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Thinking ahead sustainably:

Policies, Scenarios and Models to address

Grand Societal Challenges

The Future Imagined: Insights from the arts

(filmic and literary representations)

Olivia Bina and Simone Tulumello

With Sandra Mateus, Lavinia Pereira, Annalisa Caffa

– ICS-Ulisboa

FLAGSHIP is Funded by the 7 of the European Union th Framework Programme bina@ics.ulisboa.pt

Brussels – 16/12/15

FLAGSHIP Final event

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FLA bina@ics.ulisboa.pt

GSCs

2

Questions

What are the main concerns/hopes in futures fiction?

• Can they enrich our capacity to envision the future?

• Can they enrich today’s framing of GSCs?

o

What differences & what implications?

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CREATIVE INPUT

Balance methods based on evidence/expertise

With creative inputs

Fiction & FLA

DETAIL

Counters tendency towards abstraction:

Simple/poetic;

Detailed/daily symbolic factual vs macro systemic perspectives

INVOLVEMENT

Reach wide audience – thus amplify participation in debate/reflection;

Identify themes that resonate widely with the public

REFLECTION

On cultural codes, values, ideologies;

Explore alternatives to socio-political status quo

CRITIQUE

Socio-historical critique of social structure, power, politics and agency;

Help DMs think of ethical implications/dilemmas of alternative futures

WARNING

Anticipatory knowledge

Predict & explore risks

Identify possible warning signals

Popper: Science Fictioning bina@ics.ulisboa.pt

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GSCs &

FLAGSHIP

Choice of

“texts”

Analytical matrix: themes & dimensions

Template for each record/text

Content analysis

Network analysis

RESULTS

Core

Challenges

Major patterns bina@ics.ulisboa.pt

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Science to shape the future: the making of GSCs

Finance

Economics

Developmen t

Governance

Innovation

Technology

GSCs

Knowledge to “shape the future”

Demography

Social

Change

Society

Energy

Environment bina@ics.ulisboa.pt

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Selecting “texts” bina@ics.ulisboa.pt

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Lead by MCRIT

http://flagship-project.eu/flagship-visions/ bina@ics.ulisboa.pt

Films

Futures

Fiction

Novels

64

150 yrs

8

The Machine Stops

The Tomorrow File

Paris in the Twentieth

Century (1863)

The Time Machine

We

Brave New World

The Space Merchants

The Lathe of Heaven

Stand on Zanzibar

A Clockwork Orange

Do Androids Dream of

Electric Sheep?

1984

The Handmaid’s Tale

Ender's Game

Z for Zachariah

The Stand

Neuromancer Fahrenheit 451

The Diamond Age, or A

Alphaville

Young Lady's

La Jetée

Illustrated Primer

On the Beach

The Giver

Infinite Jest

Solaris

Cloud Atlas

Logan's Run

The Terminator The Passage

The Windup Girl

Uglies

The Road

Feed

Dawn of the Dead

Mad Max

RoboCop

Blade Runner

The Swarm

La police en l'an 2000

Soylent Green

Verdens Undergang

Brazil

Total Recall

Twelve Monkeys aka The End of the

World

Le tunnel sous La

The Fifth Element

Waterworld

Matrix

Manche

Metropolis

Gattaca

Escape from L.A.

Code 46

V for Vendetta

District 9

Hunger Games

Children of Men

Avatar

Minority Report

Elysium (2013)

Vexille

28 days Later

Appleseed

The Day after

Tomorrow

“significant and lasting impact on the public imagination”

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1) Archetypal futures

bina@ics.ulisboa.pt

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FL

A

GSCs

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Archetypal visions of the future: Clardy 2011

Archetypal visions of the future

Collapse

Anti-utopia

Dystopia

Apocalypse

Conflict &

Revolution

Utopia

Explanation %

The natural or non-natural motivations behind the civilizational decadence or ruin

As the portrait of authoritarian projects resulting in the contrary of utopia

The complex, chaotic scenarios and borderline societies

The more prophetical or religious approaches related to the end of times

26 40,6

25 39,1

24 37,5

14 21,9

Description of a society in constant warfare

The benefits of a rational/ equalitarian systems and the rebirth of new forms of utopia n

10

8

15,6

12,5

Network Analysis of Archetypes

(categories after Clardy 2011)

Utopia

Dystopia praise of the technological/ scientific/ rational model present in

utopian texts; nihilistic and critical tendencies in

dystopian texts

(Booker, 1994).

