I. ASCRC General Education Form (revised 9/15/09) Use to propose new general education courses (except writing courses), to change existing gen ed courses and to remove designations for existing gen ed courses. Note: One-time-only general education designation may be requested for experimental courses (X91-previously X95), granted only for the semester taught. A NEW request must be submitted for the course to receive subsequent general education status. Group III. Language VII: Social Sciences (submit III Exception: Symbolic Systems * VIII: Ethics & Human Values separate forms X IV: Expressive Arts IX: American & European if requesting V: Literary & Artistic Studies X: Indigenous & Global more than one VI: Historical & Cultural Studies XI: Natural Sciences general w/ lab w/out lab education group *Courses proposed for this designation must be standing requirements of designation) majors that qualify for exceptions to the modern and classical language requirement Dept/Program School of Theatre & Dance Course # U DANC 118A Course Title Dance Forms: Tap Prerequisite Credits 2 II. Endorsement/Approvals Complete the form and obtain signatures before submitting to Faculty Senate Office Please type / print name Signature Michele Antonioli x2875 michele.antonioli@umontana.edu Program Chair Mark Dean x2879 Dean Dr. Stephen Kalm x4970 III. Type of request New One-time Only X Instructor Phone / Email Change Remove Date Reason for Gen Ed inclusion, change or deletion Tap dance has been previously taught as a special topic course. DRAM 108A: Dance Forms I was proposed and approved as a general-education, lower-division course that allows instructors to offer differing styles of dance, one of which was to be tap. We now wish to offer a number of such styles as their own courses under the Dance Forms classification to signify each course’s unique world dance form. As a result of our proposed MUS Transfer Initiative common-course numbering changes, we wish to split the old DAN U 108A: Dance Forms I course into three individual courses that mach our proposed numbering system which will now accommodate more course numbers and group like types of courses together. DANC 118A: Dance Forms: Tap will now fit in the DANC X15-X19 area for courses in Jazz/Tap Dance. Description of change IV. Description and purpose of new general education course: General Education courses must be introductory and foundational within the offering department or within the General Education Group. They must emphasize breadth, context, and connectedness; and relate course content to students’ future lives: See Preamble: http://www.umt.edu/facultysenate/gened/GEPreamble_final.htm Dance Forms: Tap is a dance technique class that teaches specific styles of tap dance technique. It is a studio course that meets each criterion for the Expressive Arts Perspective. Students learn technique in the dance style and apply these techniques and processes in the learning of dance phrases and combinations. Students incorporate movement structures through learning dance language and terminology for purposes of conveying meaning through dance. All technique students are required to attend dance performances and write a critique that reflects upon and critically assesses the merits of others’ work. These same assessment processes are used in class to reflect upon their own work and the work of peers. The technique class allows students to perceive and articulate the relevance of artistic expression in human experience. V. Criteria: Briefly explain how this course meets the criteria for the group. See: http://www.umt.edu/facultysenate/ASCRCx/Adocuments/GE_Criteria5-1-08.htm 1. Courses guide students, whether in individual or group settings, to acquire foundational skills to engage in the creative process and/or in interpretive performance. 2. Through direct experience (for example, attendance and involvement with live performance, exhibitions, workshops, and readings), students will engage in critical assessment of their own work and the work of others. Students physically experience dance kinesthetically. The mode of instruction includes attention to the following areas, which lead to technical formation of the dancer and familiarity with the dance language: alignment, centering, balance work; basic locomotion, basic axial movement-flexion, extension, rotation; elevationtechniques, rhythmic awareness; basic positions of the arms and feet; simple turns with and without spotting; flexibility and strengthening exercises; use of breath and vocalization. Students reflect on and critically assess the merits of their work in three main ways: 1. Students are required to attend three dance concerts during a semester of dance technique. They are encouraged to voluntarily see all available dance performances. The instructor requires a written critique for these performances. Guidelines are distributed prior to the concert. Students must write a critique referring to specific examples, so it is recommended that they take notes either during or after the concerts. 2. Students are required to perform their own original compositions. Professors conduct class discussion where students are held responsible for the critique of their own work and the creations of their peers. 3. A Dance Program critique of the Dance Showcase is held every semester with outside critics invited to share their reflections on the merits of the choreography. Choreographers are required to attend and dancers are highly encouraged to attend. The critique generally lasts two hours and is held the week following the production. VI. Student Learning Goals: Briefly explain how this course will meet the applicable learning goals. See: http://www.umt.edu/facultysenate/ASCRCx/Adocuments/GE_Criteria5-1-08.htm Using the movement vocabulary learned (alignment, centering, balance work; basic locomotion, basic axial movement-flexion, extension, rotation; elevation-techniques, rhythmic awareness; basic positions of the arms and feet; simple turns with and without spotting; flexibility and strengthening exercises; use of breath and vocalization), students are able to express themselves using the fundamentals of tap dance. 