The larynx is located between the
trachea and the oropharynx.
Valves of the larynx protect the...
airway during swallowing.
The vocal folds located in the larynx provide the...
sound source for speech (phonation).
Structures of the larynx:
Hyoid bone
Thyroid cartilage
Cricoid cartilage
Arytenoid cartilages
The hyoid bone
The hyoid is embedded in the tongue base (the only “floating” bone in the body).
The larynx is suspended from the hyoid via the thyrohyoid membrane.
Elevation of the hyoid pulls the larynx up during swallowing.
The laryngeal cartilages - thyroid cartilage
The thyroid cartilage is a large structure consisting of two fused laminae (plates). Posterior thyroid is open.
Two pairs of thyroid horns connect to hyoid superiorly and cricoid cartilage inferiorly.
Vocal folds attach to the interior surface of the anterior thyroid cartilage by a fibrous bundle, the anterior commissure.
The laryngeal cartilages - cricoid cartilage
The cricoid is a complete ring of cartilage.
◦ Shaped like a signet ring with a large square plate (quadrate lamina) in the back.
The laryngeal cartilages - arytenoid cartilages
The arytenoid cartilages sit on top of the quadrate lamina (forms the cricoarytenoid joints).
Arytenoids have a pyramid shape with a muscular process and a vocal process.
Laryngeal muscles attach to the muscular processes to move the arytenoids.
◦ Vocal folds attach to the vocal processes; moving the arytenoids will open and close the folds.
The laryngeal cartilages - Vocal folds attach to the interior surface of the anterior thyroid cartilage by
a fibrous bundle, the anterior commissure.
The laryngeal cartilages - epiglottis
The epiglottis is a laryngeal cartilage
not involved in phonation.◦ Flips down to cover the larynx during
swallowing.◦ Bottom attached inside thyroid lamina
below thyroid notchAryepiglottic folds –joins sides of epiglottis to arytenoid cartilages
Pyriform sinuses - pockets between aryepiglottic folds & thyroid cartilage
◦ epiglottis projects upward above hyoid bone & attaches to root of tongue via glosso-epiglottic folds
Valleculae- pockets between anterior surface of epiglottis & root of tongue
The glottis
The glottis is defined to include the vocal folds and the space between them.
◦ The anterior portion Is soft(membranous glottis).◦ The posterior portion is stiffer(cartilaginous glottis)
We can view the glottis from above using (trans)nasal endoscopy.
The arytenoid cartilages are visible only as bumps inside the aryepiglottic
folds( joins sides of epiglottis to arytenoid cartilages).
Pyriform sinuses: pockets between aryepiglottic folds & thyroid cartilage
Note orientation of image during endoscopy: Bottom of the image is anterior (front), top is posterior.
States of the glottis
Abduction vs adduction◦ Phonation: Vocal folds are
adducted (median position)◦ Rest breathing: Vocal folds are
partly but not completely
abducted (paramedian position).
◦ Complete abduction (forced abduction) occurs during vigorous physical activity.
◦ Whisper: Membranous glottis (anterior) is closed and cartilaginous glottis (posterior) is open.
Extrinsic muscles of the larynx
Suprahyoid◦ Digastric◦ Stylohyoid ◦ Mylohyoid ◦ Geniohyoid
Infrahyoid (Strap)◦ Sternohyoid and Sternothyroid ◦ Omohyoid and Thyrohyoid
Intrinsic muscles of the larynx - Thyroarytenoid
One pair of muscles makes up the main body of the vocal folds
◦ Thyroarytenoid◦ Contraction influences
length/tension of vocal folds.
◦ Muscularis◦ Shortens and slackens
◦ Vocalis◦ Internaltension
Intrinsic muscles of the larynx - ◦ Paired lateral cricoarytenoid (LCA) muscles
◦ Interarytenoid (IA) muscles
Two pairs of vocal fold adductors (close the vocal folds)
Laryngeal adduction
LCA muscles originate on lateral cricoid and insert on muscular process of arytenoids.
Contraction rotates the arytenoids forward and toward midline, pulling vocal processes toward each other.
The IA runs between the posterior portions of the two arytenoids. Contraction pulls the arytenoids together, closing the posterior glottis.
Laryngeal adduction - Transverse (inter)arytenoid
Origin: lat. post. margin of 1 arytenoidCourse: horizontallyInsertion: lat. post. margin of opposite arytenoid Contraction: pulls arytenoids togetherCauses vocal folds to move togetherAlso a force in medial compression
Laryngeal adduction - Oblique (inter)arytenoids
Superficial to transverse interarytenoid Origin: from post. base of muscular
process of 1 arytenoid Course: obliquely upward Insertion: apex of other arytenoid CrisscrossedContraction: pulls apex medially
Intrinsic muscles of the larynx - Paired posterior cricoarytenoids (PCA)
One pair of vocal fold abductors (open the vocal folds)
Laryngeal abduction
•The PCA muscles originate on the posterior cricoid and insert on the muscular process of the arytenoids.
•PCA contraction rotates the arytenoids in a posterior direction, pulling the vocal processes away from each other.
