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is: Horv can tirc nranv promising sLrggcstions that emergcd bc
translormcd into r(:tirn?
return t() the lenuc. a tcllins manilestation
appcarcd. lf one lookcd closelv:rt thc aJbremclltioncd rlcmorial
panels in thc grand hall. an illtcr|ellion was rcrcalecl. i\lollq
rvith the olhcial pancls that rcad "Empcror Lcopolcl I, loundcr
ofthe Acadcml" and "llmpcror lranz.]oseplr I. erector ol this
On a final notc,
1o
VICTORIA HINDLEY is n lnctian
L';e
a. Fai nore
nlanlationjr
att;'|, ttiftt.
and rdututot htnlg in
r,u u.tiL Larinhinlb.con.
.rl tr1
t2.\hntuHhtil. lilnhll
\t)'tE.\1t!tlnIt)tl\ll.:llItl.:\lrtt'it:ttlm.nd
t't: \rtr J,hrin \YnL tuh han Fthrr tt.7. t;tttnl )tttu/lltt.\tll\thn a \1/t)tL fu h 1 1.\t.ixt
ln'lnix. nnt lt)trlnthnnrn fu/in/lni tutl /:l2l 3 IOR\trn rt \r "'t" I ;i 5 Dlnrll
Llmti.
tnn
nin. d^
t.Dt tt'kr -,i k: hrl,:/ti,'P, t/Lrn\t.
alt
lt 0/lntuD
tt\
6
lltl
tlo additirxral pancls wcrc covered !!ith lacsimilcs th,rl
rcad "llmp{rr(rr Leopold I. cxPcllel of the Jc\\'s liom Vit'nna"
and 'Emperor Franz.foseph I, provokcr ol thc first \\'orld \\:er'"
It lvould sccnr that thc aclivisGartists rl'ert ilrtervcling in thc
s(1ting and thc hegemonic ordcr all the $hilc
eclificc,"
MOVING IMAGES
Art Dubai
Dubai,
U
nited Arab Emirates
l/arch 21-24,2012
D(xrs1hc mirrkct cconom) rlced dcmoc.acics to ftrrrctiol pr'opcrh I
havc lx:en thc structurin{ qLLcstiul ol ihe lilih -\rl
'lhrt might
l)ubai in thc Unitccl Arab luilatl s lLIr\Fll r\ comnrt lcial art Iair.
Art l)ubai sholcases c(nrtd)Por.rrv ar'lisls liorl lhc.\r'ab riorld
and thc gLrbal sorrrh, l)ringilrg thcir\tr)rk to bulcrs I om rrltnrnd the
rr orlrl. The contcnrporar-v aIt nla.kel r.lics oi \ht totto)ltnatttih ol
art: and to be .()rrt( rrrPor'.lrr, il sccms thll iu r nrLrsr bc 1:lr'odrrt erl irr
an cnvirormctrt of unli:ttcrcd critit al discoLrrsc. ( )rht r \ ist' r e |e
back to thc patr'onagc svslern righl? lrorricallv. then. lo in r go.rd
llnrurcial inveson(rrlt.21rt ncccls to hart a lr'itical pccli!lr'r.r'. ertrr
il ir cnldols criticpc in a strpcrficial or tlorc prcciseh rosrr)t'lic
nrall1lcr. But
in:r rnonal.chr'. r'ritital clis.olnsc is nol ai licc
in a \\'cstcrn-*vb
us
it
is
d,
o
UJ
d,
l)Lrbai \\as alreach trrrcicr Pr_cssurc dLrc to ccnsolship issucs
clsc\r'hcrc in llx Linilccl .\rirb llmiratcs. lo 2011. ar thc t.\F,s
rnorc cstal>lishccl art lair'. rhe Sharjah Bicnnial. thc trlilate' .hrh
:rblLrprh lilccl lespectcrl rlilector.|:Lck l'crsckian olcl a slnqlc
cor]Lror'cr_sial arl\rork thal rnixcd sc\ualit\ ancl tshnl i his r t ar
r\rt l)ubai
rr'as ccnsor'cd as
\tell: tl'o
rr'orks
lctc rtrlrorcd
lr'onr
t
thc cxhibition. and |ilipin() prrhr mancc artist (latlos (ielch an lt lt
alicr sccLrritv guards insttuct.d him to cut thc irrragincd dialogue
