Matakuliah
Tahun
Versi
: R0124 / Teknik Komunikasi Arsitektur
: 2005
: <<versi>>/<<revisi>>
Pertemuan 25
Presentasi 2
1
Learning Outcomes
Pada akhir pertemuan ini, diharapkan mahasiswa
akan mampu :
• Mengkombinasikan strategi presentasi dalam
arsitektur dua atau tiga dimensi secara manual
maupun dengan alat bantu visual
2
Outline Materi
• Presentasi dengan komputer
• Animasi
• Kelebihan komputer dibanding media lain
3
Presentasi dengan komputer
4
Presentasi dengan komputer
• PROSES MERANCANG
DRAFTING
DESIGN
GAGASAN
PRA
RANCANGAN
GAMBAR
KERJA
DOKUMEN
REVISI
SPEKS BQ
GAMBAR
LELANG
3D-CAD
2D-CAD
MANUAL
DENGAN CAD
( COMPUTER AIDED DESIGN )
5
Presentasi dengan komputer
Computer Imaging
6
Presentasi dengan komputer
•
There is no more versatile tool for design studies than the
computer. It can produce images and viewpoints that were
previously thought to be impossible. Archi will have to totally reassess the way they look at and study an architectural space, or
structure. Not only can the computer produce images from an infinite
number of viewpoints, but the images can be enhanced, rendered,
altered and processed many different ways, depending on the
software used.
•
These images were produced to study aspects of design. The
first sequence was for an observatory project. The images were first
created in a 3-D modeling program where the wire-frame views were
created. This outlined the forms, and the various perspective views
could be studied in this mode. Then the images were further
enhanced are rendered in a “paint program”. This is where surface
attributes, such as transparency, reflectivity, color and texture were
assigned. Next, the images were processed in another program
which could add graphic elements that would have been more
difficult in any of the other programs. Here, backgrounds could be
added along with other painted images, such as the night scene with
moon and clouds appearing at the top of the tower.
7
Presentasi dengan komputer
•
This combination of possibilities make computer
images one of the most versatile design and
presentation tools. It contributes both to the study of
architectural form, and to the presentation of images in a
format which encourages an imaginative approach.
8
Animasi
9
Animasi
10
Animasi
• One of the latest developments in visual presentation involves the
combination of several electronic imaging techniques. No longer do
we need to be satisfied with sngle views drawn by the architectural
artist, or single CAD images produced by the computer artist. By
merging the technologies of computer imaging and videotape
recording, totally animated sequences are now possible.
•
These animated sequences can be produced by establishing
the movement sequence and check points along the way. These are
called”keyframes” in the animation sequence. They can be
programmed by the designer using a common PC based program.
The animator then crates the images within these parameters. At the
same time they are produced with much higher resolution. They can
then be transferred to a laser videodisc, and then to video, or
directly to video. The images can also be output to film recorders for
high resolution slides, transparencies, or color prints.
11
Animasi
•
These animated sequences can be produced by establishing
the movement sequence and check points along the way. These are
called”keyframes” in the animation sequence. They can be
There
is no limit to the subjects that can be described by the animation
sequence, and no limit to the degree of sophistication of the images.
The sequence on the left used flat planes and graphic colors to
depict movement within a space. First in the entry area, showing a
stairway to a second level. Next, there is a view going up the
staircase , then a view towards a balcony, and finally a view to the
large open space below. The spatial elements are rendered as flat
planes of color with minimum detail or considerations of light or
shade.
•
The sequence on the right is just the opposite. It shows
maximum use of sophisticated software rendering program which
allows total control of values as well as the movement within the
space. To dramatize the sequence it is depicted as an illuminated
night scene. The movement within the scene or equally dramatic, as
the motion within or ends with extreme close-ups of the residential
details, an other ornamental features. This is indicated of the high
artistic quality that can be imparted to a seemingly steril electronic
imaging sequence.
12
Animasi
13
Animasi
• Dengan sistem SOM , dapat diketahui
bagaimana dan dimana suatu bayangan
bangunan akan jatuh dan bagaimana pula
sinar matahari menembus masuk
bangunan tersebut.
14
Animasi
Studi interior untuk pemilihan
finishing dan warna
Aksonometri
denah,
memudahkan persepsi ruang.
15
Presentasi audio visual
16