SC390:MakingPopularCulture BostonCollege Fall2011 TuesdaysandThursdays,9‐10:15am(Carney204) Instructor:DanielleHedegard Email:hedegard@u.arizona.edu(willbeupdatedtoBCaddresslater!) Office:McGuinnHall,Rm409 OfficeHours:Tuesdays11am–12:30pm,orsetupbyemail(*seenotebelow) CourseWebsite:onBlackboard CourseDescription:Thiscourseexplorespopulargoods,television,movies,music, dance,art,sports,festivals,andholidaysfromasociologicalperspective.Whatisthe differencebetweenpopularcultureandhighculture?Wheredoespopularculturecome fromandwhatroledoesitplayinsociety?Whatdopeopledowithpopularculture? Howdoespopularcultureintersectwithrace,class,andgender?Theclasswillbe framedaroundthetheoreticaltraditionsofconflicttheory(howpopularculture influencesinequality)andsymbolicinteractionism(howpeopleconstructandinterpret popularculture).Studentswillanalyzeapopularcultureeventoftheirchoicethrougha fieldassignment. ContactingtheInstructor:Pleasecommunicatewithmeifyouhavequestions.If youemailmewithquestionsaboutthereadings,pleasebeasspecificaspossible. Pleasedonotemailsaying“Idon’tunderstand[nameofreading]reading.”Instead, rereadthearticleandthenemailmesaying,“I’mnotsurewhatthemainargument ofthisreadingis.Isit[insertyourthoughts]?”or“Idon’tunderstandhowthe articlesargumentthat[insertargument]relatestoconflicttheory?”Thesearejust examples,butbespecific. *OfficeHours:Iwillpostasignupsheetoutsideofmyoffice.Ifyouwanttomeet, pleasesignupinoneofthe15minutetimeslotslisted.Ifthesetimesdonotfityour schedule,pleaseemailmetosetupanalternativetime. RequiredTexts: 1.Griswold,Wendy.2008.CulturesandSocietiesinaChangingWorld,ThousandOaks: PineForge. 2.Grazian,David.2003.BlueChicago:TheSearchforAuthenticityinUrbanBluesClubs. Chicago:UniversityofChicagoPress. Allotherreadingsandvideoswillbeavailableonthecoursewebsite. 1 CourseRequirements: Discussion:Participationinvitaltothelearningprocess.Youarerequiredtoparticipate inanonlinediscussion,byrespondingtothequestionsposedbyyourclassmatesin theirarticlereviews.Youmustpostaresponsetoatleast2timesperweek.Further detailsforthisassignmentareattheendofthesyllabus.Yes,youcanalsomake discussionpostsaboutthosereadingsthatarenotreviewedbyyourclassmates. ArticleReview:Eachstudentwillberesponsibleforpreparinganoutlineandanalysis ofoneoftheclassreadingsandpostingitonlinethedayBEFOREthereadingis“due”to bereadinclass.Bepreparedtodiscussyourfindingswiththeclass.Furtherdetailsfor thisassignmentareattheendofthesyllabus. FieldActivity:Youwillcompleteyourownsociologicalanalysesofapopularculture ritualofyourchoice.Bepreparedtodiscussyourfindingswiththeclass.Furtherdetails areattheendofthesyllabus. Exam:Therewillbeoneshort‐answerexam. Grading: Exam 100pts ArticleAssignment 100pts DiscussionPosts(28*at4ptseach) 112pts FieldAssignment 100pts ‐‐‐‐‐‐‐ TOTAL 412pts [*Youmayposttothediscussionboardmoreoftenifyoulike,butIwillonlygivecreditfor28.] GradingScale Letter Letter Grade Percentage Grade Percentage A 100‐93% C 77‐72% A‐ 92‐90% C‐ 71‐70% B+ 89‐88% D+ 69‐68% B 87‐82% D 67‐62% B‐ 81‐80% D‐ 61‐60% C+ 79‐78% F 59‐0% 2 StudentswithDisabilities:Ifyoudeterminethatformal,disability‐related accommodationsarenecessary,itisveryimportantthatyouberegisteredwith DisabilityResourcesandnotifymeofyoureligibilityforreasonableaccommodations. Wecanthenplanhowbesttocoordinateyouraccommodations. AcademicHonesty:Studentsareexpectedtocomplywiththestandardsfor academicintegrityoutlinedintheBostonCollegeStudentGuide (http://www.bc.edu/schools/cas/polisci/integrity.html).Cheatingontests,quizzes, orexamswillresultinagradeof“0”forthetestinquestion.Plagiarized assignmentswillalsoreceiveagradeof“0.”Inthecaseofeithercheatingor plagiarism,Iamrequiredtocontactyouracademicdean. CoursePolicies: 1.Lateworkwillnotbeaccepted.Pleasedonotcontactmerequestingan extension. 