Intrinsic muscles of the larynx - Paired cricothyroid (CT)
muscles
One muscle stretches/tenses the vocal folds (changes pitch)
Paired cricothyroid (CT)
muscles
CT is the only intrinsic laryngeal
muscle innervated by the superior laryngeal branch of CN X (Vagus).
Vocal fold elongation/tensing
Contraction of the CT muscle changes the angle between the thyroid and cricoid.
Increases the distance between the arytenoids and the anterior commissure.
This stretches the vocal folds. ◦ Increases tension◦ Raises vocal pitch
Innervation of the larynx - Laryngeal branch of CN X:
Has superior laryngeal and recurrent laryngeal branches.
Recurrent laryngeal: Loops under the aorta before returning to the larynx.
◦ Sends motor commands to all intrinsic laryngeal muscles except cricothyroid. ◦ Damagecancausedysphonia(abnormalvoice).
Superior laryngeal:◦ Sends motor commands to cricothyroid muscle of larynx, as well as inferior
pharyngeal constrictors◦ Damage may cause reduced ability to alter pitch
Folds of the larynx
Aryepiglottic
Lateral border of epiglottis
Lateral border of arytenoid cartilage
Ventricular folds (False vocal folds)
Thyroid cartilage
Arytenoid cartilage
Superior to true folds
True Vocal Folds
Thyroid cartilage
Arytenoid cartilage
Inferior to ventricular folds
True Vocal fold layers
The "true" vocal folds - are made up of five layers:
epithelium - the surface "skin" of the the larynx, which is continuous with the lining of the mouth, pharynx and with the trachea below the larynx.
Lamina propria - three distinct layers, each with a different consistency ◦ superficial layer: a jelly-like
substance, close to the surface ◦ intermediate layer: an elastic,
fibrous substance, like rubber
bands◦ deep layer: a thread-like
collagenous fiber layer Vocalis muscle: the main body
of the vocal fold, and very stiff
Vocal Fold Vibration
Vocal folds are made up of layers that differ in density and stiffness. Layers of the vocal folds:
◦ The thyroarytenoid muscle◦ The lamina propria, three layers of mucous membrane
(stiff inner layers = vocal ligament; outer layer is elastic) ◦ A thin outer epithelial layer
Dividing the vocal fold layers:◦ Body = Thyroarytenoid muscle and
vocal ligament. Stiff and dense.
◦ Cover = superficial lamina propria and epithelium. Light and pliable.
Vocal Register – pattern of the vocal folds during a cycle of vibration
Habitual Pitch/Modal Register – pattern of phonation used in daily conversation
◦ Vocal fundamental frequency –primary frequency of vibration.◦ We will discuss modal register /habitual pitch in more detail later in the semester.
NOTE: CONSIDERATION OF HABITUAL PITCH/MODAL REGISTER IS VITAL DURING A VOICE EVALUATION.
How does modal register relate to:
• Pitch◦ Tensionofvocalfolds ◦ Lengthofvocalfolds
• Loudness◦ Subglottalairpressure
Physiology of phonation
*Sound is generated in the larynx by chopping up a steady flow of air into little puffs of sound waves.
The mechanism of vocal fold vibration has been described in the myoelastic-aerodynamic theory of phonation.
Holds that voice production results from a combination of:
◦ Muscle activity (myo)◦ Tissue elasticity (elastic)◦ Air pressure/airflow (aerodynamic)
How does phonation work?
First the vocal folds are adducted by muscular action (LCA and IA).
Then subglottal pressure builds up in the space beneath the vocal folds.
Eventually this pressure blows the vocal folds apart and air rushes through.
This burst of air sets the vocal tract into vibration, creating sound.
How does phonation work? - Bernoulli principle
The vocal folds immediately begin to close:
Theelastictissuesnaturallyspringbackinto their original state.
By the Bernoulli principle, the flow of air creates negative pressure that sucks the vocal folds back together.
Then the cycle begins again.
The complete open-close cycle takes place hundreds of times per second during phonation.
More on the Bernoulli principle
Bernoulli principle: As the velocity of a moving liquid or gas increases, pressure within the substance decreases.
As a liquid or gas moves through a narrow channel, it increases in velocity.
Therefore, air passing through a narrow channel like the space between the vocal folds will increase in velocity and decrease in pressure.
Describe a cycle of vocal fold vibration
The vocal folds must be closed.
The ratio of air pressure below the glottis (subglottal) to air pressure above the glottis (supraglottal) must exceed a certain positive value for phonation to occur.
In other words, subglottal pressure must exceed supraglottal pressure by a certain amount for phonation to occur.
glottal state and vocal fold movement....
Given a constant volume and flow of air at a point of constriction there will be:
• Decrease in air pressure and increase in velocity at point of constriction
Air speed increases as it passes through glottal opening, and pressure drops
Drop in pressure causes soft tissue of vocal folds to be sucked back in toward midline
So....