2. Upon completion of this perspective, students Through attending performances of local will be able to understand the genres and/or companies and national/international forms that have shaped the medium. professional companies, and through viewing dance works on video/DVD, students will understand and differentiate between different dance genres and the major forms that have shaped the medium of dance. 3. Upon completion of this perspective, students The dance program values critique as part of the will be able to critique the quality of their own learning goals of all dance students. All students work and that of others. who study tap dance are required to attend concerts and write critiques about the quality of the work they are seeing. In addition, students are involved in class critiques where they critique their own work and the work of their peers. Students also participate in a Formal Critique conducted by a guest critic from the Missoula community. VII. Justification: Normally, general education courses will not carry pre-requisites, will carry at least 3 credits, and will be numbered at the 100-200 level. If the course has more than one pre-requisite, carries fewer than three credits, or is upper division (numbered above the 200 level), provide rationale for exception(s). We respectfully request an exception for this two-credit class. The requirements for the course, while physically rigorous, equal the number of hours required for two credits, as many of our other 100-level Group IV dance courses do. Rather than increase the credits and thus the course requirements, we feel the two-credit designation is sensible and reasonable. VIII. Syllabus: Paste syllabus below or attach and send digital copy with form. The syllabus should clearly describe how the above criteria are satisfied. For assistance on syllabus preparation see: http://teaching.berkeley.edu/bgd/syllabus.html 1. Upon completion of this perspective, students will be able to express themselves in the making of an original work or creative performance. DANCE FORMS: TAP DANC 118A, 2 cr. MW 4:10-5:00 MCGILL 121 INSTRUCTOR: LINDA MURPHY Email: 4mtmurphy@msn.com Phone: 370-9979 Course Description: This class is an introduction to tap dance technique, focusing on developing strength, coordination, technical facility and musicality. Course Objectives: To participate in technical training to introduce the technique and tradition of an American art form: tap dance. - To familiarize students with basic tap vocabulary - To increase the students comprehension of musicality - To develop in the student an understanding of dance as a means of human expression Course Content: Objectives will be fulfilled through the following means: - The introduction and building of tap vocabulary - A series of short tap combinations - Learning traditional dances such as time steps and/or shim-sham - A 2-page mid-term paper on a tap dancer (list of dancers will be provided for you to choose from) - A final performance test of tap vocabulary learned in class !!Attendance Policy!! The majority of the learning in this class is experiential and it is therefore difficult to make-up the information taught in class. Make it a priority to attend class, be on time or early and practice what you have learned in class on your own time. You are allowed three absences. Your grade will drop incrementally for each absence thereafter (A to A-, A- to B+, etc.). If you are more than 10 minutes late, or leave class 10 minutes early you will be counted absent. If you are injured or ill (but not contagious), you may watch class and be counted as attending. Class make-ups are possible through special arrangement, at the discretion of the instructor. TAP SHOES ARE REQUIRED FOR THIS CLASS!! THEY ARE THE EQUIVALENT OF A TEXTBOOK. YOUR GRADE WILL BE LOWERED IF YOU DO NOT HAVE TAP SHOES! Grading Criteria: Your grade will be based on: - Your attendance - The quality of your participation in class (effort) - The level at which you perform the material presented - Your attitude and commitment to the work - Your growth throughout the course Your attendance, initiative, enthusiasm and willingness to explore unfamiliar ground will go a long way in the determination of your final grade. The class final will be a Performance Test, which will include the basic tap vocabulary and/or a short dance. The letter grade of “A” will be issued to students whose performance in the above areas is deemed by the instructor to be Excellent. The letter grade of “B” will be issued to students whose performance in the above areas is deemed by the instructor to be Good. The letter grade of “C” will be issued to students whose performance in the above areas is deemed by the instructor to be Satisfactory. The letter grade of “D” will be issued to students whose performance in the above areas is deemed by the instructor to be Less Than Satisfactory. The letter grade of “F” will be issued to students whose performance in the above areas is deemed by the instructor to be Unacceptable. Plus and minus grades may be included in the assigning of student grades. You will always be evaluated on individual growth and execution of assignments. REMEMBER: Your attendance, initiative, enthusiasm and willingness to explore unfamiliar ground will go a long way in the determination of your final grade. The instructor may change the syllabus for this course at any time during the semester. All students must practice academic honesty. Academic misconduct is subject to an academic penalty by the course instructor and/or a disciplinary sanction by the University. All students need to be familiar with the Student Conduct Code. The Code is available for review online at http://www.umt.edu/SA/vpsa/index.cfm/page/1339 Please note: Approved general education changes will take effect next fall. General education instructors will be expected to provide sample assessment items and corresponding responses to the Assessment Advisory Committee.