2.Makeupwillnotbeallowedforanyactivities. 3.Examswillbeadministeredonlyonthescheduleddate. 4.Noextracreditwillbeassignedtomakeupformissedwork.Donotaskmefor extracredit.Exceptionstothesepolicieswillonlybemadeinthecaseofa DOCUMENTEDillnessorfamilyemergency.Ifyouhavealegitimateneed(amedical emergencyordeathinthefamily)foranextensionoralternateexamdate,youshould contactmebyemailassoonaspossibleandascanofyoudocumentation(adated hospitaladmittanceform)shouldbeattachedtotheemailwhenyoucontactme.I cannotgrantextensionsforstudentsthatdonotprovidedocumentationwithin2weeks oftheemergency. 5.Idonotnegotiategrades.IfyoufeelIhaveincorrectlygradedyourworkorhave notenteredyourpointscorrectly(ithappens),pleasecontactmewithyourconcernas soonaspossible.However,ifyoucontactmesimplytobargainforahighergradethan youhaveearnedintheclass,IWILLDEDUCTPOINTSfromyouroverallgrade. 6.Whencalculatingthefinalgrade,Iroundupiftothenearestwholepercentage. Forexample,ifyouhavean89.5,thiswillbecomea90%finalgrade.Again,pleasedo notaskmetoadjustyourgrades. 7.Ifyouhavealearningdisabilityandneedspecialaccommodations,youmust contactmeBEFOREtheassignmentorexaminquestion.Donotwaituntilanexam hasbeguntocontactmetorequestextratime. 8.Finally,awordoncheating.IstrictlyfollowtheBCcodeofacademicintegrity regardingcheatingandIwillreportanyviolation.Ifyoucopytextfromanysource (includingtheinternet),youwillreceiveazeroontheexamorassignment.Please 3 rememberthatrewordingsomeoneelse’sthoughtsmustalsobecitedasifyouwere quotingthatmaterial.Forexample,ifyouuseaninternetsourcethatreviewsacourse readingwithoutcitingtheinternetsource,youarepassingthatinformationoffasyour ownwork.Thisisplagiarismanditwillearnyouazeroontheassignment. CourseOutline Tu Sept Intro 6 Th Sept Thesociologicalperspectiveonculture 8 1.Griswold,Wendy.2008.“CulturalMeaning”inCulturesand SocietiesinaChangingWorld,ThousandOaks:PineForge,p.21‐52. Tu Sept Whatarepopularcultureand“high”culture? 13 Video:ByInvitationOnly(MardiGras) Th Sept 1.Veblen.“ConspicuousConsumption”inTheoryoftheLeisureClass. 15 2.Peterson,R.andR.Kern(1996).'ChangingHighbrowTaste:FromSnob toOmnivore.'AmericanSociologicalReview61(5):900‐907. Tu Sept 1.Gotham,Kevin.2007.“TheGreatestFreeShowonEarth,”inAuthentic 20 NewOrleans:Tourism,Culture,andRaceintheBigEasy.NewYork:New YorkUniversityPress,pp.169‐196. Th Sept SymbolicInteractionismandPopularCulture 22 1.Griswold,Wendy.2008.“CultureasaSocialCreation”inCulturesand SocietiesinaChangingWorld,ThousandOaks:PineForge,p.52‐77. 2.Becker,HowardS.1982.ArtWorlds(UCaliforniaPress),excerpt appearsinSpillman,Lyn(ed.)2002.CulturalSociology(Malden,MA: Blackwell),p.178‐88. Tu Sept 1.Geertz,Clifford.1973.“DeepPlay:NotesfromtheBalineseCockfight.” 27 InTheInterpretationofCulture:SelectedEssays.NewYork:BasicBooks. 2.“RitualandNarrativeintheSportSpectacular” Th Sept ConflictTheoryandPopularCulture 29 1.Griswold,Wendy.2008.