Muscle
Vocal fold vibration
Vocal folds will be tightly adducted at midline by muscular action
LCA/IA
Tissue
Elasticity
• Elastic recoilforce is generated as vocal folds are displaced from adducted position
Airflow
Sub-glottal pressure builds up until it overcomes resistance of closed vocal folds
• Forces vocal folds apart from bottom to top = • Puff of air is released up through glottis
glottal flow and vocal fold movement....
Air stream is flowing through an hourglass shaped constriction◦ Bernoulli effect causes air to flow faster and pressure
to drop at glottis
Drop in pressure causes vocal folds to be sucked inward
Elasticity also contributes to inward movement (back to
point of rest)
Vocal folds close; one cycle of vibration is completed
Vocal fold vibration: Rate
The rate of vocal fold vibration depends on the mass and tension of the folds.
Larger vocal folds vibrate more slowly.
Greater tension causes the vocal folds to vibrate faster.
The rate of vocal fold vibration determines the fundamental frequency (F0) of the speaker’s voice.
Fundamental frequency is perceived as the pitch of the voice.
Child F0 250-300 Hz
Adult Female F0 180-250 Hz
Adult Male F0 80-150 Hz
Vocal folds are made up of layers that differ in density and stiffness. Layers of the vocal folds:
◦ The thyroarytenoid muscle◦ The lamina propria, three layers of mucous membrane
(stiff inner layers = vocal ligament; outer layer is elastic) ◦ A thin outer epithelial layer
Dividing the vocal fold layers:
◦ Body = Thyroarytenoid muscle and
vocal ligament. Stiff and dense.◦ Cover = superficial lamina propria and epithelium. Light and pliable.
Vocal fold vibration
Due to differences in stiffness, the body and cover tend to vibrate at different rates.
The flexible outer layers move in an “undulating, wave-like” fashion called the mucosal wave.
Complex vibratory pattern influences the sound produced by vocal fold vibration.
Normal voice quality depends on a freely flowing mucosal wave.
Vibratory Cycle
Vibratory cycle = glottal cycle = glottal period◦ Complete cycle of vibration◦ Measured with high speed photography using
stroboscopic light source ◦ 3 phases:
◦ Opening phase ◦ Closing phase ◦ Closed phase
Glottal Flow
◦ Flow of air through the glottis◦ Absent during closed phase◦ Increases slowly during open phase◦ Decreases rapidly during closing phase.
The waveform of the human voice
◦ The frequency of a sound is the rate at which the wave cycle repeats. ◦ A simple waveform has only one frequency. A complex waveform is
made up of two or more different frequencies.◦ A periodic waveform repeats itself over time. An aperiodic waveform
is random and non-repeating (e.g. “white noise”).
Relationship of acoustic – perceptual correlates
Pitch◦ Psychological phenomenon◦ Frequency = # cycles/second◦ Pitch = perceptual correlate of frequency;
measured in hertz (Hz)
pitch - As pitch increases:
Larynx rises in the neck (thyrohyoid
m.)
Length of vocal folds increases
(cricothyroid m.)
Tension of vocal folds increases in
vocal ligament
Mass of vocal folds decreases – they
get thinner
Air flow increases because it takes
less subglottal pressure to blow
thinner folds apart
pitch - Relation of pitch to vibratory cycle
Relation of pitch to vibratory cycle◦ As pitch increases, open phase increases
◦ vocal folds are easier to open◦ Although they close quickly, they don’t stay closed
as long◦ As pitch increases, vibratory cycle does not vary
systematically◦ Both opening & closing phases are affected by
increasing pitch, but exactly how this happens
varies from person to person
loudness
◦ Perceptual correlate of intensity◦ Intensity = physical property, measured in
decibels (dB)
• REMEMBER: Loudness
◦ Subglottal air pressure
loudness - Relationship between pressure and airflow
Increased vocal intensity results from greater resistance by the vocal folds to the increased
airflow.
The vocal folds are blown further apart, releasing a
larger puff of air that sets up a sound pressure wave
of greater amplitude.
Latero-medial excursion of the vocal folds is
increased in each glottal cycle
loudness - Relationship of loudness to vibratory cycle
◦ As loudness increases, relationship of open and
closed phases does not change◦ Increased latero-medial excursion.
Case History
Purpose:◦To obtain basic biographical information
◦ To obtain professional information ◦ To obtain health history
What is a complete voice assessment?
Patient with medical diagnosis: ◦ Evaluation by the SLP
Patient without medical diagnosis:
Evaluation by the SLP and ENT either together or in
close proximity
Cases reviewed with discussion of diagnosis and
treatment plan prior to presentation of information to patient.
Methods of Assessment - What to measure?