bctrleen lnrclcl:r NIarr'os and N Iuammal Gaclclall liom his lrlilLiant
F
''
l,ilin
gallt rr'. rreatcs :L pla\ l'ul cnliron cnt Ii)r c\Perincrllal ar'(
plecti(1s. ;\s pirt ol lht.jallr-packccl lcctur.t st:ries,''l hc Nlcdirrrn
ol Nlt'clia, nhich l3asar orgrrnizecl lirr',\r't Dulrai. blogger Hitrd
a pclsonal toul o[Lrnirali ielevisi(]n. tharks
to the 1l\t{housancl-hour VHS archile that she coart:cl a locll
rLrrralcur into shalins l ith her. Highlighrs inclLrdcd lootagt: ofthc
\tez:rira prcscnted
dcrnocracl r'ightl
Art
F
curator Shumotl Basal said. thcr'r art histolr is being nrade irr
thc t,,\E. Enrirati artists cxhibited al SII(K'\ art lair': l;Lshkeel
ol1i ls uorkshops lirr lolal artists; ancl lraflic. originlll,v:r clcsign
la Vicla Imclcla." But Pcrsekian's continrred inrpoltancc
t
as
demorstratcd alg()rithuricallv in iLn illlen( tile \rork Pr'oclLlcccl l)\
thc maqazillc -Brr$ch?rrl that lr:rcks relationships in rIc Dubai
art world: lhc morc connectt d vou alc, thc bieser \1rtlr cloi
Pcoplc rhink ol Dubai as a placclcss clot in global flols But rrrr
tlris short lisit I sarv cvicl( rlcc 01 a rrcati\e turcl rcsisrant Lrcal alt
sccre. Il "gossiP a(.ts as indiecrn)Lrs arl histor\'," as Dtll)ai-bascd
I)Lrb:ri con(eri ol clis(r Lirrcl
'\t '\r't
Bono
NL
Dulrai s pcrlirmrur<r' niglrt. organizccl
lrl Rami lrrook
o1 llralfir'. Sharjah altist Nacla Dadas 'Spcrrh" might iravc
l;ccn rcsporxling to thc shennr ol lhc 2(lll llicrrrrial. \\'hatc|cr'
happt'nccl to lolc, Sharlehl'.. . ()h (lod I tlanr to smcll like tlc
LI,\1, arl sccnc... unclt r rour silll abavasrou srncll likt: ass. \bu
knorl ltat. shote it rrp yur ass. I'll gcr orrt ol'this tron-lov: citr'.'
'l
lt roung \\'omitn pcrlornled brtathlt'sslr', calmirrg hcr ncrvtrs
lith bcautilirl big smilts. ancl concludcd in a lhispt:r'. "II mv
lathcr kncr I
rr as
hcrc hc d kill mcl"
Onc cvcnine. rr rurrlrlilg din imatLcd lhc clrinks terracc
-\ leclinat.Ju mr:ilah.
I
t
wrs
[g\ ptian sound
a(
artist Nlagcli tr{ostala
s
insiallation of ninc big. shirl\'incftrstrial mixcls churnine date
sr nqr ial ilgrcclicnt in er ervdar cooking iIr thc trr\lli. thc soLrnd
mikccl ilncl nrixccl. l ilc h:rrd-wo*ilri{ machircs v:cncd to speak
Lrp lbr thc hulclrccls ol-migranr \rorkcrs \\'ho kcpt thc art lair
running,
r'c1llar
ing theil discnr:t silent:e rvith thundcrous noise.
-\r't l)ubai liruscd on rhc practiccs and cc.nomi{ s of art
collccting. I his Iircus inrrrlvcd t:dut:.rtire r:()llc(:tols rvith tours
of local prilate coliections and lcatured a lccture b)' Georeina
.\darrr. rvlro covcrs lhc art nrarkct ldr rl\c l"ind1 :ial Tirrzs. lhc
lrn mrrrkct, Adarn said, \!as \\'orth Iilir billirxt dollars in 20ll
arcorcline to calculations publishcd by Clarc NIc-\ndrct on
r\rtnct.conl),,vct auction lrouscs ar-c as opaquc and inllationar!
as nrortglrge cr;mpanies in thc UriLed States.