“CultureandPower”inCulturesandSocieties 4 Tu Oct 4 Th Oct 6 Tu Oct 11 Th Oct 13 Tu Oct 18 Th Oct 20 Tu Oct 25 Th Oct 27 inaChangingWorld,ThousandOaks:PineForge,165‐181. 2.Adorno,TheodorandMaxHorkheimer.1944.“TheCultureIndustry: EnlightenmentasMassDeception”inTheConsumerSocietyReader (SchorandHolt,eds.)pp.3‐19. 1.ReelPower,CH1 Video:MickeyMouseMonopoly MassProduction 1.Griswold,Wendy.2008“TheProduction,Distribution,andReception ofCulture”inCulturesandSocietiesinaChangingWorld,ThousandOaks: PineForge,78‐106. 1.Ritzer,George.TheMcDonaldizationofSociety,Introductionand “Control”(chapter6). 1.Gamson,Joshua.1994.ClaimstoFame:CelebrityinContemporary America,Chapter3“Industrial‐StrengthCelebrity.” Reception Video:BarbieNation 1.Hunt,Darnell.1997. ScreeningtheLosAngeles‘Riots’:Race,Seeing,and Resistance(CambridgeUPress),CH7 GlobalizationandPopularCulture 1.Griswold,Wendy.2008.“CultureandConnections”inCulturesand SocietiesinaChangingWorld,ThousandOaks:PineForge,143‐163. 2.Watson,James.2006.“McDonald’sinHongKong:Consumerism, DietaryChange,andtheRiseofaChildren’sCulture”inReadingsfor Sociology,GarthMassey(ed),NewYork:Norton,152‐163. 1.Condry,I.(2006).Hip‐HopJapan:RapandthePathsofCultural Globalization.Durham,DukeUniversityPress.Chapter2. 2.Bruner,E.(2005).'TheMaasaiandtheLionKing:Authenticity, Nationalism,andGlobalizationinAfricanTourism'.CultureonTour: EthnographiesofTravel.Chicago,UniversityofChicagoPress:71‐100. 5 Tu Nov 1 Th Nov 3 Tu Nov 8 Th Nov 10 Nov 15 Tu Th Nov 17 Tu Nov 22 Th Nov 24 Nov 29 Tu Th Dec 1 Tu Dec 6 Gender,Sexuality,andPopularCulture Video:KillingUsSoftly3 1.Leblanc,L.(1999).Prettyinpunk:Girls'genderresistanceinaboys' subculture,RutgersUnivPr.Chapter5“"I'llSlaponMyLipstickandThen KickTheirAss":ConstructingFemininity.” 1.ChrysIngraham,WhiteWeddings:RomancingHeterosexualityin PopularCulture,Chapter3“RomancingtheClone.” Video:ToughGuise:Violence,Media,andtheCrisisinMasculinity RaceandPopularCulture Video:ReelBadArabs 1.Grazian,David.2003.BlueChicago:TheSearchforAuthenticityin UrbanBluesClubs.Chicago:UniversityofChicagoPress,Introductionand CH1 FIELDASSIGNMENTDUETODAY!–Bepreparedtoshareabrief descriptionwiththeclass! 1.Grazian,David.2003.BlueChicago:TheSearchforAuthenticityin UrbanBluesClubs.Chicago:UniversityofChicagoPress,CH2 NOCLASS PopularCultureandAuthenticity 1.Grazian,David.2003.BlueChicago:TheSearchforAuthenticityin UrbanBluesClubs.Chicago:UniversityofChicagoPress,CH4,5 1.Lu,S.andG.A.Fine(1995).'ThePresentationofEthnicAuthenticity: ChineseFoodasaSocialAccomplishment.'TheSociologicalQuarterly 36(3):535‐553. 2.Goldstein‐Gidoni,Ofra.2000.“TheProductionofTraditionandCulture intheJapaneseWeddingEnterprise.”Ethnos,65(1):33‐55. PopularCultureandNationalism 1.Wagner‐PacificiandBarrySchwartz.1991.“TheVietnamVeterans Memorial:CommemorationofaDifficultPast”inAmericanJournalof Sociology,97(2):376‐420. 6 Th Dec 8 Tu Dec 13 Dec ? 1.Miller,MarilynGrace.2004."TangoinBlackandWhite".RiseandFall oftheCosmicRace:TheCultofMestizajeinLatinAmerica.M.G.Miller. AustinUniversityofTexasPress,pp.79‐95. NOCLASS FINALEXAM 7 ARTICLEREVIEWGUIDELINES Provideasummaryofyourassignedreading,outliningitskeypoints.Makesureto explainwhattheARGUMENTofthearticleis.Alsoexplainhowthearticlerelatesto relevantsociologicalconceptsandtothetopicoftheweek(globalization,reception, etc).40points. Whatwere2thingsinthearticleyoufoundparticularlyinteresting?Why?40 points. Doyouagreewiththearticle’sargumentorperspective?Whyorwhynot?10 points. Whatare2questions(relatedtothereading)thatyouhavefortheclass?10points. PostyourarticlereviewonBlackboard.Bepreparedtodiscussyourfindingswith theclassthefollowingday! Youcanpostitearly,butitMUSTbepostedthedayBEFOREthedayitis assigned. 