Muscle Activity
Respiratory Activity
Laryngeal activity
How to measure Muscle Activity
Electromyography (EMG)◦ A technique used to investigate respiration, phonation and articulation◦ Provides information about the muscular forces involved in speech production
by recording muscle action potentials
Measures electrical activity of neural signals to muscles
Higher-amplitude signal: More motor units fire; stronger muscle contraction
Two types of electrodes:◦ Hooked-wire: Insert directly into muscles◦ Surface: Record all muscular activity below skin site
Useful for recording temporal aspects of muscle actions
Signal strength must be assessed in relative terms: More or less
activation for different speech tasks
Respiratory Activity - Respiratory Analysis
• Respiration underlies speech production
Measures of respiratory function: ◦ Air volume◦ Air pressure◦ Air flow rate
◦ Analyzed together this data can provide possible causes of a number of speech disorders
Respiratory Activity - Measuring air pressure and air flow
Phonatory Aerodynamic System (PAS):The Phonatory Aerodynamic System (PAS) measures airflow, pressure, and other parameters related to speech and voice production to support evidence-based practice. The PAS utilizes easy-to use, protocol-driven software for consistent assessment to better understand a patient's condition.
Respiratory Activity - Measuring air pressure
• Pressure reflects respiratory and articulatory actions
Direct assessment of subglottal pressure is invasive: ◦ Tracheal puncture◦ Esophageal balloon
Indirect assessment is less invasive:
Pharyngeal pressure (pass a tube through nose)
Intraoral pressure (pass a sensor around the teeth)
Manometer - Water-glass manometer: Have patient create bubbles by
blowing through a straw into a glass of water with depth measurements
marked on the side.
◦ A patient who can sustain a stream of bubbles for 5 seconds through a straw at a depth of 5 cm is considered to have breath support adequate for speech (Duffy, 2005).
Respiratory Activity - Measuring Airflow
Perform a consistent set of tasks at when conducting a voice assessment.
- measure habitual pitch and loudness levels
- measure raised loudness levels
Spirometer measures airflow during nonspeech tasks
Flow during speech usually collected via Rothenberg face mask (pneumotachograph)
Divided masks may be used to assess oral versus nasal airflow
Measures of volume can be obtained as flow over time
Respiratory Activity - Measuring nasalance
A baffle between the nose and mouth separates nasal from oral airflows
Microphones placed on both sides of baffle
Ratio of nasal to oral signal strength = nasalance
Correlates with perceived nasality in speech
Laryngeal activity - Laryngeal assessment
Electroglottograph – measures the degree of vocal fold contact
Measured by two small electrodes placed on either side of the larynx
Human tissue conducts electricity
more efficiently than air.
More current is transmitted when
vocal folds are closed.
Less current is transmitted when
folds are open.
Indicates amount of vocal fold
contact during each glottal cycles- not any info about glottal width or shape
Laryngeal activity - Assessing laryngeal structure and function
• We need to look directly at the vocal folds – WHY?
Historically:
• Laryngoscope-laryngeal mirror-developed by Garcia (1854)
◦ Visualizes structure of vocal folds
Laryngeal activity - Assessing laryngeal structure and function - fiberoptic endoscope
Fiberoptic endoscope – flexible or rigid bundle of glass fibers used to convey an image of the glottis
◦ Halogen light source◦ Flexible scope usually passed
through the nasal cavity◦ Can view the glottis during speech ◦ Rigid scope usually passed orally
◦ Can view the glottis during sustained phonation
◦ Looks at laryngeal structure◦ Image can be viewed through an eyepiece or
recorded digitally/videotape/film
Laryngeal activity - Assessing laryngeal structure and function - Stroboscope
Stroboscope – light flashing at a fixed frequency (patient’s fundamental frequency - Fo)
GOLD STANDARD: Look at structure and function!
◦ Stroboscopic (Xenon) light source Uses rigid or flexible endoscope
visualizes vocal structure and function using stroboscopic light source
Image can be viewed through an eyepiece or recorded digitally/videotape/film
Current clinical measures are designed to quantify perceptual characteristics of speech and voice.
Acoustic correlates of Perception:
◦ Perception :
◦ Pitch - fundamental frequency (Hz)◦ Loudness - sound pressure level (dB)◦ Quality - -fundamental frequency perturbation (% jitter: <1%)-sound pressure level perturbation (dB value: <.5dB or % shimmer) -signal-to-noise ratio
Why use acoustic
measurements?
- Acoustic analysis is a type of objective measure.
- Objective measures are used to support and validate clinical (subjective) judgments not to replace them.
- Fill the need for objective outcome measures to assess treatment efficacy. POTENTIAL BENEFITS OF ACOUSTIC ANALYSIS:
- More accurate and thorough diagnoses.- Better quantification of the impact of the disorder on vocal function.
- Objective documentation that can assist in subsequent evaluation of treatment effectiveness.
- Assist development of more comprehensive and better coordinated treatment plans.
- Increased efficacy (via data base).
ACOUSTIC ANALYSIS SHOULD BE INTEGRATED INTO A COMPREHENSIVE EVALUATION
Advantages of acoustic
analysis
Non-invasive
Low cost
Applicable to treatment as well as diagnosis
Supported by substantial body of literature
Repeatable
Reportable
Additional considerations when using acoustic analysis
Absence of Standards in Applying Acoustic Measurements
Tasks (instructions, controlling patient compliance and/or effort level,
etc);
Instrumentation (signal sampling rates, response characteristics);
Analysis methods (specific algorithims used, etc)
Quality of Normative Data
Sample sizes
Limitations in age representations
Non-standardized data collection and analysis
Use caution (wide margins for normal limits) in the application of currently available normative data.
