America’s Musical Landscape 5th edition PowerPoint by Myra Lewinter Malamut Georgian Court University Prelude: Basic Properties of Musical Sound © 2006 The McGraw-Hill Companies, Inc. All rights reserved Prelude: Basic Properties of Musical Sound Music, an art of organized sounds, is limitless in variety and in the power to enchant and challenge our ears The more we understand the qualities of music, the greater will be our intellectual, emotional, and aesthetic rewards for listening to any kind of music The Elements of Music Rhythm, melody, harmony, timbre The fundamental materials of which music is composed Understanding these elements enhances our listening, provides vocabulary for discussion, increases our capacity to enjoy music © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 2 The Elements of Music: Rhythm Rhythm = The arrangement of time in music The most basic of the elements of music Consisting of arrangements of long and short sounds and silences Rhythmic values are expressed in the familiar terminology of fractions (see table 1, page 2) The specific duration of a musical note depends upon the tempo = The rate of speed at which music is performed Tempo and other musical terms are Italian words adopted into a virtually universal music language in the Western world © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 3 Common Tempo Indications Largo Adagio Andante Moderato Allegro Presto Vivace Molto Non troppo Con brio © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Slow; “broad” Slow; “at ease” Moderately slow; “walking” tempo Moderate Fast; cheerful Very fast Lively Very (allegro molto = very fast) Not too much (allegro non troppo = Not too fast With spirit Prelude: Basic Properties of Musical Sound 4 Meter Similar to language, musical sounds may occur without specific rhythmic organization But when musical sounds are arranged in rhythmic patterns similar to poetry or prose, the music is metered Meter organizes rhythm into units called measures Each measure contains a particular number of pulses, or beats Common meters are Duple (two beats per measure) Triple (three beats per measure) Quadruple (four beats per measure) The first beat of each measure is normally accented, or stressed © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 5 The Elements of Music: Melody Musical sounds, called tones, are caused by something vibrating at a particular frequency, or rate of speed, and are… Relatively high or low in pitch = highness or lowness of sound Tones have letter names, A through G Interval = The distance between two tones Octave = The interval of an eighth; the most basic interval, where two tones share the same letter name and sound nearly alike Keys on a keyboard with the same letter name look the same and have the same position relative to other keys Melody = A meaningful succession of tones of various pitch levels © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 6 Melody: Scales Melodies are based on scales Scales are stepwise rising or descending patterns of pitches within the range of an octave Keyboard Major and minor scales are most prevalent today in Western music; other scales include Modes = seven-note patterns Pentatonic scale = five-note scale represented by the five black keys of the keyboard © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 7 Melody: Further Characteristics Melodies have rhythm Tune = A particularly singable and memorable melody The tones of a melody occur in some order of long sounds, short sounds, or both Such as a children’s song or folk song Motive = A brief fragmentary melodic idea, recurring throughout a piece, particularly in instrumental music © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 8 The Elements of Music: Harmony Harmony = The meaningful combination of two or more different tones Tonality or the tonal system = The system of harmony that has governed Western music for about four hundred years Chord = A meaningful combination of three or more tones Consonant and dissonant sounds Consonant sounds seem to be passive or at rest Dissonant sounds imply tension, drive, or activity © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 9 Tonal Harmony The first tone of a major or minor scale, called the tonic, indicated by the numeral I, represents a kind of home base Western music often begins and usually ends on the tonic The tonic names the key of the composition Example: If the tonic note is A, and the piece is based upon a major scale, the key is A major © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 10 Tonal Harmony: The Dominant and Subdominant Triad = The most basic chord in the tonal system, consisting of three alternate tones Dominant = The fifth step of the scale, as well as the triad built upon the fifth scale step; indicated by the numeral V The dominant wants to go back to the tonic Subdominant = The fourth step of the scale, as well as the triad built upon the fourth scale step; indicated by the numeral IV The I, IV, and V provide the cornerstones of tonal harmony © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 11 Texture Texture = The manner in which melodic lines are used in music— alone, or combined with other melodic lines or with harmony Monophonic texture = Music consisting of only one line of melody Heterophony = The simultaneous sounding of two or more versions of the same melody Polyphonic texture = The simultaneous combination of two or more melodic lines Homophonic texture = A melody accompanied by chords © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 12 Elements of Music: Timbre Timbre = The characteristic quality of the sound of a voice or instrument Timbre = “color” Musical instruments have distinctive timbres according to size, material of which they are made, manner in which they are played, pitch, dynamic level Dynamic level = Level of volume (loudness or softness) of a musical sound © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 13 Dynamic Levels Levels of Volume ______________________________________________________ Italian term Abbreviation English Meaning ______________________________________________________ Pianissimo Piano Mezzopiano Mezzoforte Forte Fortissimo © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. pp p mp mf f ff Very soft Soft Moderately soft Moderately loud Loud Very loud Prelude: Basic Properties of Musical Sound 14 Form and Music Notation Form = the organization or formal design of a musical composition Form is based upon principles of repetition and contrast Movement = A section of a complete work that has its own form and degree of independence, conceived as part of the whole; usually separated from other movements by a pause Music notation (see figure 7, page 10) Staff = The five lines and four spaces on which music is notated Notes = Written musical pitches and rhythms Rests = Notated silences in music Clef = The sign placed at the beginning of the staff, indicating that a particular line represents a specific pitch © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 15 Elements of an American Sound America’s early settlers were culturally diverse; it took time for music to acquire a characteristic American sound Style = A characteristic manner of composition or performance American rhythms, often more flexible than European rhythms, provide American flavor, including Syncopation, the delay or anticipation of accented beats West Springfield Painted by Nelson Augustus Moore (1824-1902 Perhaps you will sense in some American pieces a certain audacity, a generous expressiveness, a peculiar irregularity, or some other scarcely definable attribute that simply “sounds American” © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 16 How to Improve Your Listening Skills Attendance at live performances, plus repeated and concentrated study of the textbook’s listening examples are essential to furthering your understanding and enjoyment of music Approach each listening experience with expectations of enjoyment Try to memorize music as you hear it so that it will quickly become familiar Apply new knowledge to the music you are hearing By listening actively, even creatively, you will participate in the successful collaboration of composer, performer, and listener that makes possible the magnificent experience of enjoying music © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 17 Listening Example 1 Chorus: Love Me tender, love me sweet, Never let me go. You have made my life complete And I love you so. Love Me Tender By George R. Poulton (1828-1867) Lyrics by Elvis Presley Performed by Marty Robbins This American song, first popular with the Union army during the Civil War with the title “Aura Lee,” was popularized again, with new lyrics by Elvis Presley, in 1956. Accompaniment: Guitar Listening guide page 12 Meter: Quadruple (four beats per measure) Tempo: Slow, relaxed Form: Strophic, with verse-chorus structure; a refrain = chorus Each time you listen to this song, try to hear something that escaped your notice before, “stretching your ears” to capture everything! © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 18 Image Credit Slide 16: West Springfield, painted by Nelson Augustus Moore Photo © Corel © 2006 by The McGraw-Hill Companies, Inc. All rights reserved. Prelude: Basic Properties of Musical Sound 19