Anti-Utopia

Collapse

Conflict

Apocalypse bina@ics.ulisboa.pt

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Network Analysis of Archetypes

(categories after Clardy 2011)

Utopia

Dystopia

Anti-Utopia

Collapse

Conflict

Apocalypse bina@ics.ulisboa.pt

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Alternatives to disruption paths

Non-human developments

& human disruptive events

Resource Scarcity

& Environmental

Crisis/Collapse

Gradual evolution towards disruption (building on

‘present’ trends)

Social cultural tensions leading to crisis/Collapse

Acritical acceptance

(utopian narratives) of technological advances bina@ics.ulisboa.pt

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2)

Core challenges

Frequent patterns

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GSCs

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When fiction speaks “its Truth” to futures and science

Fiction has the power to illustrate what might happen: when science blurs the boundaries between human

and non-human; when the relationship between humans, technology and nature reaches the proverbial point of

no return; when the built environment promotes individuals’ alienation; when the structures of power, education and property all contribute to deepen social

stratification and

inequality.

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Content analysis

4 Core Challenges in fiction

4. Society and social change

1. Individuals, society and culture

Control & Manipulation

3. Environment -

Technology vs

Nature

2.

Science/Technology and society

Source: Bina et al forthcoming

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23 most frequent patterns

1. Individuals, society and culture

“Scarcity” - individual dignity, human values and wellbeing (50,0%)

Dehumanizing processes (39,1%)

Disrespect of Human Rights (37,5%)

Strong homogenization of identities (37,5%)

Social control and subjective distress (26,6%)

3. Environment -Technology vs Nature

(Near)impossibility to breathe in open air (39,1%)

Technology used for control of nature (39,1%)

Extreme urbanization and vertical density (34,4%)

Interconnectedness and resulting fragility (34,4%)

Species extinction and decline in biodiversity

(34,4%)

Aesthetic/ Spiritual Value of Nature (31,3%)

Food scarcity, replacement & lack of choice

(28,1%)

2. Science/Technology and society

Advanced technology (42,2%)

Technology as a socio-political instrument of control (39,1%)

Technology use restricted to specific ends or for/by elite groups (39,1%)

Technology used for social domination and manipulation (26,6%)

Science as a tool for manipulation, control and rationalization (26,6%)

4. Society and social change

Socioeconomic discrimination (based on propriety, education or other) (34,4%)

High stratification and unequal societies (32,8%)

Existence of resistance and opposition movements (31,3%)

Women inequality (31,3%)

Stratification of workers & occupations (28,1%)

Absence of consumption (26,6%)

Source: Bina et al forthcoming

“future present”

 resulting patterns & warning signals: elements of such future have already escaped the imaginary world to make part of today’s experience.

Beware of ‘ gradual evolution towards disruption ’ bina@ics.ulisboa.pt

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Other Futures

(Levidow and Neubaue, 2012)

• Current H2020 priorities assume that

“ all innovation is socially beneficial ”

• “grand challenges have been generally framed

• in ways favouring capital-intensive

technoscientific solutions, at the expense of other approaches”

• even when the possibility of promoting an

alternative research agendas is perfectly viable. bina@ics.ulisboa.pt

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3) Risk of scarcity - redefined?

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What risks to become scarce in imagined futures?

Self-direction

(1984, 1949; The Handmaid’s Tale, 1985;

Logan's Run, 1976; Twelve Monkeys, 1995)

Reflexivity

(Feed, 2002; Matrix, 1999)

Freedom

(Escape from L.A., 1996)

Dignity

(The Tomorrow File, 1975; A Clockwork

Orange, 1962; Hunger Games, 2012)

Hope

(Soylent Green, 1973; On the Beach, 1959;

Blade Runner, 1982; Children of Men, 2006)

Sentiments and capacity to feel emotions

(We, 1921; Do Androids Dream of Electric

Sheep?, 1968; The Giver, 1993)

Identity

(We, 1921; Uglies, 2005; Twelve Monkeys,

1995)

Privacy

(Stand on Zanzibar, 1968; Minority Report,

2002)

Idealism and creativity

(Paris in the Twentieth Century, 1863; Brazil,

1985)