Acoustic analysis and clinical populations
Voice Disorders
◦ Voice disorders exist when a person’s vocal quality, pitch, or loudness differs from those of similar age, sex, cultural background, or geographic location.
Motor Speech disorders
Disorders of speech resulting from neurologic
impairment affecting the motor programming or
neuromuscular execution of speech.
Dysarthria
Apraxia
Measuring phonatory efficiency - s/z ratio
s/z ratio
The s/z ratio compares the individual’s ability to sustain the voiceless and
voiced fricatives.
Normal ratio is around 1.0–1.4,
Calculating the s/z ratio:
Ask the patient to take the deepest breath possible and sustain /s/ for as long as possible.
Use a stopwatch to time the /s/.
Now ask the patient to take the deepest breath possible and sustain /z/ for as long as
possible.
Use a stopwatch to time the /z/.
Divide the time recorded for /s/ by the time for /z/ to obtain the ratio.
Repeat the process at least 3 times
Measuring phonatory efficiency - Maximum Phonation Time
Longest duration of sustained phonation
Typical duration for adult ~20 seconds +5
Measuring phonatory efficiency
Problems related to s/z ratio:
Ratios greater than 1.4 demonstrate that the patient is not able to sustain the voiced sound for as long as the voiceless sound, and this may indicate impaired glottal efficiency.
Evidence that there is considerable variability in the s/z ratios of healthy speakers with no voice problems, and there is overlap in the ratios of those with and without laryngeal pathology (Gelfer & Pazera, 2006).
NOTE: Clinicians should interpret results cautiously, if they choose to administer this task.
Perceptual considerations in voice assessment
Relies on clinician’s ability to analyze speech (and related systems) by listening to it
Although susceptible to unreliability (as we shall see) and difficult to quantify, still most widely used method
Ultimate outcome is how well the speaker is able to be understood by a listener (if speaking is a realistic goal)
Perceptual Assessment
The Consensus Auditory-Perceptual Evaluation of Voice (CAPE-V) was developed as a tool for clinical auditory- perceptual assessment of voice.
◦ Its primary purpose is to describe the severity of auditory-perceptual attributes of a voice problem, in a way that can be communicated among clinicians.
◦ Its secondary purpose is to contribute to hypotheses regarding the anatomic and physiological bases of voice problems and to evaluate the need for additional testing.
CAPE-V is not intended for use as the only means of determining the nature of the voice disorder.
Acoustic considerations in voice assessment
◦ Use instrumentation to analyze speech waveform◦ Generally used to explore speech impairment in greater
detail, with quantifiable, reliable measurements ◦ Use to confirm perceptual judgments◦ Useful for providing feedback in some forms of
treatment and in objectifying progress.
Computerized Speech Laboratory (CSL)
Research quality software for speech analysis
Dedicated hardware permits precise acoustic measurements
Microphone inputs directly to processor
Acquires, processes, displays, speaks, analyzes, edits, stores, prints data
◦ Processor feeds to computer for analysis and display
Most effective for research,clinical speech /voice analysis, singing
Using CSL for voice/phonation - ADSV
Analysis of Dysphonia in Speech and Voice (ADSV)
ADSV from KayPENTAX is the first commercial program of its kind.
It allows for voice quality assessment of sustained and continuous speech samples ranging from mildly to severely dysphonic voices.
Complements the perceptual evaluation and Multi-Dimensional Voice Program (MDVP) analysis (used for sustained phonation only).
ADSV also provides objective data which contributes to evidence-based clinical practice
Using CSL for voice/phonation - MDVP
Multi-Dimensional Voice Program (MDVP)
◦ Provides robust acoustic analysis of the voice quality of sustained phonation (plots multiple parameters from a single phonation)
Provides useful pitch information on running speech although designed for sustained vocalization
Most effective for pathological voice, may also be used for motor speech disorders
Client sustains an /ɑ/ vowel sound.
The MDVP automatically measures 30 parameters of the voice sample (including fundamental frequency, jitter, and shimmer) and compares them against built-in normative data.
Using CSL for voice/phonation - Voice Range Profile (VRP)
Used for examination of voice behaviors
Provides a two dimensional profile of
an individual’s amplitude range as a function of total fundamental frequency range
Most effective for professional voice users, although may be used for vocal problems in the non-professional voice
Using CSL for voice/phonation - Real-Time Pitch
◦ Provides real-time display of
fundamental frequency and
amplitude
Provides quantitative and objective
measures of speech/voice parameters via built in protocols for assessment and treatment tasks
Most effective for clinical speech and voice clients to address frequency, amplitude, voicing, timing, intonation and stress.
Using CSL for speech analysis - Motor Speech Profile (MSP)
Provides objective tools of motor speech behaviors
Useful measurement of the extent of a speech problem and to
assess a patient’s progress
Most effective for patients with motor speech disorders.
