LECTURE TEN THE RISE OF THE CITY URBANIZATION • From a rural nation to an urbanized nation • Westward Movement: urban movement, leads to new cities, San Francisco, Denver • New cities grow along the Transcontinental Railroad, Los Angeles in the 1980s • Urbanization in the South: Durham: tobacco production, Birmingham: iron making, Houston: cattle, oil industry FACTORS PROMOTING THE RISE OF THE CITY • American Industrial Revolution— concentration of industry • Transportation: rise of mass transport • Elevator, streetcar, automobile • Immigration • Cast iron structures THE PALACE OF THE CONSUMER • Shopping and buying become communal acts • Alexander Turney Stewart: founder of first dept. store • Cast iron framing: James Bogardus: exploits the advantages of new technology: lightness, adaptability, strength, openness • Other factors: glass, elevator THE DEPARTMENT STORE • Democratization of luxury—Zola • Any person can be a buyer • Fixed price policy instead of haggling, or seller and buyer agreeing on price • Customer joins a nationwide consumption community THE CLOTHING REVOLUTION • Ferenc Pulszky: in New York no characteristic costumes mark the grades in society (1852) • The invention of the sewing machine:war of the sewing machines: Elias Howe Jr. and Isaac Singer • Ready made clothing becomes popular • Previously only slaves and sailors wore ready made clothing • New Immigrants: many of them were tailors • Ready made clothing Americanized the immigrant THE CIVIL WAR’S IMPACT ON CLOTHING • Antebellum period: trade in cast-off, second hand clothing • Demands for uniforms—standardization • Demand for shoes (earlier: straights, no difference between left and right foot, now: crooked ones) THE CITY AS A TEXT • A gathering of meanings interpreted by people who create their own stories, histories • Barthes: the city is constructed as a text, inscription of man in space • Reading a city: from high to low: skycraper to street level, uptown to ghetto, rich or poor • A chain of meanings with competition with each other MANHATTAN SKYLINE COMPETING VERSIONS OF THE CITY • 1630: City upon a hill—John Winthrop • Heavenly city, orderly and godly because the eyes of the world are looking on • John Bunyan: passing through Vanity Fair (corruption and disorder) to reach the Celestial City • Thomas Jefferson: cities are pestilential to the moral,health, and liberties of men THE CITY AS A THREAT • Encourages vice, sin, and indulgence • Undermines the Jeffersonian Republic based on virtuous farmers • Josiah Strong: Our Country (1885) City is a nerve center, but also a storm center full of menace, sway of Mammon, luxuries gathered—ennui of surfeit, desperation of starvation, social dynamite: robberts thieves, foreigners, wage workers, multiplying and focalizing the elements of anarchy and destruction POSITIVE VIEWS OF THE CITY • Walt Whitman: organic bodies, a simple, compact, well-join’d scheme • Celebration of the city: Crossing Brooklyn Ferry • William James: center of the cyclone, dynamic, forward looking, with a transformative potential THE THEORETICAL CITY • Frederick Howe: Society is an organism like a human body, city is the head, heart, and center of the nervous system • A text created by people who impose their vision of order on the wilderness to create a contained and disciplined environment • An old knot of contrariety (Whitman), a place of competing discourses MICHEL de CERTEAU • Social theorist, theorist of the city (Walking in the City) • New York City is an ever-changing space/text, that invents itself from hour to hour • Reading the city is by walking, a multidimensional text • The most immoderate of human texts MICHEL de CERTEAU • On top of skyscrapers: man becomes a voyeur, an Icarus,a solar Eye • Walking in the city: bodies are following an urban text • Creation of a manifold story with neither author or spectator OPERATION OF THE CITY • A utopian and urbanistic discourse: • Produces its own space: via rational organization, city planning • Creation of a universal and anonymous subject: the city itself THE CITY IN LITERATURE • Poe: The Man in the Crowd: the undivulged city, like a crime mystery can be understod and solved • Dreiser: Sister Carrie, the city as a persuasive light,: the