8 DISCUSSIONGUIDELINES Youarerequiredtoparticipateinanonlinediscussion,byrespondingtothequestions posedbyyourclassmatesintheirarticlereviews.Youmustpostaresponsetoatleast2 timesperweek,respondingtoarticlereviewquestions.Theseareworth4pointseach. Youmayposttothediscussionboardmoreoftenifyoulike,butIwillonlygivecredit for28.Bepreparedtodiscusswiththeclassthefollowingday. Thefollowingshouldbekeptinmindforresponses: Ensurethattheresponsesaddtothediscussionandarerelevanttothe questionspostedforthatweek. Pleasedonotjustdisagreeoragree,butclearlyandconciselyexplain yourargument. Pleaseuseexamplesfromtheassignedreadingsfortheweekandany otherrelevantmaterialsthatmayaddtothediscussion. Pleaseincludeexamplesfromyourexperienceorcurrenteventsto supportyouranswer(whenyoucan). GradingRubricforDiscussionposts Earned points 0 2 4 Criteria Agreeor Addstothe Meetsallofthe disagree; discussionbut abovecriteria 1or2sentences lacksseveralof responsesthat theabove mayberelated substantial tothetopic. criteria 9 FIELDASSIGNMENTGUIDELINES 1.Choosea"site"ofpopularculturewhichinterestsyou.Your"site"shouldbea physicalplaceofsocialinteraction,likeasportingevent,abar,atownmeeting,a particularstoreinashoppingmall,acountyfair,etc.Ifyouhavetroublefindinga siteorareunsureaboutyoursite,pleaseemailmetoconfer. 2.Preparea1.5‐2pageethnographicdescriptionofthesite.Thisdescriptionshould besimilarinstyleandcontenttothedescriptionoftheBalineseCockfightbyGeertz (whichIhaveplacedalinktoond2lintheintrosectionundercontents).Itshould describewhatindividualsandgroupsareinthesite,whattheyaredoing,howthey areorarenotinteracting,whatifanythingisthecentralfocusofthesite/activity, whatobjectsorritualsaremostimportantinthesiteandhowcanyoutellthisby observingthesite,andwheredoyoufitintothesite. 3.Prepareahalfpagereflectiononhowyoufeltinthesiteandwhatyouthinkofthe culturalactivity/site. 4.Prepareasociologicalanalysisofthesite,of2‐4pages.First,decidewhichofthe followingareMOSTimportantissuesinthesite:race,class,gender,consumption, globalization,authenticity,oranyotherconceptwereadaboutinclass.CHOOSE ONLY2TODISCUSSINTHEPAPER.Analyzethesitewiththesetwotheoriesor concepts.Youmustciteatleast2ofthecoursereadings…andusethemtoexplainor analyzeyoursite! 5.Formatthispaperin12‐point,doublespacedlines,TimesNewRomanfont.It shouldbeATLEAST4pageslong!Pleasesubmitin.docformat. 6.Submitacopyofyourfinalpaperbytheduedatelistedonthesyllabus.Youcan submitthepaperinclassorbyemail.Bepreparedtodiscussyourworkinclass! 10 VIDEOLINKS MickeyMouseMonopoly(wholevideoavailable) http://www.youtube.com/watch?v=TgxVvbai_nI ReelBadArabs(wholevideoavailable) http://www.youtube.com/watch?v=dWb7LoMtw9g KillingUsSoftly3(youcansearchyoutubeforothersectionsofthisvideoseries,all verygood): http://www.youtube.com/watch?v=lSTg_6N0G7w&playnext=1&list=PLA895ABE3B D3D40C2 ToughGuise:Violence,Media,andtheCrisisinMasculinity(wholefilmavailable): http://www.youtube.com/watch?v=79ijDA_1FVY 11