Using CSL for speech analysis - DDK
Diadochokinetic rates measure performance in a maximum rate task (“Say puh-puh-puh as fast as you can”).
Can repeat a single syllable or a sequence of syllables (/pʌtʌkʌ/).
A standard part of the oral mechanism exam (evaluation of the structure and function of the articulators).
DDK rate or rhythm may be abnormal in patients with motor speech disorders.◦ CSL parameter DDKcvp (coefficient of variation of DDK period)
reflects how regularly spaced syllables are in their timing.
CSL automatically compares DDK rate (DDKavr) and rhythm (DDKcvp) against built-in normative data.
CSL norms are not ideal, but automatic measurement makes it easy to track progress.
Using CSL for Speech - Sona-Match
◦ Provides real time biofeedback
of vowel and sibilant
characteristics
Can be expressed as spectral
display or vowel chart-defaults
for men, women, and children.
Clinical applications and singing
Effective for
articulation/phonological disorders and accent reduction.
Auditory feedback
Auditory feedback on CSL
Kay Facilitator-five modes of auditory feedback
◦ EASY TO USE/PORTABLE◦ Speech noise masking◦ Metronomic Pacing◦ Delayed auditory feedback ◦ Looping playback
◦ Speech-Voice Amplification
Computer Games
The Games Program for Multi-Speech and CSL provides a rich graphical environment for engaging biofeedback to help motivate and stimulate children in speech therapy.
These games provide biofeedback on specific tasks. for example, one game lets the client pilot an airplane by changing his, or her, pitch; another provides feedback for appropriate loudness.
High Quality Clinical Acoustic Recording Set-Up
Quiet environment (ideally, a sound-proof booth)
High quality microphone and recording systems (i.e., CSL
vs. Multi-Speech program)
Control microphone distance and placement
◦ You do not want to record ambient noise
Sound pressure level calibration◦ If all else fails- maintain as constant a set-up as possible as
comparison within and across patients are valid.
Respiratory Activity - Measuring air pressure and air flow - PAS
1. Supports evidence-based treatment
PAS provides key airflow and pressure measures of speech and voice production including graphical and quantitative data for monitoring and reporting patient performance. These data support evidence-based clinical practice.
2. Easy to use
PAS software utilizes a convenient set of protocols based on typical phonatory/aerodynamic tasks. These consistent and simple data collection methods minimize variability in application and help produce accurate results.
3. Improves clinical understanding
Measure of aerodynamic parameters improves clinicians’ understanding of phonatory behaviors and complements acoustic and imaging data.
Using CSL for voice/phonation - MDVP continued
•Regions that extend beyond green circle fall outside of normal range of variation (MDVP’s internal norms).
•Caveat: “At this time, the MDVP normative values should be regarded as preliminary and not as commonly recognized criteria by which abnormality is established” (Kent, Vorperian, & Duffy, 1999).
•Can use other (published) norms. •Can be used to track progress in
therapy - compare client against self.
Patient reported outcomes
measures (PROs)
•Used to obtain the individual’s perspective on degree of:
◦ pain◦ fatigue◦ perceptions about the disruption to communication
created by the voice problem• Measured using the quality of life instruments
• Voice Handicap Index (Jacobson et al., 1997)
PERCEPTUAL VOCAL PARAMETERS
Quality
Resonance
Pitch
Loudness
Prosody
ABNORMAL VOICE QUALITY - breathy voice
• Breathy voice refers to voice produced with incomplete closure of the vocal folds.
◦ Vocal folds are close enough to vibrate, but a continuous stream of air can escape through opening in the folds during speech.
◦ Escaping air is audible as high-frequency aperiodic noise.◦ Phonation cannot be sustained as long as if air were valved
efficiently (complete seal).◦ Pitch range may also be reduced relative to normal
phonation.
ABNORMAL VOICE QUALITY - rough voice
Rough voice refers to voice produced with aperiodic vibration of the vocal folds.
This may be caused by an asymmetry in the vocal folds, e.g. a mass on one vocal fold.
Extraneous noise is created. Noise is at lower frequencies than the additive noise in breathy voice.
Hoarse voice can refer to a voice quality that is simultaneously rough and breathy.
Recall that these terms are not used in a universally consistent or standard fashion.
HOW DO YOU KNOW WHAT TO
ASSESS? - voice quality
Voice Quality-
Evaluate during a sustained phonation and conversational speech sample
Subjective: Perceptually assess patient’s voice for hoarseness, breathiness, roughness, strained-strangled, harshness, etc
Objective: Assess using measures of jitter, shimmer, harmonics–noise ratio.
Suggested perturbation measures: Jitter: <1%Shimmer: <=3.81% or <.5dB Harmonics-to-noise ratio: >20
Acoustic Assessment:
Acoustics correlates of quality easily assessed during MDVP analysis.
INSTRUMENTAL ASSESSMENT OF VOICE QUALITY: JITTER AND SHIMMER
A periodic waveform has a shape that repeats over time.
Recall that the human voice is nearly periodic, but no two cycles of vocal fold vibration produce identical waveforms.
