Color Hue: When an object reflects a certain wavelength we see the object as having that color. “The name” of a wavelength of light…red, blue, etc. Achromatic “No color” Using only black, white and greys to create art QuickTime™ and a decompressor are neede d to see this picture. Cool Colors Greens, Blues, Purples Think “water” Warm Colors Reds, Pinks, Yellows, Oranges Think “fire” Monochromatic Using ONE color, and various values of that color to create art QuickTime™ and a decompressor are needed to see this picture. Primary Colors QuickTime™ and a decompressor are needed to see this picture. Red, Yellow, Blue Colors that cannot be made Secondary Colors QuickTime™ and a decompressor are needed to see this picture. Orange, Green, Purple Colors that are created by mixing neighboring primary colors together Tertiary Colors (Also known as Intermediate Colors) QuickTime™ and a decompressor are needed to see this picture. Created by mixing a secondary with a neighboring primary Usually have hyphenated names, i.e. yellow-orange, bluegreen, red-violet Complementary Colors QuickTi me™ and a decompressor are needed to see thi s pi ctur e. Colors that appear directly across from one another on the color wheel. Orange and Blue. Green and Red. Yellow and Violet. Even Intermediate have complement colors… such as Red-orange and Blue-green Value The lightness and darkness of a color or tone Shades occur when you mix black with a color making it darker Tints occur when you mix white with a color making it lighter Using Value Art with mostly Light values is said to be “High Key” Art with mostly Dark values is said to be “Low Key” Color Value Intensity or Saturation • How bright or dull a color is; it’s visual strength. • A color’s purity High Intensity Depth of an Image Background Middleground Foreground Pablo Picasso, Old Guitarist (from his Blue Period), 1903 Pablo Picasso, Femme aux Bras Croises (from his Blue Period), 1901 Derrick Buisch, 77 Monsters 2012-2013 Derrick Buisch, 77 Monsters (Details), 2012-2013 Dana Showers, Caught Color Study, 2003 Vincent Van Gough Café Terrace on the Place du Forum, 1888 Vincent Van Gough, The Night Café, 1888 Vermeer, The Milkmaid, 1658 – 60 Monochromatic Complement Paintings • • • • • Choose 2 complementary colors Acrylic paints Mix paints in range of values Subject of your choice Various paint application techniques Lily Smith Megan Gilfillan Erica Weiner Mo Hagen Jay Eberhardt Kari Dyreson Sarah Jackson Mikayla Mrochek Jesse Jones Nicole Kalscheur Krantz Nichole Kelly Painting Techniques http://www.youtube.com/watch?v=3_5Z-eH6OKk Smooth blending Texture with Paint! Using different brushstrokes Pointillism (dots!) Showing brushstrokes and using sgraffito Sgraffito Scratching through the top layer of paint to show the layer below Using an acrylic “wash”