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AP English

Daily Agendas

Wednesday, September 3

• Professor Quiz

• Literary Terms Group Challenge

• Color Code Literary Terms list

HW: Have materials ready for Thursday (we will organize notebooks and binders)

Thursday, September 4

• Wrap up with Group Challenge

– What does it say, how does it say it, what does it mean, why does it matter?

• Color Code Literary Terms List

• Organize Notebooks/Binders

• AP Multiple Choice Passages: poetry and prose

– Do passage

– Discuss roadblocks, strategies, and needs

Friday, September 5

• Finish discussion of AP MC

• Return quizzes and discuss questions that came up

• In groups: read “Underside”

What does it say?

How does it say it?

What does it mean?

So what?

HW: One page essay (approximately 250 words): “Discuss a book that has made a lasting impression on your life”

Questions from Professor

• How can violence be symbolic of something? (Out, Out, and

Beloved)

• Are we going to have a chance to read novels that demonstrate some of what the book taught?

• Is the Bible really used in other novels?

• Why, when snow is just a it colder than rain, can one create and the other destroy?

• What does it actually mean for a sonnet to be square shaped?

Questions Continued

• Do you ever think about the root of all literature?

• Did the author over analyze some of the ideas he wrote? (some of his ideas seem bizarre)

• Why do things like rains have so many double meanings? In other words, rain signifies both illness and fertility.

• How many books that are alluded to in "Professor" have you read?

• Since Foster talks about missing details when you don't know about the background, I wondered if there was anything inexperienced readers in genres discussed might be missing in his analysis.

Sonnet Shape

My mistress' eyes are nothing like the sun;

Coral is far more red, than her lips red:

If snow be white, why then her breasts are dun;

If hairs be wires, black wires grow on her head.

I have seen roses damasked, red and white,

But no such roses see I in her cheeks;

And in some perfumes is there more delight

Than in the breath that from my mistress reeks.

I love to hear her speak, yet well I know

That music hath a far more pleasing sound:

I grant I never saw a goddess go,

My mistress, when she walks, treads on the ground:

And yet by heaven, I think my love as rare,

As any she belied with false compare.

Monday, September 8

• Vocabulary: mottled, tapestry, ambivalence, ambiguous, solidarity

• Discussion: “Underside”

• Questions for “Underside”

HW: Read “How to Mark a Book” and talk to the text.

ambivalent

“ambivalence regarding her work as a waitress”

• Having inconclusive feelings about something or someone

• Adj.

• Ambivalence = noun

ambiguity

Uncertainty An added bonus here is the lack of ambiguity in fairy tales.

Noun

Ambiguous = adj.

tapestry

I imagine the underside of the English language, a garbaged, mottled dreamtangle like the reverse side of a tapestry where each thread runs wild in a course of its own . . . .

A woven fabric

Noun

sagacity

• It doesn’t take any great sagacity to know that

Ezra Pound’s “Sestina:

Altaforte” (1909) is actually a sestina, but I for one am very grateful that he labels it as to form.

Wisdom

Noun

Sagacious = adjective

mottled

I imagine the underside of the English language, a garbaged, mottled dreamtangle like the reverse side of a tapestry where each thread runs wild in a course of its own . . . .

Splotted or blotched in coloring

Adj.

Tuesday, September 9

• Turn in HW

• Review Vocabulary

• Wrap up with “Underside”

• Read “I Wandered Lonely As a Cloud”

-Model think aloud, discuss four questions

• Debate line: How to Mark a Book

HW: Read for at least 20 minutes

Wednesday, September 9

• Poem: “The World is Too Much With Us”

– Think aloud in pairs

– Discuss Four questions

• Return Essays and start Personal Correction area page

• “How To Mark a Book” Debate Line

• HW: Read “Bookends: Should literature be considered useful?”

– Write down a well-crafted sentence.

– Write down a sentence that captures the main theme for

each side.

– Write down a sentence that resonates with you personally.

Diction (word choice)

• Specific words bring readers into the scene

General:

Nice

Specific:

Generous

The door shuts The door thuds

The army wants revenge The army thirsts for revenge

Diction

Depends on Occasion:

• Formal - "I am not sanquine about the decision of the board."

• Informal - "I am not pleased with the board's decision."

• Conversational - "I'm not comfortable about the decision.”

• Colloquial - "I'm not cool with what the brass decided."

• Slang-y-- "I'm ticked off at what the suits did."

• Vulgar -- "I'm royally pissed."

Diction

• Depends on purpose

Inform: Straightforward

Entertain: ironic, playful diction

Diction

Diction can impart freshness and originality to writing.

Words used in unusual ways make us rethink what we know.

What do you notice?

-about the diction in the poems we read yesterday and today?

-about the diction in the book you are currently reading

-about the diction in How to Read Literature Like a Professor

Thursday, September 11

(Do not turn in HW to the tray)

• SSR

• Vocabulary Review

• Third Hour: finish “How to Mark a Book” discussion

• Return articles and discuss levels of notation

• Discuss “What is the Utility of Literature”

• Read “Early Autumn”

• HW: 1. Study for quiz (vocab., readings)

2. Change the general term in the brackets in the paragraph following the story to the specifics from the story. For example,

– Characters: Bill and Mary

Metacognitive Funnel

http://readingapprenticeship.org/wpcontent/uploads/2014/01/RFU-ch-4-metacogfunnel.pdf

Friday, September 12

• Turn in HW to tray

• Quiz

• SSR

• Diction Lesson

HW: Read for at least an hour over the weekend. Be prepared to discuss the diction in your book.

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