There are small cycle-to-cycle variations in frequency (jitter) and also in loudness/amplitude (shimmer).
A small amount of jitter and shimmer is a normal property of the human voice.
What causes cycle-to-cycle changes in the waveform?
Vocal folds may be slightly asymmetrical; one fold may have more mucus on it
than the other, creating frequency irregularities.
Fluctuations in lung pressure may affect frequency or loudness.
Air may become turbulent as it passes through the glottis.
Abnormally high cycle-to-cycle variations may indicate pathology such as a mass on one vocal fold.
INSTRUMENTAL ASSESSMENT
OF VOICE QUALITY: HNR
Harmonics-to-noise ratio (HNR):
A harmonic is a whole-number multiple of the
fundamental frequency.
Harmonics are the product of periodic vibration
of the vocal folds.
The human voice also features some aperiodic
noise (irregular vibration, noise of air escaping
if closure is not complete).
HNR compares the loudness of the
harmonics of the vocal source versus
extraneous noise. Higher = better.
NHR (noise-to-harmonics ratio) is the
inverse of HNR.
INSTRUMENTAL ASSESSMENT OF VOICE: QUALITY
Multi-Dimensional Voice Program (MDVP)
Provides robust acoustic analysis of the voice quality of sustained phonation (plots multiple
parameters from a single phonation)
Provides useful pitch information on running
speech although designed for sustained
vocalization
Most effective for pathological voice, may also be
used for motor speech disorders
Task: Client sustains an /ɑ/ vowel sound.
The MDVP automatically measures 30 parameters of the voice sample (including fundamental frequency, jitter, and shimmer) and compares them against built- in normative data.
INSTRUMENTAL ASSESSMENT
OF VOICE: QUALITY - PRAAT
Measures of jitter, shimmer and HNR may be obtained by selecting the desired voice sample area while viewing a sound file – acoustic waveform and spectrogram and selecting Pulses.
HOW DO YOU KNOW WHAT TO ASSESS? - pitch
Pitch-
Evaluate during sustained phonation and conversational sample
Subjective: Perceptually assess patient’s voice for pitch with regard to age, size, and gender.
Objective: Assess fundamental frequency (Hz), compare with normative data.
NOTE: No significant sex differences before puberty.
Average fundamental frequency:
~120 Hz for adult males
~220 Hz for adult females
Average adult male voice is approximately one octave lower than a female’s. Acoustic Assessment:
Evaluate during habitual pitch and pitch range tasks, although all tasks will provide frequency data.
Habitual pitch: Count from 1-10 in a natural voice
Pitch range: Start at a comfortable pitch and then go as high
as you can. Start at a comfortable pitch and then go as low as you can
INSTRUMENTAL ASSESSMENT OF VOICE: FREQUENCY
Habitual pitch: Computer calculates average F0 across a conversational or reading sample.
Perceptual judgment of typical versus atypical
pitch may be misleading: A hoarse or breathy voice is typically perceived with an altered- pitch, although its F0 may not be abnormal.
We will also measure pitch variability (standard deviation of F0 in connected speech sample).
Pitch range (also called maximum phonational frequency range): Difference between speaker’s lowest and highest possible pitches.
◦ Reduced in patients who have trouble adducting the vocal folds due to weakness or mass(es) on the folds.
INSTRUMENTAL ASSESSMENT OF VOICE: FREQUENCY - RTP MODULE – HABITUAL FUNDAMENTAL FREQUENCY
Task: Count to 10 in a normal voice
Following the recording, summary statistics are provided.
Mean habitual fundamental frequencies (F0 's) are typically observed between:
100-150 Hz for adult males
180- 230 Hz for adult females (Awan,
2001).
Example:
26 year old female
Mean fundamental frequency – 141.80
Hz
INSTRUMENTAL ASSESSMENT OF
VOICE: FREQUENCY - RTP MODULE: PITCH RANGE ASSESSMENT
Measures total pitch range of the patientTask: Phonate at comfortable to highest /comfortable to lowest pitchTotal pitch range has been said to provide an important index of laryngeal health (Case, 1996) Often one of the first parameters of vocal capability affected in voice disorders.Normal range depends on age and gender of speaker
HOW DO YOU KNOW WHAT
TO ASSESS? - LOUDNESS
Loudness-
Evaluate during sustained phonation and conversational sample
Subjective: Perceptually assess patient’s voice for loudness during speech activities.
Objective: Assess intensity (dB), compare with normative data.
Suggested average intensity: ~60-70 dB SPL for everyone Intensity range:~50-110 dB SPL for everyone
Acoustic Assessment:
Evaluate during habitual pitch, phonatory respiratory control, and maximum phonation time; all tasks will provide intensity data.
INSTRUMENTAL ASSESSMENT OF VOICE:DURATION AND INTENSITY
• Phonatory/respiratory control◦ Influenced by breath support, efficiency of valving at vocal folds.
• Maximum phonation duration: Speaker sustains an ‘ah’ vowel for as long as possible.
◦ Influenced by breath support, efficiency of valving at vocal folds.
