Strategies of Modern and Contemporary Art

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Strategies of Modern and

Contemporary Art

Sound and Colour

• Alexandr Skriabin

• „Synaesthesia“

• Atonal and dissonant music system

• Theosophy

• „Mysterium“, 1915

Circle of Fifths

Sound and Colour

• Mondrian/ Kandinsky

– Art as a bridge to a clarity of vision

– http://swf.tubechop.com

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JZsoqs1A&start=2611&e nd=2711&cid=4886777

• František Kupka, Fugue in Two Colours, 1912

Zdeněk Pešánek

• kinetic art, neon lights, sound

• „Spectrophone“

• Light= modernity

1930´s:

Progress and

Optimism

Duchamp

• Machine seen with an irony:

The Large

Glass,

1923

• http://yout u.be/lmag

4vL7hnQ?t

=2m6s

1960: Self Destroying Machine

• Jean

Tinguely,

Homage to

New York: http://swf.tu

bechop.com/ tubechop.sw

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4

Rotozaza, 1967: Smashing-bottles machine

On occasion of the congress „Vision 67: Survival and Growth. Second World Congress on

Communication in a Changing World“, University of New York

1960: Experimental Art

• John Cage, Waterwalk, 1960: http://youtu.be/SSulycqZH-U

– The overcoming of subjectivity by introducing the principle of disinteressedness

• Merce Cunningham, Walk Around Time, 1968 (Large

Glass by Duchamp)

• RHYTMIC STRUCTURE – coexistence and independence of music and dance (India), chance operations (Yìjīng/ I Ching)

Further watching: http://youtu.be/ZNGpjXZovgk

1960´s: Experimental Art

• Marcel Duchamp: “when you have the independence between the music and the dance that we have, then the observer becomes the third point in a triangle; he completes the work and each triangle is a different triangle.”

Experimental Art

Lucio Fontana, White Manifesto, 1946:

"We want to go beyond painting, sculpture, poetry, music, we need an art that would be in greater harmony with the needs of the new spirit... The motionless pictures of yesterday no longer satisfy the longings of the new man, formed by the necessity of action and co-habitation with machinery, demanding a constant dynamic. The aesthetics of organic motion replace the aesthetic lassitude of rigid forms. In the name of this change, which has occurred in the character of man, and in the name of the spiritual and internal changes in all human relations and activities, we abandon the use of the familiar art forms and begin the development of the new art, consisting in the unity of time and space."

Experimental Art

Vladimír Boudník: Explosionalism

• http://www.artlist.cz/en/vladimir-boudnik-101681/

Experimental Art: Milan Grygar

• https://youtu.be/cth3xg jwBqs

• http://youtu.be/PRHHL

NiCJBg

Milan Grygar: Visual Scores

Milan Grygar: Antiphone

• Marc Rothko, Chapel, 1963- 1971

• http://swf.tubechop.com/tubechop.swf?vurl= xbS0Zn3vww&start=3234&end=3435&cid=4887334

Experimental Art

• Hugo Demartini, 1968

1968 Dissent

• Radical social agenda:

– students´ and workers´prostests

– Anti-Vietnam war protests

– Growth of feminism

• Avant-garde artists begun to challenge modernism (= male/ progress)

– Jasper Johns or Richard Hamilton

– Performance – Fluxus – Beuys

– Situationist International

1970s: Conceptualism

• Paintings no longer need to be necessarily coloured of be flat

• Sculptures do not necessarily have to be upright or to have volume

• Duchamp  anything can under certain conditions qualify as „art“

• Intention: to frustrate the market mechanism

• Confusion

• Deriving at some distance from dada - wanted

anonymous and

collective art http://swf.tubechop.com

/tubechop.swf?vurl=3JEx

6CDW6o&start=571&end=728&c id=4919607

• From the alternative theatre

• From the happenings movement of the 1960s

Performance

• Resists to be treated as commodity

Performance:

Joseph Beuys

• How to Explain Art to a Dead Hare ,

1965

• Art is not there to serve the intellect

• Art as a raising of creative powers and sharpening of senses

• Intuition

• To find the source of creativity in the self

• Everyone is an artist – a social designer of the future – antropological, human centered art concept

• Schiller – „artist“is the worthiest definition of a man

• The higest task of art is to connect the man with his higher self

• Social sculpture

• http://swf.tubechop.com/tubechop.swf?vu

rl=AFc1BeS0vKI&start=2700&end=2845&ci d=4887694 http://youtu.be/Mo47lqk_QH0

Marina Abramovic http://youtu.be/W8xzvUC

_qms?t=1h10m21s

• Magiciens de la Terre,

1989, Centre Pompidou,

Paris

– Nigthsea Crossing

Conjuction

• The Artist is Present, 2009

– http://youtu.be/W8xzvUC_ qms?t=27m31s

– http://youtu.be/W8xzvUC_ qms?t=44m10s

• Dematerialization, minimalism

– Gino De Dominicis,

Invisibility http://youtu.be/W8xzvUC_ qms?t=1h7m4s

– John Cage, 4m33s, unselfish concert of silence

Soviet Conceptualism and

Performance

• Collective Actions

– Andrei Monastyrsky

– Began to develop John

Cage´s ideas concerning the role of chance and randomness

– inspired by Samuel Beckett

– Ritualistic actions of enigmatic nature

The Third Variant, 1978 – lying in a ditch until the audience wandered away

Underground Art, 1979

Komar and Melamid, „Quotation“, 1972

Soviet Alternative: Apt Art

Yurii Albert, For Deaf Mutes (What Did the Artist Want to Say with It?), 1987, From the series Elitist-Democratic Art

• Appropriation

• Exhibitions in private appartments

• Outdoor events  denounced as anti-Soviet and pornographic

• Yurii Albert

Czech Collective Actions

• Order of Crusaders for Pure Humor Without Banter

• Eugen Brikcius – to blurr the border between art and life

• Zorka Ságlová, Hay- Straw,

1969

– Work as art

– Ritual of tossing hay

– Brought nature back to the people

• School of a Czech Grotesque

(Kroutvor)

• Home exhibitions, instantaneous shows

• Ságlová, Hommage to

Gustav Oberman, 1970

Yards 81

Vladimír Muzička,

Exhibition on a Heap

• Founding member of the Order of

Crusaders for Pure Humor Without

Banter

Great Dialogue

Karel

Nepraš

• Zdeněk Beran, Games with Cabbageheads,

Forum 88, Holešovice

Market

Performance

ideal x reality

Performance and Body Art

• Jiří Sozanský, Mater

Mortis, from the cycle „1984,

Orwell´s Year“

• https://youtu.be/ZtQO4Rk84Kg

?t=30s

• Member of punk group Už jsme doma since 1985

• U Vystřelenýho Voka – murals filled with desperates

• Figures in Betlehem dressed in home-sportswear

• Animal Farm – book cover

Martin Velíšek

Velíšek, You ,

Who Ski

• White Theatre

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