notes on creativity & learning frieder nake

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notes
on creativity
& learning
frieder nake
computing science | university of bremen
digital media | university of the arts bremen
L3D
cr
ea
tiv
ity
&
lea
rn
in
g
life long learning
& design
cr
ea
tiv
ity
&
lea
rn
in
g
what can you use a brick for?
tiv
ity
&
lea
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in
g
stabilize a row of books
stop a door
(when heated up) warm your bed
(when hollowed out) use as an ashtray
throw against an enemy
… etc …
cr
ea
erect a wall
build a fireplace
construct a curb
\
magine a man
in the middle of a large office space,
with nobody else being there.
He is looking around …
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ity
&
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… continue!
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tiv
ity
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“… It is 6:30 in the morning. The same thing as every morning.
Will my boss finally realize how hard-working I am, Bob thinks.
Will I finally get the pay raise? Only think of all my overtime work!
But the problem is that Bob has been doing this for three years in a row,
without his boss ever indicating the faintest willingness for action.
He will, most likely, enter the office in a good mood at 9 a.m.
He will not realize that Bob has been working for three hours already.
Bob will not get the pay raise.”
cr
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“… This man
has just broken into the headquarter offices of the new cornflakes company.
He is spying for the competing company:
How do these newcomers create those soft and wobbly flakes?
After having checked most shelves, desks and drawers,
the spy suddenly bumps into a document looking as if it would contain
the secret formula.
He hastily flips through pages, decides this must the formula,
rapidly copies it and leaves the next moment.
His feelings are the pride of success. –
Except for the small mistake he committed when copying the formula.
It lead, regretfully, to his company’s total destruction in a great blast.”
we can tell the state of a cultural epoch
from its most cherished and celebrated terms
tiv
ity
&
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in
g
humanitarianism
enlightenment
progress
cr
ea
the modern age:
we can tell the state of a cultural epoch
from its most cherished and celebrated terms
tiv
ity
&
lea
rn
in
g
creativity
information
communication
globalization
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ea
our times
= postmodern times:
the intelligent
does what she is expected to do
cr
ea
tiv
ity
&
lea
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in
g
the creative
does what she wants to do
ity
tiv
cr
ea
&
g
in
rn
lea
as
to
n
at
io
sit
u
&
en
vir
on
qu
ali
ty
m
en
t
te
ris
tic
ra
c
ha
na
lc
so
er
ap
tiv
e
as
re
la
being capable of creative action
ity
tiv
cr
ea
&
g
in
rn
lea
lib
or e
th ra
od lis
ox m
y
ex
is
an te
ar nt
ch ial
is ism
m
cr
ea
tiv
ity
&
lea
rn
in
g
creativity –
not easy to define
»potential relative to a field of action«
creativity is an expectation or an after-effect
we ascribe the attribute “creative”
to a person’s action and its result:
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before we actually know, or after the fact
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tiv
ity
&
lea
rn
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g
designer engineer
artist scientist
“jeder ist ein künstler”
(everyone is an artist)
cr
ea
tiv
ity
&
lea
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joseph beuys
expansion of art
the work of our hands
the labor of our bodies
cr
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tiv
ity
&
lea
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in
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hannah arendt
the human condition
“wir konstruieren und konstruieren,
und doch ist intuition immer noch eine gute sache.” paul klee, 1928
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we construct and construct,
and yet intuition remains a great fact
… talent?
… skill?
… method?
… tool?
tiv
ity
&
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… attitude!
cr
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being capable of creative action …
tiv
ity
&
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in
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construction
intuition
cr
ea
creativity
creation
creative
we have explicit access to construction:
study and learn
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tiv
ity
&
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g
we have implicit access to intuition:
feel and experience
ow
t
rn
in
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cre
ob
ativ
eco
e.
m
e
mo
re p
rod
uct
ive
.
lea
nh
to b
e
mo
re
&
ay l
ear
how
ity
we
m
arn
tiv
nno
t le
cr
ea
we
ca
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