By William Faulkner
Southern Gothic Literature is a sub-genre of gothic literature
(think Poe!) focusing on character, social and moral shortcomings in the American south; it reached its height between 1940-1960s.
Often comments on society’s negatives or weaknesses to point out truths of America’s southern culture
Often disturbing but realistic
Plot relies on unusual, disturbing, supernatural, or ironic events
“A Rose for Emily” provides a good example of Southern
Gothic Literature using unusual events to guide the plot
Grotesque Characters or Situations– deeply flawed
- characters, decayed (often rural) settings, evil or disturbing events (often linked to racism, poverty, violence, moral corruption)
Examples:
1. A character’s negatives/undesirable characteristics allow the author to show/comment on unpleasant aspects of southern culture. - racial bigotry, crushing poverty, violence, moral corruption or ambiguity
2. Something physical in the setting is unusual and often broken
Old South versus New South
Emily represents the Old South
Old traditions –
Example: Miss Emily is told by Colonel
Sartoris that she is excused from paying taxes
A man’s word is his bond
Chivalry
Hospitality
Sense of community/family
Honor
Loyalty
Decorum and propriety: what is proper at a given time and place.
* Appearances are very important.
Setting: time and location in which a story takes place
Customs and social conditions of the time
Ex: Racial stereotyping in the South
Irony: Unexpected twist in a story
Verbal
Situational
Dramatic
Tone: The attitude the writer takes toward the subject of a work, the characters in it, or the audience.
Mood: Feeling WE get when we read a story
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3.
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First Person: One of the characters tells the story; talks directly to the reader
Uses the pronoun “I,” “me,” “we,” or “us”
Third Person Limited: The narrator will focus on the thoughts & feelings of just one character
- Reader experiences the events of the story through the memory and senses of only one character
Third-Person Omniscient- “All-knowing”
- An all-knowing narrator who refers to all the characters as
“he” and “she.” Knows the thoughts and feelings of ALL of the characters.
*The narrator is not necessarily the story’s author*
remitted paid edict an official order archaic out-of-date vindicated proven to be right pauper poor, destitute noblesse oblige nobility obliges
(and obligates) circumvent to go around cabal small group of conspirators
virulent powerful, deadly impervious immune tranquil quiet, peaceful perverse odd, not normal sibilant hissing macabre horrible, grotesque acrid pall a bitter, irritating odor a deathly quiet cuckolded betrayed (a man by his wife) inextricable impossible to be separated from