Kamala Visweswaran “Betrayal: An Analysis in Three Acts” Doing feminist research • Assumption of alliance between feminist researcher and her female subjects • Production of knowledge is situated and relational • A less authoritative account/a partial account—not a choice, but a necessity • Agency as performance • Identity as constructed and staged Gender and Indian nationalism • The family: contained, arena of silence • Family as metaphor of the nation • The limits of the archive • • • • Uma’s silence: around her child marriage “Don’t tell her I told you so” Janaki’s marriage: a secret Tangam’s interception, in English: “she only wants to understand” • (anthropologist as agent of betrayals among women) • Self-staging and self-fashioning Tools of feminist ethnography • Shifting identities– identities as multiple, contradictory, partial and strategic; conflicting social and linguistic forces • Temporality—contingency of speech: when is something said • Silence: as a marker of women’s agency; silence as resistance (Uma and Janaki’s refusals to speak of their child marriage; Janaki’s refusal to be slotted as spinster or widow) • By disavowing identification as child widows, U and J give shape to their agency Women’s agency • Based in relation to the non-agent • Class differences