St. Cloud State University General Education Goal Area 8 Global Perspectives Academic Affairs Use Only: Response Date: Effective Date: 1. Prepared by: Terry Vermillion Phone: 8-3224 Proposal Number: Email: tvermillion 2. Requesting Unit: Music 3. Department, Course Number, Title: MUSP 159. World Drumming Group 4. New Course 5. Will this course be flagged as a diversity course? Already Designated as Diversity Existing Course No Diversity Proposal Accompanying This Form 6. Will this course also satisfy another General Education Goal Area? No Yes If “Yes” specify which goal area. Goal Area 6: Humanities and Fine Arts 7. Course bulletin description, including credits and semesters to be offered: Listening, examination and performance of drumming traditions from a diversity of cultural backgrounds. May be repeated for credit. 1 Cr. F, S. 8. Indicate the clientele for whom this course is designed. Is the course for general education only, or does it fulfill general education and other program needs for this or another department? Obtain signatures from any affected departments. Course is intended for General Education clientele. Music majors and minors may use as elective credits. 9. Indicate any changes that must be made in offerings or resources in your department or other departments by offering this course. none 10. For new courses or courses not yet approved for General Education, indicate any other SCSU departments or units offering instruction that relates to the content of the proposed course. none 11. Courses designated as General Education are included in the assessment plan for the Goal Area(s) for which they are approved. Courses for which assessment is not included in the annual GE assessment report for two years will be removed from the General Education Program. The Requesting Unit understands and recognizes the above conditions. 12/11/2009 12. Provide a concise explanation of how the following goal is a “significant focus” of the proposed course. Goal Area 8: Global Perspectives Develop a comparative perspective and understanding of one’s place in a global context. Students in the World Drumming Group examine the cultural relationship music shares with a variety of diverse cultures with which most SCSU students are not familiar. This involves exploring the interdisciplinary connection between a culture’s folkloric music and its historical and cultural setting through examination of the structural and performance traditions of a particular culture. Students exercise critical listening skills in developing their own interpretive perspective by comparing their own performance with an ideal presented to them through research and observation. A major goal of the World Drumming Group as a General Education course is to challenge the students to confront, appreciate and compare the relationship between the music and its people within their own culture to the cultures examined within the course. 13. In order for a course to be designated as fulfilling Goal Area 8, it must address at least 4 of the 5 student learning outcomes (SLOs) below. Check the SLOs below that are focused on in the proposed general education course. 1. Explain how they are connected and related to people elsewhere in the world. 2. Describe similarities and differences among global places and populations. 3. Analyze how political, economic or cultural elements influence relations among the world’s states, peoples, or societies. 4. Analyze specific international issues and propose and evaluate responses. 5. Articulate a vision of their individual roles and responsibilities in a common global future. 14. Discuss how each Student Learning Outcome checked above is achieved in this course. (Note: Although descriptions of typical assignments or types of assignments may be part of this discussion, it is not appropriate to submit copies of actual assignments.) 1. The experience of music making and music-listening is a universally valued human activity. Students examine connections between their own cultural and historical context to a diversity of non-Western cultures through examination and practice of folkloric musical traditions. 2. The course examines the societal context of a variety of global populations, and highlights the similarities and differences between these cultures through an examination of their folkloric musical traditions within a broader cultural framework. 3. Examination of folkloric musical traditions provides a lens for analyzing how economic, political, and cultural elements have influenced the development of specific musical traditions. Folkloric traditions are by their very nature defined and influenced by the very elements that affect its people including economic, political and cultural evolutions within that culture. Music is a culturally bonding element with most non-Western cultures and serves as a repository for its people’s traditions, beliefs, and values. 5. Participation in group rehearsal, open discussion, and detailed analysis of a diversity of non-Western folkloric traditions challenges the student to actively demonstrate their commitment to a common global future 12/11/2009 through public performance of a variety of non-Western music. They are able to articulate their vision for a global future through researching, examining, listening, and integrating and understanding of the musical traditions of a variety of cultures other than their own. 15. List or attach the Course Outline (adequately described and including percentage of time to be allocated to each topic). Curriculum Committees may request additional information. Topics larger than 20% need to be broken down further. Indicate in your course outline where the Student Learning Outcomes checked above are being met. 20% Analyze and discuss the organizational structure of drumming traditions from around the world and evaluate its relationship to the social fabric of that culture. (goals 1,2) 20% Examine and execute techniques related to performance of a variety of non-Western drumming traditions. (1,5) 20% Explore the economic, religious, and societal structures of specific non-Western cultures and establish a relationship between those structures and its folkloric drumming traditions. (3) 20% Articulate an understanding of the individual role traditional music can play in preserving a culture’s specific cultural identity through performance as an ensemble. (3,5) 20% Historical and political background and it’s influence on the development of the society’s folkloric musical traditions. (1,2,3) 12/11/2009 St. Cloud State University General Education Transmittal Form Academic Affairs Use Only: Response Date: Effective Date: Proposal Number Department: Course or Course(s): Department or Unit Chair Signature Date Department forward to Academic Affairs for publication and electronically to Chair of General Education Committee, Chair of College Curriculum Committee, College Dean Recommendation of General Education Committee: Approve Remarks: Disapprove Chairperson Committee Signature Date Recommendation of University Curriculum Committee: Approve Remarks: Disapprove Chairperson Committee Signature Date Recommendation of Faculty Association: Approve Remarks: Disapprove FA Senate Signature Date Action of Academic Vice President: Approve Disapprove Signature Entered in Curriculum Data File 12/11/2009 Remarks: Date