ambiguous utterances embedded in contexts to disambiguate:

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English

I know William very well. Since his girlfriend left him, he’s done nothing but drink. It’s been such a long time since his separation, that he’s used to living alone. Now, William doesn’t drink because he’s unhappy . He drinks because he’s an alcoholic.

There’s something about William that puzzles me.

When he’s happy, he has a good time with his friends, and certainly he doesn’t dislike drinking. I think I understand what’s wrong. William doesn’t drink because he’s unhappy .

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Spanish

Conozco a Guillermo muy bien. Desde que su novia le dejo, no ha hecho nada mas que beber. Despues de tanto tiempo de su separacion, se ha acostumbrado a vivir solo. Ahora, Guillermo no bebe porque esta triste . Simplement, porque es un alcoholico.

Ha algo de Guillermo que no me convence. Cuando le veo feliz, se que se lo pasa, bien con sus amigos, y que no le desagrada beber. Creo que se lo que le pasa.

Guillermo no bebe porque esta triste .

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Analysis

• Target utterances excised and labeled for

– Intonational contour

– Relative prominence of pitch accents

• Different ambiguity contexts compared within languages to find common patterns

• Common patterns compared across languages

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Results

• Scope of negation similarly disambiguated between wide and narrow readings by variation of intonational phrasing (one phrase vs. two)

– Spanish and Italian speakers also varied nuclear stress placement (on verb for wide)

– English speakers also used continuation rise for wide, falling for narrow

Bill doesn’t drink because he’s unhappy.

• PP-attachment disambiguated by phrasing variation

(for Italian speakers)

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• Quantifier scope disambiguated by varying nuclear stress placement and phrases (for Italian, Spanish, 2

English subjects)

• Association with focus: only consistently disambiguated by all three

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How do other languages use intonation to convey information?

• Syntactic ambiguity

• Semantic ambiguity

• Discourse phenomena

• ‘Paralinguistic’ information

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Sag & Liberman on Intonation and Indirect

Speech Acts ‘75

• Direct vs. Indirect Speech Acts

– Illocutionary force (e.g. asking)

– Perlocutionary effect (e.g…..)

– Can you open that window?

• Wh-questions

– ‘Real’:

• “tilde contour” – why?

• “hat pattern”

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– Negative-implicating rhetorical:

• Hat pattern (if second accent highest)

• Evidence?

– Surprise/redundancy: The blackboard’s painted orange!

– How do we conclude that any intonation contour “means” X?

• YNQs:

– ‘Real’: rising or falling

– Indirect request: plateau or falling

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• Production studies: recorded read skits

– Tilde  real wh-q

– Neg-implicating wh: second accent more prominent than first

• Perception studies: match recording to context

– Tilde  real wh-q and not other

– Late peak  either

– Terminal rise  real ynq

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• Conclusion: some contours can ‘freeze’ a pragmatic interpretation?

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Hirschberg & Ward ’92: Rise/fall/rise (L*+H

L-H%)

• The question: why does one contour have different meanings?

– Uncertainty/incredulity or lack of speaker commitment to some scalar value

– When will it mean one over the other?

• Hypothesis: variation in F0, amplitude, duration, voice quality

• Experiment:

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– Record same sentence with each interpretation (pretest)

– Analyze each token to extract acoustic and prosodic features of hypothesis

– Resynthesize tokens exchanging all possible combinations of F0, RMS, duration and spectral features of ‘uncertainty’ tokens with

‘incredulity’ tokens

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• Forced choice task: uncertainty or incredulity?

• Results: F0 and spectral features influence uncertainty/incredulity distinction although amplitude and duration also differ

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