promise of the night: the street, the lamp, the lighted chamber set for dining…these are mine in the night BRIGHT LIGHTS, BIG CITY • • • • Jay McInerney, 1984 Influenced by Dos Passos’ Manhattan Transfer City is a dialogue, a republic of voices City is a collage where texts interact with other texts • Foucault: heterotopia: juxtaposing several spaces which are incompatible within one place-salad bowl, ethnic communities living side by side LECTURE 11 THE CULTURE OF YOUTH • Youth is a conjuction point for numerous discourses including race, class, power, gender, and sexuality • Youth as a crossroad • Historical formation of the country is connected with youth • Young, vigorous, unique, on the cutting edge of history PERCEPTIONS OF THE NEW WORLD • A place of renewal • Rebirth • Enegy of childhood and youthfulness represents a chance to begin again • To undo the corruptions of the Old World • The American Revolution as an Oedipal Revolution—the rebellion of the child against the parent PERCEPTIONS OF THE NEW WORLD • America as a Good Bad Boy—Leslie Fiedler • Crude, unruly, but knows what is right • A side of sanctioned rebellion—Judith Fetterley • Youth is incorporated in the whole society, a constant challenge to the adult—parent culture VISIBLE YOUTH CULTURE • 1955: Blackboard Jungle—Richard Brooks • 1955: Rebel without a Cause—James Dean, Natalie Wood • Challenge to father figure • 1985 The Breakfast Club-John Hughes • Challenge to school, society CONTAINING YOUTH • The house as a metaphor for adult-parental space • An established, solid, economic territory containing youth, reminding of its constant subordinate position • Ferris Bueller’s Day Off—cutting school, yet returning to parent’s house • House is sedentary, lifeless, banal v. desire to move away, motion • Surveillance, control, normalizing power of adult society THE HOUSE • Douglas Copeland—Generation X • When someone tells you they’ve just bought a house, they might as well tell you they no longer have a personality….they are locked into jobs they hate….they are broke….they no longer listen to new ideas… What few happy moments they possess are those gleaned from dreams of upgrading THE HOUSE AS A PANOPTICON (Foucault) • One group holds power over others and transforms them into subjects • A circumscribed world of surveillance—a guard at the centre of the circle, whom the prisoners cannot see, all acts come under regulation and inspection • By transforming humans into subjects, objectification takes place as well—the formation of the Other PANOPTICON YOUTH TEXTS • Tom Sawyer (1898)—Tom after some rebellion accepts the position of the Other • Between pull of the outside and the restrictions of the comforting controls finds a compromise solution --He does not transgress into the seductive outside THE CATCHER IN THE RYE (1951) • The ultimate youth novel • A vision of alienation in the post-war world of conformity • Holden Caulfield—rejecting the phoney adult world • Rebellion against the school whose mission is to mould young boys into splendid , clear thinking young men THE CATCHER IN THE RYE (1951) • Holden insists on sincerity, decency, honesty • Transgressing adult codes because they believe it to be false, desire for lost values • Lost values of the past are represented by dead brother Allie, or younger sister Phoebe • The role of the Imaginary—pre-Oedipal phase, undivided, coterminous with the mother, untroubled by the crises of sexuality—Jacques Lacan THE SPACES OF SELF-CREATION • Struggle of youngsters to find spaces for individual or group expression outside the adult mainstream • Learning from oppressed communities • Authoring the self: to articulate means to order the world, to exercise power over and control aspects of reality • Rock music—hybridization of the oppressed culture’s musical traditions: blues, jazz, country music YOUTH MUSIC • A living discourse, a countervoice to alienated society • Dancing—losing oneself to beat and motion, opening up a social space outside public and private boundaries • Roll over Beethoven—Chuck Berry • Rock as a protest YOUTH AT THE EDGE • • • • Donna Gaines: Teenage Wasteland (1992) A study of dead-end kids in suburbia Claiming authority over the self via expression Breat