MARIST April 2016 March 2016 ISSUE #12 CENTER FOR MULTICULTURAL AFFAIRS QUARTERLY NEWSLETTER IN THIS ISSUE: STAFF: THE ART OF HULA ASIAN/PACFIC ISLANDERS RWANDA MON AFRIQUE SENIORS P. P. P. P. P. 1 2 3 4 6 Iris Ruiz-Grech Director Mary Canto Rice Assistant Director Karen Tomkins-Tinch Coordinator, International Student Programs Angel L. Arriaga Counselor/Tutor Coordinator Siraj Bah Counselor Cara Sebest Student Editor Cailin Byrne Student Media Assistant CONTACT: Center for Multicultural Affairs (CMA) Cannavino Library Suite 337 845.575.3204 multicultural@marist.edu Visit us on Facebook at Marist Center for Multicultural Affairs www.facebook.com/maristcollegecma THE ART OF HULA The swish of hand-dyed skirts, the rhythmic beat pounding through your bones, the sweet smell of lei drifting through the air. As a young Native Hawaiian woman, hula has always held a special place in my heart. Heading into my senior year at Marist, I have discovered that this graceful form of art is a mystery for many people. Hula is a traditional dance that is unique to the islands and people of Hawai‘i. Dancers use their bodies to represent different oli (chants) and mele (song). Here at Marist, most girls danced ballet when they were younger. Not me. Like most little girls in Hawai‘i, I danced hula. Going to practice every week and learning the synchronized dance moves was a right of passage. At first you forgot the movements and didn’t even know the meaning of rhythm. You wanted to be like the beautiful, elegant older women, whose hips swayed perfectly in time with the music. Eventually, it became second nature to bend your knees, point your feet in a 45-degree angle, and throw your hair in the classic hula bun. Dancing hula gave me another family, a community I could share my culture with. At baby parties, weddings or even days at the beach, some aunty or uncle would start playing a ukulele and it was guaranteed that someone knew the dance for that song. Having been banned by missionaries in the past, hula and the Hawaiian culture experienced a renaissance in the 1970s. Today, hula is found all over the world- from the coast of California to the cities of Japan. But no matter how far hula travels, Hawai‘i will always be home. I haven’t danced hula in years now, but it still reconnects me with my culture. Anytime I watch hula dancers on TV or hear Hawaiian music, I am that little girl again. The one who didn’t know how to put her hair in a bun and who was always braiding ti leaf in the car on the way to practice. I may not know all the right moves and I definitely don’t remember all of the complicated chants, but hula still holds a special place in my heart. As King David Kalākaua said, “Hula is the language of the heart, and therefore the heartbeat of the Hawaiian people.” By guest writer Leeana Batungbacal 1 MAY IS ASIAN AND PACIFIC ISLANDERS HERITAGE MONTH JASON MOMOA (1979-) ACTOR • Born in Honolulu, Hawai’i to Native Hawaiian father • Discovered by a fashion designer in 1998 and began a modeling career • In 1999, was cast in the TV show Baywatch Hawaii as series regular • He has gone on to act in other TV shows and films, most notably as Khal Drogo in Game of Thrones • Most recently he has portrayed Aquaman in the film Batman v Superman, Aquaman’s debut live action theatrical appearance PRINCESS KA’IULANI (1875-1899) HAWAIIAN ACTIVIST • Known as the last princess of the Kingdom of Hawai’i • Born to Princess Likelike and Scottish-born Archibald Scott Cleghorn • After the monarchy was overthrown in 1893, Ka’iulani traveled many times to US to advocate for the monarchy and the rights of her people • Met with President Cleveland a number of times about restoring her kingdom • Died tragically at the age of 23 from illness KAL PENN (1977-) ACTOR AND POLITICIAN • Born to Gujarati immigrants from India • His birth name is Kalpen Modi • Began career as an actor and is known for prominent roles in the TV show House MD as Dr. Kutner and Kumar in the Harold and Kumar film series • He quit acting and joined the Obama administration as the Associate Director of the White House Office of Public Engagement • He served as a liaison for Asian American and Pacific Islander Communities 2 EVENTS: RWANDAN GENOCIDE REMEMBERANCE On April 7th many members of the Marist community came together to recognize the unfaltering strength of Rwanda’s people after their devastating genocide against the Tutsi that took place in 1994. The commemoration was organized completely by students and sponsored by The Center of Multicultural Affairs and the United Nations Club. The organizers were either from