Unit 2 Study Guide Chapter 6-Etruscan and Roman Key Terms Truscan Order Atrium Cistae Composite order Cartouches Hadrians villa Indian triumph of disonysus Undercutting Diptych Exedrae Coffers Oculus Basilica Apses Nave Drill work Intuitive perspective Dado Forum Mausoleum engaged Mega-paleo-neo-lithic Key Works o o o o o o o o o o o o o o o o o o o o o o 6-2 Porta Augusta 6-5 Apollo 6-7 Tomb of the Triclinium 6-8 Tomb of Reliefs 6-9 Sarcophagus from Cerveteri 6-11 the ficroni cista 6-10 Married couple (larth tenties and thanchvil tarna) 6-12 Head of a Man Pg 170-Patrician Carrying portrait bust of two ancestors Pg 172- Pont du Guard 6-16 temple, perhaps dedicated to portunus 6-18 Augustus of Primaporta Pg 176 Ara Pacis Augustae 6-19 gemma Augustea 6-24 plan, House of the Vettii 6-31 portrait of a married couple 6-32 the Arch of Titus 6-36 Young Flavian Woman 6-45 Pantheon 6-53 Commodus as Hercules 6-55 baths of Caracalla 6-66 Constantine the great Unit 2 Study Guide Key Structures 6-16 Temple Perhaps dedicated to protunus Arch of titus Flavian amphitheather Dome of pantheon Key Questions How are women depicted? Were there free standing structures? What kinds of columns are used? Did the romans depict gods? What did the romans and Etruscans paint on? Unit 2 Study Guide Chapter 7 - Jewish, Early Christian, and Byzantine Art Key Terms pillars catacombs narthex cathedral Eucharist syncretism orant lunette narrative image cubicula medallion ambulatory putti oratory cruciform conches naos galleries pendentives squinches icons martyrium relic scriptoria scribes manuscripts scrolls parchment codex iconastasis iconoclasm psalter Key Workso o o o o o o o o o David battling Goliath Ark of the Covenant Wall with Torah Niche The crossing of the Red Sea The Good Shepherd with Adam and Eve after the fall The Good Shepherd Harvesting of Grapes Sarcophagus of Constantina Sarcophagus of Junius Bassus Christ Enthroned Unit 2 Study Guide o Emperor Justinian and his attendants (North wall o o o o o o o o o o o o of apse) Empress Theodora and her attendants (South wall of apse) Sant’ Apollinare in Classe Archangel Michael Rebecca at the well Virgin and Child with Saints and Angels Crucifixion Virgin of Vladimir Harbaville triptych David the psalmist Anastasis Infant Virgin Mary caressed by her parents The Old Testament Trinity (three angels visiting Abraham) Key Questions What are the Roman foundations of Early Christian Key Structures Mosaic floor of the Beta Alpha Synagogue Old St. Peters Church of Santa Sabina Church of Santa Costanza Oratory of Galla Placidia Church of Hagia Sophia Church of San Vitale Monastery Churches at Hosios Lukas Cathedral of Santa Sophia Cathedral of St. Mark The Chora Church & its funerary chapel sculpture? (think about Sarcophagus of Junius Bassus) What is the difference between “iconic” and “narrative” in Early Christian and Byzantine art? How did the different features of basillicas and churches geared towards specific types of Christian worship and devotional practice? How were images used in Byzantine worship and why were images suppressed during Iconoclasm? What kinds of figures are represented and what kinds of stories are told in mosaics of San Vitale and the Chora Church? Unit 2 Study Guide o o o o o o o Chapter 8-Islamic Art Key Terms Mosque Minbar Aniconism Arabesques Ablaq Masonry Jogguled Voussoirs Muqarnas Minaret Qibla Horseshoe Arche Maqsura Kufic Miradors Muqarnas Squinches Key Works o o o o 8.1- The Maqamat of Al-Harir 8.7- Minbar 8.10- Court of the Lions 8.11- Muqarnas Dome 8.12- Tile Mosaic Mihrab 8.14- Bowl with Kufic Border 8.15- The Macy Jug 8.16- Baptistery of St.Louis 8.17- Textile with Elephants and Camels 8.29- Wagner Carpet 8.30- Babur Builds the Bagh-I Wafa Key Structures The Kaaba The Dome of the Rock The Great Mosque Court of the Lions Muqarnas Dome The Shah-I Zinda Funerary Complex Mosque of Sultan Selim Masjid-I Shah Key Questions Contrast the structure of mosques based on their location in the empire. How is Islamic art influenced by Rome or Byzantine? Why does Islamic art have no images of people in religious contexts? What decorative motifs and techniques are used?