Easton Ellis Less Than Zero—Gloom rules, the world is shrinking, a desire to disappear, GENERATION X • Rejection of a manufactured history • Rising on the debris of post-modern society • Existing with the attitude of irony, playfulness among advertising, TV, muzak, McJobs (parttime non-career jobs) LECTURE 12 THE SPREAD OF FREEDOM • Inaugural address of George W. Bush, 2001 • We have a place, all of us in a long story, a story we continue, but whose end we will neve see. It is the story of a new world that became friend and liberator of the old, the story of a power that went into the world to protect but not to possess, to defend, but not to conquer REALPOLITIK V. MORALITY • Von Clausevitz: war is a continuation of diplomacy with other means • Establishment of spheres of interest, the importance of national interest • Idealistic approach: to make the world safer for democracy, to fight a war to end all wars THE REDEEMER NATION • George Bush’s second inauguration address: • American is a nation with a mission, we have no desire to dominate, no ambitions of empire • This great republic will lead the cause of freedom • American exceptionalism • Mission concept THE REDEEMER NATION • Following 9-11 a new manifestation, and reaffirmed commitment to the notion of the redeemer nation • Forerunners: John Winthrop, city upon a hill (1630) • Thomas Paine: We have it in our power to begin the world all over again (Common Sense 1776) • 1839: John L. Sullivan: America had a blessed mission to the nations of the world… to smite unto death the tyranny of kings THE REDEEMER NATION • Woodrow Wilson: in World War One right was more precious than peace, American soldiers were crusaders proving the might of justice and right • Lyndon B. Johnson: American wants nothing for itself in Vietnam, only fights for the right of South Vietnamese to guiding their own country in their own way • War in Iraq: to defend liberty and justice because these principles are right and true for all people • War in Afghanistan: to protect and advance women’s rights CULTURAL SUPERIORITY • Expansionist policies are justified on the ground of superior cultural values (AngloSaxon superiority, Christianity, democracy) • Racial arguments, Anglo-Saxon race • Defeat and dispossession of Native Americans • White Man’s Burden—brother’s keeper • Nineteenth century attitudes reappear in the twentieth century IMPERIAL DISCOURSE • World War Two: dehumanization of Japanese, racial slurs • Vietnam War: enemy: Indians, jungle: Indian Country • Iraq War: Abu Ghraib prison abuses AMERICA AS A MODEL • An assumption that the American pattern of development has a universal application • Although America was born as a result of a revolution, not all revolutions were accepted by the U.S. • Russian Revolution of 1917 • Allan Bloom: World War Two: an educational project to force American values and model on nations who would not do so—occupation of Germany and Japan THE CHANGING CONCEPT OF FREEDOM • A fluid concept • Henry Luce: founder of TIME, LIFE, FORTUNE magazines • Born of missionary parents in China • February, 1941 editorial in LIFE, The American Century • U.S. should join Britain in war against Germany • U.S. should replace Britain as a world leader • American principles should be applied globally THE AMERICAN CENTURY • February, 1941 editorial in LIFE, The American Century • U.S. should join Britain in war against Germany • U.S. should replace Britain as a world leader • American principles should be applied globally • U.S. has right and moral obligation to use its military and economic power to promote democracy and freedom THE FOUR FREEDOMS • • • • • Freedom from want Freedom from fear Freedom of speech Freedom of worship FDR: the twentieth century is the century of the common man, January 6, 1941 address to Congress THE FOUR FREEDOMS NEW STRATEGIES after 9-11 • Pre-emption: deterrence is not sufficient to guarantee the security of the U.S. • Either you are with us or with the terrorists • A right accepted under international law to take action against a state about to attack • Prevention: taking action against a state that might be a threat in the future • A unilateral exercise in American power, a proactive doctrine instead of containment