Rwanda or had the opportunity to travel there through Marist. It was a threefold event with the purpose of remembering and honoring Rwanda, educating the audience about the country’s history and culture, and celebrating the great strides of progress the country has made since its times of struggle. Each of the student representatives spoke on behalf of one of the three segments. The commemoration began by first educating the audience about the genocide history and the events that led up to the devastation. This was followed by a moving moment of silence illuminated with candles held by every audience member. It was an emotional experience that brilliantly highlighted the unbreakable spirit of the Rwandan culture. The students explained the remarkable progress the country has made in terms of building unity, reconciling, and instituting equal rights. Today, Rwanda has made it apparent that it has no intentions of slowing down on its massive strides forward. We were able to see the country’s plans and goals for the year 2020, and they are well on their way. Rwanda now has one of the fastest growing economies in Africa, and its leaders plan to use their new successful infrastructure to develop their tourism industry and continue to develop their economy, while also preserving important cultural traditions and values. By Cara Sebest Look for our events on posters around campus, in your e-mail, in the Marist Portal, or by visiting our Facebook at: facebook.com/maristcollegecma COMMEMORATIVE DAYS: • • • • • • • • • • • • • • April 1 April 19 April 22 April 22 April 30 May 1 May 1 May 4 May 5 May 8 May 12 May 21 May 30 -April Fool’s Day -Mahavir Jayanti -Passover Begins -Earth Day -Passover Ends -International Labor Day -Orthodox Easter -Yom Hashoah (Holocaust Remembrance Day) -Cinco de Mayo -Mother’s Day -Independance Day (Israel) -Buddha Purnima (India) -Memorial Day COMING UP NEXT: • • • • • • • • • • June 1 June1 June 2 June 4 June 6 June 6 June 12 June 16 June 20 June 20-22 -Western Australia Day -Buddha Purnima (Buddha’s Birthday) -National Day (Italy) -Corpus Christi (Brazil) -Memorial Day (South Korea) -National Day (Sweden) -Russia Day -Youth Day (South Africa) -Midsummer’s Day (Sweden) -Dragon Boat Festival (China) 3 MON AFRIQUE April 15th marked the 6th annual Mon Afrique event. This was the largest Mon Afrique yet, and due to the increase in size and spirit, the event was moved to the Grey Gym in the McCann Center. The gym was transformed into a festive setting for the celebration. Mon Afrique first began by Marist 2014 graduate, Emilia Lartey. Lartey organized the event during her time at Marist until her senior year when it became her capping project. Shortly after, a campus wide committee was formed comprised of members of the Center for Multicultural Affairs, Student Activities, Student Affairs, Marist College Gospel Choir, and a student committee to continue the event. The current scale of Mon Afrique and the amount of love and care that continues to go into it would make Lartey proud. Mon Afrique is a celebration of the different cultures of Africa, and this year’s theme was “The Royal Dynasty.” The event consisted of a keynote speaker, dancing, poetry, music, fashion, and an abundance of traditional foods. The evening began with an introductory video of several Marist students sharing their thoughts on what it means to them to be African, a crucial part of the Mon Afrique experience. Bryanna Adams and Marist Student Body President, Timos Pietris, emceed the event and introduced Marist Executive Vice President, Geoffrey Brackett. In his welcome remarks, he recognized the hard work that was put into the event and explained what the night would bring. President Murray, an early supporter of the event, was traveling on college business, but sent remarks complimenting the growth and success of the event over the years. As the night progressed the audience was able to watch a musical performance by students Naya Onyiuke and Gabriel Odidson, who wrote an original song celebrating Africa. Keynote speaker, Ofo Ezeugwu, also came to speak about his growth as a person and a businessman. He is the CEO and Cofounder of Whose Your Landlord, a company dedicated to sharing peer reviews about landlords in order to ensure a customer’s satisfaction with pricing, safety, responsiveness, etc. His personal mantra is to “Live at the top of your confidence.” This motto has carried him through all of his successes. He stressed the importance of passing this information down to all students during this time in our lives. A Rwandan cultural dance was then