Université de Savoie UFR-LLSH LCE1 UE 103 Lecture: Phonetics & Phonology Alice Henderson ahend@univ-savoie.fr Office 812 1 Content of the 5 lectures 1) Introduction, Phonemes 2) Sounds in context, connected speech 3) Stress, accent & rhythm 4) Intonation 5) Conclusion 2 Outline, Lecture 4 3 Go over homework from Lectures 2 & 3 Stress, accent, pitch, tune Sentence emphasis & focus Chunking & pausing Intonation: Definition & basic tunes Functions Conclusion Bibliography Homework from Lectures 2 & 3 4 Elision in send, sent Likely/possible assimilation, elisions, linking Word stress rules Stress in compounds Elision in send, sent 5 Rules for elision of final /d/ and /t/ Likely/possible assimilation, elisions, linking 6 Types of assimilation: /d/, /t/, /n/ Linking: C+V, V+V, C+C Word Stress Rules 2-syllable words – – 3+-syllable words: 3 major categories – – – 7 Nouns & adjectives: usually on 1st syll. Verbs: often on 2nd syllable Stress on ending: -ee, -eer, -ese, -ette, -esque, ique Stress 1 syll. before ending: -ic, -ion, -ity, … Stress 2 sylls. before ending: -ate, -ize, -ary Stress in Compounds Stress in compound nouns Stress in 2-word verbs – – Separated: stress both Together: one stress is lost 8 Stress the adverb/preposition when it is at the end of a tone unit When a noun object follows, EITHER the verb or the adverb/preposition can be stressed, according to the rhythm Two-word verbs Separated: stress both You’re winding me up She shut the computer down 9 Two-word verbs Together: one stress is lost Stress the adverb/preposition when it is at the end of a tone unit – If you hope to break through – The plane’s about to take off! When a noun object follows, EITHER the verb or the adverb/preposition can be stressed, according to the rhythm She’s taken up stamp collecting – We’ve run out of bread – Turn up the heat * I’ve just put away my books // I’ve put away my books – 10 Outline, Lecture 4 11 Go over homework from Lectures 2 & 3 Stress, accent, pitch, tune Sentence emphasis & focus Chunking & pausing Intonation: Definition & basic tunes Functions Conclusion Bibliography Stress & Pitch Stress in English: a syllable is – – – 12 Longer Louder On a higher pitch Stress & Accent 13 Stress is not the same as accent Accent marks the beginning of a change in tune Regular rhythm in music: stress •••••••••••• // •••••••••••• 14 4 stresses per breath group Regular rhythm in music: accent • • • •••••••••• 15 5 stresses 2 accents • // •••••••••• Accent, Tune & Pitch 16 A change in tune involves a change in pitch Outline, Lecture 4 17 Go over homework from Lectures 2 & 3 Stress, accent, pitch, tune Sentence emphasis & focus Chunking & pausing Intonation: Definition & basic tunes Functions Conclusion Bibliography Sentence emphasis … 18 Stress content words: nouns, main verbs, negative auxiliaries, adverbs, adjectives Use weak forms for structure words: pronouns, prepositions, articles, ‘to be’ verbs, conjunctions, auxiliary verbs Tune & sentence emphasis 19 Tune change starts on one of the last content words …. usually. Speakers can choose which information to highlight by choosing where to start changing the tune Focus on last content word 20 What’s the matter? Where are you going? Put some milk in it. Could we go home? How have you been? Let’s have a look at it. Broad focus 21 I’ve lost my keys. My train leaves on Monday the fourth. She’s lost her bag. Narrow focus 22 End: We’re not ready! Middle: What’s happened in here?! Beginning: Here they are! Try it … 23 A: Are you from France? B: No, I’m from Sweden. A: How long have you been here? B: I’ve been here for a month. A: What are you studying? B: Physics. A: Do you find physics difficult? B: Yes, a little. Try it … 24 A: Are you from France? B: No, I’m from Sweden. A: How long have you been here? B: I’ve been here for a month. A: What are you studying? B: Physics. A: Do you find physics difficult? B: Yes, a little. Now try this one …. 25 A: Do you think the food here is expensive? B: Not really. A: Well, I think it’s expensive. B: That’s because you eat in restaurants. A: Where do you eat? B: I cook at home. A: I didn’t know you could cook?! B: Well, I can’t, so I just eat bread and cheese. A: That’s so unhealthy! B: No it isn’t. And I like bread and cheese. Answers: 26 A: Do you think the food here is expensive? B: Not really. A: Well, I think it’s expensive. B: That’s because you // eat in restaurants. A: Where do you eat? B: I cook at home. A: I didn’t know // that you could cook?! B: Well, I can’t, so I just eat bread and cheese. A: That’s so unhealthy! B: Maybe, // but I like bread and cheese. The Nucleus 27 Syllable where the tune begins to change (rise, fall) Look at the « green » words (accent) Exercises from the Web Web Tutorials at University College of London – 28 Focus Outline, Lecture 4 29 Go over homework from Lectures 2 & 3 Stress, accent, pitch, tune Sentence emphasis & focus Chunking & pausing Intonation: Definition & basic tunes Functions Conclusion Bibliography Chunking & Pausing 30 The power of silence …. Signals « chunks » of meaning Chunks = thought groups, meaning units Chunks= words which go together to express one idea or thought Pause + falling tune = end of a thought group in English Where do we pause? 