Introduction to Wuthering Heights British Literature Warm Up for 1/8/2016 In your journal, jot down some life lessons you have acquired from your favorite books. We will be a reading a book review about the life lessons from Emily Bronte’s Wuthering Heights. Read “Life Lessons from Wuthering Heights” by Lindsey Gooden in your small groups and answer the question: What is unique about Wuthering Heights? https://www.youtube.com/watch?v=kUWOCd894-Q Wuthering Heights: Introduction In the late 1700s, Cathy and Heathcliff grow up together at Wuthering Heights, Cathy’s family home on the northern English moors. Wuthering Heights: Introduction Wuthering Heights is a romantic tale of intense, tragic love— the kind of love that leads to madness and destruction. Does Heathcliff and Cathy’s love also bring hope for redemption? Wuthering Heights: Background The landscape of this novel is a raw, powerful force—almost a character in itself. The novel takes place on the moors of Yorkshire in northern England. Wuthering Heights: Background A moor is a large, open area of marshy land. It often has a top layer of peat, or decayed plant matter. Peat may be dried and used for fuel. Wuthering Heights: Background The Yorkshire moors are covered with wild heath, or heather. Wuthering Heights: Background Dark sandstone crags, or cliffs, help create an atmosphere of desolation. Wuthering Heights: Background Emily Brontë lived most of her life in Yorkshire. As children, she and her sisters and brother played on the moors much as Cathy and Heathcliff do in Brontë’s novel. Wuthering Heights: Background Not surprisingly, this landscape helped inspire the dark romanticism of Wuthering Heights. The Setting Wuthering Heights is set in three locations: Wuthering Heights Thrushcross Grange The Yorkshire Moors The Setting: Yorkshire, England Thrushcross Grange Thrushcross Grange and the Moors Gimmerton Valley near Thrushcross Park Looking from the Valley toward the Moors Wuthering Heights Wuthering Heights A story of two Households… Wuthering Heights: Introduction Is true love stronger than death? THE “FRAME NARRATIVE” • • • • Wuthering Heights is highly praised for the unique narrative technique Emily Bronte used to execute the novel, often referred to as a “frame narrative.” The two main narrators are Lockwood and Nelly Dean, but other narrators arise throughout the novel when Nelly quotes what other characters have told her. The frame narrative form of the novel adds complexity for the reader. Lockwood is the outer layer and Nelly the inner layer. Since the story passes through layers, the reader must question the reliability of all that he or she reads. – – Example: Nelly glosses over events to minimize her own guilt. Example: Lockwood is naïve and lacks good judgment. Novel Structure Wuthering Heights is told in medias res. Latin for "in the middle of things.” It usually describes a narrative that begins, not at the beginning of a story, but somewhere in the middle — usually at some crucial point in the action. The purpose in Wuthering Heights is to add a sense of mystery. Industrial Revolution and Social Class Wuthering Heights was written in 1847, which was a time when Capitalism and the Industrial Revolution were the dominant forces of the British economy and society. It was a time of rapid, often confusing, change that led to violence. As a result of the changing economy, the traditional relationships between classes and the social structure began to change. Social Class Evolution While wealth had traditionally been measured by land ownership, the eighteenth century had begun a trend toward a cash-based economy. This created a middle class who were more economically powerful than its landowning superiors (gentry). The power of yeomen, or the respectable farming class, as well as the traditional powerholding gentry was challenged by the newly wealthy capitalists. Social Class Representation in Wuthering Heights (record on family tree) Each of these classes is represented in the novel by various characters. Hareton is a member of the respectable farming class The Lintons are members of the gentry Heathcliff makes his fortune (somewhat mysteriously) as a capitalist Women’s Rights During this time period women’s rights were changing. Why this is relevant: Emily Brontë wrote Wuthering Heights during the beginning of the women’s rights movement in England. The primary concerns of the movement were the lack of women’s right to vote and the lack of married women’s property rights. This property rights issue arises in Wuthering Heights. Romanticism, the Gothic novel, and Wuthering Heights Wuthering Heights contains elements of Romanticism and the Gothic novel. Romantic elements: nature as a powerful spiritual force descriptions of the countryside elevated emotional levels and passion a desire to rise above the limitations of ordinary human existence a strong interest in death a portrayal of opposites – escape and pursuit, life and death isolation, both emotional and geographical elements of the supernatural The Gothic novel Elements of the Gothic novel a castle, sometimes ruined or haunted sinister, ruined buildings extreme landscape and weather death and madness omens ancestral curses terrifying events taboo and sensational topics a suggestion of the supernatural a villain or villain-hero (Byronic hero) driven by passion a heroine wooed by both a good and a dangerous suitor revenge Byronic Hero Heathcliff is regarded as a classic Byronic hero. The Byronic hero was defined by Lord Byron’s epic narrative poem , Childe Harold’s Pilgrimage in 1812. Elements of the Byronic hero: a distaste for social institutions and social norms conflicting emotions or moodiness high levels of intelligence and cunning self-criticism mysterious origins and a troubled past self-destructive tendencies a loner, rejected from society What is it about? “But here’s the thing: Wuthering Heights isn’t really about Heathcliff as a hero, or Cathy as a heroine. Heathcliff himself cautions against ‘picturing in me a hero’. It’s about love. Transcendent love, operatic love, excessive, abandoned love. It’s unreasonable, this olive. It is angst and probably immature. But tornado love is more appealing than postmodern love.” –Samantha Ellis TEXTBOOK CHECK IN AND CHECK OUT Check back in Hamlet and check out your copy of Wuthering Heights. Anticipation Guide Read over the statements and write “agree” or “disagree” on the line. In the space below, write a short rationale for your selection. You may not choose to remain neutral. Homework Read and annotate chapters 1 and 2 of Emily Bronte’s Wuthering Heights.