Embodied Affect In Blockbuster Spectacles Steen Christiansen @dissemination What mode of seeing is present in Chris Nolan’s Batman trilogy? Camera movement creates an immersion where “the viewer is not recentered but continually open and opened by movements (sensations) that pass through him/her” (Walsh 2004) Battumbler We do not identify with a character but with the force of movement – an intensity of sensation The perceptual realism creates incredibly powerful sensations of bodily movement Kinetics: how the spectator embodies cinematic movement Nolan’s kinetics are incredibly smooth and powerful; they make us feel in contro