31 Before conjunctions & prepositions Before relative clauses Between grammatical units (subject, predicate) At punctuation UCL Web tutorials: Chunking Try this … 32 A: Who’s coming to the party tonight? B: Tom. A: Just Tom? B: No, Tom and Matt. A: No one else? B: Well, Sue’s coming, too. A: Alone? B: No, with Anne. A: So, that’s Tom and Matt and Sue and Anne. Is that it? B: Oh, and Stella. On her own. A: So, that’s Tom and Matt and Sue and Anne and Stella. Answers: 33 A: Who’s coming to the party tonight? B: Tom. A: Just Tom? B: No, // Tom and Matt. A: No one else? B: Well, // Sue’s coming, too. A: Alone? B: No,// with Anne. A: So, // that’s Tom and Matt // and Sue and Anne. // Is that it? B: Oh, // and Stella. // On her own. A: So, // that’s Tom and Matt // and Sue and Anne // and Stella. Try this one … 34 1a)The man and the woman dressed in black came out of the cinema. 1b) The man, and the woman dressed in black, came out of the cinema. 2a) Alfred said, « The boss is stupid. » 2b) « Alfred, » said the boss, « is stupid . » 3a) If you finish, quickly leave the room. 3b) If you finish quickly, leave the room. 35 1a)The man and the woman dressed in black // came out of the cinema. 1b) The man,// and the woman dressed in black, // came out of the cinema. 2a) Alfred said, // « The boss is stupid. » 2b) « Alfred, » // said the boss, // « is stupid . » 3a) If you finish, // quickly leave the room. 3b) If you finish quickly,// leave the room. Outline, Lecture 4 36 Go over homework from Lectures 2 & 3 Stress, accent, pitch, tune Sentence emphasis & focus Chunking & pausing Intonation: Definition & basic tunes Functions Conclusion Bibliography What is it? Why do we use it? 37 Rise & fall in pitch To express a range of meanings, emotions or situations To add more meaning despite English’s fixed word order Basic Tunes French: predominantly (rising) English: predominantly (falling) English also uses: Fall-rise & rise-fall 38 Tunes on a single syllable 39 Yes, No Speaker’s choice: vary pitch or not How many different ways can you say them? How many different meanings can you communciate? Basic tunes (rising): Message is « Open » – Incomplete – Uncertain – (falling): Message is Closed – Final – Certain – 40 Tunes in questions Getting information Where do you live? Where are you from? What do you do for a living? Checking information – – – 41 « closed » messages, where you’re almost certain about the information « open » messages, where you’re not very sure asking for repetition Tunes in questions: « checking » closed messages 42 You’re not from around here, are you? Presumably you know Jill then? Is that the station over there? You don’t play tennis, do you? Tunes in questions: « checking » open messages 43 You like chocolate, don’t you? That’s her new boyfriend, isn’t it? You’ve been to London before, right? You’ve skied before, haven’t you? Tunes in questions: asking for repetition 44 A: How many people did you invite? B: Fifty. A: Fifty? B: Yes, fifty. Try these … 45 This train is for Leeds, York, Darlington and Durham. Can you give me a lift? // Possibly. Where to? No! Certainly not! Go away! Did you know he’d been convicted of drunken driving? // No! If I give him money he goes and spends it. He’s completely irresponsible. Answers: 46 This train is for Leeds, York, Darlington and Durham. Can you give me a lift? // Possibly. Where to? No! Certainly not! Go away! Did you know he’d been convicted of drunken driving? // No! If I give him money he goes and spends it. He’s completely irresponsible. Outline, Lecture 4 47 Go over homework from Lectures 2 & 3 Stress, accent, pitch, tune Sentence emphasis & focus Chunking & pausing Intonation: Definition & basic tunes Functions Conclusion Bibliography Functions of intonation 48 Focussing function: to draw attention to important information, a deliberate choice by the speaker Grammatical function: to distinguish grammatical categories of words and/or status of all or part of an utterance Attitudinal function: a powerful tool for communicating our emotions Focussing Function « accentual function » Meet S me at home S at five S A N 49 Contrastive Stress 50 I must find SOME I must FIND some I MUST find some I must find some Contrastive Stress 51 SOME= important to find at least a bit FIND= verb is important MUST= absolute necessity of finding I= me and nobody else Grammatical Function But often the grammar determines the placement of the nucleus – – – 52 Word classes Nouns & noun phrases (compounds) Syntactic distinctions Probably the least important function Other clues help the listener to decode meaning *Remember: English is extremely redundant Grammatical Function Word classes: Noun / Verb – – – – 53 IMport / imPORT DIScount / disCOUNT TAKE off / take OFF DROP out / drop OUT Grammatical Function Nouns & noun phrases (compounds) – – – – 54 GREENhouse / green HOUSE TALLboy/ tall BOY BLACKbird / black BIRD BIGhead / big HEAD Grammatical Function 55 Defining & non-defining relative clauses Adverbials Vocatives & apositives **NOT on the exam Attitudinal Function 56 Neutral vs offensive/nasty/grumpy Positive vs negative Polite vs impolite Surprise Implication **NOT on the exam Attitudinal Function Neutral vs offensive/nasty/grumpy – – Positive vs negative – – 57 This is my book / no it’s not, it’s mine Surprise – Shall we have dinner together then? Yes, fine Oh what a lovely gift Polite vs impolite – Would you like some help? No, thank you How many times do I have to tell you I hear they’ve had triplets Implication (extra meaning to words) – What do you think of her partner? / Great Conclusion 58 Stress, accent, pitch, tune Sentence emphasis, focus Chunking & pausing: where, why Basic tunes of English & their functions Bibliography 59 Rogerson & Gilbert, (1990), Speaking Clearly, Cambridge University Press. Roach, (1991), English Phonetics & Phonology, Cambridge University Press. Notes from « Summer Course in English Phonetics », University College London, Summer 2004.