Source: Bina et al forthcoming bina@ics.ulisboa.pt

Security and protection

(The Time Machine, 1895; Mad Max,

1979)

Equality

(Metropolis, 1926; Elysium, 2013)

Peace

(Appleseed, 2004)

Justice

(Elysium, 2013)

Love

(The Handmaid’s Tale, 1985)

Trust (Ender's Game, 1973)

Fiction invites us to rethink “scarcity”

Scarcity

External

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“Internal”

“intangible”

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A more balanced focus for

FLA and research agenda

External

Resources and

Ecological

Functions/Services

Internal/Intangible

Individual dignity, human values and wellbeing, what makes us human

Focus

Technoscience

Focus

Emotional, self-knowledge, spiritual (& implications of transhumanism) bina@ics.ulisboa.pt

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4)

H2020+

Re-visiting research agendas

Caution & Daring http://europeanmovies.org/wpcontent/uploads/2012/03/italianmovizes.jpg

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GSCs

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H2020 Challenges a summary of the patterns identified in fiction and which are largely or fully absent in H2020 discourse

Source: Bina et al forthcoming

Table 29 bina@ics.ulisboa.pt

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H2020 + Caution

Warning signals: High frequency patterns

Technology used for social domination and manipulation use restricted to specific ends or for/by elite groups as socio-political instrument of control

Science as a tool for manipulation, control and rationalization

Scarcity: individual dignity, human values and wellbeing, what makes us human

Dehumanization processes

Strong homogenization bina@ics.ulisboa.pt

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H2020 + Daring

8 dimensions (& 31 patterns)

Happiness and wellbeing

(psychological conditions & QoL)

Connectedness

(interaction, physical closeness)

Progress and future

(ideas of progress & time, ideas of risk in the future)

Identity

(belonging, collective memory/aspirations, homogenisation/subcultures)

Systems of beliefs

(values, ethics, spirituality, religion)

Meaning of life and existence

(Personal project and personal identity

(who am I))

Conceptions of the human

(e. g. human nature, human condition, transhumanism)

Entertainment and art

(self-expression, creativity, leisure, entertainment/control)

Aesthetic/ Spiritual Value of Nature

(redeeming role and to embody the notion of hope itself) bina@ics.ulisboa.pt

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Concluding:

21

st

C needs a new

Archetype of the Future

Utopia

Dystopia

Anti-Utopia

Collapse

Conflict bina@ics.ulisboa.pt

Apocalypse

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And now, over to our FLAGSHIP colleagues

Thanks!

Know what we do NOT want

Envision what we MIGHT desire

Invest in the

KNOWLEDGE we NEED bina@ics.ulisboa.pt

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31 GSCs

 JRC-IPTS (2008)

 Need to Change the Current Ways of Using

Essential Natural Resources

 Need to Anticipate and Adapt to Societal

Changes

 Need for Effective and Transparent

Governance for the EU and the World

 ERA

1.

Realising a single labour market for researchers

2.

Developing world-class research infrastructures

3.

Strengthening research institutions

4.

Sharing knowledge

5.

Optimising research programmes and priorities

6.

Opening to the world: international cooperation in S&T

H2020 7 Societal Challenges

(Council Decision 2013) iKnow

1.Water security and vulnerability

2.Energy security and vulnerability

3.Health, illness and well-being

4.Sustainability and climate change

5.Ageing and demographic issues

6.Food security and culture

7.Globalisation and localisation

8.Social cohesion and diversity

9.Technological security, hazard and risk

10.Consumption and behavioural change

11.Innovation, knowledge and technology

12.Work-life balance and mental health

13.Science, technology and ethics

14.Crime, security and justice

15.Governance, democracy and citizenship

16.Coexistence and conflict

17.Social pathologies and ethics

18.Social exclusion, poverty and affluence

19.Economic prosperity and growth dynamics

20.Urban and rural dynamics

21.Education and skills dynamics bina@ics.ulisboa.pt

Environment and

Food (resource efficiency)

Anthropocene bina@ics.ulisboa.pt

Individuals, society and culture

Control and manipulation

Demography, social change, skills and empowerment

Social Inequality and stratification

Scarcity of human values

Dehumanization processes

Innovation and technology, resource efficiency

Scarcity

Economy (GDP)

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