Centre Number
Candidate
Number
Candidate Name
CAMBRIDGE INTERNATIONAL EXAMINATIONS
General Certificate of Education Ordinary Level
6020/2
MUSIC
PAPER 2 Melody, Harmony and Analysis
OCTOBER/NOVEMBER SESSION 2002
1 hour 15 minutes
Candidates answer on the question paper.
Additional materials:
Manuscript paper (2 sheets)
TIME
1 hour 15 minutes
INSTRUCTIONS TO CANDIDATES
Write your name, Centre number and candidate number in the spaces at the top of this page.
Answer all questions.
Write your answers in the spaces provided on the question paper.
INFORMATION FOR CANDIDATES
The number of marks is given in brackets [ ] at the end of each question or part question.
Music paper is provided for rough work.
FOR EXAMINER’S USE
1
2
3
TOTAL
This question paper consists of 7 printed pages and 1 blank page.
SP (AT) S32062
© CIE 2002
[Turn over
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2
1
(a) MELODY WRITING
Either
&
Compose a melody using the four pitches given below as the opening. Specify the
instrument for which you are writing (the given pitches may be transposed, if you
wish), and do not forget to add marks of tempo, articulation, phrasing and
dynamics.
[25]
œ #œ œ #œ
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3
(b) WORD SETTING
Or
Compose a setting for unaccompanied voice of the words given below. Specify the
type of voice for which you are writing, and do not forget to add appropriate tempo,
phrasing and dynamic markings. Remember to position each syllable under the
note(s) to which it is to be sung.
Once in a night as black as pitch
Isabel met a wicked old witch.
The witch’s face was cross and wrinkled,
The witch’s gums with teeth were sprinkled.
(Ogden Nash)
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[25]
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4
2
HARMONISATION
In the passage of four-part harmony below:
(a) Add a bass line and suitable chord symbols to indicate the harmony of phrase A;
(b) Add a suitable soprano line to complete the passage in four-part harmony at phrase B.
[25]
A
œ
œ
œ
c
œ
.
& œœ œ œ œ
œ œ œ œ œ œ œ œ.
˙
˙
œœ œ
˙
?c ˙
˙
˙
œ œ
˙
œ œ. œœ œ
˙
˙
B
œ
& œœ œœ . œ œœ œ
œœœœœ
˙
œ œœ
? ˙.
˙
œ˙ œ
˙
œ
œ œ
˙
œ œ œ œ
œ œ œ œ
œ #œ œ œ
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œ œ ˙
œ œ ˙
˙
˙
5
BLANK PAGE
Please turn over for
Question 3: Analysis
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6
3
ANALYSIS
Study the passage of music printed on pages 6 and 7 then answer the questions on page 8.
[25]
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7
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8
In the following questions, superscript numbers refer to quaver beats in each bar (i.e. 10 2 = the
second quaver beat of bar 10).
(a) In the boxes beneath bars 12-16 of the music, add suitable Roman numerals to indicate
the chords used at this point in the extract.
(The first box has been completed for you as an example.)
[13]
(b) On the score circle any three examples of appoggiaturas that occur in the melody from
[3]
bar 1 to bar 82.
(c) Name the cadence and the key at the points marked X and Y.
X:
Y:
Cadence:
..................................................
[1]
Key:
..................................................
[1]
Cadence:
..................................................
[1]
Key:
..................................................
[1]
(d) Give the number of one bar that contains a chromatic passing note.
Bar: ..................................................
[1]
(e) In the middle section of the piece (bar 17 to bar 24) the melody is transferred to the
left-hand part.
(i)
What is the harmonic function of the first note (E) in the left-hand part at bar 18?
...............................................................................................................................[2]
(ii)
What is the harmonic function of the third note (C sharp) in the left-hand part at
bar 18?
...............................................................................................................................[2]
Copyright Acknowledgements:
Question 1a
Question 1b
Question 2
Question 3
Music Publishers Association.
Poem by Ogden Nash.
Music Publishers Association.
Music Publishers Association.
Cambridge International Examinations has made every effort to trace copyright holders, but if we have inadvertently overlooked any we will be pleased
to make the necessary arrangements at the first opportunity.
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