Reading, Thinking and Writing • • • • • • • • The poem on the page A poem is made of words Two ways of taking about poetry Reading poetry Thinking about words What the poem is about The effect of the poem Tone The poem on the page • The poems are unusual things: ☺ organised into fixed lines ☺ lines organised into verses ☺ lines that are rhythmical ☺ words that rhyme ☺ words arranged in non-standard order ☺ words used with special meanings A poem is made of words • Poetry is specially made. (words, sentences, speeches and so on are not “natural” things • Poetry is specially made : To say that poetry is specially made is to say that it is art • Poetry says something : Poetry is about ideas, about feelings, about places, about people and about events. It can argue, explore feelings, create pictures (either detailed or impressionistic ones) and tell stories Two ways of talking about poetry • To think about literature requires two kinds of language: a specialised language that enables us to be clear about the art of literature a more general language about the subject matter of literature There are no formulate: Since all poems (and all works of literature) are different from each other, there can be no single way of writing about them Reading poetry • Read carefully • Read the poem aloud • Vary the speed from a deliberate one to quiker one Reading Poetry As you read you should try to do the following things: Concentrate on each word Keep in mind how the poem is developing Listen to what the poem sounds like (gentle, angry, thoughtful, sad…) Be aware of how you are reacting to what you are hearing Notice any words that have a particularly strong impact on you Thinking about words As you read, you should try to attend to the following points: • How the words combine to create meanings • How they create pictures in your mind • How they work upon your feelings • How they are organised to give the poem a shape What the poems about To think about the words of a poem is to think about its meaning • The first thing you can do is be realistic • Before you begin to think about a poem in detail, it’s a good idea to have general ideas as to what it’s about The effect of the poem • Puzzlement . It arises when you say: “how strange” or ‘that’s odd’ • You can frame the reaction as questions: why does the poet say that? why is this particular word used? why does the poet move from that subject to this? Tone • The best piece of advice that can be given about tone is: - Try to imagine the poet speaking and hear in the words his or her attitude to what is being said The act of imagination is not always easy, so, as with all difficult procedures, practice is essential. Since virtually every poem can be regarded as a communication of one person to others, every poem can be imagine as the spoken utterance of the poet. The reader, therefore, can always ask: Can I hear the poet’s voice in this poem?