performed, followed a performance by the Marist College Gospel Choir under the direction of David Burns. They sung several different songs that allowed the audience to get up, dance, and feel the energy in the room. There was an intermission for an assortment of delicious ethnic foods followed by some inspirational words from Ebi Olodiama. Ebi told an original fictional story about a young Nigerian girl who had always dreamed about coming to America. When she got here, she realized the country was not what she expected and felt overwhelmingly homesick. Her family reminded her of her dreams, and she began to realize that good things happen when you make them happen. Ebi’s tale was inspired by the real accounts of African international students and was a remarkable example of perseverance and bravery. Bryanna Adams then delivered an original poem entitled Our Story. The piece placed importance on recognizing the true meaning of African culture in the past, present, and future. Mon Afrique came to a close with a slow and rhythmic performance by the Royalty Dancers and a fashion show of opulent traditional garments. Cornelius Krapah, a leader of the Mon Afrique student committee, delivered the final words of thanks and concluded another successful year of Mon Afrique. It was clear that everyone, regardless of their heritage, left the event with a greater sense of cultural connection and awareness. Mon Afrique has a very unique way of bringing audiences together and promoting the importance of cultural tradition in the Marist community and far beyond. Congratulations on another fun and informative year of Mon Afrique! By Cara Sebest 4 MON AFRIQUE All pictures taken by Kibria Biswas 5 SENIORS International Seniors: Basel Labib Ghaleb Alnashashibi (Jordan): Digital Media Major, Computer Science and Studio Art Minors Fredik Bjerke (Norway): Business Administration/Finance major Tudor R Brata (Romania): Business Administration/International Business Major Parikshit Das (India): Media Studies and Production/Film and Television Major Julien T Hochner (Japan): Business Administration/Finance Major, Global Studies and Psychology Minors Richard Horn (Germany): Business Administration/Finance Major, Global Studies and Psychology Minors Yu Jiang (China): Fashion Merchandising/Fashion Business Major, Business Minor Hao Li (China): Fashion Merchandising/Fashion Business Major, Business Minor Mengyuan Li (China): Fashion Design Major Ngone Lo (Senegal): Applied Mathmatics Major Aleksandra R Simeonova (Bulgaria): English/Writing Major, Paralegal Certificate Ariana Vassilopoulou (Cyprus): Communication/Public Relations Major Huliang Xu (China): Business Administration/International Business Major HEOP Seniors: Jaquan Arzu: Political Science Major, Public Affairs Minor Mina Chen: Business Administration/Marketing Major Francisco Cruz: Psychology Major, Spanish Minor Majay Donzo: Criminal Justice and Psychology Double Major, Political Science Minor Eury Fabian: Media Studies/Film and Television and Spanish Double Major, Latin American/Caribbean Studies Minor Deion Hicks: Criminal Justice Major, Psychology Minor Kaitlyn Jobe: Biomedical Science Major, Psychology Minor Kelsey Kotzur: Fashion Merchandising/Fashion Business Major, Psychology Minor Ivanna Lahoz: Psychology Major, Social Work and Spanish Minors Amber McComb: Communication/Public Relations and Sports Communication Major Orlanie Peña: Fashion Merchandising/Product Development Major Savanna Staccio: Fine Arts/Studio Art Major, Communication Minor Joseph Thompson: Information Technology and Systems/Technology Major Alexis Watson: English/Writing Major, Philosophy and Psychology Minors, Paralegal Certificate Christopher Zillig: Criminal Justice Major, Psychology Minor 6 SENIORS AEP Seniors: Yumiko Chavez-Cortes: English/Writing Major, Philosophy Minor, Paralegal Certificate Maasai Ephriam: Business Adminstration/Marketing Major, Global Studies Minor Donovan Johnson: Business Administration/Marketing Major, Economics Minor Andre Nettles: Criminal Justice Major Andrew Nettles: Criminal Justice Major Soribel Nuñez: Criminal Justice and Spanish Double Majors, Psychology and Latin American/Caribbean Studies Minors 7 For further information: Contact the Marist College Center for Multicultural Affairs E-mail: multicultural@marist.edu Facebook: www.facebook.com/maristcollegecma Instagram: @maristcma Phone: (845) 575 3204 Fax: (845) 575 3195 www.marist.edu/academics/multicultural Marist College Center for Multicultural Affairs (CMA) A Division of Student Academic Affairs Cannavino Library Suite 337 Poughkeepsie, NY 12601-1387