• Dynamic range: Difference between speaker’s softest non-whisper phonation versus loudest phonation.
Varies depending on the pitch being used.Tends to be decreased in Parkinson’s Disease and other conditions affecting muscles of respiration.
INSTRUMENTAL ASSESSMENT OF
VOICE:
DURATION AND INTENSITY - RTP – PHONATORY RESPIRATORY CONTROL
RTP – PHONATORY RESPIRATORY CONTROL
Measures respiratory/phonatory behaviors in a controlled, limited time task
Figure 6.26. Sustained vowel /a/ from a typical voiced adult female speaker.
Task: Sustain “ah” for 6 seconds
The production should be steady with no breaks in phonation.
Can also be used for an evaluation of the degree of periodicity of the sustained phonation.
Periodicity: a measure of the amplitude of the cepstral peak◦ Periodicity value > 20 = a high degree of periodicity.◦ Periodicity value < 20 = a low degree of periodicity and therefore a potential
problem with sustained phonation.
Example:
26 year old female
Sustained phonation for 6 seconds at mean F0 of 234.02 Hz
Perodicity: 46.22
INSTRUMENTAL ASSESSMENT OF
VOICE:
DURATION AND INTENSITY - RTP – MAXIMUM PHONATION TIME (MPT)
RTP – MAXIMUM PHONATION TIME (MPT)
Measures respiratory/phonatory behaviors in a maximum phonation task
Task: To phonate for as long as possible.
MPT: a measure of glottal and/or respiratory efficiency (Prater and Swift, 1984; Awan, 2001).
The MPT is a maximum performance test meant to assess the limits of respiratory/ phonatory function
Low MPT may reveal weaknesses not apparent at lower levels of functioning (Colton et al, 2006; Awan, 2001).
9/27/2022
Norms- Minimal expectations Example:
◦ 26 year old female◦ Sustain phonation–WNL ◦ 20.34sec
INSTRUMENTAL ASSESSMENT OF VOICE:DURATION AND INTENSITY
Using acoustics for assessing/changing pitch/loudness
Games module provides a rich graphical environment for engaging biofeedback to help motivate and stimulate children in speech therapy.
These games provide biofeedback on specific tasks.
◦
For example, one game lets the client pilot an airplane by changing his, or her, pitch; another provides feedback for appropriate loudness.
HOW DO YOU KNOW WHAT
TO ASSESS? - Prosody
Evaluate during conversational sample
Subjective: Perceptually assess patient’s voice for prosodic variation during speech activities.
Objective: Evaluate the degree of frequency variation observed in a speaking sample. Compare with normative data.
◦ Suggested Fo standard deviation during speaking should be 10% or greater than the mean Fo (Awan, 2001).
Acoustic Assessment:
Evaluate during monotone evaluation, although all tasks will provide
frequency data.
INSTRUMENTAL ASSESSMENT OF VOICE
Measures prosodic variability of the voice
Task: Read or speak a passage in a typical voice
F0 contour shows considerable variation reflecting normal intonation.
F0 standard deviation (average variation of the fundamental frequency) should be 10% or greater than the
mean F0 (Awan, 2001)
Example A. F0 SD is approximately 12.48% of the mean F0 (194.61 Hz).
Example B. F0 SD is approximately 4.05% of the mean F0.
HOW DO YOU KNOW WHAT TO ASSESS? - Resonance
Evaluate during sustained phonation and
conversational sample
Subjective: Perceptually assess patient’s voice
for too much or too little nasality during speech
activities.
Objective: Assess using Nasometer to
determine nasalance. Compare with normative
data.
Normative data depends on target utterances.
Nasometer Assessment –
◦ The software offers the option of using written
words, sentences or passages or picture stimuli files from the SNAP test (MacKay/Kummer) for assessment of preliterate children. Additionally, the games program that is included allows children (and adults) to monitor nasalance and provides graphic rewards to the client.
INSTRUMENTAL ASSESSMENT OF
HOW DO YOU KNOW WHATTO ASSESS?
VOICE: MEASURING NASALANCE
A baffle between the nose and mouth separates nasal from oral airflows
Microphones placed on both sides of baffle
Ratio of nasal to oral signal strength = nasalance
Correlates with perceived nasality in speech
RTP: DIADOCHOKINETIC RATES
• Measures the speed, accuracy, and timing of syllable repetitions / provides information about speech subsystem coordination.
Task: Repeat “pataka” as quickly as possible for 2seconds. "
Vocal energy (in dB)
Cursors have been set for an approx. 15 dB range between syllable peaks.
Sample:
• 16 syllables were produced in just under 2 seconds, resulting in approx. 8 syll./sec.
Example 1:
26 year old female client presenting with low pitch.
12 syllable produced in 2 seconds – approx. 6
syll/sec.NOTE: Syllable distance/height
Different acoustic analysis programs available:
Each program may measure the same parameters,
but remember each may use slightly different algorithms to calculate the target values, so expected outcomes may differ slightly.
Recording considerations:
◦ Signal may be distorted by incorrect recording
procedures.