'\dam adlocatt d
firr rrarsp;rrcnt,r and cautionrd that ccns{rrship is bad lbr thc
health of tht: art scurc shc clicl not sal rvhl. lnt ltl assurnc
b.calLsc ccnso_ship inhibits erperimentation ancl thus bad Ii)r
visual and nrt clia art at Art Dubai dillcrccl as Ur\li citizcns dillir
lionr nriglant tolkcrs. \\:hilc thc ilallcr,v ?l-t glitter-ed uncler'
thc chandt:lit rs ol
l\ I
adinat .lumt:irah, vnk:os
n
rt: projr:cttrl irt
a stinkv ph\!,(xxl r(rrstlucti(Jrl called The Hatch. He|e shonc
blc.rklr'jLrst (nre ol thc works proglernmrrl b\ thc RabaL-bascd
colkrctivc 'I hc Curatorial l)clcgltion. rvhich plesented 1?a/rl /or
lisatnplr:
,\1.1
l)uhni LiJi i20),1),
r t,rmblillg
doc Lrme|rt of thc
s(:(r'ct tlLat Dub:ri lirels its conspicuous r:xccsscs
public
bl crploiting thc
l.orlcl's poorcst pcoplc rrigrant \\'orkcrs iiom Sri l,:rnka, Inclia,
Banslaclcsh. and soutlrt:r'n lran. i-Ihr: rt:st of thc progran rvas
rrissing ft;r sonrc rrirson.)'\lso in thc snrclly Hatch $'as Rrlll.dirr
a/ )i:ha BiLi 120101 b-r' -\lmagul \Icllilr:rrr:r'a, an Oricnralist
\\.ct clrc:Lm sct al thc t\vc1lth-.enrury rrausoleunr ,\isha Bibi,
handsornell sheathcd il baskctleave tilcs, :rl)oLrl rrhich beautilul
Kazakh lornen dlilt, clohg dlam:rtic thirrgs rvith r:rrormous
the rnarkct.
s\\aths oflal)ric.
Thc lair includcd man\,\()rks that srnthesized conccptual art,
abstrarti(nl, and Isl,unic aesthclics lbr pleasilrg alld salcablc
lesults. I u'ould gladlv lralc slrcllcd out lor Iralian artist Hirclich
Pelhaps the nrost haurrring atd bcautilirll,v installccl rnoving'
inragc rork \\'ls thc vidco inst:rllation i\ l,(ltcl Can Alulvs
l{r:ach lLs 1)t'stilation" bl l,ebancsc artists.loarla Hacljirhomas
:rnd KhalilJorcigc, olc ol this vcar"s ,\Ll aaj Capital ,\rt Prizc
Sh;LEc's 10000 Pagu
ol tcn
thousaDCl
i20lll,
a hanclsonrc six lbot circlc composr<1
rolled lrttcrs at (,;alcric Kashya Hildclrrancl,
or lil Aclccla Sulem:rn s eleamins eieht-fbot llo,ral 120121 ma.lc
ol stainlcss str:cl drail covcrs, la)crccl likc llsh scalcs, at;\icrrn
Galicrr,, bacl I the monel ard spau:. '\t I'aradisr: Rtxr' (}allerr,
NlouDir l'atmis 7etha.'lr.'gia i20l'01,:r cle',r-r viclco olrotating ol1:
cerlrered clisks spcllirrg out pious phrascs in ;\r'abic nirrirked
NI:rrccl l)uch arrp's .1ncnil (iiLona ll!1261. lrr Nazgol Ansarinias
''l{eflet tiorrs/Rcfi:rctions" scrics i20I Il, thc afiist colhsccl articlcs
lrrrrrr Ilanian ntrlspapcrs t,-llzIan)ahu Ilhtn\ 0l iJlnttt ,\latu\ thr\;hl(
Reltinl (ih:d
Doorj
Bottkruptgt.Ilasnt -\htbarak's \econrl fiial Sertion
irrto cornpler but lcgiblc ecomelric p21ttcr1ls. T:r1siIRatllijis photrr
series 'Irathers" t20061shols Palcstinian sllrps irr l,hich pictures
of larrill patriarchs (as rr,cll as Yrsrer ,\ral:l1l preside o\ cr l1eat
rows ol roilel pap(:r anrl kitchen irems. The gaze ol the dcccasccl
man upon the sm:rll shop th:rt pror,iclcs his childrcD's livclihrxrd
givcs a susc ol both contiDuitv and liagilitv.
Nl()st people, ol' coursc, can't alldrd thc rr,olk ior- sale al Art
Dubai. As x pcrlb.rrance) ariist lsak Ilerlrit:, rvlro teat:hes at
thc Univcrsitv ol Sharjah, pulled together'len people willing to
chip in drrce hrurdlecl dollals cach totard:r collcctivc purchase.
One rvom:rn suggcstcd H?rig r\ilazian s delicate uatelcol,rr of
:1 tcrrorist atta(:k o]r BLrrj Khalila: "It's rvithin our buclr{]t arld
lairl1 portablc."
rrirrcls. Hcrc, a lorv
o1-
lil!-size Irumar ligLu-er I|rats in
fllliDrarcl), nronalchl is not the threat to;rrt that the mark(:t is.
,\skccl to cliscuss thc rolc ol art ir tlrt: rraku o[ Tahri| Squa|e
lbr " l he Nlediurr ofNIedia." \Villiam \\'clls tolcl al;t;ut opclilg
the venerable lbrlnhousc Cia11cry cluling lhc (jair-o prolests to
Lost u'orkshops, periiumanl:s, :urtl publicirtions. Negar '\z;mi,
rxliur ot Ruloun, ajoLrrnal ol(lntcnpolaly \{idcllc liastcrn irrt,
poirted out that rhc ltg)?tian Nlinistr',v o1'Culturt: hacl alrcady
co optcd rc\olu1i()n:rrv
arl, and arlisl Huda Lutfi
shoucd
pou,crlll t:xampies of (-lairo grafliti. r\ll agrccd graveh that it is
inportant to docurncnr this $rrk 1)ul not r'()mm.rdif it, to resist
thc sccmingl,v inex()r:rblc dr:n-rand lor levolutionar,v art.
is (oo soon aftcr Tahrir Square to make art: an indisputablt:
conscisus. But thc next da\, Bcrbic sholred a small audience his
ti<|tr'l'fu Rallfu lir Pelrn i20 i 1l- Hc hacl re coldccl thc Cairo protcsts
off his l\: ancl cditcd thc lo-fl results into a Lheatrit:al barrlt:
It
Abu Shaqra lionl Beirut's
C,;aleric Janinr: Rulrr:iz. ard Ranu
\lukhcric(: llonl San Francisco-based Frcl \orris. But g-cncralll,
ev/ ot A Letter can Always Reach ts Dest n.t on (2o12) by
Joana Ha.ll thomas and Kh. lJore ge co!rtesy Abraar Cap t. Art Fr ze
rnsta .tro. v
al
3
lionr
C)
thc chari(rt race scenc in 3rn.{ar: This work, casting protcstors
ancl policc as gladiators. rvas so clisrespectlirl it took mv breath
awa\'. I rcalized that B{rrl}i('s meclium is sllock, uhich he sculpts
likc a plastir material. Prcltv soon somc r-ishtcous, conscnsus-
E
sccnc, rr,hosc soundtrar:k of grunts and rvhooshes he lil'ted
'l he l:ril tricd to encouragc potcntial collcctors ofmoline-inrage
meclia. Culator Chanlal (lrousel led a rour called 'l,n irlg \\ ith
Vidco' fr:atuting uorks lry Hassiur Khal. Nftrna Hirtoun, and
othels. Gall(:ries exhibitecl r'idcos:rs morine p:rinlinss that can
:rlso bc stillcclt, as in thc irninrations ol Nlazcn Kclbaj ancl Shirilr
a
t\!o broad, r'anslucent screensl onc
matt'lializcs closer ro thc !i(\\d exd bcgirls to spcak.'I hcsc arc
actols rvho rclatc l ith cligrit-r' tlrt' plr:as ol trnail scanrrrrr:rs lrom
prx;r countries likc Liberia, Haiti, and l hailand. -lhc artists
(real lhese slori{ s as lmthlirl lictions thar iDdcx actual sul}aring
ancl crcali\ c imaginalior.
clar-kcnccl r'rxrrll, Projuct( d r)n
lornred polirical art is going to cornc oul ol 'l'ahrir Scluarc and
slro\\'up at art vcrrurs around thc ur;rld. But I doulrt fhe Raule Jil
1'rlrzr
rvill evel lx:
lil
sale.
LAURA U. MARKS,
d.,/ hoLu
ritotitt in Ihntottrr.
(;anatta.
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at
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